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Action!
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Move! Move, damn it!
3
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Damn it, move!
4
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This is the opening of
"24: Live Another Day."
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We start with CIA ops chasing somebody.
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The series begins running, you know?
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Freeze it right there.
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That Jack Bauer has survived,
intact, to live another day
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is good news for a lot of people.
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What the hell have you been
doing the past four years?
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I was really excited
that "24" was coming back.
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I couldn't believe it.
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There's fireballs. There's action.
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It's all good, "24" kind of stuff.
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It's a high-octane thriller
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with, literally, time ticking down.
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- It's a self-destruct program.
- Damn it!
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Why is he here? Why is he back?
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Jack Bauer is a traitor and a psychopath.
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Is he here to harm the president?
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Is he here to help the president?
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We don't know.
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If an American president is
assassinated on foreign soil,
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you're looking at a world war.
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London and the CIA will never be the same.
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Man: Action!
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It's Bauer.
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This year, we have some
crazy stuff coming up,
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stuff we haven't done before.
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Coto: It's a story that starts
from moment one, this season.
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The train is already moving,
and you got to run to catch up.
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And you're on for a ride from
episode one all the way through.
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There's not one letup.
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Simone: Help me!
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What's wonderful is it is "24,"
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but it's a new iteration of "24."
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The show is set in London, England.
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And it's the first time we've
actually shot fully on location.
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What brings Jack to London
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is he's been out of the United States
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since the very end of season eight.
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He managed to escape to Eastern Europe,
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where he's been underground
for 4 1/2 years...
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Man: Target acquired.
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And has resurfaced because of
the circumstances of the day,
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to protect the president
of the Untied States.
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Katz: James Heller,
played by William Devane,
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was formerly in the series
as the secretary of defense.
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President Heller, In
this case, is in London.
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Man: People have never been comfortable
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with our using drones for
targeted assassinations.
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Mr. President?
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I'm thinking I don't blame them.
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Devane: We're here to negotiate
a treaty... a drone treaty.
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It's a precarious situation,
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so I have to come and
actually do it myself.
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James: I think the most important thing
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is for the prime minister
to hear the news from me.
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Katz: And while he's there, of course,
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Jack emerges with news of an attack.
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The question being asked in the
initial part of the series is,
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"is Jack Bauer there to
assassinate the president?"
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Gordon: Jack is an international fugitive,
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and he's wanted, not just by our country,
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but by every country.
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I know How many lives you've saved,
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but they're just gonna
see a man who snapped,
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who went off on a... a revenge spree.
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A man whose country labels him a criminal.
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Coto: Fans of the series remember,
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you know, Jack left off as a fugitive.
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You were really something...
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in your time.
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Basically, CTU was turned off,
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and Jack was left in the darkness.
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And now a CIA team is hunting down Jack.
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[Groans]
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Man: Cut!
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But Jack is onto something,
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and there's much more than
just him having been caught.
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There's a larger mystery
that he's trying to uncover.
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Cassar: Why is he here? Why is he back?
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Does this have something
to do with the president?
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And does it have something
to do with these drones?
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So, really, that becomes our mystery.
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Two weeks ago, I intercepted intel framing
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an assassination attempt
on President Heller
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supposed to take place
in London... here, today.
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- You're gonna help me.
- I'm afraid I can't do that.
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But you don't have a choice.
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Gordon: Despite being hunted
and... and being made a pariah,
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Jack is still a hero.
He cannot help himself.
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Has anyone ever mentioned
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your rather... spectacularly rude habit
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of asking for favors accompanied
by the threat of a gun?
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Sutherland: What brought me
back was really Howard Gordon,
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who was our lead writer.
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Called me up and said, "Look,
I've... I've had this idea
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"for about 12 episodes for a while,
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"and it's kind of just gnawing at me.
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Would you be interested in doing it?"
102
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Gordon: We really wanted to see Jack Bauer.
103
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Look, it's really like
seeing an old friend again.
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And I have to say, when we saw the dailies
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of Jack Bauer for the first time,
106
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we just all smiled and
looked at each other.
107
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Katz: He really looks great. He's cut.
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He looks like someone who's been living raw
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and on the edge for years.
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You know who I am.
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Trigger an alarm, and
I'll blow your head off.
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I think he found Jack again pretty quickly.
113
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Kiefer and Jack Bauer are pretty
well connected at this point.
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We didn't waste any time.
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Our first week,
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we were just stock blocked
with action and dialogue,
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so he had to fit into and he
had to do it quickly, and he did.
118
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Sutherland: And it is very
exciting to be Jack Bauer again.
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Move!
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Gordon: It is not just Kiefer, of course.
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A good number of the old
team are back together.
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It was like the band
came together for this.
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Evan is a... is a... is a veteran.
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He's the most veteran writer on the show...
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was there since season two,
and I came in at season five.
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Katz: We're lucky enough
to get John Cassar back,
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who was our producer
and director for years.
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Cassar: I've done 58
episodes and the TV movie,
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so to have it come back
again is very exciting.
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Sutherland: Jon directed so
many of the seasons of "24"
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that I really do rely on him greatly.
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Action!
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We're gonna push this as hard as we can.
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If we lose the base,
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those men will have died in vain!
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Look, I'm not saying we quit.
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I'm just suggesting that we withdraw,
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wait until the rancor dies down.
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I don't have time.
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Katz: We're doing 12
episodes, instead of 24.
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This is a special-event series.
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Here we go!
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Those 12 episodes
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are still gonna represent one full day.
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Somewhere within it,
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we're going to skip an hour
or two, or maybe a big chunk.
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Sutherland: We're not
trying to change the show.
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Jack is not gonna be skipping.
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You know, it's not gonna
be a romantic comedy.
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He's gonna have a crappy day,
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and he's gonna fight his way through it,
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and... and... and that's what the show is.
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Certain dynamics are different,
but the show isn't different.
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You're going after the wrong guy.
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Cassar: I think all the
action and special effects
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are what you usually expect on "24,"
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and, really, that's what I'm going for...
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and maybe a little beyond what you expect,
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and that's what we always,
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I think, expect our
audience to expect from us.
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Action!
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Cut. Yeah, baby!
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[Claps] That's the one.
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[Beeping]
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This year may be my favorite
cast that we've ever had.
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It's extraordinary.
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Cassar: First, we've got some characters
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that you loved that we've brought back.
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My God. Chloe.
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Woman: What happened to you?
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Coto: The notorious Chloe O'Brian.
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Chloe's not nearly the same individual
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that we saw in season eight.
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Rajskub: Chloe is with the group
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that believes in information being freed.
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They have no qualms
about letting out secrets.
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It's the opposite of how
Chloe used to believe.
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Coto: She has turned anti-government.
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She has become
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kind of like a darker
version of Edward Snowden.
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Intelligence agencies keep secrets
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because what they're doing is criminal.
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That's naive, even for you.
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You're smarter than that.
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You don't get to judge me,
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not after what I've been through.
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Rajskub: Chloe and Jack start out at odds
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because Jack has kind
of come out of nowhere
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and wants her to go with him
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and help him to stop this
plot against the president.
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Jack, in four years of hiding,
doesn't really trust anybody,
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and Chloe has gone
through her own evolution.
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And they don't start off
as the best of friends.
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We're not the same Chloe
and Jack as we were,
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and we're not seeing eye to eye.
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Chloe: Why are you doing this, Jack?
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Some fantasy that, if you save Heller,
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all will be forgiven?
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You knew Heller. You know he's a good man.
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No, I don't know that.
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William Devane is reprising
his role as Heller.
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Devane: I'm now the president,
203
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the most powerful man in the free world.
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Katz: His daughter Audrey,
205
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who Jack was deeply in
love with, and she with him,
206
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but who ended up going to
China and being tortured
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00:07:38,030 --> 00:07:40,298
for information about Jack.
208
00:07:40,333 --> 00:07:44,102
Audrey is a lot better than
when we last saw her. [Chuckles]
209
00:07:44,137 --> 00:07:46,971
Audrey is working again with her dad.
210
00:07:47,006 --> 00:07:48,439
I know that look.
211
00:07:48,473 --> 00:07:49,941
What's your problem?
212
00:07:49,975 --> 00:07:52,276
Devane: She's like the
lady of the White House.
213
00:07:52,310 --> 00:07:54,145
Her mother passed away years ago,
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00:07:54,179 --> 00:07:57,782
so she basically does everything with me.
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It's sort of that thing, you know,
216
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when someone has gone
through a really hard time,
217
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I think people are fragile around her
218
00:08:07,225 --> 00:08:08,359
and kind of protecting her.
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Katz: She's also married
to his chief of staff,
220
00:08:10,595 --> 00:08:13,164
the man who helped her come back
221
00:08:13,198 --> 00:08:16,933
from... from a near-catatonic
mental breakdown.
222
00:08:16,968 --> 00:08:18,702
Donovan: I play Mark Boudreau,
223
00:08:18,736 --> 00:08:19,836
and he is the chief of staff
224
00:08:19,871 --> 00:08:21,504
to the president of the United States.
225
00:08:21,539 --> 00:08:24,875
Coto: Tate Donovan is a great
character this season, Boudreau.
226
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He's operating purely from
pain in his opposition to Bauer,
227
00:08:27,712 --> 00:08:29,746
who he sees as a threat,
not only to the country
228
00:08:29,781 --> 00:08:33,150
but to his wife and to her
well-being, to her sanity.
229
00:08:33,184 --> 00:08:34,718
The president should be made aware.
230
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You weren't there.
231
00:08:35,887 --> 00:08:38,454
You didn't see what
Bauer did to his family...
232
00:08:38,489 --> 00:08:40,290
what he did to Audrey.
233
00:08:40,324 --> 00:08:43,693
He really does not like Jack Bauer.
234
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As long as she lives,
235
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she's never gonna hear the name Jack Bauer.
236
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Donovan: In the first episode,
237
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I order his death or something terrible,
238
00:08:50,834 --> 00:08:55,437
and, you know, that doesn't
bode well for a character,
239
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if you order Jack Bauer's death.
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[Laughs]
241
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Coto: So, it's an interesting triangle
242
00:09:00,577 --> 00:09:03,179
that's kind of cracked apart
when... when Jack appears.
243
00:09:03,213 --> 00:09:04,646
Katz: With Tate Donovan,
244
00:09:04,681 --> 00:09:06,515
we have several new people that feel like
245
00:09:06,549 --> 00:09:07,683
they were born to be on the show.
246
00:09:07,718 --> 00:09:09,651
Where in God's name have you been?
247
00:09:09,686 --> 00:09:11,853
Chloe is working with the
leader of a hacker group.
248
00:09:11,887 --> 00:09:15,190
His name is Adrian Cross, and
he's played by Michael Wincott.
249
00:09:15,225 --> 00:09:19,261
And he's a charismatic,
almost prophet-like figure
250
00:09:19,295 --> 00:09:23,098
who presides over this group of misfits
251
00:09:23,132 --> 00:09:25,200
who help him dig out
information about governments
252
00:09:25,235 --> 00:09:26,835
and spread it.
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00:09:26,869 --> 00:09:29,570
We acquire and disseminate
information... nothing more.
254
00:09:29,605 --> 00:09:33,208
You make it sound like
what you do is benign.
255
00:09:33,242 --> 00:09:35,509
We both know that's not true.
256
00:09:35,544 --> 00:09:38,479
Gordon: The CIA station
chief is Agent Navarro,
257
00:09:38,513 --> 00:09:40,014
who's played by Benjamin Bratt.
258
00:09:40,049 --> 00:09:41,382
Bratt: For me as an actor,
259
00:09:41,416 --> 00:09:43,551
to be invited to come on
board and... and participate,
260
00:09:43,585 --> 00:09:46,487
to really jump on board this roller coaster
261
00:09:46,521 --> 00:09:48,522
that is a global phenomenon
has been a real thrill.
262
00:09:48,557 --> 00:09:49,523
Man: Cut!
263
00:09:49,558 --> 00:09:51,425
With "24," you can never be certain
264
00:09:51,460 --> 00:09:53,561
that someone is what they say they are.
265
00:09:53,595 --> 00:09:56,297
But what I know of who
I play, at this point,
266
00:09:56,331 --> 00:09:58,165
is that he is a calm leader.
267
00:09:58,199 --> 00:10:00,801
He's cautious. He's very thorough.
268
00:10:00,835 --> 00:10:03,403
Hey, um...
269
00:10:03,437 --> 00:10:04,604
sorry I shut you down.
270
00:10:04,639 --> 00:10:08,375
Strahovski: I play Kate
Morgan, the CIA agent.
271
00:10:08,409 --> 00:10:10,710
When we meet her, she's packing
up because she's being demoted.
272
00:10:10,745 --> 00:10:13,313
Coto: Her husband was
revealed to be a traitor,
273
00:10:13,347 --> 00:10:14,915
selling secrets to the Chinese,
274
00:10:14,949 --> 00:10:18,485
and she's about to be
transferred back to the States.
275
00:10:18,519 --> 00:10:22,054
Strahovski: Before that, she
was a pretty great field agent,
276
00:10:22,089 --> 00:10:25,392
very impulsive, and one
of the best that they had.
277
00:10:25,426 --> 00:10:27,560
- Katz: She sees capturing Bauer
- Bang! Bang!
278
00:10:27,595 --> 00:10:29,829
- As her way of redeeming herself.
- Drop your weapon!
279
00:10:29,863 --> 00:10:31,431
- Turn around!
- Bratt: She has instincts that
280
00:10:31,465 --> 00:10:34,200
are very in sync with Jack
Bauer when he was a young agent,
281
00:10:34,234 --> 00:10:36,735
and goes a long way to proving herself
282
00:10:36,770 --> 00:10:38,838
to be reestablished as part of my crew.
283
00:10:38,872 --> 00:10:40,773
I'm the one that got inside Bauer's head...
284
00:10:40,808 --> 00:10:42,741
not you, not Erik, not anybody.
285
00:10:42,776 --> 00:10:44,343
She has to go
head-to-head with Jack,
286
00:10:44,377 --> 00:10:46,245
and that's not easy to
do, for anybody to do.
287
00:10:46,280 --> 00:10:47,613
Erik: What is she doing here?
288
00:10:47,647 --> 00:10:50,282
I reinstated her, Just
until we get Bauer back.
289
00:10:50,317 --> 00:10:52,451
Erik Ritter arrived at the station
290
00:10:52,485 --> 00:10:54,920
to take Kate's job when she transfers out,
291
00:10:54,954 --> 00:10:56,622
and he's impatiently waiting.
292
00:10:56,656 --> 00:10:57,790
She might be trying to prove herself.
293
00:10:57,824 --> 00:10:58,957
I don't care.
294
00:10:58,991 --> 00:11:00,793
But you don't expect me
to work with her, do you?
295
00:11:00,827 --> 00:11:02,894
I expect you to do your job
without questioning my orders.
296
00:11:02,929 --> 00:11:05,731
Gbenga, who, of course, everyone
knows from "The Wire" fame,
297
00:11:05,765 --> 00:11:07,299
is Erik.
298
00:11:07,333 --> 00:11:09,801
Erik thinks that Kate
is not fit to do the job.
299
00:11:09,836 --> 00:11:11,970
She may have been at one
point, but not any longer,
300
00:11:12,004 --> 00:11:13,504
and he is, and he'll do it well.
301
00:11:13,539 --> 00:11:14,572
Navarro: Kate Morgan isn't there.
302
00:11:14,606 --> 00:11:15,606
She's not even on the books.
303
00:11:15,641 --> 00:11:18,276
This goes bad, it's on you.
304
00:11:18,311 --> 00:11:20,045
When it looks like she's gaining traction,
305
00:11:20,079 --> 00:11:21,847
he's very threatened at first.
306
00:11:21,881 --> 00:11:23,280
Cut them loose!
307
00:11:24,115 --> 00:11:25,616
Kate: Leave him.
308
00:11:25,651 --> 00:11:27,117
Are you out of your mind?!
309
00:11:27,152 --> 00:11:29,320
He's coming with us. He knows something.
310
00:11:30,155 --> 00:11:32,457
This was not your fault.
311
00:11:32,491 --> 00:11:35,259
Margot, our main
antagonist, our main villain,
312
00:11:35,293 --> 00:11:39,663
is a woman who swears her
revenge on President Heller.
313
00:11:39,697 --> 00:11:44,034
Margot is a driven,
motivated, passionate woman
314
00:11:44,069 --> 00:11:48,405
with a cause in mind,
and her cause is revenge.
315
00:11:48,439 --> 00:11:51,541
This family has worked
too hard for too long
316
00:11:51,576 --> 00:11:55,212
to let anyone or anything get in its way.
317
00:11:55,247 --> 00:11:57,714
Katz: Margot's daughter,
Simone, has been raised
318
00:11:57,749 --> 00:12:01,718
with not only radical politics
and to believe in terrorism,
319
00:12:01,753 --> 00:12:03,653
but to obey her mother
320
00:12:03,688 --> 00:12:06,322
and do whatever her mother asks.
321
00:12:06,357 --> 00:12:08,291
Simone has a very strong set of beliefs
322
00:12:08,325 --> 00:12:09,693
that she's been brought up with.
323
00:12:09,727 --> 00:12:11,327
She would stop at nothing.
324
00:12:11,362 --> 00:12:12,929
She is ruthless, in a way,
325
00:12:12,963 --> 00:12:16,232
but I don't see her as,
in any way, a bad person.
326
00:12:16,267 --> 00:12:18,734
I think she just genuinely
does what she thinks is right.
327
00:12:18,769 --> 00:12:20,169
Simone: That man is trying to kill me!
328
00:12:20,204 --> 00:12:21,137
Help me! Help me!
329
00:12:21,171 --> 00:12:22,305
Man: Leave the girl alone!
330
00:12:22,339 --> 00:12:23,940
[Grunting]
331
00:12:23,974 --> 00:12:25,875
Sutherland: "24" really
is an ensemble show.
332
00:12:25,910 --> 00:12:29,478
It can only be as good as... as
the cast that takes you there,
333
00:12:29,513 --> 00:12:32,080
and we couldn't have asked for better.
334
00:12:32,115 --> 00:12:35,918
Erik: I will shoot you in the
back of the head... I swear to God!
335
00:12:48,419 --> 00:12:50,820
There is something about the UK...
336
00:12:50,854 --> 00:12:52,956
in many ways, our relationship to the UK
337
00:12:52,990 --> 00:12:54,557
is so special and so deep
338
00:12:54,591 --> 00:12:55,825
that it felt like the right place.
339
00:12:55,859 --> 00:12:56,992
And it's iconic.
340
00:12:57,027 --> 00:12:58,694
Cassar: This is really
the first time we've taken
341
00:12:58,729 --> 00:13:00,730
the whole production to another
city, so it's very exciting,
342
00:13:00,764 --> 00:13:02,465
and I think we picked the right city.
343
00:13:02,499 --> 00:13:04,066
I just love this city.
344
00:13:04,100 --> 00:13:05,835
London's filled with history.
345
00:13:05,869 --> 00:13:07,236
The visuals speak for themselves.
346
00:13:07,270 --> 00:13:10,039
You can point the camera
almost anywhere, and it's great.
347
00:13:10,073 --> 00:13:12,774
Our first day, we were
right in central London,
348
00:13:12,809 --> 00:13:15,377
you know, right off of piccadilly circus.
349
00:13:15,412 --> 00:13:16,412
I was born here,
350
00:13:16,446 --> 00:13:17,746
and I was about 3,
351
00:13:17,780 --> 00:13:20,182
so there's a kind of a
nationalistic pride I have
352
00:13:20,216 --> 00:13:21,450
about England.
353
00:13:21,484 --> 00:13:24,386
Not only will it be exciting,
as it has been for me
354
00:13:24,421 --> 00:13:26,788
to work here as an actor and for our crew,
355
00:13:26,823 --> 00:13:31,326
I hope for the viewing audience,
it'll be like going on a trip.
356
00:13:31,360 --> 00:13:32,527
You know?
357
00:13:32,562 --> 00:13:34,896
We're gonna show you London
in a very different way.
358
00:13:34,931 --> 00:13:36,064
B-marker.
359
00:13:36,098 --> 00:13:38,433
Erik: Stop where you are!
Stop! Get on the ground!
360
00:13:39,234 --> 00:13:41,837
We shot right on the Thames.
We were just on the beach.
361
00:13:41,871 --> 00:13:44,238
And we had boats coming up
with guys with machine guys
362
00:13:44,273 --> 00:13:46,140
and guys coming down the wharf
363
00:13:46,175 --> 00:13:48,509
and another guy coming over down the beach,
364
00:13:48,543 --> 00:13:49,944
and so I was in the middle of kind of
365
00:13:49,979 --> 00:13:52,213
playing all of that action
and getting focused on that.
366
00:13:52,247 --> 00:13:53,547
Man: Cut! Excellent!
367
00:13:53,582 --> 00:13:54,882
And then I looked up,
368
00:13:54,916 --> 00:13:56,284
and you could clearly
see that it was London.
369
00:13:56,318 --> 00:13:57,986
Man: Eight camera, right
here. Exact same thing.
370
00:13:58,020 --> 00:13:59,820
One of the interesting
things about "24" was,
371
00:13:59,855 --> 00:14:01,254
even when we were in Los Angeles
372
00:14:01,289 --> 00:14:03,423
or in New York or Washington,
373
00:14:03,458 --> 00:14:06,927
it was never a show about
monuments and big buildings.
374
00:14:06,962 --> 00:14:08,328
It was always... it took place
375
00:14:08,363 --> 00:14:10,063
in the back streets and alleys,
376
00:14:10,098 --> 00:14:12,265
and... and that's also
applied here in London.
377
00:14:12,300 --> 00:14:13,333
Action.
378
00:14:13,368 --> 00:14:15,268
We shot in the back alleys.
379
00:14:15,303 --> 00:14:16,836
We were at a block-housing project.
380
00:14:16,871 --> 00:14:19,206
So, that's all part of "24," also,
381
00:14:19,240 --> 00:14:21,941
because people are hiding,
and people are undercover,
382
00:14:21,976 --> 00:14:23,610
and so you can't be always
right in the main streets
383
00:14:23,644 --> 00:14:24,611
with all the people.
384
00:14:24,645 --> 00:14:26,413
Man: I've got a confirm on the target.
385
00:14:26,447 --> 00:14:29,582
Hooded sweatshirt, 30
feet from the south wall.
386
00:14:29,617 --> 00:14:31,885
Man 2: And go, go, go!
387
00:14:31,919 --> 00:14:34,888
London has been very cooperative
about letting us shoot places.
388
00:14:34,922 --> 00:14:36,055
So, we shot on the tube,
389
00:14:36,089 --> 00:14:38,625
and we do some terrible things on the tube,
390
00:14:38,659 --> 00:14:42,094
but they would not let
anyone jump the fare barrier
391
00:14:42,129 --> 00:14:44,797
and... and... and get on for free.
392
00:14:44,832 --> 00:14:46,499
- That was the one restriction.
- One step too far.
393
00:14:46,534 --> 00:14:48,100
- Not having any of that.
- Yes. Yes.
394
00:14:50,470 --> 00:14:53,872
He's coming your way. He's probably armed.
395
00:14:53,907 --> 00:14:55,641
Cassar: We're doing,
you know, big shootouts,
396
00:14:55,675 --> 00:14:56,875
and right on day one,
397
00:14:56,910 --> 00:14:58,277
the armorers were showing us guns
398
00:14:58,311 --> 00:14:59,478
that I'd never even seen before.
399
00:14:59,513 --> 00:15:02,048
We've got quite a lot of
weaponry on this series,
400
00:15:02,082 --> 00:15:03,815
and we're gonna start with Jack's gun.
401
00:15:03,850 --> 00:15:05,717
We've updated it for this series of "24."
402
00:15:05,752 --> 00:15:08,086
He used to have a HK USP Compact.
403
00:15:08,120 --> 00:15:10,789
We now have a HK P30.
404
00:15:10,823 --> 00:15:13,391
He also uses other agents' guns throughout,
405
00:15:13,426 --> 00:15:16,294
particularly the Glock 17,
which is our CIA weapon.
406
00:15:16,328 --> 00:15:21,099
We've also provided gun
cameras, which fit on the front,
407
00:15:21,133 --> 00:15:23,301
give something visual for
the director to read off.
408
00:15:23,335 --> 00:15:26,438
Our different tactical agents,
when we see them in the field...
409
00:15:26,472 --> 00:15:28,940
they have a HK MP7.
410
00:15:28,974 --> 00:15:31,109
They also have an M4 derivative,
411
00:15:31,143 --> 00:15:32,243
and this is a bit of fun,
412
00:15:32,278 --> 00:15:36,581
which is a corner shot
9-millimeter Glock 17,
413
00:15:36,615 --> 00:15:39,249
but if I show you how it operates,
414
00:15:39,284 --> 00:15:40,952
it just comes up like that.
415
00:15:40,986 --> 00:15:43,420
Come back around...
416
00:15:43,455 --> 00:15:45,522
and you can fire around corners.
417
00:15:45,557 --> 00:15:47,925
Camera mounted on the
front with a monitor here.
418
00:15:47,960 --> 00:15:49,927
- Drop the weapon! Put it on the ground!
- Putting the weapon down!
419
00:15:49,962 --> 00:15:50,795
Get on the ground, Bauer!
420
00:15:50,829 --> 00:15:52,463
- [Gunshots]
- Aah!
421
00:15:55,100 --> 00:15:56,333
Here we go. Action!
422
00:15:56,367 --> 00:15:58,034
[Screams]
423
00:15:59,870 --> 00:16:01,472
My name's Mark Mottram.
424
00:16:01,506 --> 00:16:03,474
I'm the stunt coordinator on "24."
425
00:16:03,508 --> 00:16:04,541
Jon moves so quick.
426
00:16:04,576 --> 00:16:06,510
He knows where he's going, knows the shots.
427
00:16:06,544 --> 00:16:08,645
We just got to be on top
of everything, you know?
428
00:16:08,679 --> 00:16:09,846
And it's got to be ready.
429
00:16:09,880 --> 00:16:11,281
If I'm holding him up,
he's kicking me up the butt.
430
00:16:11,316 --> 00:16:12,616
Do you know what I mean? So...
431
00:16:12,650 --> 00:16:14,283
Kiefer picks it up so quick.
Do you know what I mean?
432
00:16:14,318 --> 00:16:16,185
I mean [Scoffs] he's
done this a million times.
433
00:16:16,220 --> 00:16:17,687
It's like driving a car to him, you know?
434
00:16:17,722 --> 00:16:19,089
We literally set a few moves.
435
00:16:19,123 --> 00:16:21,190
He comes in, picks it up
like, you know, nothing,
436
00:16:21,225 --> 00:16:23,627
which is really quite cool, yeah.
437
00:16:23,661 --> 00:16:25,394
Mark and his team, I
think, are really good,
438
00:16:25,429 --> 00:16:26,997
and they really are a team.
439
00:16:27,798 --> 00:16:30,433
They're shooting at us! Move! Move!
440
00:16:30,467 --> 00:16:33,436
They've had a very busy
episode one and two.
441
00:16:33,470 --> 00:16:34,937
[Indistinct shouting]
442
00:16:34,971 --> 00:16:37,240
It was filled with fights and action,
443
00:16:37,274 --> 00:16:38,941
so they've hit the floor running,
444
00:16:38,975 --> 00:16:40,343
and... and the poor guys, I don't think,
445
00:16:40,377 --> 00:16:41,777
are gonna get much of a break.
446
00:16:41,811 --> 00:16:43,346
I think... I think
they're gonna be very busy
447
00:16:43,380 --> 00:16:45,080
through the 12 episodes.
448
00:16:45,115 --> 00:16:47,783
3, 2, 1, action!
449
00:16:49,052 --> 00:16:50,052
Cut!
450
00:16:50,086 --> 00:16:51,120
Man: All right.
451
00:16:51,154 --> 00:16:52,788
The guys that do our special effects...
452
00:16:52,822 --> 00:16:55,423
they've been a crack crew.
It's very important for "24."
453
00:16:55,458 --> 00:16:58,127
We blow things up. It's
what we're known for.
454
00:16:58,161 --> 00:17:01,429
And so, coming to the UK
was not gonna change that.
455
00:17:01,464 --> 00:17:03,331
Bullet hits, things breaking,
456
00:17:03,366 --> 00:17:05,300
atmosphere, obviously, in all our sets,
457
00:17:05,334 --> 00:17:06,434
which is smoke and water.
458
00:17:06,469 --> 00:17:07,869
In the first two episodes,
459
00:17:07,903 --> 00:17:10,104
we've already had, I think,
460
00:17:10,139 --> 00:17:12,006
probably over a dozen explosions.
461
00:17:16,212 --> 00:17:17,812
Man: Cut! That was awesome!
462
00:17:27,348 --> 00:17:29,182
[Indistinct shouting]
463
00:17:29,216 --> 00:17:33,619
Gordon: "24" sort of was
created in the context of 9/11,
464
00:17:33,654 --> 00:17:36,823
but Jack really has become, in some ways,
465
00:17:36,857 --> 00:17:39,759
the lightning rod and the litmus test
466
00:17:39,793 --> 00:17:43,329
for this very complicated
world we're living in.
467
00:17:43,363 --> 00:17:45,397
So I think, culturally,
he really came to be
468
00:17:45,432 --> 00:17:48,568
this reflection of what
we hoped a hero could be
469
00:17:48,602 --> 00:17:49,735
in these very complicated times.
470
00:17:49,770 --> 00:17:51,637
- We all wish
- They're shooting at us! Move!
471
00:17:51,672 --> 00:17:54,106
we knew a Jack Bauer, had
a Jack Bauer protecting us.
472
00:17:54,140 --> 00:17:55,741
He really is A pretty
classic American hero.
473
00:17:55,776 --> 00:17:57,509
Jack Bauer is the kind of character
474
00:17:57,543 --> 00:18:01,981
that has universal appeal in
that he is a man of principles.
475
00:18:02,015 --> 00:18:03,349
Come on, Mr. Bauer.
476
00:18:03,383 --> 00:18:05,217
His principles drive his every action.
477
00:18:05,251 --> 00:18:06,218
Now or never.
478
00:18:06,252 --> 00:18:07,987
Katz: The character has taken on
479
00:18:08,021 --> 00:18:09,888
kind of a little bit of a mythic status,
480
00:18:09,922 --> 00:18:11,190
a little larger than life.
481
00:18:11,224 --> 00:18:14,058
There's a lot of speculation
about what's happened to him,
482
00:18:14,093 --> 00:18:16,695
who he is after he fell off the deep end
483
00:18:16,729 --> 00:18:18,429
at the end of season eight.
484
00:18:18,464 --> 00:18:19,664
Kiefer's playing it
485
00:18:19,699 --> 00:18:22,066
with an incredible amount of intensity
486
00:18:22,101 --> 00:18:26,437
and need to succeed
and a need to be a hero.
487
00:18:26,472 --> 00:18:28,907
The character is... it's like a kind of
488
00:18:28,941 --> 00:18:30,875
this fantastic long-lost friend, you know?
489
00:18:30,909 --> 00:18:33,111
And so we got to see each other again.
490
00:18:33,145 --> 00:18:37,548
Fox was very, very gutsy
to... to do a show like "24."
491
00:18:37,582 --> 00:18:40,518
Raver: "24," for me, was really a catalyst
492
00:18:40,552 --> 00:18:44,622
for how television was
viewed and is viewed.
493
00:18:44,656 --> 00:18:46,590
"24" was one of the sort of first,
494
00:18:46,625 --> 00:18:49,393
like, binge-watching of shows.
495
00:18:49,427 --> 00:18:53,664
Classic "24" kind of had
that addictive, you know...
496
00:18:53,698 --> 00:18:55,900
all the plots leading to
the end of that episode.
497
00:18:55,934 --> 00:18:57,668
You couldn't wait... you
know, the binge-watching.
498
00:18:57,702 --> 00:19:00,504
And now that's become the model,
499
00:19:00,539 --> 00:19:02,239
and we have so much great programming
500
00:19:02,273 --> 00:19:04,374
that came after that.
501
00:19:04,409 --> 00:19:07,144
Television, to me, is
the most exciting medium,
502
00:19:07,178 --> 00:19:08,311
and I'm telling you this
503
00:19:08,346 --> 00:19:09,746
as an actor who does films and television.
504
00:19:09,780 --> 00:19:11,814
For all of those reasons
505
00:19:11,849 --> 00:19:14,717
that television has become
as exciting as it is,
506
00:19:14,752 --> 00:19:18,888
"24" was one of the aspects
that helped shape that,
507
00:19:18,923 --> 00:19:20,757
and for that, I will always be proud.
508
00:19:20,791 --> 00:19:22,825
Cassar: We were fortunate to just be
509
00:19:22,860 --> 00:19:25,028
right at the leading edge of that wave.
510
00:19:25,062 --> 00:19:28,130
It was kind of a new age
of... of, you know, television.
511
00:19:28,165 --> 00:19:30,833
It was really exciting to
keep pushing the limits,
512
00:19:30,868 --> 00:19:33,069
and... and I don't think that's gonna stop.
513
00:19:33,103 --> 00:19:35,471
I mean, I think "24" is
still one of those shows,
514
00:19:35,505 --> 00:19:37,873
and... and even though we're
coming back after being,
515
00:19:37,907 --> 00:19:39,975
you know, after being laid off for a while,
516
00:19:40,009 --> 00:19:42,778
I think we're still gonna
be on that leading edge.
517
00:19:42,812 --> 00:19:45,347
Rajskub: What's cool, I think, about "24"
518
00:19:45,382 --> 00:19:47,583
is that it reflects the
issues that are going on today.
519
00:19:47,617 --> 00:19:50,219
Cassar: "24" was always
dealing with stories
520
00:19:50,253 --> 00:19:52,220
that were ripped right
out of the headlines,
521
00:19:52,254 --> 00:19:54,556
and so I think that's always
part of what we give you
522
00:19:54,591 --> 00:19:55,924
when... when we give you "24."
523
00:19:55,959 --> 00:19:59,127
Katz: Several things that
really have become bigger issues
524
00:19:59,161 --> 00:20:01,763
in the four years since
the show's been on...
525
00:20:01,798 --> 00:20:05,366
drone warfare, the advent of WikiLeaks,
526
00:20:05,401 --> 00:20:06,534
and hyper-government surveillance
527
00:20:06,569 --> 00:20:07,869
and people revealing that.
528
00:20:07,904 --> 00:20:11,706
It's thrilling that there are
so many story lines started
529
00:20:11,740 --> 00:20:15,210
and in gear right here in this first hour.
530
00:20:15,244 --> 00:20:16,811
It's just amazing.
531
00:20:16,845 --> 00:20:18,279
Certain facts have been covered up by us.
532
00:20:18,314 --> 00:20:19,581
I think, you know,
533
00:20:19,615 --> 00:20:21,749
most television would
like to be this relevant.
534
00:20:21,783 --> 00:20:24,252
You don't need to have
watched the show before
535
00:20:24,286 --> 00:20:25,953
to watch the show now.
536
00:20:25,988 --> 00:20:28,222
We're designing it so that you can just,
537
00:20:28,256 --> 00:20:30,524
you know, get on board the moving train.
538
00:20:30,558 --> 00:20:31,892
Cassar: It's very quick.
539
00:20:31,927 --> 00:20:33,393
- It gets your heart racing.
- Get down! Get down!
540
00:20:33,428 --> 00:20:36,230
It's been described as
a soap opera on crack.
541
00:20:36,264 --> 00:20:39,166
Sutherland: We shoot it
faster. It's more instinctive.
542
00:20:39,200 --> 00:20:40,467
It's just simply more exciting.
543
00:20:40,502 --> 00:20:42,869
Coto: It becomes an
edge-of-your-seat experience.
544
00:20:42,903 --> 00:20:46,206
This is gonna be so
satisfying to the fans of "24."
545
00:20:46,241 --> 00:20:47,341
The show's coming back,
546
00:20:47,375 --> 00:20:48,509
and there's nothing we can do to stop it.
547
00:20:48,543 --> 00:20:49,776
Hey!
548
00:20:52,747 --> 00:20:54,448
They want blood!
549
00:20:55,150 --> 00:20:56,150
Stop, stop.
550
00:20:56,184 --> 00:20:57,851
Jack: This is bigger than President Heller.
551
00:20:57,885 --> 00:20:59,352
They're planning a full-scale attack.
552
00:20:59,386 --> 00:21:00,654
[Projectile whistling]
553
00:21:01,889 --> 00:21:03,657
[Beeping]
554
00:21:04,000 --> 00:21:14,000
24 S09E01 Jack Is Back 1100 a.m.-1200 p.m. -WEB-DL