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NARRATOR: Gob had been preparing for a parade illusion...
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-Here it is. -...to allow him to reunite
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with Tony Wonder.
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Christian magician goes into one closet,
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gay magician into the other, they spin around,
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then you come out of the opposite closets, okay?
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Except now, he's straight and you're gay.
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You could go back and forth the whole parade.
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(sighs)
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-I love it. -Yeah. (chuckles)
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But the big question is: will Tony? I mean, sometimes,
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I'm really into something, and he hates me.
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Well, there's only one way to know.
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NARRATOR: And so Gob called a man
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he had tried to forget by purchasing
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a closet conversion store in the first place.
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It's hard to explain.
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Yeah. Okay.
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Okay.
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Okay. Sure.
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-He's in. -ALL: Yeah!
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And breathe a word about this to anybody and you're fired.
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NARRATOR: Now the story of a wealthy family
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who lost everything, and the one son who had no choice
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but to keep them all together.
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♪ ♪
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It's...
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NARRATOR: Lucille was visiting Buster
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for the first time since his incarceration.
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GUARD: Five minutes.
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Well, I'm not going to be the one who apologizes,
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if that's what you're waiting for.
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-Well, I'm sorry, but... -Apology accepted.
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Uh...
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No, you said it.
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You said "I'm sorry."
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You said the words.
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Did I exaggerate about her?
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She really is just like the mother in Two and a Half Men.
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No, you did not.
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Start watching that show? Yes, I did, Mother.
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And you lied to me.
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There's no scary half-man that I couldn't handle.
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I don't approve of that show.
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Well, there's a lot of stuff I've done
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in this prison that you might not approve of.
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I touched a mouse.
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I read an illustrated Qur'an for kids, and at recess once,
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I sat in "Blacks only."
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Yard.
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Oh, I keep doing that.
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But maybe what you really don't approve of is... me.
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If you must know the truth, I'm not thrilled with you.
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-Okay. -The last time I saw you,
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you told me you didn't need me anymore.
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BUSTER: Okay-- So I'm to believe
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that's what you're upset about? (laughs)
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Not that you think I'm a murderer?
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Or that I touched a mouse?
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I happen to know for a fact
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-you're not a murderer. -What?
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Lucille 2's fine,
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but she can't come back right now.
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You know where she is?
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-I know who she's with, -(Buster gasps)
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and that's all I can say.
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Why don't you say it to someone to get me out of here?
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I can't do that right now.
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You'll just have to sit tight and trust me
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for a little while longer.
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(chuckles) So it's like that again.
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History repeats.
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You remember that?
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I remember you paying me off
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by letting me go to the Fourth of July parade,
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but I'm a man now.
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Paying me off isn't gonna be that easy.
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You'll need the warden's permission, and then
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you'll have to sponsor me for my furlough, and they probably
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won't let me on the float again, but that's just...
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Oh, God, it's still the parade, isn't it?
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We're still talking about...
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Oh, we're talking about it!
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Buster, please.
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The parade's in two days.
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The whole city will be there.
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The last thing this family needs right now
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is a Bluth in a chain gang, picking up trash.
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Well, it's either that, or I'm gonna start spewing it.
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And your job's not gonna be easy since,
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of course, I got dinged because I screamed, "Turn it off!"
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after they showed the half-man.
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It's like they need another reason to call me...
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-Half-man? -...Jon Cryer.
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Oh.
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NARRATOR: Soon, George Michael sought out Maeby
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where she was living
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-as the sexagenarian Annette... -MAEBY: One minute!
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-It's me. It's me. -Oh, where are my glasses?
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Oh, they're right on top of my head, for God's sake.
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It's me. It's me.
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-Hey. -In. Come in.
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NARRATOR: ...who wasn't feeling very sexagenaric.
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So, you're not gonna believe this...
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What are you doing?
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I'm doing another scrub and run.
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My sex date is tonight,
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and there's no other way out of it.
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And honestly, if I wanted a hairless lover,
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I'd probably go underage rather than overage, you know?
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-What's that? -No, I mean, not that I would do it on purpose.
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I'm just saying if I had a gun to somebody's head.
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-If you had a... -What do you want me to do?
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You want me to shoot a kid? What kind of monster are you?
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I'm not sure how I became the monster there,
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but what happened to your plan to make Annette forgetful?
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Like, she can't keep track of things, to get out of the date?
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Well, it ended up having the opposite effect.
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NARRATOR: Because when Maeby showed up late,
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she saw something troubling.
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Oh, what a relief.
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I thought you disappeared on me.
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-(chuckles) -(Maeby chuckles weakly)
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Mwah. Thank God.
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Before I could even act confused,
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he had already called the cops.
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NARRATOR: Well, not exactly.
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-They weren't cops. -This is wonderful.
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I've always wanted to be a Keystone Cop.
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It would be my honor to wear this handlebar mustache
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-in the 2nd of July parade. -LOU: That's right.
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It's your first parade not playing the jailbird.
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So you should know,
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those can be tricky to stick on.
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Hey. I think I know what I'm doing.
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Kind of what I'm doing.
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MAEBY: And these were, like, senior guys, you know?
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Long coats. He's not gonna let her go,
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which means I have to.
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Good-bye, Annette.
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Good-bye to our teeth that make it look like I'm smiling
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so I don't have to.
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And you, I'll miss you most of all,
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neighbor's pain medication.
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(voice breaking): I never even got the chance...
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Nah, I'll just take you with me.
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So, now that you found out your dad's sneaking around
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with your girlfriend, looks like you need a roommate, too, huh?
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No, that's what I came to talk to you about.
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He wasn't going to see Rebel in Mexico.
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The whole thing was just a crazy, paranoid idea.
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Who knows where we get these ideas from, right?
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Well, you. I got that from you. It's always from you.
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Oh, yeah, I was gonna say that sounded like one of mine.
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Yeah, so I was going down there to catch my father in this lie,
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and it turns out that I was the one caught in a lie,
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because there's a picture of the stair car in Mexico.
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NARRATOR: Something George Michael discovered
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while trying to be honest with his father,
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on the way to purchasing 12 new tires.
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So, George Michael,
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-why did you follow me down here? -The truth?
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I-I thought you were coming down here to meet Rebel.
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Come on, I'm so over Rebel.
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GEORGE MICHAEL: You were lying about so many other things,
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Pea Soup Andersen's and being at the barbecue...
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MICHAEL: No, no, you're right.
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How about, starting right now, no more lies.
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BARRY: That doesn't include me, though, does it?
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MICHAEL: No, no, no. You'd be out of business, and by the way,
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Barry, you had the best lie of all,
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saying that they had a picture
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of-of Lucille 2 and Oscar in the stair car.
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That is not a lie. You said, "Keep it as real as possible."
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Prismo, texting mode.
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AUTOMATED VOICE: Self-drive on.
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MICHAEL: This was real? If they've got this,
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there's no reason for them to hold Buster and they know it.
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-Did you know about this, Dad? -GEORGE SR.: Are you kidding?
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Thanks to your mother, I can't even feel
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-your son on my lap. -Can I see that, Dad?
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MAEBY: Ugh, so Lucille 2 is alive? Great.
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Another reason I got to get the hell out of here.
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No, it wasn't her, it was us.
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From when we went to Mexico with Steve Holt.
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Don't you remember how we got there?
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NARRATOR: It was just after Cinco
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when Maeby suggested fleeing the country.
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Screw it. No rules, anything goes.
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-Just the cousins. -Hey, why don't we take that?
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STEVE: Primos! (laughs)
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So anyway, now my dad and everyone else
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thinks that they have proof that's gonna exonerate Buster
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that I know isn't true.
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And I'm not sure whether I should...
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Lie to him.
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What do you think?
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Oh, okay. You just told me. Really?
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Even though we just left
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the stair car there when it broke down?
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I mean, what if they find it?
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I'm sure somebody got it working and it's long gone.
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And it's not like you're actually lying to your dad.
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You're just letting him believe something that isn't true.
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You know? Like how people think the world's melting
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because people drive cars,
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or that Hillary should continue to roam free.
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NARRATOR: And Maeby realized
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she had something else to say good-bye to.
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Good-bye, Fox & Friends.
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NARRATOR: Meanwhile, Lucille was growing concerned
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that her daughter Lindsay
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wouldn't be back in time for the parade.
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REPORTER: Sally, Sally, where are you headed?
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I think the more important question here is:
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where is my opponent, Lindsay Bluth?
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Maybe she's hiding behind this wall she wants to build.
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If she does indeed show up at the parade,
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I will be very surprised, though I may not look it.
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-No further questions. -(knocking on door)
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-Hey, hey. -(sighs)
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Oh, George, I've been worried sick.
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About Buster being stuck in-in that jail.
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They are making him a patsy, parading him around,
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frightening the masses before the Fourth of July.
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It's on the second this year.
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And being in the parade was his idea, like it was in 1982.
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We're trying to get Lindsay elected,
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and Buster wants everyone in the world
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to see him in an orange jumpsuit.
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-So he'll be out in public? -I don't want to tell you
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what I had to give the warden to make that happen.
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I don't want to hear it.
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Meanwhile, we still don't have a Lindsay,
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and Sally is calling us out about it.
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We've got this elaborate float to help distract from the fact
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that there's no stair car this year,
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-and nobody to put on it. -(phone buzzing)
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-Ugh, God. -Fortunately, Tobias was finally calling.
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Oh, thank God, it's Tobias.
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You better have found my daughter.
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Sally is now in the race, and she's pointing out
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that no one has seen Lindsay in a week.
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Yes. I didn't want to get your hopes up,
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but I'm in Mexico and I have found Lindsay...
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-Oh, thank God. -...to be very stubborn.
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Oh, damn it,
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I just did exactly what I said I wouldn't do.
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Anyway, I'm at Ma Bark's,
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and she tells me Lindsay should be back this afternoon,
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before I'm out of my postal plumage. Of course,
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when she does come back,
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I'll still need to get her into the car.
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Well, say whatever you need to.
255
00:09:59,700 --> 00:10:01,410
Yes. I was thinking I would just say,
256
00:10:01,500 --> 00:10:03,700
"Your mother is so sorry she upset you."
257
00:10:03,790 --> 00:10:05,160
Out of the question.
258
00:10:05,250 --> 00:10:08,200
(sighs) Yes. It felt a little out of character.
259
00:10:08,290 --> 00:10:10,250
How about I just make it about me?
260
00:10:10,330 --> 00:10:12,540
"It's incredibly important to me and my life..."
261
00:10:12,620 --> 00:10:15,040
Where is this going?
262
00:10:15,120 --> 00:10:16,500
"...and if you do this for me,
263
00:10:16,580 --> 00:10:18,250
"I'm sure Lucille will make me permanent member
264
00:10:18,330 --> 00:10:19,700
of the Bluth family."
265
00:10:19,790 --> 00:10:21,870
That way, you're not lying to Lindsay...
266
00:10:21,950 --> 00:10:25,370
You are. Well, that sounds like the best
267
00:10:25,450 --> 00:10:28,330
of our diplomatic options,
268
00:10:28,410 --> 00:10:30,250
but you're in Mexico, for God's sake.
269
00:10:30,330 --> 00:10:33,540
Please tell me you prepared a few "against her wills."
270
00:10:33,620 --> 00:10:36,750
(chuckles) Oh, my gosh. I do miss that wit, Mother.
271
00:10:36,830 --> 00:10:39,160
It's Mrs. Bluth. I wasn't joking.
272
00:10:39,250 --> 00:10:41,250
And you're right, we need her standing,
273
00:10:41,330 --> 00:10:44,120
and dressed and ready for the parade.
274
00:10:44,200 --> 00:10:47,410
On it. In the meantime, wow, what a trip! (laughs)
275
00:10:47,500 --> 00:10:49,160
Murphybrown saw an armadillo,
276
00:10:49,250 --> 00:10:51,830
men held us up at gunpoint, and I got to dress up
277
00:10:51,910 --> 00:10:53,330
-as an os... -(sighs)
278
00:10:53,410 --> 00:10:55,250
NARRATOR: It would be five minutes before he would realize
279
00:10:55,330 --> 00:10:57,620
she was no longer on the phone.
280
00:10:57,700 --> 00:11:00,700
And, as Tobias awaited bringing Lindsay home,
281
00:11:00,790 --> 00:11:03,250
Maeby was reluctantly leaving hers.
282
00:11:03,330 --> 00:11:05,500
You're Annette's granddaughter, aren't you?
283
00:11:05,580 --> 00:11:07,790
Yeah, I am. (chuckles)
284
00:11:07,870 --> 00:11:09,410
I'm getting out of here.
285
00:11:09,500 --> 00:11:10,870
Saying good-bye to her.
286
00:11:10,950 --> 00:11:12,500
Well, she's in good hands.
287
00:11:12,580 --> 00:11:15,160
Stan would do anything for your grandmother.
288
00:11:15,250 --> 00:11:18,410
If that woman told him to jump off a bridge, he would.
289
00:11:18,500 --> 00:11:21,200
He would, wouldn't he?
290
00:11:21,290 --> 00:11:23,910
NARRATOR: And she found herself feeling reflective.
291
00:11:24,000 --> 00:11:26,080
(indistinct conversations)
292
00:11:31,580 --> 00:11:33,080
Nah, I love this place.
293
00:11:33,160 --> 00:11:34,830
I'll just tell him it's over, and kick him out.
294
00:11:37,700 --> 00:11:39,660
NARRATOR: It was the 2nd of July,
295
00:11:39,750 --> 00:11:41,290
and the Funkes had just finished
296
00:11:41,370 --> 00:11:44,540
working off their water and phone debt.
297
00:11:44,620 --> 00:11:46,000
I guess you earned your shower.
298
00:11:46,080 --> 00:11:48,830
Ugh. This thing does not breathe.
299
00:11:48,910 --> 00:11:51,540
I'll tell you who doesn't bitch like that, your son.
300
00:11:51,620 --> 00:11:53,450
I'll give you 500 bucks cash
301
00:11:53,540 --> 00:11:55,750
for this youngin' right now.
302
00:11:55,830 --> 00:11:58,330
NARRATOR: And maybe that's when Tobias learned
303
00:11:58,410 --> 00:12:00,500
what it meant to be a father.
304
00:12:00,580 --> 00:12:02,580
(indistinct mumbling)
305
00:12:12,290 --> 00:12:13,700
(continues mumbling)
306
00:12:19,830 --> 00:12:22,580
My son is not for sale.
307
00:12:22,660 --> 00:12:24,040
Thanks, Dad.
308
00:12:24,120 --> 00:12:26,120
MA BARK: Then shower's off. There's your wife.
309
00:12:26,200 --> 00:12:27,370
Now you can both go.
310
00:12:27,450 --> 00:12:29,410
Lindsay?
311
00:12:30,660 --> 00:12:33,450
-Tobias? -DeBrie?
312
00:12:33,540 --> 00:12:36,910
No, you were right the first time. Uh...
313
00:12:37,000 --> 00:12:38,660
(whispering): I've been pretending to be Lindsay
314
00:12:38,750 --> 00:12:41,540
the past few months, on account of Marky's face blind.
315
00:12:41,620 --> 00:12:43,410
But Marky's buying it.
316
00:12:43,500 --> 00:12:45,450
You should hear him: "Oh, Lindsay, you've let yourself go.
317
00:12:45,540 --> 00:12:48,660
Oh, Lindsay, why'd you stop showering?"
318
00:12:48,750 --> 00:12:50,660
You're missing some back teeth, there.
319
00:12:50,750 --> 00:12:52,700
Yeah. Just like that.
320
00:12:52,790 --> 00:12:54,700
But I don't think I can be Lindsay anymore.
321
00:12:54,790 --> 00:12:56,250
They're so critical.
322
00:12:56,330 --> 00:12:59,160
And... I fall apart at criticism.
323
00:12:59,250 --> 00:13:02,580
And Marky doesn't see me for who I really am.
324
00:13:02,660 --> 00:13:04,160
I see you for who you are.
325
00:13:04,250 --> 00:13:06,250
DeBrie Bardeaux.
326
00:13:06,330 --> 00:13:08,120
A first-class Lindsay Bluth impersonator.
327
00:13:08,200 --> 00:13:10,200
Now, let's go to Newport Beach, and you can be Lindsay there.
328
00:13:10,290 --> 00:13:12,700
-Oh, I can't go back to Newport, -(engine starts)
329
00:13:12,790 --> 00:13:14,910
'cause that's where Marky's headed right now,
330
00:13:15,000 --> 00:13:18,330
to protest the 2nd of July parade with a paint bomb.
331
00:13:21,290 --> 00:13:22,540
-(car horn honking) -You know what?
332
00:13:22,620 --> 00:13:24,330
I could go to Newport.
333
00:13:24,410 --> 00:13:26,580
-Let's do it. -NARRATOR: And soon, preparations
334
00:13:26,660 --> 00:13:27,580
for the 2nd of July parade
335
00:13:27,660 --> 00:13:29,580
were underway.
336
00:13:29,660 --> 00:13:31,500
We're 20 minutes from float-off.
337
00:13:31,580 --> 00:13:32,750
Ugh, but at least nobody's noticed
338
00:13:32,830 --> 00:13:34,750
that the stair car's not here.
339
00:13:34,830 --> 00:13:37,500
And that's when Sally arrived in a float
340
00:13:37,580 --> 00:13:39,120
that would make sure they did notice.
341
00:13:39,200 --> 00:13:41,120
Oh, hello.
342
00:13:41,200 --> 00:13:42,870
What do you think of the new stair car?
343
00:13:42,950 --> 00:13:44,660
I had to make one, because yours disappeared.
344
00:13:44,750 --> 00:13:46,790
Sally Sitwell.
345
00:13:46,870 --> 00:13:48,870
Well, you're no stranger to stuffing tissue places
346
00:13:48,950 --> 00:13:50,290
when you don't have the goods.
347
00:13:50,370 --> 00:13:52,200
Well, what we don't have is the candidate
348
00:13:52,290 --> 00:13:54,200
that would've been Lindsay's opponent.
349
00:13:54,290 --> 00:13:55,910
But we made one, and put her up top.
350
00:13:56,000 --> 00:13:59,200
Although, she's not as hollow as your candidate.
351
00:13:59,290 --> 00:14:00,580
Uh, where is she?
352
00:14:00,660 --> 00:14:02,040
Uh, she went off somewhere to pretty herself up
353
00:14:02,120 --> 00:14:03,160
for the parade.
354
00:14:03,250 --> 00:14:05,500
Aren't you in it, too?
355
00:14:05,580 --> 00:14:06,750
Ticktock.
356
00:14:06,830 --> 00:14:08,330
The sun is nobody's friend.
357
00:14:08,410 --> 00:14:12,500
Speaking of which, where is that friendless son of yours,
358
00:14:12,580 --> 00:14:13,870
Buster?
359
00:14:13,950 --> 00:14:15,580
Is it true he's in prison?
360
00:14:15,660 --> 00:14:18,540
Well, yes, in the Keystone Cops skit
361
00:14:18,620 --> 00:14:20,500
in your father's old role.
362
00:14:20,580 --> 00:14:23,330
Something Buster had only discovered
363
00:14:23,410 --> 00:14:24,750
-moments earlier. -Mr. Bluth, you're not on cleaning detail.
364
00:14:24,830 --> 00:14:26,330
What?
365
00:14:26,410 --> 00:14:30,040
Is this because I accidentally choked Ron Howard?
366
00:14:30,120 --> 00:14:31,750
Because they already made me pay for that.
367
00:14:31,830 --> 00:14:32,910
They chopped your hand off?
368
00:14:33,000 --> 00:14:35,450
No, they just downgraded me to a manual.
369
00:14:35,540 --> 00:14:38,290
Listen, I don't mean to namedrop,
370
00:14:38,370 --> 00:14:40,790
but Mother was supposed to have already arranged for me
371
00:14:40,870 --> 00:14:42,080
to follow the parade.
372
00:14:42,160 --> 00:14:43,330
Sorry.
373
00:14:43,410 --> 00:14:44,750
I got a note from the warden himself.
374
00:14:44,830 --> 00:14:47,830
You're in a cage on a Keystone Cop float.
375
00:14:47,910 --> 00:14:49,870
What?
376
00:14:49,950 --> 00:14:51,370
You mean I'm in the parade? (gasps)
377
00:14:51,450 --> 00:14:54,370
Are there dressing rooms for the talent?
378
00:14:54,450 --> 00:14:55,950
Oh, well, at least Buster's being held.
379
00:14:56,040 --> 00:14:58,750
Which is more than he had as a child.
380
00:14:58,830 --> 00:15:00,950
NARRATOR: Sally wasn't that sweet after all.
381
00:15:01,040 --> 00:15:04,080
When this is all over, let's get coffee.
382
00:15:05,620 --> 00:15:06,870
(inhales)
383
00:15:06,950 --> 00:15:09,250
And Tobias made sure his son was occupied
384
00:15:09,330 --> 00:15:11,290
while DeBrie prepared for her role as Lindsay.
385
00:15:11,370 --> 00:15:12,370
TOBIAS: I will leave you here
386
00:15:12,450 --> 00:15:14,160
and what could be more exciting
387
00:15:14,250 --> 00:15:15,620
than to be backstage
388
00:15:15,700 --> 00:15:19,040
♪ At a parade? ♪
389
00:15:19,120 --> 00:15:21,580
♪ ...ade. ♪
390
00:15:21,660 --> 00:15:25,000
♪ Being watching the parade. ♪
391
00:15:25,080 --> 00:15:26,660
No. With the curb huggers? No.
392
00:15:26,750 --> 00:15:29,540
I meant, for one whose dream it is to be a clown.
393
00:15:29,620 --> 00:15:31,450
Oh, yeah, 'cause he'd be, like,
394
00:15:31,540 --> 00:15:35,250
"This is the one place where I'm not embarrassed of my dream."
395
00:15:35,330 --> 00:15:38,750
Hey, no. Never apologize for your dream.
396
00:15:38,830 --> 00:15:41,080
No. I was-I was making fun of the guy.
397
00:15:41,160 --> 00:15:42,500
What guy?
398
00:15:42,580 --> 00:15:44,870
Whose dream-- whose dream it is.
399
00:15:44,950 --> 00:15:46,330
It's your dream.
400
00:15:46,410 --> 00:15:47,750
We just talked about dreams,
401
00:15:47,830 --> 00:15:50,540
and you said you could unicycle and juggle.
402
00:15:50,620 --> 00:15:53,120
Oh! That's because my uncle,
403
00:15:53,200 --> 00:15:55,540
he taught me that stuff, when he used to come over
404
00:15:55,620 --> 00:15:57,370
to cheer me up on Father's Day.
405
00:15:57,450 --> 00:15:59,620
Robbie knows how to juggle?
406
00:15:59,700 --> 00:16:01,120
Who's Robbie?
407
00:16:01,200 --> 00:16:03,660
(laughing): Oh. Yes, of course.
408
00:16:03,750 --> 00:16:04,910
You wouldn't know my brother.
409
00:16:05,000 --> 00:16:07,750
Are you one of our parade clowns?
410
00:16:07,830 --> 00:16:09,750
Me? No, I'm too shy.
411
00:16:09,830 --> 00:16:12,080
No-- yes, yes, he... yes, he is. Yes.
412
00:16:12,160 --> 00:16:14,790
T-This is, uh, Relucto, the apprehensive clown.
413
00:16:14,870 --> 00:16:16,410
No, I'm not, where do you...
414
00:16:16,500 --> 00:16:17,910
There's the catchphrase.
415
00:16:18,000 --> 00:16:19,080
Let's get you into a chair.
416
00:16:19,160 --> 00:16:21,540
Well, I-I bet right now,
417
00:16:21,620 --> 00:16:23,790
there's a very, very jealous fan out there who would-who would
418
00:16:23,870 --> 00:16:27,370
give anything to-to trade places with you and get up on that...
419
00:16:27,450 --> 00:16:29,200
No, I can't, because I have to be her husband
420
00:16:29,290 --> 00:16:31,000
in that stupid Lindsay float.
421
00:16:31,080 --> 00:16:33,500
Come on, let's go. Let's go.
422
00:16:33,580 --> 00:16:35,500
Meanwhile, Gob was second-guessing his float,
423
00:16:35,580 --> 00:16:38,040
as he waited for Tony Wonder, who had yet to show up.
424
00:16:38,120 --> 00:16:39,870
-Aw, damn it! -Hey, Gob, have you seen Mom?
425
00:16:39,950 --> 00:16:42,290
No. Um, hey, how would you like to help me
426
00:16:42,370 --> 00:16:44,500
in a double-closet sexuality switch
427
00:16:44,580 --> 00:16:45,950
two-hander float illusion,
428
00:16:46,040 --> 00:16:48,540
no credit, no money? Oh, and you turn gay.
429
00:16:48,620 --> 00:16:50,830
-I'll pass. -Yeah, that's what I thought of you.
430
00:16:50,910 --> 00:16:52,290
Look, we're gonna pull out of here in five minutes,
431
00:16:52,370 --> 00:16:53,500
and Tony's not here; what if he doesn't show?
432
00:16:53,580 --> 00:16:54,910
Gob, you'll be fine.
433
00:16:55,000 --> 00:16:56,080
Do you remember high school commencement,
434
00:16:56,160 --> 00:16:57,450
when they asked you to represent all the kids
435
00:16:57,540 --> 00:16:59,450
that were being left back, and then you had
436
00:16:59,540 --> 00:17:00,500
to quickly find a replacement for Buster
437
00:17:00,580 --> 00:17:02,370
who was too afraid to be sawed in half?
438
00:17:02,450 --> 00:17:03,660
So you're saying nothing's worse
439
00:17:03,750 --> 00:17:05,410
than the sound of the dog screaming?
440
00:17:05,500 --> 00:17:07,330
No, I just meant you're not a very good magician.
441
00:17:07,410 --> 00:17:11,120
And that's when Gob noticed a less discerning brother,
442
00:17:11,200 --> 00:17:14,450
who also happened to be his former magician's assistant.
443
00:17:14,540 --> 00:17:15,830
GOB: Hey.
444
00:17:15,910 --> 00:17:18,750
-Hey. -Oh.
445
00:17:18,830 --> 00:17:20,830
-Sup. Listen, I'm glad you're here. -Sup...
446
00:17:20,910 --> 00:17:22,330
I might need you to fill in for Tony Wonder
447
00:17:22,410 --> 00:17:23,950
-in my illusion. -Mm.
448
00:17:24,040 --> 00:17:25,450
It's gonna involve you being put into a small,
449
00:17:25,540 --> 00:17:27,290
confined space, and you come out gay.
450
00:17:27,370 --> 00:17:30,870
If that's a swipe about me being in prison, I understand it.
451
00:17:30,950 --> 00:17:32,500
Oh, right, you're in prison.
452
00:17:32,580 --> 00:17:33,750
What are you doing here?
453
00:17:33,830 --> 00:17:35,080
Well, Mom arranged it.
454
00:17:35,160 --> 00:17:36,950
Although, it is nice to be able to see family again,
455
00:17:37,040 --> 00:17:38,750
because, not to be rude,
456
00:17:38,830 --> 00:17:40,500
-but you didn't visit me in... -Oh, there's a dog.
457
00:17:40,580 --> 00:17:42,950
And Tobias and a nervous DeBrie
458
00:17:43,040 --> 00:17:45,000
approached Lucille to pitch their deception.
459
00:17:45,080 --> 00:17:48,000
Tobias, and if it isn't... what is it again?
460
00:17:48,080 --> 00:17:49,830
-LeTrasha? -Hello, again.
461
00:17:49,910 --> 00:17:53,660
Those last few teeth aren't going without a fight, are they?
462
00:17:53,750 --> 00:17:55,950
-Mm, thank you. -So where's Lindsay?
463
00:17:56,040 --> 00:17:58,160
-You said you had Lindsay. -TOBIAS: Yes.
464
00:17:58,250 --> 00:18:00,540
But it turned out to be the professional actress DeBrie.
465
00:18:00,620 --> 00:18:03,290
The only acting this one's good at is feigning interest
466
00:18:03,370 --> 00:18:05,200
in her drug dealer's hobbies.
467
00:18:05,290 --> 00:18:08,200
You do see a lot of aquariums. But she was coming off
468
00:18:08,290 --> 00:18:11,200
a three-month run as Lindsay
469
00:18:11,290 --> 00:18:15,250
in front of a sold-out audience of one face blind man.
470
00:18:15,330 --> 00:18:19,040
The point is, if she can fool him, why not have her violate
471
00:18:19,120 --> 00:18:20,910
federal election guidelines by fooling
472
00:18:21,000 --> 00:18:23,870
the entire electorate as the next representative
473
00:18:23,950 --> 00:18:27,700
of the great 48th congressional district of Californ-i-ay?
474
00:18:27,790 --> 00:18:30,500
Upon a float where, unless she gives a perfect performance,
475
00:18:30,580 --> 00:18:32,910
she goes to jail for fraud.
476
00:18:33,000 --> 00:18:34,750
Fine. You've left me no choice.
477
00:18:34,830 --> 00:18:37,000
Maybe if you turn away from the bleachers
478
00:18:37,080 --> 00:18:39,580
and cover your face with your hand...
479
00:18:39,660 --> 00:18:42,790
I'm sure that's not the first time you've been told that.
480
00:18:42,870 --> 00:18:44,370
Oh, God, no.
481
00:18:44,450 --> 00:18:45,790
I can't do this. T-This is...
482
00:18:45,870 --> 00:18:47,040
-TOBIAS: No, no, no. -...why I gave this up.
483
00:18:47,120 --> 00:18:48,410
-DeBRIE: Shy. -No. No, you can.
484
00:18:48,500 --> 00:18:49,830
-You can do this. -No.
485
00:18:49,910 --> 00:18:51,620
-No, no, no. Shy. -You can't be this critical.
486
00:18:51,700 --> 00:18:53,250
Not too shy, not shy. No-- happy, good.
487
00:18:53,330 --> 00:18:55,040
(announcer speaking indistinctly)
488
00:18:55,120 --> 00:18:57,370
Good, happy, not sad. Don't worry, Lucille.
489
00:18:57,450 --> 00:18:58,830
I've got this covered.
490
00:18:58,910 --> 00:19:00,200
I-- no, no, no. Shy.
491
00:19:00,290 --> 00:19:02,370
-Sad, shy. Sad... -Just get her up there!
492
00:19:02,450 --> 00:19:04,410
And so, the parade finally began.
493
00:19:04,500 --> 00:19:06,200
Although, "finally" might not be the right word,
494
00:19:06,290 --> 00:19:10,080
because it was still two days before the Fourth of July,
495
00:19:10,160 --> 00:19:13,950
and one day before the big fireworks show on the 3rd.
496
00:19:14,040 --> 00:19:17,500
Welcome to the third annual 2nd of July Fourth of July parade.
497
00:19:17,580 --> 00:19:19,790
To start the festivities, please welcome
498
00:19:19,870 --> 00:19:21,660
the Milford Academy marching band,
499
00:19:21,750 --> 00:19:23,000
known throughout the state
500
00:19:23,080 --> 00:19:25,750
as California's quietest marching band.
501
00:19:25,830 --> 00:19:28,660
Let's all be perfectly still and see if we can hear them.
502
00:19:28,750 --> 00:19:30,700
("You're a Grand Old Flag" playing very faintly)
503
00:19:45,200 --> 00:19:47,000
MICHAEL: There you are.
504
00:19:47,080 --> 00:19:49,040
And Michael finally caught up
505
00:19:49,120 --> 00:19:50,750
-with his mother. -Hello, Mother.
506
00:19:50,830 --> 00:19:52,750
(gasps) Michael.
507
00:19:52,830 --> 00:19:55,700
Please tell me you're back, no one new has been arrested
508
00:19:55,790 --> 00:19:58,370
and that your father is on the way, but first, a kiss.
509
00:19:58,450 --> 00:20:01,620
-Hmm. -There are cameras everywhere.
510
00:20:01,700 --> 00:20:04,040
Well, that... something you ought to have thought of
511
00:20:04,120 --> 00:20:08,080
with regard to Lucille 2 and Oscar in Mexico.
512
00:20:08,160 --> 00:20:09,750
LUCILLE: I can't believe they were so stupid as to flee town
513
00:20:09,830 --> 00:20:12,410
-in the stair car. -Mm-hmm. Mom?
514
00:20:12,500 --> 00:20:15,410
Come on, you knew that Lucille 2 was with Oscar,
515
00:20:15,500 --> 00:20:17,120
and you let your son sit in prison
516
00:20:17,200 --> 00:20:18,830
instead of telling anyone.
517
00:20:18,910 --> 00:20:21,160
Knew? Michael, I can't...
518
00:20:21,250 --> 00:20:24,330
I mean, the thought that I wouldn't run to the D.A.
519
00:20:24,410 --> 00:20:25,750
-(crying): the moment I-- -Mom. Please.
520
00:20:25,830 --> 00:20:27,830
Do you have a tissue?
521
00:20:27,910 --> 00:20:29,950
You haven't needed a tissue since Nixon resigned.
522
00:20:30,040 --> 00:20:31,660
I think that you asked Oscar
523
00:20:31,750 --> 00:20:33,540
to take her out of town, didn't you?
524
00:20:33,620 --> 00:20:34,750
I think that you needed her out of the country
525
00:20:34,830 --> 00:20:36,160
so that you could, what?
526
00:20:36,250 --> 00:20:38,620
-Plunder her business? -Now, listen,
527
00:20:38,700 --> 00:20:41,290
nobody was hurt, everybody's getting what they deserve.
528
00:20:41,370 --> 00:20:42,750
Buster's in prison.
529
00:20:42,830 --> 00:20:44,410
No, he's in a parade.
530
00:20:44,500 --> 00:20:47,450
He's just playing a prisoner.
531
00:20:47,540 --> 00:20:50,160
At least, that's what it looks like to everyone here.
532
00:20:50,250 --> 00:20:53,870
Look, I did what I had to do to save this family.
533
00:20:53,950 --> 00:20:55,950
There are things you don't understand.
534
00:20:56,040 --> 00:20:57,540
But he'll be out soon.
535
00:20:57,620 --> 00:21:00,160
I did three years in prison because of Buster.
536
00:21:00,250 --> 00:21:02,700
-He can do a few weeks for me. -Well, guess what?
537
00:21:02,790 --> 00:21:04,370
He's gonna be out a little bit sooner than you think,
538
00:21:04,450 --> 00:21:06,160
because I'm gonna go to Lottie Dottie,
539
00:21:06,250 --> 00:21:07,790
and I'm gonna call her on this photo.
540
00:21:07,870 --> 00:21:09,250
Michael, you stay away from that D.A.
541
00:21:09,330 --> 00:21:12,410
She's a killer, despite what she may seem.
542
00:21:12,500 --> 00:21:14,910
So, there's nothing you can do.
543
00:21:15,000 --> 00:21:17,620
The D.A.'s office is closed until after the 5th.
544
00:21:17,700 --> 00:21:21,200
Now, please. We're family.
545
00:21:21,290 --> 00:21:24,200
You stay out of my life, I'll stay out of yours.
546
00:21:24,290 --> 00:21:25,870
Hmm.
547
00:21:25,950 --> 00:21:27,080
Thank you! Thank you!
548
00:21:27,160 --> 00:21:29,290
I guess there is nothing that I can do, Mom.
549
00:21:32,290 --> 00:21:33,370
JOHN (over speaker): You know, I-I have to believe--
550
00:21:33,450 --> 00:21:34,450
I'm-I'm not sure that, uh... JONI (over speaker):
551
00:21:34,540 --> 00:21:35,540
Yes?
552
00:21:35,620 --> 00:21:36,870
I've just been given the signal.
553
00:21:36,950 --> 00:21:37,910
Uh, the band is finished playing.
554
00:21:38,000 --> 00:21:38,950
Ah, well, that's terrific.
555
00:21:39,040 --> 00:21:40,410
I'm sure they were great.
556
00:21:40,500 --> 00:21:41,750
Let's-let's give them all a big hand.
557
00:21:41,830 --> 00:21:43,000
Oh, it might be too late for that.
558
00:21:43,080 --> 00:21:45,790
Looks like their van just pulled out.
559
00:21:45,870 --> 00:21:49,450
They will be neither seen nor heard next year.
560
00:21:49,540 --> 00:21:51,250
NARRATOR: As it turned out...
561
00:21:51,330 --> 00:21:53,160
Lottie Dottie was heavily guarded.
562
00:21:53,250 --> 00:21:55,450
And that's when Michael,
563
00:21:55,540 --> 00:21:58,200
who had done some light unicycling in college,
564
00:21:58,290 --> 00:22:00,410
came up with a plan that just might make it
565
00:22:00,500 --> 00:22:02,450
seem like he was part of the parade.
566
00:22:02,540 --> 00:22:03,450
Hi. Excuse me?
567
00:22:03,540 --> 00:22:04,910
-Do you mind if I... if I just... -Aah!
568
00:22:05,000 --> 00:22:06,910
-Although a less complicated plan emerged. -Um...
569
00:22:07,000 --> 00:22:08,290
JONI (over speaker): Looks like the D.A. guards
570
00:22:08,370 --> 00:22:09,580
are leaving their post to tend to him.
571
00:22:09,660 --> 00:22:11,660
This is gonna be less humiliating.
572
00:22:11,750 --> 00:22:13,500
-(clown groaning) -Hi. Excuse me, Lottie!
573
00:22:13,580 --> 00:22:15,120
Mrs. Dottie, I'm Michael Bluth.
574
00:22:15,200 --> 00:22:17,250
Do you mind if I just parade with you for, uh, just a minute?
575
00:22:17,330 --> 00:22:19,120
Oh, you must be Buster's brother. Hop in.
576
00:22:19,200 --> 00:22:20,450
I am Buster's brother. Yes.
577
00:22:20,540 --> 00:22:22,120
Oh, so how can I help you?
578
00:22:22,200 --> 00:22:23,700
And please make sure to wave.
579
00:22:23,790 --> 00:22:26,450
Huh? Yes. Hi.
580
00:22:26,540 --> 00:22:29,250
Um, so, does the D.A.'s office make a regular practice
581
00:22:29,330 --> 00:22:30,620
of holding people under suspicion of murdering victims
582
00:22:30,700 --> 00:22:32,160
that are clearly still alive?
583
00:22:32,250 --> 00:22:34,620
-Huh? -We're not holding him on murder charges.
584
00:22:34,700 --> 00:22:36,660
It's a tampering case, right?
585
00:22:36,750 --> 00:22:39,580
Yeah, well, if there's no crime, then what has he tampered with?
586
00:22:39,660 --> 00:22:41,160
Lucille Austero's clearly alive
587
00:22:41,250 --> 00:22:43,160
after the moment that she disappeared.
588
00:22:43,250 --> 00:22:44,500
You know? That-that's my uncle Oscar.
589
00:22:44,580 --> 00:22:45,950
My-my mother just confirmed it.
590
00:22:46,040 --> 00:22:48,870
Oh. And we couldn't find him, either,
591
00:22:48,950 --> 00:22:51,790
so the missing victim and the alibi
592
00:22:51,870 --> 00:22:54,410
and what we thought was the scene of the crime.
593
00:22:54,500 --> 00:22:56,370
Yes. All here. All in one picture.
594
00:22:56,450 --> 00:22:59,410
Oh, my God. This is so embarrassing.
595
00:22:59,500 --> 00:23:01,540
I mean, what can I do? How can I make this right?
596
00:23:01,620 --> 00:23:03,120
Well, you gotta, you gotta release my brother from prison.
597
00:23:03,200 --> 00:23:04,370
-We did. -Hmm?
598
00:23:04,450 --> 00:23:06,580
-You did? -I mean, it has to be processed out,
599
00:23:06,660 --> 00:23:08,040
but he wanted to be in a parade.
600
00:23:08,120 --> 00:23:09,830
MICHAEL: Oh. Well, he looks to be enjoying himself.
601
00:23:09,910 --> 00:23:11,910
Okay, well, I'm glad that we talked this through, though.
602
00:23:12,000 --> 00:23:13,910
-You know? This... -(chuckles) I'm so glad to have met you.
603
00:23:14,000 --> 00:23:15,120
-Yeah? -I guess I should say I'm lucky
604
00:23:15,200 --> 00:23:18,120
I didn't have to face you in a court of law.
605
00:23:18,200 --> 00:23:19,330
Maybe someday we will.
606
00:23:19,410 --> 00:23:21,000
Yeah, I mean, if it turns out
607
00:23:21,080 --> 00:23:23,450
that's not really Oscar and Lucille in the picture.
608
00:23:23,540 --> 00:23:26,410
-Right. Yes. And you find a crime scene. -(chuckles)
609
00:23:26,500 --> 00:23:29,370
I-I've injured a clown. You don't want to hurt a clown.
610
00:23:29,450 --> 00:23:31,000
So I'm gonna go back and I'm gonna help the clown.
611
00:23:31,080 --> 00:23:32,330
-Good-bye -Be careful.
612
00:23:32,410 --> 00:23:34,450
Oh! (chuckles)
613
00:23:34,540 --> 00:23:37,910
Next up is a double-closet sexuality switch
614
00:23:38,000 --> 00:23:39,910
two-hander float illusion,
615
00:23:40,000 --> 00:23:42,370
brought to you by our friends at Laguna Closets.
616
00:23:42,450 --> 00:23:45,660
NARRATOR: But with Tony still missing,
617
00:23:45,750 --> 00:23:48,660
Gob, hurt and alone,
618
00:23:48,750 --> 00:23:50,660
was forced to use his weakest talent:
619
00:23:50,750 --> 00:23:51,700
Hey, does anyone have a dog? I...
620
00:23:51,790 --> 00:23:52,910
...thinking on his feet.
621
00:23:53,000 --> 00:23:54,580
GOB: No?
622
00:23:54,660 --> 00:23:56,080
Oh, forget it.
623
00:23:56,160 --> 00:23:58,910
So, I guess, happy 4th. Nah, well...
624
00:23:59,040 --> 00:24:00,950
JOHN: Well, the magician seems to be
625
00:24:01,040 --> 00:24:02,950
just standing there, doing nothing.
626
00:24:03,040 --> 00:24:04,250
JONI: Ah... you get used to it.
627
00:24:04,330 --> 00:24:06,910
It appeared that Tony had missed the parade,
628
00:24:07,000 --> 00:24:10,500
but whether he did so intentionally was something
629
00:24:10,580 --> 00:24:11,750
Gob was just beginning to wonder.
630
00:24:11,830 --> 00:24:13,750
TONY: Did somebody say...
631
00:24:13,830 --> 00:24:15,330
-"wonder"? -(cheering, applause)
632
00:24:15,410 --> 00:24:16,830
Tony?
633
00:24:17,830 --> 00:24:19,660
You sinner.
634
00:24:19,750 --> 00:24:22,750
He's Gob, the Christian magician.
635
00:24:22,830 --> 00:24:26,870
And he's Tony Wonder, the hot gay one.
636
00:24:26,950 --> 00:24:29,200
And as a Christian magician,
637
00:24:29,290 --> 00:24:33,080
I know that gay people can change.
638
00:24:33,160 --> 00:24:37,040
And as the hot gay one, I know we can't, "girlfriend."
639
00:24:37,120 --> 00:24:38,580
-(laughter) -GIRL: I love you, Tony!
640
00:24:38,660 --> 00:24:42,370
Except, in the world of...
641
00:24:42,450 --> 00:24:43,790
-magic. -Magic.
642
00:24:43,870 --> 00:24:45,660
("The Final Countdown" playing)
643
00:24:45,750 --> 00:24:49,950
And so, the two men began their double-closet sexuality switch
644
00:24:50,040 --> 00:24:53,700
two-hander float illusion, surrounded by paid protestors
645
00:24:53,790 --> 00:24:55,830
meant to depict both sides of a culture war
646
00:24:55,910 --> 00:24:59,200
that kind of ended a few years ago, didn't it?
647
00:24:59,290 --> 00:25:00,870
-♪ ♪ -GOB: Tony...
648
00:25:00,950 --> 00:25:02,500
Here we go.
649
00:25:02,580 --> 00:25:04,700
♪ ♪
650
00:25:04,790 --> 00:25:06,620
JOHN: Well, it looks like the straight magician
651
00:25:06,700 --> 00:25:08,870
is going into a messy closet,
652
00:25:08,950 --> 00:25:10,580
and the gay magician, well, he's going into one
653
00:25:10,660 --> 00:25:12,700
that's neat as a pin.
654
00:25:22,500 --> 00:25:23,500
Kind of thought you weren't gonna show.
655
00:25:23,580 --> 00:25:24,660
TONY: Hey, man, look.
656
00:25:24,750 --> 00:25:25,950
I know you're still upset. All right?
657
00:25:26,040 --> 00:25:27,250
I screwed up, okay?
658
00:25:27,330 --> 00:25:28,620
I know we were supposed to hang out
659
00:25:28,700 --> 00:25:30,160
and see each other on the Fourth of May
660
00:25:30,250 --> 00:25:31,450
and take Forget-Me-Nows and...
661
00:25:31,540 --> 00:25:32,620
I just chickened out, man.
662
00:25:34,370 --> 00:25:36,370
Plus, there wasn't a fourth of May this year.
663
00:25:36,450 --> 00:25:38,450
Crowd.
664
00:25:38,540 --> 00:25:42,290
-♪ ♪ -(cheering)
665
00:25:45,200 --> 00:25:47,700
Look, I felt bad about the whole thing.
666
00:25:47,790 --> 00:25:49,330
I mean, you said this was an important gig
667
00:25:49,410 --> 00:25:51,040
and I figured I had to show.
668
00:25:51,120 --> 00:25:53,910
Yeah, well, the truth is this was never about the gig.
669
00:25:54,000 --> 00:25:55,950
I did this whole thing just to see you one last time.
670
00:25:56,040 --> 00:25:56,950
Wow.
671
00:25:57,040 --> 00:25:58,330
Well, the truth is, for me,
672
00:25:58,410 --> 00:25:59,830
I kind of did the same thing for you.
673
00:25:59,910 --> 00:26:02,750
I mean, I just wanted the chance to see you one last time
674
00:26:02,830 --> 00:26:04,120
and say good-bye.
675
00:26:06,410 --> 00:26:07,950
Crowd!
676
00:26:10,000 --> 00:26:12,660
♪ ♪
677
00:26:12,750 --> 00:26:13,950
If you really feel that way,
678
00:26:14,040 --> 00:26:16,330
maybe we don't have to say good-bye.
679
00:26:16,410 --> 00:26:17,330
What do you mean?
680
00:26:17,410 --> 00:26:19,040
I mean, the problem was, like you said,
681
00:26:19,120 --> 00:26:20,040
that we couldn't be together
682
00:26:20,120 --> 00:26:21,580
without branding each other's taint.
683
00:26:21,660 --> 00:26:24,500
No, it's, uh, tainting each other's brand, but same dif.
684
00:26:24,580 --> 00:26:26,290
Dif.
685
00:26:26,370 --> 00:26:27,660
BOTH: Same.
686
00:26:27,750 --> 00:26:29,080
-Same dif. -But if this...
687
00:26:29,160 --> 00:26:31,500
Oh, I thought you were gonna... You're gonna say one more?
688
00:26:31,580 --> 00:26:33,080
Nah, it's okay. We don't have to always be in sync all of...
689
00:26:33,160 --> 00:26:34,080
BOTH: Crowd!
690
00:26:34,160 --> 00:26:36,160
♪ ♪
691
00:26:36,250 --> 00:26:38,080
(sighs) Look, what I'm saying is,
692
00:26:38,160 --> 00:26:39,750
if this trick goes off like I think
693
00:26:39,830 --> 00:26:41,700
and the yahoos in the stands don't realize that
694
00:26:41,790 --> 00:26:43,910
(over speaker): all we're doing is just folding some clothes
695
00:26:44,000 --> 00:26:44,950
and slipping through our trapdoors
696
00:26:45,040 --> 00:26:46,290
and crawling under the float
697
00:26:46,370 --> 00:26:48,250
-to switch closets, then... -TONY: Right.
698
00:26:48,330 --> 00:26:50,700
When you come sashaying out like Ms. Berry Zuckerkorn...
699
00:26:50,790 --> 00:26:52,250
And you're as straight as Bob Loblaw at
700
00:26:52,330 --> 00:26:54,700
-a high school prom. (chuckles) -I don't know who that is.
701
00:26:54,790 --> 00:26:56,540
Oh, he's an attorney we were forced to use one year and he...
702
00:26:56,620 --> 00:26:58,250
I guess he likes them young.
703
00:26:58,330 --> 00:27:00,750
But, uh, we pull this off and we got a show, man.
704
00:27:00,830 --> 00:27:02,200
We could hit the road together. You know?
705
00:27:02,290 --> 00:27:05,700
Hotels and... share a room...
706
00:27:05,790 --> 00:27:08,160
Yeah. Um...
707
00:27:08,250 --> 00:27:10,370
there's only one problem with your plan.
708
00:27:10,450 --> 00:27:13,000
I don't have a trapdoor in here.
709
00:27:13,080 --> 00:27:15,620
What? Oh.
710
00:27:15,700 --> 00:27:18,290
Oh, come on! So we're just two men
711
00:27:18,370 --> 00:27:21,410
who went into a closet and changed coats?
712
00:27:21,500 --> 00:27:23,000
All right. Well, this is an audience of people
713
00:27:23,080 --> 00:27:26,200
too stupid to get out of town on a holiday weekend.
714
00:27:26,290 --> 00:27:28,830
They're not gonna expect the thing to take a twist.
715
00:27:28,910 --> 00:27:31,620
NARRATOR: But another twist had been planned
716
00:27:31,700 --> 00:27:34,000
-that Gob knew nothing about. -GOB: So we'll just, you know,
717
00:27:34,080 --> 00:27:37,000
we'll pull one from the old magic playbook.
718
00:27:37,080 --> 00:27:40,290
We'll sell it with our smiles.
719
00:27:40,370 --> 00:27:43,080
By the way, I can't wait
720
00:27:43,160 --> 00:27:44,540
to see you out there.
721
00:27:44,620 --> 00:27:45,870
Same!
722
00:27:45,950 --> 00:27:47,580
♪ ♪
723
00:27:47,660 --> 00:27:50,120
Who's straight now?
724
00:27:50,200 --> 00:27:52,200
(cheering)
725
00:27:52,290 --> 00:27:55,200
I wonder if my friend straightened out his act.
726
00:27:55,290 --> 00:27:58,250
-♪ Free ♪ -♪ Free ♪
727
00:27:58,330 --> 00:27:59,790
♪ Free at last ♪
728
00:27:59,870 --> 00:28:02,200
-♪ Free at last ♪ -Tony, get out here, man.
729
00:28:02,290 --> 00:28:03,540
♪ Talking 'bout freedom ♪
730
00:28:03,620 --> 00:28:05,910
-Tony. -♪ Freedom... ♪
731
00:28:07,950 --> 00:28:10,870
-What the...? -♪ Free, free at last... ♪
732
00:28:10,950 --> 00:28:12,120
JOHN (over speaker): Laguna Closet Conversion
733
00:28:12,200 --> 00:28:14,750
wants me to make it clear that, well,
734
00:28:14,830 --> 00:28:17,790
their conversion service is not what you think.
735
00:28:17,870 --> 00:28:19,450
They convert closets...
736
00:28:19,540 --> 00:28:21,330
NARRATOR: And George Sr. caught up with his wife.
737
00:28:21,410 --> 00:28:23,870
I'd offer you a seat, but this is a new purse.
738
00:28:23,950 --> 00:28:25,410
I'm actually good here.
739
00:28:25,500 --> 00:28:27,290
ANNOUNCER: And, after talking politics...
740
00:28:27,370 --> 00:28:29,750
So did we-we get Lindsay?
741
00:28:29,830 --> 00:28:31,250
If you squint.
742
00:28:31,330 --> 00:28:33,870
We may just get away with this, George.
743
00:28:35,120 --> 00:28:37,040
You know, it might be the-the last drop
744
00:28:37,120 --> 00:28:39,580
of the estrogen speaking, but I, uh...
745
00:28:39,660 --> 00:28:41,870
(crying): I lost the land in Mexico.
746
00:28:41,950 --> 00:28:43,660
-What? How? -I...
747
00:28:43,750 --> 00:28:48,040
I missed some payments and then, uh, the-the Mexican Romneys,
748
00:28:48,120 --> 00:28:49,870
they showed up and they took it back.
749
00:28:49,950 --> 00:28:52,290
And they said, "No refundo."
750
00:28:52,370 --> 00:28:53,830
And they speak English.
751
00:28:53,910 --> 00:28:56,620
They're-they're Mexican, but they are Romneys.
752
00:28:56,700 --> 00:28:59,040
-George, without that land our whole plan falls apart.
753
00:28:59,620 --> 00:29:00,750
-I know.
754
00:29:00,830 --> 00:29:02,700
The Chinese will expect Lindsay to support a wall
755
00:29:02,790 --> 00:29:04,410
-we can't afford to build. -Right.
756
00:29:04,500 --> 00:29:06,830
She has to lose.
757
00:29:06,910 --> 00:29:08,910
-She has to lose. -Yeah.
758
00:29:09,000 --> 00:29:11,370
Damn it, George. Why didn't you tell me that at the cottage?
759
00:29:11,450 --> 00:29:12,620
It happened in Mexico.
760
00:29:12,700 --> 00:29:14,250
I mean, when you came back.
761
00:29:14,330 --> 00:29:15,830
I just, I just came back.
762
00:29:15,910 --> 00:29:17,040
I was parking the Winnie.
763
00:29:17,120 --> 00:29:18,660
Do you have any idea how hard it is
764
00:29:18,750 --> 00:29:20,200
to find five open spaces
765
00:29:20,290 --> 00:29:21,620
-on parade day? -JOHN: Well, here now
766
00:29:21,700 --> 00:29:23,330
is congressional candidate Lindsay Bluth.
767
00:29:23,410 --> 00:29:25,450
Oh, no. Here comes her float.
768
00:29:25,540 --> 00:29:27,080
People are going to love it.
769
00:29:27,160 --> 00:29:30,120
NARRATOR: In fact, DeBrie, fearful and self-conscious,
770
00:29:30,200 --> 00:29:32,540
was hiding from the crowd,
771
00:29:32,620 --> 00:29:34,910
ironically embodying the person
772
00:29:35,000 --> 00:29:37,330
she was meant to impersonate.
773
00:29:37,410 --> 00:29:39,660
She does capture Lindsay.
774
00:29:39,750 --> 00:29:42,580
I'm not sure what she's, uh, trying to say, John.
775
00:29:42,660 --> 00:29:45,080
She wants to keep Muslims out of America?
776
00:29:45,160 --> 00:29:46,790
Or in?
777
00:29:46,870 --> 00:29:49,040
Well, they're certainly getting a rise out of this crowd.
778
00:29:49,120 --> 00:29:51,450
NARRATOR: It was message that was easily interpreted
779
00:29:51,540 --> 00:29:53,870
through the lens of one's particular bias...
780
00:29:53,950 --> 00:29:54,910
She's a Muslim.
781
00:29:55,000 --> 00:29:57,120
She's disrespecting Muslims.
782
00:29:57,200 --> 00:29:59,200
She's a ghost.
783
00:29:59,290 --> 00:30:01,620
She's disrespecting ghosts.
784
00:30:01,700 --> 00:30:03,290
NARRATOR: ...but equally hated by all.
785
00:30:03,370 --> 00:30:06,830
We may just get away with this, George.
786
00:30:06,910 --> 00:30:10,620
And George Michael arrived looking to finally be honest
787
00:30:10,700 --> 00:30:12,250
-with his father. -MICHAEL: Oh, George Michael.
788
00:30:12,330 --> 00:30:13,500
-George Michael. Hey. -Dad, hey.
789
00:30:13,580 --> 00:30:15,120
-Hi, hey. -Hey, hey. Listen, um...
790
00:30:15,200 --> 00:30:16,790
you know that picture of the two people in the stair car?
791
00:30:16,870 --> 00:30:18,080
Do I know it?
792
00:30:18,160 --> 00:30:22,700
I just used it to get Buster out. Okay?
793
00:30:22,790 --> 00:30:24,160
I didn't go through channels. I didn't ask Barry.
794
00:30:24,250 --> 00:30:26,660
I just fixed it, you know?
795
00:30:26,750 --> 00:30:27,950
You got to be straight with people.
796
00:30:28,040 --> 00:30:30,080
Nothing bad can ever come of that.
797
00:30:30,160 --> 00:30:32,540
That's me and Maeby.
798
00:30:32,620 --> 00:30:34,830
What is "me and Maeby"?
799
00:30:34,910 --> 00:30:36,290
In the picture.
800
00:30:37,910 --> 00:30:42,160
This is a bald man and a woman with spiky, black hair.
801
00:30:42,250 --> 00:30:43,910
Well, I'm not proud of this, but we...
802
00:30:44,000 --> 00:30:46,910
we were wearing the Ron Howard/Brian Grazer wigs
803
00:30:47,000 --> 00:30:48,700
from the Imagine gift shop.
804
00:30:48,790 --> 00:30:50,660
♪ ♪
805
00:30:50,750 --> 00:30:53,200
That's you? Why would you do that?
806
00:30:53,290 --> 00:30:55,410
Uh, we were playing.
807
00:30:55,500 --> 00:30:57,540
What were you playing-- Ron and Brian?
808
00:30:57,620 --> 00:30:59,290
-Go to Mexico. -What's that?
809
00:30:59,370 --> 00:31:02,160
Ron and Brian Go to Mexico.
810
00:31:02,250 --> 00:31:04,620
Was the name of the game?
811
00:31:04,700 --> 00:31:06,830
We were bored. You don't get it. Well, I knew it was a bad idea
812
00:31:09,120 --> 00:31:11,950
to spend my Imagine bucks on those wigs.
813
00:31:12,040 --> 00:31:14,500
You've got the stair car, though.
814
00:31:14,580 --> 00:31:16,910
The cops were looking for it. You found it?
815
00:31:17,000 --> 00:31:19,040
It was right next to the house after Cinco.
816
00:31:19,120 --> 00:31:21,330
Dad, listen. I think you better go to the D.A.
817
00:31:21,410 --> 00:31:22,450
and be straight with her about this.
818
00:31:22,540 --> 00:31:24,000
Should I tell her that my son and my niece
819
00:31:24,080 --> 00:31:25,370
were playing Ron and Brian?
820
00:31:25,450 --> 00:31:26,700
Go to Mexico.
821
00:31:26,790 --> 00:31:28,290
Go to Mexico? No. I'm not telling her that.
822
00:31:29,950 --> 00:31:32,500
She seems, uh, very happy now and-and Buster is almost free.
823
00:31:32,580 --> 00:31:33,870
I'm sorry, Dad.
824
00:31:33,950 --> 00:31:35,660
I shouldn't have told you the truth.
825
00:31:35,750 --> 00:31:38,330
No, no.
826
00:31:38,410 --> 00:31:42,200
But I do think that we should make a one-time exception
827
00:31:42,290 --> 00:31:45,620
to the rule "Always be straight with everyone," hmm?
828
00:31:45,700 --> 00:31:49,620
I mean, honesty is always the best policy, but, uh...
829
00:31:49,700 --> 00:31:51,750
It's just not the only one.
830
00:31:51,830 --> 00:31:54,910
It's one of a bunch.
831
00:31:55,000 --> 00:31:56,500
NARRATOR: But unfortunately for Michael,
832
00:31:56,580 --> 00:32:00,290
the man who is supposed to be with Lucille 2 in Mexico
833
00:32:00,370 --> 00:32:03,250
wasn't that far away after all
834
00:32:03,330 --> 00:32:04,750
and had a plan of his own
835
00:32:04,830 --> 00:32:08,330
to make it seem like he, too, was part of the parade.
836
00:32:08,410 --> 00:32:12,790
A plan that we've decided to present in the style
837
00:32:12,870 --> 00:32:14,330
-to which it harkens back. -(piano music playing)
838
00:32:14,410 --> 00:32:15,950
♪ ♪
839
00:32:18,830 --> 00:32:19,870
♪ ♪
840
00:32:41,250 --> 00:32:43,660
♪ ♪
841
00:33:19,370 --> 00:33:21,700
♪ ♪
842
00:33:30,700 --> 00:33:33,080
NARRATOR: It was.
843
00:33:36,750 --> 00:33:40,000
NARRATOR: Maeby finds the man she had previously tried
844
00:33:40,080 --> 00:33:42,580
to get away from horribly injured.
845
00:33:42,660 --> 00:33:46,580
I never even got the chance to tell him.
846
00:33:46,660 --> 00:33:48,870
It's over.
847
00:33:48,950 --> 00:33:50,290
I'm breaking up with you.
848
00:33:51,950 --> 00:33:53,540
Oh, and I need your keys.
849
00:33:53,620 --> 00:33:55,120
NARRATOR: Buster, unaware that he has
850
00:33:55,200 --> 00:33:56,910
only a few days left in jail,
851
00:33:57,000 --> 00:33:58,830
-What's happening? -is also unaware
852
00:33:58,910 --> 00:34:00,540
he's part of a prison break...
853
00:34:00,620 --> 00:34:02,200
-It's, uh, part of the act. -Oh.
854
00:34:02,290 --> 00:34:04,120
Anything for the kids.
855
00:34:04,200 --> 00:34:06,370
...and risks 30 years for the crime.
856
00:34:06,450 --> 00:34:09,370
BUSTER: The parade really starts thinning out around here.
857
00:34:09,450 --> 00:34:12,200
NARRATOR: Gob, abandoned and confused,
858
00:34:12,290 --> 00:34:13,620
can't get back in the closet.
859
00:34:13,700 --> 00:34:15,830
It seems as if the Christian-y fellow
860
00:34:15,910 --> 00:34:17,500
is now a gay man, and by the looks of things,
861
00:34:17,580 --> 00:34:19,370
-he'll be staying that way. -Tony. Tony.
862
00:34:19,450 --> 00:34:21,200
JOHN: What a surprise.
863
00:34:21,290 --> 00:34:22,950
-Yeah, not to me. -GOB: Tony!
864
00:34:23,040 --> 00:34:26,250
NARRATOR: Sally, all but sure to win,
865
00:34:26,330 --> 00:34:27,370
visits Stan in the hospital.
866
00:34:27,450 --> 00:34:29,410
It's called safety hair.
867
00:34:29,500 --> 00:34:32,160
Practically undetectable.
868
00:34:32,250 --> 00:34:33,830
They tell me John Travolta wears his
869
00:34:33,910 --> 00:34:35,290
even when it isn't hailing.
870
00:34:35,370 --> 00:34:37,950
No, no, no. Some clowns throws so much as a peach pit at you,
871
00:34:38,040 --> 00:34:40,040
it clanks and everybody knows.
872
00:34:40,120 --> 00:34:42,000
No, you want to keep me safe, let's build that wall.
873
00:34:42,080 --> 00:34:44,580
Those Bluths are dangerous, I'm telling you.
874
00:34:44,660 --> 00:34:46,450
Yeah, I guess they do have us by the short wigs.
875
00:34:46,540 --> 00:34:49,370
NARRATOR: And Tobias desperately tries not to lose
876
00:34:49,450 --> 00:34:51,910
-his most recent Lindsay. -Help! Please! We need a doctor!
877
00:34:52,000 --> 00:34:53,700
It's an emergency. Hi. It's us again. Help!
878
00:34:53,790 --> 00:34:56,000
Did you redo the floors here?
879
00:34:56,080 --> 00:34:57,410
Help, we need a doctor. Oh!
880
00:34:58,910 --> 00:35:00,830
It's okay. She's usually on pain pills.
881
00:35:00,910 --> 00:35:02,410
Ugh. I'm gonna call it.
882
00:35:02,500 --> 00:35:04,250
Looks like she's been stiff for about 18 hours.
883
00:35:04,330 --> 00:35:05,750
Oh, no, no. She's very much alive.
884
00:35:05,830 --> 00:35:07,080
She just crashed through a papier-mâché wall.
885
00:35:07,160 --> 00:35:09,370
DeBRIE: I'm under the impression
886
00:35:09,450 --> 00:35:10,830
that if you're carried in
887
00:35:10,910 --> 00:35:12,540
they put you immediately on the morphine drip?
888
00:35:12,620 --> 00:35:14,620
-That's what we've been told before. -Okay, look.
889
00:35:14,700 --> 00:35:16,160
-We prioritize according to need. -Of course.
890
00:35:16,250 --> 00:35:19,250
-Here. -Oh, okay. All right.
891
00:35:19,330 --> 00:35:22,790
Help! Please! It's a higher priority emergency!
892
00:35:22,870 --> 00:35:24,290
Help!
893
00:35:24,370 --> 00:35:25,660
Oh, bullshit you didn't redo these floors.
894
00:35:25,750 --> 00:35:27,160
They look amazing. (chuckles)
895
00:35:29,790 --> 00:35:31,040
Help!
896
00:35:31,120 --> 00:35:33,250
I got to stop coming out this way.