1 00:00:01,532 --> 00:00:04,275 MY NAME IS SYDNEY BRISTOW. 2 00:00:04,275 --> 00:00:06,377 SEVEN YEARS AGO I WAS RECRUITED BY A SECRET BRANCH OF THE CIA 3 00:00:06,377 --> 00:00:10,611 CALLED SD-6. I WAS SWORN TO SECRECY, 4 00:00:10,611 --> 00:00:13,114 BUT I COULDN'T KEEP IT FROM MY FIANCé, 5 00:00:13,114 --> 00:00:15,346 AND WHEN THE HEAD OF SD-6 FOUND OUT, 6 00:00:15,346 --> 00:00:17,488 HE HAD HIM KILLED. 7 00:00:17,488 --> 00:00:19,120 THAT'S WHEN I LEARNED THE TRUTH -- 8 00:00:19,120 --> 00:00:21,552 SD-6 IS NOT PART OF THE CIA. 9 00:00:21,552 --> 00:00:23,724 I'D BEEN WORKING FOR THE VERY PEOPLE 10 00:00:23,724 --> 00:00:25,796 I THOUGHT I WAS FIGHTING AGAINST. 11 00:00:25,796 --> 00:00:28,259 SO I WENT TO THE ONLY PLACE THAT COULD HELP ME TAKE THEM DOWN. 12 00:00:28,259 --> 00:00:29,800 NOW I'M A DOUBLE AGENT FOR THE CIA, 13 00:00:29,800 --> 00:00:34,565 WHERE MY HANDLER IS A MAN NAMED MICHAEL VAUGHN. 14 00:00:34,565 --> 00:00:37,208 ONLY ONE OTHER PERSON KNOWS THE TRUTH ABOUT WHAT I DO, 15 00:00:37,208 --> 00:00:40,040 ANOTHER DOUBLE AGENT INSIDE SD-6 -- 16 00:00:40,040 --> 00:00:42,373 SOMEONE I HARDLY KNOW. 17 00:00:42,373 --> 00:00:45,446 MY FATHER. 18 00:00:45,446 --> 00:00:47,118 WE STILL DON'T KNOW WHO WAS BEHIND 19 00:00:47,118 --> 00:00:48,519 LAST WEEK'S INVASION OF SD-6. 20 00:00:48,519 --> 00:00:50,581 LEARNING THAT INFORMATION AND GETTING 21 00:00:50,581 --> 00:00:52,783 A VISUAL I.D. OF THE MAN IS OUR TOP PRIORITY. 22 00:00:52,783 --> 00:00:54,285 THE MEETING WITH K-DIRECTORATE 23 00:00:54,285 --> 00:00:56,827 IS SCHEDULED TO TAKE PLACE IN MOSCOW. 24 00:00:56,827 --> 00:00:58,159 YOU'RE SURVEILLING THIS MEETING 25 00:00:58,159 --> 00:00:59,760 FROM OUTSIDE THE BUILDING. 26 00:00:59,760 --> 00:01:01,692 Dixon: WE'RE ON. 27 00:01:01,692 --> 00:01:04,135 THEY'RE HEADING TOWARD THE BUILDING NOW. 28 00:01:06,737 --> 00:01:08,399 GENTLEMEN, WELCOME. 29 00:01:08,399 --> 00:01:11,472 I'M MR. SARK, DIRECTOR OF OPERATIONS. 30 00:01:11,472 --> 00:01:13,344 MY EMPLOYER'S OFFER IS SIMPLE. 31 00:01:13,344 --> 00:01:15,446 YOU WILL GIVE US THE RAMBALDI MANUSCRIPT 32 00:01:15,446 --> 00:01:17,578 YOU'VE RECENTLY ACQUIRED IN ARGENTINA... 33 00:01:17,578 --> 00:01:19,580 SYDNEY, THAT IS ILYICH IVANKOV, 34 00:01:19,580 --> 00:01:21,312 THE HEAD OF K-DIRECTORATE. 35 00:01:21,312 --> 00:01:23,384 YOU TELL YOUR EMPLOYER 36 00:01:23,384 --> 00:01:27,288 IF HE EVER WASTES MY TIME LIKE THIS AGAIN, 37 00:01:27,288 --> 00:01:29,190 OUR NEXT MEETING WILL NOT BE SO CORDIAL. 38 00:01:33,194 --> 00:01:34,325 HO, HO! 39 00:01:34,325 --> 00:01:37,228 CONGRATULATIONS, COMRADE KESSAR. 40 00:01:37,228 --> 00:01:38,529 YOU HAVE JUST INHERITED CONTROL 41 00:01:38,529 --> 00:01:40,871 OF THE INDESTRUCTIBLE K-DIRECTORATE. 42 00:01:48,339 --> 00:01:50,181 SYDNEY! 43 00:01:56,347 --> 00:01:57,888 [ GUNSHOTS ] 44 00:03:22,973 --> 00:03:23,974 WAIT! 45 00:03:23,974 --> 00:03:25,606 [ COCKS HAMMER ] 46 00:03:25,606 --> 00:03:27,578 [ GUNSHOT ] 47 00:03:34,645 --> 00:03:35,646 THANKS. 48 00:03:35,646 --> 00:03:37,448 ANYTIME. 49 00:03:52,533 --> 00:03:53,864 HEY. 50 00:03:53,864 --> 00:03:55,466 HEY. DO YOU WANT SOME? 51 00:03:55,466 --> 00:03:57,708 NO, THANKS. 52 00:03:57,708 --> 00:03:59,510 I GOT TO GO INTERVIEW DAVID McNEIL TODAY. 53 00:03:59,510 --> 00:04:00,841 MM? 54 00:04:00,841 --> 00:04:02,673 YEAH. 55 00:04:02,673 --> 00:04:04,715 I BETTER GO. 56 00:04:04,715 --> 00:04:06,717 OOH, I GOTTA GO. 57 00:04:06,717 --> 00:04:08,379 JUST I'M GOING TO BE LATE. 58 00:04:08,379 --> 00:04:09,620 OKAY. 59 00:04:11,882 --> 00:04:14,685 HEY, SO WHAT ARE YOU GOING TO WEAR? 60 00:04:14,685 --> 00:04:16,287 I'M JUST GOING TO WEAR THIS. I THINK, YOU KNOW, 61 00:04:16,287 --> 00:04:17,558 I'M JUST GOING TO A PRISON. WHO CARES? 62 00:04:17,558 --> 00:04:19,860 NO, NEXT WEEK. 63 00:04:19,860 --> 00:04:21,862 WHAT AM I GOING TO WEAR NEXT WEEK? TO THE DINNER. 64 00:04:21,862 --> 00:04:23,534 WHAT DINNER? YOU DIDN'T GET MY LETTER? 65 00:04:23,534 --> 00:04:25,996 WHAT LETTER? THE ONE I LEFT ON YOUR DESK. 66 00:04:25,996 --> 00:04:27,968 WHAT ARE YOU TALKING ABOUT? 67 00:04:27,968 --> 00:04:29,740 OKAY, YOU KNOW WHAT? 68 00:04:29,740 --> 00:04:32,042 YOU REALLY HAVE TO START READING THE THINGS 69 00:04:32,042 --> 00:04:33,544 I GIVE TO YOU, WILL. 70 00:04:33,544 --> 00:04:34,905 WHAT'S THIS? 71 00:04:34,905 --> 00:04:37,348 YOU'RE GETTING THE KAPLAN AWARD 72 00:04:37,348 --> 00:04:39,810 FOR THE LUIS MAROMA ARTICLE. WHAT? 73 00:04:39,810 --> 00:04:41,382 YES. THE READERS VOTED IT 74 00:04:41,382 --> 00:04:43,384 ONE OF THE 10 MOST INSPIRATIONAL STORIES 75 00:04:43,384 --> 00:04:44,885 OF THE YEAR. 76 00:04:44,885 --> 00:04:46,987 I CAN'T BELIEVE ANYONE READ THAT ARTICLE. 77 00:04:46,987 --> 00:04:48,619 IT SAYS "BLACK TIE," WHICH MEANS TUX. 78 00:04:48,619 --> 00:04:49,920 DO YOU HAVE ONE? 79 00:04:49,920 --> 00:04:51,392 WELL, I HAVE AN OLD ONE. 80 00:04:51,392 --> 00:04:53,364 I CAN'T BELIEVE I WON THE KAPLAN AWARD. 81 00:04:53,364 --> 00:04:55,666 DO YOU WANT TO GO CELEBRATE, MAYBE FRIDAY? 82 00:04:55,666 --> 00:04:57,428 UM... 83 00:04:57,428 --> 00:04:59,430 OH, I CAN'T. I CAN'T. I'M S-- 84 00:04:59,430 --> 00:05:01,432 I GOT TO DO SOMETHING ON FRIDAY. 85 00:05:01,432 --> 00:05:02,703 I'M SORRY. 86 00:05:02,703 --> 00:05:05,406 OH. 87 00:05:05,406 --> 00:05:06,837 OKAY. 88 00:05:06,837 --> 00:05:09,740 [ WATER RUNNING ] 89 00:05:09,740 --> 00:05:11,912 YEAH, WELL, THANKS. 90 00:05:11,912 --> 00:05:14,685 YEAH, I JUST WANTED TO -- I JUST WANTED TO TELL YOU. 91 00:05:14,685 --> 00:05:16,347 WILL, THAT IS SO AMAZING. 92 00:05:16,347 --> 00:05:17,948 OH, UH, "NORTH BY NORTHWEST" IS PLAYING 93 00:05:17,948 --> 00:05:20,621 AT THE FAIRFAX ON FRIDAY NIGHT. 94 00:05:20,621 --> 00:05:22,052 I THOUGHT MAYBE WE COULD, I DON'T KNOW, 95 00:05:22,052 --> 00:05:23,724 GET SOME DINNER AND CELEBRATE IT. 96 00:05:23,724 --> 00:05:25,996 DEFINITELY. I'M SO PROUD OF YOU. 97 00:05:25,996 --> 00:05:28,459 OH, WELL, IT'S NOT THAT BIG A DEAL. 98 00:05:28,459 --> 00:05:30,060 OKAY, SO FRIDAY NIGHT. IT'S A DATE. 99 00:05:30,060 --> 00:05:31,632 IT'S A DATE. 100 00:05:37,908 --> 00:05:40,411 LOMPOC PRISON, ABOUT TWO HOURS AGO. 101 00:05:40,411 --> 00:05:41,842 THE MAN TALKING TO TIPPIN 102 00:05:41,842 --> 00:05:44,715 IS DAVID McNEIL, SOFTWARE DESIGNER. 103 00:05:44,715 --> 00:05:47,418 ABOUT EIGHT YEARS AGO, HE CREATED AN ENCRYPTION SYSTEM 104 00:05:47,418 --> 00:05:49,750 THAT WE WANTED TO ACQUIRE, BUT HE WOULDN'T SELL. 105 00:05:49,750 --> 00:05:52,352 WE DON'T HAVE AUDIO, 106 00:05:52,352 --> 00:05:54,024 BUT WE GOT HOLD OF THE PRISON LOG. 107 00:05:54,024 --> 00:05:56,026 THIS IS TIPPIN'S THIRD VISIT TO McNEIL 108 00:05:56,026 --> 00:05:58,629 IN THE LAST TWO WEEKS. 109 00:05:58,629 --> 00:06:03,093 YOU AND I TALKED ABOUT TIPPIN SOME TIME AGO. 110 00:06:03,093 --> 00:06:05,396 YOU CONVINCED ME THAT HE WAS 111 00:06:05,396 --> 00:06:07,438 JUST A HARMLESS METRO REPORTER, 112 00:06:07,438 --> 00:06:11,371 FAR FROM A CREDIBLE THREAT. 113 00:06:11,371 --> 00:06:15,906 BUT NOW HE'S FOUND McNEIL. 114 00:06:15,906 --> 00:06:17,848 WHAT ARE YOU SUGGESTING? 115 00:06:17,848 --> 00:06:21,011 YOU KNOW WHAT I'M SUGGESTING. 116 00:06:21,011 --> 00:06:22,813 THE DECISION TO ELIMINATE TIPPIN IS PREMATURE. 117 00:06:22,813 --> 00:06:24,154 HE'S A FRIEND OF SYDNEY'S 118 00:06:24,154 --> 00:06:26,156 WHO, AS FAR AS WE KNOW, KNOWS NOTHING. 119 00:06:26,156 --> 00:06:28,519 I TOLD YOU THIS FIRST AS A COURTESY. 120 00:06:28,519 --> 00:06:31,121 LOOK, JACK, I UNDERSTAND YOUR RELUCTANCE -- 121 00:06:31,121 --> 00:06:33,424 WHAT THIS WOULD MEAN TO SYDNEY -- 122 00:06:33,424 --> 00:06:35,726 BUT McNEIL IS NOT A BENIGN ELEMENT. 123 00:06:35,726 --> 00:06:37,167 HE KNOWS ABOUT SD-6. 124 00:06:37,167 --> 00:06:39,870 THE DIVISION'S NAME WAS MENTIONED IN KOENIG'S TESTIMONY. 125 00:06:39,870 --> 00:06:41,071 JUST THE NAME, NOTHING ELSE. 126 00:06:41,071 --> 00:06:43,474 A NAME IS ALL TIPPIN NEEDS. 127 00:06:43,474 --> 00:06:46,106 WHAT CONCERNS ME IS THIS DOESN'T SEEM TO CONCERN YOU. 128 00:06:46,106 --> 00:06:47,678 THERE'S A DIFFERENCE 129 00:06:47,678 --> 00:06:49,810 BETWEEN CONCERN AND ASSASSINATION. 130 00:06:49,810 --> 00:06:53,413 WHAT ARE YOU SUGGESTING? 131 00:06:53,413 --> 00:06:54,645 THAT WE GET AUDIO. 132 00:06:54,645 --> 00:06:57,548 THAT WE FIND OUT WHAT THOSE CONVERSATIONS ARE. 133 00:07:01,722 --> 00:07:03,654 JACK... 134 00:07:03,654 --> 00:07:06,026 WE SHOULD TAKE CARE OF THIS IMMEDIATELY. 135 00:07:06,026 --> 00:07:08,529 I'M SURE YOU AGREE 136 00:07:08,529 --> 00:07:11,001 THERE ARE SOME TRUTHS THAT SYDNEY MUST NEVER LEARN. 137 00:07:59,610 --> 00:08:01,612 HOW'S IT GOING? 138 00:08:01,612 --> 00:08:05,055 FINE. 139 00:08:05,055 --> 00:08:07,688 I WENT TO THE STATIONERY STORE TODAY. 140 00:08:07,688 --> 00:08:10,521 SAME PLACE I GOT THE WEDDING INVITATIONS. 141 00:08:10,521 --> 00:08:12,062 I HAD TO BUY SOME THANK YOU CARDS 142 00:08:12,062 --> 00:08:14,595 FOR THESE ENGAGEMENT GIFTS TO SEND BACK TO PEOPLE. 143 00:08:16,667 --> 00:08:18,228 THE WOMAN IN THE STORE 144 00:08:18,228 --> 00:08:20,971 ASKED IF I WANTED THE CARD STOCK 145 00:08:20,971 --> 00:08:23,033 TO MATCH THE INVITATIONS. 146 00:08:25,976 --> 00:08:28,008 I BURST INTO TEARS IN THE MIDDLE OF THE STORE. 147 00:08:31,982 --> 00:08:34,715 FRANCIE? 148 00:08:34,715 --> 00:08:38,088 I DON'T KNOW HOW TO DO THIS. 149 00:08:39,990 --> 00:08:42,222 I HAVEN'T EVEN BEEN ABLE TO TAKE THIS OFF. 150 00:08:42,222 --> 00:08:46,657 ♪ YOU'RE MAKING ME SMILE ♪ 151 00:08:47,828 --> 00:08:51,662 I'M SORRY. 152 00:08:51,662 --> 00:08:54,565 NAH, DON'T BE. 153 00:08:54,565 --> 00:08:56,567 ♪ COME BACK ANYTIME ♪ 154 00:08:56,567 --> 00:08:57,868 THE TRUTH IS 155 00:08:57,868 --> 00:09:00,611 I SHOULD HAVE TAKEN IT OFF A LONG TIME AGO. 156 00:09:00,611 --> 00:09:04,615 ♪ SAY LA LA LA, LA LA LA LA ♪ 157 00:09:04,615 --> 00:09:09,620 HERE'S AN IDEA. 158 00:09:09,620 --> 00:09:11,582 WHAT? 159 00:09:11,582 --> 00:09:15,285 ♪ LA LA LA, LA LA LA ♪ 160 00:09:17,588 --> 00:09:20,330 ♪ THE DAY MAY BRING ♪ 161 00:09:23,594 --> 00:09:25,596 ♪ UNEXPECTED THINGS ♪ 162 00:09:28,038 --> 00:09:31,942 ♪ LOVE A LITTLE WHILE ♪ 163 00:09:31,942 --> 00:09:36,907 ♪ CRY TILL A SMILE ♪ 164 00:09:36,907 --> 00:09:42,582 ♪ BREAKS THROUGH THE CLOUDS ♪ 165 00:09:42,582 --> 00:09:45,686 SO WILSHIRE COURT, 7:30, 166 00:09:45,686 --> 00:09:47,017 AND I GOT MY BALL IN MY CAR, SO -- 167 00:09:47,017 --> 00:09:48,759 OH, OH, CALL MITCH. 168 00:09:48,759 --> 00:09:50,320 YOU GOT IT. COOL. 169 00:09:50,320 --> 00:09:51,892 WELL, WELL, LOOK WHO IT IS. 170 00:09:51,892 --> 00:09:53,964 ABBY, WHAT IS THIS? 171 00:09:53,964 --> 00:09:56,266 OH, FALSE MODESTY. HIDEOUS. IT DOESN'T SUIT YOU. 172 00:09:56,266 --> 00:09:57,898 THIS ISN'T FOR THE MOST INSPIRATIONAL ARTICLE, IS IT? 173 00:09:57,898 --> 00:09:59,229 PRETTY DENSE FOR THE MAN WHO WROTE 174 00:09:59,229 --> 00:10:00,931 THE MOST INSPIRATIONAL ARTICLE. 175 00:10:00,931 --> 00:10:02,232 YOU KNOW YOU DON'T DESERVE TO WIN ANY AWARDS. 176 00:10:02,232 --> 00:10:04,034 I KNOW. CONGRATULATIONS. 177 00:10:04,034 --> 00:10:05,936 THANK YOU. 178 00:10:05,936 --> 00:10:08,038 YOU MAKE ME SICK, FYI. I KNOW. I MAKE MYSELF SICK. 179 00:10:08,038 --> 00:10:09,940 10 YEARS I'VE BEEN AT THIS, AND WHAT DO I WIN? 180 00:10:09,940 --> 00:10:11,782 TICKETS TO "THE LION KING" ON THE RADIO. 181 00:10:11,782 --> 00:10:13,213 YOU NEVER INVITED ME TO THAT. 182 00:10:13,213 --> 00:10:14,614 OH, IMAGINE THAT. 183 00:10:14,614 --> 00:10:15,886 THANK YOU FOR THE CAKE. 184 00:10:15,886 --> 00:10:17,317 I'M GOING TO GET US SOME PLATES. 185 00:10:17,317 --> 00:10:19,920 I EXPECT A PIECE, YES. IT'S CHOCOLATE. 186 00:10:19,920 --> 00:10:22,192 MAYBE YOU CAN WRITE AN ARTICLE ABOUT THIS CAKE 187 00:10:22,192 --> 00:10:24,124 AND WIN SOMETHING ELSE. 188 00:10:29,660 --> 00:10:31,261 EXCUSE ME. JUNE LITVAK'S OFFICE? 189 00:10:31,261 --> 00:10:32,863 YEAH, THAT'S THE NEXT FLOOR UP. 190 00:10:32,863 --> 00:10:34,264 HUGE OFFICE. THANKS. 191 00:10:46,977 --> 00:10:48,318 [ STATIC ] 192 00:10:48,318 --> 00:10:50,250 Will: OKAY, SERIOUSLY, IF I DIDN'T HAVE TO GO, 193 00:10:50,250 --> 00:10:51,651 I'D EAT THE WHOLE CAKE. 194 00:10:51,651 --> 00:10:52,983 Woman: WHERE ARE YOU GOING? 195 00:10:52,983 --> 00:10:55,285 LOMPOC. I GOT AN INTERVIEW. 196 00:10:55,285 --> 00:10:58,028 YOUR SURVEILLANCE FOOTAGE OF MOSCOW IS REMARKABLE. 197 00:10:58,028 --> 00:10:59,930 OF COURSE, WE WON'T KNOW FOR QUITE SOME TIME 198 00:10:59,930 --> 00:11:01,932 THE FULL IMPLICATION OF IVANKOV'S MURDER, 199 00:11:01,932 --> 00:11:03,333 BUT HERE'S WHAT WE DO KNOW. 200 00:11:03,333 --> 00:11:05,696 IVANKOV'S BODY WAS DELIVERED LAST NIGHT 201 00:11:05,696 --> 00:11:08,198 TO K-DIRECTORATE HEADQUARTERS IN ST. PETERSBURG. 202 00:11:08,198 --> 00:11:09,900 DELIVERED HOW? 203 00:11:09,900 --> 00:11:11,872 COMMERCIAL FREIGHT CARRIER, PACKED INSIDE A CRATE 204 00:11:11,872 --> 00:11:13,844 OF FROZEN ATLANTIC CODFISH. 205 00:11:13,844 --> 00:11:16,877 LAVRO KESSAR, K-DIRECTORATE SECOND IN COMMAND -- 206 00:11:16,877 --> 00:11:19,379 HE HASN'T BEEN SEEN SINCE THAT NIGHT. 207 00:11:19,379 --> 00:11:21,181 WE BELIEVE HE'S BEING HELD 208 00:11:21,181 --> 00:11:23,413 BY MR. SARK AS A CAPTIVE. 209 00:11:23,413 --> 00:11:25,886 UNLESS K-DIRECTORATE DELIVERS RAMBALDI'S MANUSCRIPT 210 00:11:25,886 --> 00:11:29,359 TO SARK'S EMPLOYER, THE MAN, 211 00:11:29,359 --> 00:11:33,123 THEY SHOULD BE EXPECTING MORE FISH IN ST. PETERSBURG. 212 00:11:33,123 --> 00:11:34,965 HAVE WE LEARNED ANYTHING MORE ABOUT THE MAN? 213 00:11:34,965 --> 00:11:37,167 WE HAVE TO GET A NAME FOR THIS GUY ALREADY. 214 00:11:37,167 --> 00:11:39,870 WELL, WE DON'T KNOW ANYTHING CONCRETE, AT LEAST NOT YET. 215 00:11:39,870 --> 00:11:42,072 WE HAVE LEARNED SOMETHING ABOUT SARK. MARSHALL? 216 00:11:42,072 --> 00:11:43,233 YES, OKAY. 217 00:11:43,233 --> 00:11:45,035 UM, ACTUALLY, I'M SURE WE'VE ALL SEEN 218 00:11:45,035 --> 00:11:46,336 THE CLASSIC MOVIE "MY FAIR LADY." 219 00:11:46,336 --> 00:11:48,078 YOU REMEMBER... 220 00:11:48,078 --> 00:11:50,310 [ In Cockney accent ] PROFESSOR 'ENRY 'IGGINS 221 00:11:50,310 --> 00:11:52,182 EDUCATIN' ELIZA DOOLITTLE. "YOU TALK PROPER." 222 00:11:52,182 --> 00:11:54,114 OF COURSE, MY FAVORITE REX HARRISON FILM 223 00:11:54,114 --> 00:11:56,446 IS "DOCTOR DOLITTLE," WHICH ALWAYS KIND OF THREW ME 224 00:11:56,446 --> 00:11:58,789 BECAUSE ELIZA DOOLITTLE, DR. DOLITTLE, 225 00:11:58,789 --> 00:12:01,321 DOOLITTLE, DOLITTLE, WAS THAT ON PURPOSE, CONSPIRACY -- 226 00:12:01,321 --> 00:12:02,492 MARSHALL. 227 00:12:02,492 --> 00:12:04,154 RIGHT. 228 00:12:04,154 --> 00:12:05,926 UH, WELL, WE'VE ANALYZED SARK'S SPEECH PATTERN -- 229 00:12:05,926 --> 00:12:07,357 LILT, STRESS, RHYTHM, WHAT HAVE YOU -- 230 00:12:07,357 --> 00:12:09,059 AND HE IS VERY CLEVER. 231 00:12:09,059 --> 00:12:11,862 HIS -- HIS GRAMMAR AND SYNTAX, 232 00:12:11,862 --> 00:12:14,064 THEY GIVE AWAY NOTHING, BUT HIS LENGTHENED VOWELS 233 00:12:14,064 --> 00:12:16,867 INDICATE THAT HE SPENDS CONSIDERABLE TIME IN IRELAND, 234 00:12:16,867 --> 00:12:19,109 MOST LIKELY GALWAY. 235 00:12:19,109 --> 00:12:20,270 OUR ASSETS IN TUNIS SPOTTED A K-DIRECTORATE BOAT 236 00:12:20,270 --> 00:12:21,972 PASSING THROUGH INTO PORT. 237 00:12:21,972 --> 00:12:24,074 IT'S NOW MOORED OFF ES-SEKHIRA. 238 00:12:24,074 --> 00:12:26,176 TOMORROW AT 10:00 A.M. LOCAL TIME, 239 00:12:26,176 --> 00:12:29,419 A PLANE IS SCHEDULED TO LEAVE FROM NEARBY HAFSA AIRPORT 240 00:12:29,419 --> 00:12:32,082 TO FLY TO GALWAY, IRELAND. 241 00:12:32,082 --> 00:12:33,183 SO THEY'RE HANDING OVER 242 00:12:33,183 --> 00:12:34,925 RAMBALDI'S MANUSCRIPT IN TUNISIA. 243 00:12:34,925 --> 00:12:38,288 THE MISSION IS TO INTERCEPT THE BOOK AND BRING IT BACK HOME. 244 00:12:38,288 --> 00:12:41,431 REVIEW THE MISSION DETAILS. GO OVER OP TECH WITH MARSHALL. 245 00:12:41,431 --> 00:12:43,463 YOU'LL LEAVE TONIGHT. 246 00:12:49,469 --> 00:12:51,241 THIS LOOK FAMILIAR? 247 00:12:51,241 --> 00:12:54,544 THE SAME KIND OF CAMERA I LEFT BEHIND IN ARGENTINA. 248 00:12:54,544 --> 00:12:56,006 IT IS THAT CAMERA. 249 00:12:56,006 --> 00:12:58,508 THE CIA SENT A TEAM AND RETRIEVED IT LAST WEEK. 250 00:12:58,508 --> 00:13:00,310 YOU ONLY TOOK A FEW SHOTS OF THE RAMBALDI BOOK. 251 00:13:00,310 --> 00:13:01,882 I KNOW. 252 00:13:01,882 --> 00:13:03,984 BUT WE DID LEARN A LOT FROM THOSE PICTURES. 253 00:13:03,984 --> 00:13:04,885 LIKE WHAT? 254 00:13:07,157 --> 00:13:08,819 I'VE -- 255 00:13:08,819 --> 00:13:11,161 I'VE GOT THIS AUNT. UM, AUNT TRISH. 256 00:13:11,161 --> 00:13:13,123 SHE'S THE INSANE ONE IN THE FAMILY. 257 00:13:13,123 --> 00:13:15,866 SHE, UH, SPEAKS TO THE DEAD, SHE GOES TO READINGS. 258 00:13:15,866 --> 00:13:18,028 SHE'S A CROP CIRCLE WORSHIPER. 259 00:13:18,028 --> 00:13:19,199 AUNT TRISH. 260 00:13:19,199 --> 00:13:20,901 YEAH. THIS WHOLE RAMBALDI STORY 261 00:13:20,901 --> 00:13:23,103 REMINDS ME OF SOMETHING SHE WOULD TELL ME ABOUT. 262 00:13:23,103 --> 00:13:26,436 ANYWAY, WE KNOW THAT RAMBALDI WAS A 16th CENTURY INVENTOR 263 00:13:26,436 --> 00:13:28,378 WHO SEEMED TO HAVE HAD 264 00:13:28,378 --> 00:13:31,181 AN ALMOST PSYCHIC VISION OF TECHNOLOGY. 265 00:13:31,181 --> 00:13:33,313 THIS BOOK, BASED ON THE IMAGES YOU TOOK, 266 00:13:33,313 --> 00:13:35,815 SEEMS TO BE SOME SORT OF INSTRUCTION MANUAL. 267 00:13:35,815 --> 00:13:37,587 NOW, TO WHAT, WE DON'T KNOW. 268 00:13:37,587 --> 00:13:40,320 THIS WAS WRITTEN IN ITALIAN 269 00:13:40,320 --> 00:13:42,122 ON THE SECOND PAGE. 270 00:13:42,122 --> 00:13:44,124 THERE, AT THE BOTTOM, 271 00:13:44,124 --> 00:13:46,356 RAMBALDI REFERS TO THE 100 SEGMENTS. 272 00:13:46,356 --> 00:13:48,528 MEANING WHAT? 273 00:13:48,528 --> 00:13:51,161 WELL, IT CONTINUES ON A PAGE WE DON'T HAVE YET. 274 00:13:51,161 --> 00:13:53,864 SO YOUR COUNTERMISSION IS THE SAME AS IN ARGENTINA. 275 00:13:53,864 --> 00:13:56,436 WHEN YOU GET THE RAMBALDI BOOK, PHOTOGRAPH THE PAGES 276 00:13:56,436 --> 00:13:59,139 AND DELIVER THE ORIGINALS TO SD-6 AND THE PHOTOS TO US. 277 00:13:59,139 --> 00:14:02,072 JUST DON'T SCREW IT UP THIS TIME. GOT IT. 278 00:14:02,072 --> 00:14:03,573 YOUR FATHER'S BEEN REPORTING 279 00:14:03,573 --> 00:14:05,545 THAT SLOANE SPENT A LOT OF TIME AT HOME. 280 00:14:05,545 --> 00:14:08,218 YEAH, HIS WIFE EMILY. SHE'S SICK. 281 00:14:08,218 --> 00:14:09,519 YOU TWO USED TO BE CLOSE, RIGHT? 282 00:14:09,519 --> 00:14:10,981 WE STILL ARE. 283 00:14:10,981 --> 00:14:12,923 LESS SO SINCE SHE WAS DIAGNOSED. 284 00:14:12,923 --> 00:14:14,324 SHE'S BEEN A LITTLE RECLUSIVE. 285 00:14:14,324 --> 00:14:17,287 ACTUALLY, I HAVEN'T SEEN HER 286 00:14:17,287 --> 00:14:19,890 SINCE BEFORE I LEARNED THE TRUTH ABOUT HER HUSBAND. 287 00:14:19,890 --> 00:14:21,892 I THINK THIS IS A REAL OPPORTUNITY. 288 00:14:21,892 --> 00:14:23,063 WE'D LIKE YOU TO CALL EMILY, 289 00:14:23,063 --> 00:14:24,434 TELL HER YOU'D LIKE TO SEE HER AGAIN, 290 00:14:24,434 --> 00:14:26,596 AND GET INVITED TO THEIR HOUSE. 291 00:14:26,596 --> 00:14:28,638 YOU WANT ME TO PLANT A BUG. 292 00:14:28,638 --> 00:14:30,240 VAUGHN, SHE'S DYING OF CANCER. 293 00:14:30,240 --> 00:14:31,601 YES, I KNOW. 294 00:14:31,601 --> 00:14:33,543 SO YOU'RE ASKING ME TO USE THIS WOMAN. 295 00:14:33,543 --> 00:14:35,345 SHE WILL NEVER KNOW. BUT I WILL. 296 00:14:35,345 --> 00:14:37,307 WE'VE BEEN TRYING TO PLANT A LISTENING DEVICE IN SD-6. 297 00:14:37,307 --> 00:14:39,179 IT'S POINTLESS. 298 00:14:39,179 --> 00:14:40,310 THAT OFFICE USES EVERY POSSIBLE COUNTERSURVEILLANCE TECHNIQUE. 299 00:14:40,310 --> 00:14:41,511 SLOANE'S HOUSE MIGHT BE MORE VULNERABLE. 300 00:14:41,511 --> 00:14:42,582 BUT THIS ISN'T A LOGISTICAL QUESTION. 301 00:14:42,582 --> 00:14:43,883 THIS IS A MORAL ONE. 302 00:14:43,883 --> 00:14:45,415 A MORAL ONE? SYDNEY, YOU'RE A SPY. 303 00:14:45,415 --> 00:14:47,117 THIS IS HARDLY THE DARKEST DECISION YOU'VE HAD TO MAKE. 304 00:14:47,117 --> 00:14:48,989 BUT WHAT YOU'RE NOT HEARING IS EMILY IS MY FRIEND. 305 00:14:48,989 --> 00:14:51,061 DESPITE HER HUSBAND, SHE IS MY FRIEND WHO IS DYING. 306 00:14:51,061 --> 00:14:52,892 I MEAN, DOES THIS NOT SEEM AT ALL WRONG TO YOU? 307 00:14:52,892 --> 00:14:54,264 WHY DOES THIS SEEM WRONG TO YOU? 308 00:14:54,264 --> 00:14:56,296 BECAUSE SHE'S INNOCENT. SHE IS A GOOD PERSON. 309 00:14:56,296 --> 00:14:58,028 THEN WHAT SHE DOESN'T KNOW, WHAT SHE WILL NEVER KNOW, 310 00:14:58,028 --> 00:14:59,599 IS THAT THIS IS ONE OF THE LAST OPPORTUNITIES 311 00:14:59,599 --> 00:15:01,001 SHE HAS TO DO SOMETHING GOOD. 312 00:15:05,135 --> 00:15:09,109 EMILY, HI. IT'S SYDNEY...BRISTOW. 313 00:15:09,109 --> 00:15:10,610 HI. I KNOW. 314 00:15:10,610 --> 00:15:12,412 I KNOW, IT HAS. 315 00:15:12,412 --> 00:15:15,245 ARE YOU BUSY OR SLEEPING? 316 00:15:15,245 --> 00:15:18,418 GOOD, OKAY. 317 00:15:18,418 --> 00:15:21,451 YEAH, YEAH. I'M DOING FINE. 318 00:15:21,451 --> 00:15:22,622 HOW ARE YOU? 319 00:15:22,622 --> 00:15:26,256 THAT'S WHY I CALLED. I JUST -- 320 00:15:26,256 --> 00:15:30,200 I MISS YOU. 321 00:15:30,200 --> 00:15:33,003 HAVE YOU HEARD FROM HER -- YOUR DAUGHTER? 322 00:15:33,003 --> 00:15:34,464 NO, NO. 323 00:15:34,464 --> 00:15:35,966 MY LAWYER SAYS SHE'S SAFE, YOU KNOW. 324 00:15:35,966 --> 00:15:37,137 THAT'S ALL I REALLY WANT TO KNOW. 325 00:15:39,309 --> 00:15:41,071 ALL RIGHT, SO WHAT DO YOU GOT? 326 00:15:41,071 --> 00:15:42,212 OKAY. 327 00:15:42,212 --> 00:15:44,444 BASED ON THE FILE AT O.T. TECHNOLOGIES, 328 00:15:44,444 --> 00:15:47,517 42 COMPANIES CURRENTLY USE YOUR ENCRYPTION SOFTWARE. 329 00:15:47,517 --> 00:15:48,678 42. 330 00:15:48,678 --> 00:15:50,050 YEAH. 331 00:15:50,050 --> 00:15:51,281 SO FAR I'VE HAD TIME 332 00:15:51,281 --> 00:15:54,484 TO LOOK INTO ABOUT 18 OF THESE COMPANIES. 333 00:15:54,484 --> 00:15:56,126 LISTEN TO THIS. 334 00:15:56,126 --> 00:15:58,688 SIX OF THEM HAVE A COMMON BOARD MEMBER -- 335 00:15:58,688 --> 00:16:02,032 A GUY BY THE NAME OF ALAIN CHRISTOPHE. 336 00:16:02,032 --> 00:16:04,394 THIS IS THE BEST PART. 337 00:16:04,394 --> 00:16:09,099 12 YEARS AGO, ALAIN DECIDES TO RETIRE... 338 00:16:09,099 --> 00:16:11,201 FROM THE CIA. 339 00:16:11,201 --> 00:16:13,303 AND BEFORE THAT, 340 00:16:13,303 --> 00:16:15,645 FROM '82 TO '89, 341 00:16:15,645 --> 00:16:17,577 HE RAN COUNTERINTELLIGENCE AT LANGLEY. 342 00:16:21,411 --> 00:16:23,383 WHY ARE YOU SMILING? 343 00:16:23,383 --> 00:16:25,985 BECAUSE FOR THE FIRST TIME IN EIGHT YEARS, 344 00:16:25,985 --> 00:16:29,389 SD-6 SHOULD BE AFRAID OF ME. 345 00:16:34,064 --> 00:16:36,166 DO A LEXIS/NEXIS FOR EVERYTHING ON ALAIN CHRISTOPHE, 346 00:16:36,166 --> 00:16:37,697 AND CALL THE IRS. 347 00:16:37,697 --> 00:16:39,429 SEE IF THE FREEDOM OF INFORMATION ACT 348 00:16:39,429 --> 00:16:41,431 COVERS ACCESS TO HIS PRIVATE HOLDINGS. 349 00:16:41,431 --> 00:16:44,274 OH, UH, "NORTH BY NORTHWEST" TICKETS FRIDAY NIGHT. 350 00:16:44,274 --> 00:16:47,207 CALL, UH, MERCANTILE. SEE IF YOU CAN GET A RESERVATION. 351 00:16:47,207 --> 00:16:49,139 [ HORN HONKING ] SON OF A BITCH. 352 00:16:49,139 --> 00:16:50,280 [ TIRES SCREECH ] 353 00:16:52,282 --> 00:16:53,483 [ GUNS COCKING ] 354 00:16:56,686 --> 00:16:58,788 [ Distorted voice ] RESIST, AND YOU DIE. 355 00:16:58,788 --> 00:17:00,490 GET OUT. 356 00:17:13,333 --> 00:17:15,765 [ TIRES SCREECH ] 357 00:17:40,490 --> 00:17:44,234 [ SPEAKING RUSSIAN ] 358 00:17:51,571 --> 00:17:54,604 OKAY, SO TELL ME THE TRUTH -- 359 00:17:54,604 --> 00:17:57,577 WHO DO YOU LIKE BETTER, MARY ANN OR GINGER? 360 00:17:57,577 --> 00:18:02,212 LISTEN, WHILE YOU'RE GRABBING RAMBALDI'S MANUSCRIPT, 361 00:18:02,212 --> 00:18:04,214 IF YOU HAPPEN TO SEE A SANDWICH... 362 00:18:04,214 --> 00:18:05,455 YOU GOT IT. 363 00:18:05,455 --> 00:18:08,588 OKAY. I'LL RADIO IF SARK ARRIVES. 364 00:18:08,588 --> 00:18:09,519 GOOD LUCK. 365 00:18:29,709 --> 00:18:32,442 [ SPEAKING RUSSIAN ] 366 00:18:39,549 --> 00:18:40,620 GASOLINE? 367 00:18:40,620 --> 00:18:41,821 GASOLINE. 368 00:18:41,821 --> 00:18:43,823 YEAH. 369 00:18:43,823 --> 00:18:44,724 [ SPEAKS RUSSIAN ] 370 00:19:33,343 --> 00:19:34,944 OKAY, DIXON, THE BOAT'S SECURE. 371 00:19:34,944 --> 00:19:37,847 I'M OPENING THE CASE HERE. THE GUY'S HANDCUFFED TO IT. 372 00:19:37,847 --> 00:19:39,809 I'M PICKING THE LOCK. 373 00:19:39,809 --> 00:19:42,752 LOOKS LIKE IT'S ELECTROMAGNETIC. 374 00:19:42,752 --> 00:19:44,214 OKAY. 375 00:19:44,214 --> 00:19:46,256 STILL NO SIGN OF SARK. 376 00:20:24,394 --> 00:20:26,596 [ CAMERA SHUTTER CLICKS ] 377 00:20:26,596 --> 00:20:27,557 [ CLICK ] 378 00:20:31,000 --> 00:20:32,502 Man: YURI? 379 00:20:57,887 --> 00:21:00,029 OKAY, I'VE GOT THE BOOK. 380 00:21:00,029 --> 00:21:03,262 SYDNEY, SARK'S HERE. 381 00:21:03,262 --> 00:21:05,335 I'M TAKING THE BOAT. 382 00:21:09,369 --> 00:21:10,700 OKAY. 383 00:21:10,700 --> 00:21:12,442 I'LL MEET YOU AT THE AIRPORT DOCK. 384 00:21:12,442 --> 00:21:13,973 WE'LL BE THERE IN 30 MINUTES. 385 00:21:45,535 --> 00:21:47,707 OKAY, LOOK, GUYS, I -- 386 00:21:47,707 --> 00:21:50,009 [ COUGHS ] 387 00:21:50,009 --> 00:21:54,043 [ GROANING AND PANTING ] 388 00:21:56,486 --> 00:21:59,549 Will: SIX OF THEM HAVE A COMMON BOARD MEMBER -- 389 00:21:59,549 --> 00:22:01,791 A GUY BY THE NAME OF ALAIN CHRISTOPHE. 390 00:22:01,791 --> 00:22:05,024 THIS IS THE BEST PART. 391 00:22:05,024 --> 00:22:08,057 ABOUT 12 YEARS AGO, ALAIN DECIDES TO RETIRE... 392 00:22:08,057 --> 00:22:11,100 FROM THE CIA. 393 00:22:15,104 --> 00:22:17,607 [ Distorted voice ] DO YOU VALUE YOUR LIFE, MR. TIPPIN? 394 00:22:17,607 --> 00:22:21,110 OF COURSE I VALUE MY LIFE. 395 00:22:21,110 --> 00:22:22,812 DO YOU? 396 00:22:22,812 --> 00:22:25,515 YOUR ACTIONS WOULD INDICATE OTHERWISE, 397 00:22:25,515 --> 00:22:27,076 SO I'M GOING TO TELL YOU WHAT IT IS 398 00:22:27,076 --> 00:22:29,579 YOU ARE APPARENTLY DYING TO KNOW. 399 00:22:29,579 --> 00:22:32,081 YOUR FRIEND DANIEL HECHT, 400 00:22:32,081 --> 00:22:35,885 DAVID McNEIL'S WIFE SUSAN, ELOISE KURTZ -- 401 00:22:35,885 --> 00:22:38,087 THEY WERE ALL INNOCENT VICTIMS. 402 00:22:38,087 --> 00:22:42,762 THEIR DEATHS WERE UNFORTUNATE, A MATTER OF CIRCUMSTANCE. 403 00:22:42,762 --> 00:22:46,436 NOW THE ONLY REMAINING QUESTION 404 00:22:46,436 --> 00:22:49,769 IS WHETHER THE STORY ENDS THERE 405 00:22:49,769 --> 00:22:52,672 OR WHETHER IT INCLUDES OTHER INNOCENT VICTIMS. 406 00:22:56,576 --> 00:23:00,480 AMY TIPPIN, 3723 EAST CONESTOGA WAY. 407 00:23:03,152 --> 00:23:07,557 ROBERT AND PATSY TIPPIN, 63064 SHULMAN WAY. 408 00:23:11,491 --> 00:23:13,623 SYDNEY BRISTOW, 4250 COCHRAN STREET. 409 00:23:13,623 --> 00:23:16,395 STOP, STOP, STOP. I UNDERSTAND. 410 00:23:19,869 --> 00:23:21,471 THIS WILL BE YOUR ONLY WARNING. 411 00:23:49,859 --> 00:23:51,030 MR. SLOANE. 412 00:23:52,932 --> 00:23:54,534 YES? 413 00:23:54,534 --> 00:23:56,966 I'VE QUESTIONED EVERYONE FROM THE BOAT. 414 00:23:56,966 --> 00:24:00,109 THE CAPTAIN IS A CIVILIAN. HE DOESN'T KNOW ANYTHING. 415 00:24:01,811 --> 00:24:03,713 KILL HIM. 416 00:24:03,713 --> 00:24:05,915 YES, SIR. 417 00:24:09,218 --> 00:24:12,051 [ TELEPHONE RINGS ] 418 00:24:12,051 --> 00:24:13,152 HELLO? 419 00:24:13,152 --> 00:24:14,784 SYDNEY, IT'S EMILY. 420 00:24:14,784 --> 00:24:16,626 HI. 421 00:24:16,626 --> 00:24:18,728 LISTEN, I WANTED TO THANK YOU FOR CALLING. 422 00:24:18,728 --> 00:24:20,830 YOU HAVE NO IDEA HOW MUCH THAT MEANT. 423 00:24:20,830 --> 00:24:22,632 YOU DON'T HAVE TO THANK ME. 424 00:24:22,632 --> 00:24:23,863 I DO. 425 00:24:23,863 --> 00:24:26,766 I WOKE UP THIS MORNING FEELING STRONG, 426 00:24:26,766 --> 00:24:29,238 AND I-I WAS CURIOUS IF YOU WERE FREE FOR DINNER. 427 00:24:29,238 --> 00:24:30,640 TONIGHT? 428 00:24:30,640 --> 00:24:32,241 BRING A FRIEND. PLEASE? 429 00:24:33,873 --> 00:24:35,605 AND YOU ACCEPTED? 430 00:24:35,605 --> 00:24:38,778 NOT AT FIRST, 431 00:24:38,778 --> 00:24:41,681 BUT EMILY'S SICK. I COULDN'T SAY NO. 432 00:24:41,681 --> 00:24:45,054 I KNEW YOU WANTED ME TO ANYWAY. 433 00:24:46,716 --> 00:24:48,487 HERE. 434 00:24:52,892 --> 00:24:54,994 THIS IS A BUG? IT'S GOOD, HUH? 435 00:24:54,994 --> 00:24:56,666 YOU SHOULD SEE THE GUYS WHO MAKE IT. 436 00:24:56,666 --> 00:24:58,227 IT'S LIKE THEY'VE NEVER SEEN SUNLIGHT. 437 00:24:58,227 --> 00:25:00,029 WELL, YOU SHOULD MEET MARSHALL. 438 00:25:00,029 --> 00:25:01,701 WHERE DO YOU WANT THIS? 439 00:25:01,701 --> 00:25:02,932 SLOANE'S GOT AN OFFICE IN HIS HOME. 440 00:25:02,932 --> 00:25:04,133 MM-HMM. 441 00:25:04,133 --> 00:25:05,735 THAT'S WHERE WE WANT IT, 442 00:25:05,735 --> 00:25:07,877 ESPECIALLY NOW THAT SD-6 HAS THE RAMBALDI BOOK. 443 00:25:07,877 --> 00:25:09,839 THE CIA'S BEEN STUDYING THOSE PHOTOS YOU TOOK. 444 00:25:09,839 --> 00:25:11,240 THEN THEY TURNED OUT ALL RIGHT. 445 00:25:11,240 --> 00:25:12,912 THERE'S ONE BLANK PAGE. 446 00:25:12,912 --> 00:25:14,944 WELL, CIA SCI-TECH SAYS 447 00:25:14,944 --> 00:25:17,016 THAT OF THE FEW RAMBALDI DOCUMENTS THEY'VE RECOVERED, 448 00:25:17,016 --> 00:25:19,218 THE 47th PAGE IS ALWAYS PARTICULARLY SIGNIFICANT. 449 00:25:19,218 --> 00:25:21,821 THIS BLANK PAGE WAS NUMBER 47. 450 00:25:21,821 --> 00:25:23,593 YOUR FATHER'S STRATEGIZING ON HOW TO GET IT 451 00:25:23,593 --> 00:25:25,254 OUT OF SD-6 ANALYSIS, REPLACE IT WITH A COUNTERFEIT, 452 00:25:25,254 --> 00:25:26,956 BUT IN THE MEANTIME, 453 00:25:26,956 --> 00:25:29,128 WE'RE JUST HOPING TO LEARN SOMETHING WITH THAT BUG. 454 00:25:29,128 --> 00:25:31,200 OKAY. 455 00:25:34,033 --> 00:25:36,806 YOU SAID EMILY INVITED YOU AND A FRIEND? 456 00:25:36,806 --> 00:25:38,307 MM-HMM. 457 00:25:38,307 --> 00:25:40,970 YOU TAKING ANYONE? 458 00:25:40,970 --> 00:25:43,673 [ CELLULAR PHONE RINGS ] 459 00:25:43,673 --> 00:25:47,246 [ RING ] 460 00:25:47,246 --> 00:25:48,948 [ RING ] 461 00:25:50,079 --> 00:25:53,753 [ RING ] 462 00:25:56,555 --> 00:25:57,587 HELLO? 463 00:25:57,587 --> 00:25:59,589 WHAT ARE YOU DOING? 464 00:25:59,589 --> 00:26:00,890 SYD? 465 00:26:00,890 --> 00:26:02,061 ARE YOU SLEEPING? 466 00:26:02,061 --> 00:26:04,934 NO, NO. 467 00:26:04,934 --> 00:26:06,035 I'M, UH... 468 00:26:06,035 --> 00:26:07,867 I'M WORKING. 469 00:26:07,867 --> 00:26:10,299 ARE YOU ALL RIGHT? 'CAUSE YOU SOUND LIKE HELL. 470 00:26:10,299 --> 00:26:13,002 YEAH, YEAH. YEAH, I'M FINE. 471 00:26:13,002 --> 00:26:15,144 HOW -- HOW YOU DOING? 472 00:26:15,144 --> 00:26:16,906 YOU'RE GOING TO KILL ME. 473 00:26:16,906 --> 00:26:19,048 WHY? 474 00:26:19,048 --> 00:26:22,081 I KNOW WE TALKED ABOUT GOING TO "NORTH BY NORTHWEST," 475 00:26:22,081 --> 00:26:23,813 BUT THERE'S THIS DINNER AT MY BOSS'S HOUSE. 476 00:26:23,813 --> 00:26:25,014 I CAN'T GET OUT OF IT. 477 00:26:30,720 --> 00:26:31,991 YOU'RE MAD. 478 00:26:31,991 --> 00:26:36,595 UH, NO, NO. 479 00:26:36,595 --> 00:26:38,828 I GOT TO, UH, GO TO A MEETING, THOUGH. 480 00:26:40,730 --> 00:26:41,901 WILL YOU COME WITH ME? 481 00:26:41,901 --> 00:26:43,833 THEY SAID I COULD BRING A GUEST. 482 00:26:43,833 --> 00:26:45,034 WILL YOU BE MY GUEST? 483 00:26:52,712 --> 00:26:54,243 [ HORN HONKS ] 484 00:27:06,926 --> 00:27:09,128 WILL YOU PLEASE TELL ME WHAT HAPPENED? 485 00:27:09,128 --> 00:27:11,100 LISTEN, I TOLD YOU I DON'T WANT TO TALK ABOUT IT. 486 00:27:13,362 --> 00:27:15,164 YOUR BRUISE LOOKS PRETTY BAD. 487 00:27:17,636 --> 00:27:19,939 WELL, YOU KNOW WHAT? 488 00:27:19,939 --> 00:27:22,641 YOU'RE JUST GOING TO HAVE TO COME OVER TO MY PLACE, 489 00:27:22,641 --> 00:27:25,274 AND I'LL MAKE YOU A BIG BOWL OF ASHISHTA. 490 00:27:25,274 --> 00:27:28,647 IT'S A NOODLE SOUP THAT MY GRANDMOTHER USED TO MAKE. 491 00:27:28,647 --> 00:27:30,179 YOU KNOW WHAT? YOU HAVE TO MEET HER. 492 00:27:30,179 --> 00:27:31,751 YOU'RE GOING TO LOVE HER. 493 00:27:31,751 --> 00:27:34,884 JENNY, LISTEN, I THINK YOU'RE GREAT. 494 00:27:34,884 --> 00:27:37,286 YOU'RE SMART AND YOU'RE BEAUTIFUL, 495 00:27:37,286 --> 00:27:39,088 AND I THINK WE'VE HAD A LOT OF FUN, 496 00:27:39,088 --> 00:27:40,289 BUT YOU AND I -- 497 00:27:42,331 --> 00:27:44,363 I JUST DON'T THINK THAT WE... 498 00:27:45,735 --> 00:27:47,066 [ THUD ] 499 00:27:47,066 --> 00:27:49,268 [ TIRES SCREECH ] 500 00:27:49,268 --> 00:27:51,400 ARE YOU BREAKING UP WITH ME? 501 00:27:51,400 --> 00:27:53,442 I DRIVE ALL THE WAY OUT HERE -- 502 00:27:53,442 --> 00:27:55,074 WITH A BROKEN RADIO, BY THE WAY -- 503 00:27:55,074 --> 00:27:56,375 AND YOU'RE -- YOU'RE GOING TO BREAK UP WITH ME? 504 00:27:56,375 --> 00:27:58,277 HEY, THAT'S NOT REALLY FAIR. 505 00:27:58,277 --> 00:27:59,308 WHY DON'T YOU CALL SYDNEY? 506 00:27:59,308 --> 00:28:00,780 SYDNEY'S NOT MY ASSISTANT. 507 00:28:00,780 --> 00:28:01,911 YOU WORK FOR ME. 508 00:28:01,911 --> 00:28:03,352 NOT ANYMORE. GET OUT. 509 00:28:03,352 --> 00:28:04,984 HA HA. "GET OUT"? 510 00:28:04,984 --> 00:28:06,685 I AM NOT KIDDING. 511 00:28:06,685 --> 00:28:08,718 WHERE THE HELL ARE WE? WE'RE NOWHERE. 512 00:28:08,718 --> 00:28:10,820 NO, NO, NO. YOU'RE NOWHERE. GET OUT. 513 00:28:12,361 --> 00:28:13,763 FINE. 514 00:28:23,873 --> 00:28:25,735 "DEAR AUNT STEPHANIE, 515 00:28:25,735 --> 00:28:27,706 "UNFORTUNATELY, AS MY MOM HAS INFORMED YOU, 516 00:28:27,706 --> 00:28:29,338 "THE WEDDING IS OFF, 517 00:28:29,338 --> 00:28:31,710 "SO I AM RETURNING YOUR KIND GIFT 518 00:28:31,710 --> 00:28:33,883 "OF A COFFEE MAKER BECAUSE, AS IT TURNS OUT, 519 00:28:33,883 --> 00:28:35,484 "THE MAN TO WHOM I WAS ENGAGED 520 00:28:35,484 --> 00:28:38,017 "IS A DECEITFUL, 2-FACED, SEX-CRAZED JACKASS. 521 00:28:38,017 --> 00:28:40,990 ALL MY LOVE, FRANCIE." 522 00:28:40,990 --> 00:28:42,391 THAT'S NOT TOO HARSH. 523 00:28:42,391 --> 00:28:43,853 [ TELEPHONE RINGS ] 524 00:28:43,853 --> 00:28:45,955 I WANT TO READ YOU ONE MORE. THIS IS THE RESTRAINED ONE. 525 00:28:45,955 --> 00:28:47,726 [ RING ] 526 00:28:47,726 --> 00:28:48,727 HELLO? 527 00:28:48,727 --> 00:28:50,059 JOEY'S PIZZA? 528 00:28:50,059 --> 00:28:51,330 YOU KNOW, THIS IS JOEY'S PIZZA. 529 00:28:51,330 --> 00:28:53,502 YOU WANT TO HEAR OUR SPECIALS? 530 00:28:53,502 --> 00:28:55,234 HELLO? 531 00:28:55,234 --> 00:28:57,436 SERIOUSLY, WE NEED TO THINK ABOUT CHANGING OUR NUMBER. 532 00:28:57,436 --> 00:29:00,239 I KNOW. 533 00:29:00,239 --> 00:29:04,443 THANK YOU. 534 00:29:04,443 --> 00:29:06,315 I'M GOING TO GET A BOTTLE OF WINE FOR TONIGHT. 535 00:29:06,315 --> 00:29:08,317 DO YOU NEED ANYTHING WHILE I'M OUT? 536 00:29:08,317 --> 00:29:09,278 NO THANKS. 537 00:29:22,391 --> 00:29:23,993 HEY. 538 00:29:23,993 --> 00:29:25,835 SLOANE BROUGHT THE RAMBALDI BOOK HOME. 539 00:29:25,835 --> 00:29:27,336 I MET WITH HIM EARLIER. 540 00:29:27,336 --> 00:29:29,268 HE SHOWED ME THE BOOK. HE WAS SO TAKEN BY WHAT HE'D SEEN, 541 00:29:29,268 --> 00:29:31,270 HE WANTED TO SHOW IT TO YOU HIMSELF. 542 00:29:31,270 --> 00:29:32,371 SO HE BROUGHT IT TO HIS HOUSE? 543 00:29:32,371 --> 00:29:33,973 YES. IT'LL BE THERE TONIGHT. 544 00:29:33,973 --> 00:29:37,046 WHY DIDN'T HE JUST WAIT UNTIL I WAS AT SD-6 ON MONDAY? 545 00:29:37,046 --> 00:29:38,878 AN ALLIANCE COURIER IS EN ROUTE TO LOS ANGELES. 546 00:29:38,878 --> 00:29:40,279 THEY'RE TAKING THE BOOK TO GERMANY. 547 00:29:40,279 --> 00:29:42,451 THEY HAVE A CLUSTER OF LABS IN MUNICH -- 548 00:29:42,451 --> 00:29:44,984 ADVANCED ANALYSIS THEY CAN'T PERFORM HERE. 549 00:29:44,984 --> 00:29:46,986 WAIT A MINUTE. THE BLANK PAGE. 550 00:29:46,986 --> 00:29:48,787 YOU WANT ME TO MAKE A SWITCH. 551 00:29:48,787 --> 00:29:50,159 IF WE DON'T DO IT TONIGHT, THE COURIER WILL ARRIVE 552 00:29:50,159 --> 00:29:51,460 IN THE MORNING, AND WE'LL LOSE OUR SHOT 553 00:29:51,460 --> 00:29:53,122 AT GETTING THAT PAGE ANYTIME SOON. 554 00:29:53,122 --> 00:29:55,364 DOESN'T THIS SEEM A LITTLE RISKY TO YOU? 555 00:29:55,364 --> 00:29:57,226 MAKING A MOVE LIKE THIS AT SLOANE'S HOUSE 556 00:29:57,226 --> 00:29:59,228 WHILE HE'S THERE, WITHOUT BACKUP. 557 00:29:59,228 --> 00:30:01,070 OH, YOU WILL HAVE BACKUP. YOUR FATHER'S GOING, TOO. 558 00:30:01,070 --> 00:30:03,072 I CAN HELP YOU TONIGHT. 559 00:30:03,072 --> 00:30:05,404 EMILY BELIEVES THAT HER HUSBAND IS C.O.O. OF THE BANK. 560 00:30:05,404 --> 00:30:07,176 IF HE WANTS TO SHOW YOU THE BOOK, 561 00:30:07,176 --> 00:30:08,537 HE'LL HAVE TO DO THAT IN PRIVATE, 562 00:30:08,537 --> 00:30:10,239 MOST LIKELY IN HIS OFFICE. 563 00:30:10,239 --> 00:30:11,240 WHERE YOU WANT ME TO PLANT THE BUG. 564 00:30:11,240 --> 00:30:12,982 IF WE ASSUME THAT'S WHERE 565 00:30:12,982 --> 00:30:14,984 THE BOOK IS BEING KEPT, IT COULD BE AN IDEAL SCENARIO. 566 00:30:14,984 --> 00:30:16,385 DURING DINNER, VAUGHN WILL CALL YOUR CELL PHONE 567 00:30:16,385 --> 00:30:17,947 POSING AS A FRIEND IN NEED. 568 00:30:17,947 --> 00:30:19,949 YOU'LL EXCUSE YOURSELF, GO TO SLOANE'S OFFICE, 569 00:30:19,949 --> 00:30:21,991 GET INTO HIS SAFE, AND MAKE THE SWITCH. 570 00:30:21,991 --> 00:30:24,223 NOW, SLOANE'S VAULT IS AN ADVANCED CUSHIONING MODEL. 571 00:30:24,223 --> 00:30:26,025 THE GUYS WHO MADE THE PAPER CLIP BUG 572 00:30:26,025 --> 00:30:28,057 CAME UP WITH THIS. 573 00:30:28,057 --> 00:30:30,299 IT OVERRIDES THE CIRCUITRY, 574 00:30:30,299 --> 00:30:32,061 TRICKS THE SAFE INTO BELIEVING 575 00:30:32,061 --> 00:30:34,063 YOU ENTERED THE CORRECT COMBINATION. 576 00:30:34,063 --> 00:30:35,404 NOW, THEY SAY IT'S BITCHIN', 577 00:30:35,404 --> 00:30:37,266 SO I'M ASSUMING IT'S BITCHIN'. 578 00:30:37,266 --> 00:30:39,208 I DON'T KNOW ABOUT THIS PLAN. 579 00:30:39,208 --> 00:30:41,840 I MEAN, NOT ONLY DOES IT PUT ME IN DANGER, AND YOU... 580 00:30:43,312 --> 00:30:44,473 BUT I'M TAKING WILL TONIGHT. 581 00:30:44,473 --> 00:30:46,245 YOU'RE DOING WHAT? 582 00:30:46,245 --> 00:30:49,118 YEAH. 583 00:30:49,118 --> 00:30:51,450 EMILY TOLD ME TO BRING SOMEONE. WHY? 584 00:30:51,450 --> 00:30:53,983 NOTHING. 585 00:30:53,983 --> 00:30:56,185 I SHOULD LEAVE. I'LL SEE YOU THERE. 586 00:31:02,261 --> 00:31:04,964 LOOK, IF YOU FEEL YOU CAN MAKE THE SWITCH, DO IT. 587 00:31:04,964 --> 00:31:06,996 JUST USE YOUR DISCRETION. 588 00:31:06,996 --> 00:31:09,868 SO YOU'RE TAKING WILL? 589 00:31:09,868 --> 00:31:11,500 YEAH. 590 00:31:15,074 --> 00:31:16,445 YOU LOOK REALLY PRETTY. 591 00:31:18,577 --> 00:31:20,349 THANK YOU. 592 00:31:28,988 --> 00:31:31,390 [ DOORBELL RINGS ] 593 00:31:31,390 --> 00:31:33,422 OH, SYDNEY. 594 00:31:33,422 --> 00:31:34,623 HI. 595 00:31:34,623 --> 00:31:36,265 I'M SO GLAD YOU'RE HERE. 596 00:31:36,265 --> 00:31:37,666 HEY. THESE ARE FOR YOU. 597 00:31:37,666 --> 00:31:38,667 OH, GOD. 598 00:31:38,667 --> 00:31:40,029 YOU LOOK BEAUTIFUL. 599 00:31:40,029 --> 00:31:42,531 OH, THANK YOU. YOU LOOK FANTASTIC. 600 00:31:42,531 --> 00:31:44,573 I WANT YOU TO MEET MY FRIEND WILL TIPPIN. 601 00:31:44,573 --> 00:31:46,205 AND THIS IS EMILY. 602 00:31:46,205 --> 00:31:47,476 HOW DO YOU DO? I'M PLEASED TO MEET YOU. 603 00:31:47,476 --> 00:31:49,208 PLEASE COME IN. 604 00:31:51,280 --> 00:31:53,382 WOW. 605 00:31:53,382 --> 00:31:54,683 Emily: OH, I BELIEVE YOU KNOW EACH OTHER. 606 00:31:54,683 --> 00:31:56,445 SURE, WE MET. 607 00:31:56,445 --> 00:31:57,616 HEY, HOW YOU DOING? GOOD TO SEE YOU. 608 00:31:57,616 --> 00:31:59,088 YOU TOO. 609 00:31:59,088 --> 00:32:00,419 SYDNEY'S TELLING ME 610 00:32:00,419 --> 00:32:01,390 YOU'RE DOING ANALYSIS FOR THE BANK. 611 00:32:01,390 --> 00:32:03,622 STRATEGY -- INVESTMENT STRATEGY. 612 00:32:03,622 --> 00:32:05,624 ARVIN MADE ME AN OFFER I COULDN'T REFUSE. 613 00:32:05,624 --> 00:32:07,596 OH, THAT SOUNDS LIKE MY HUSBAND. 614 00:32:07,596 --> 00:32:09,098 SYDNEY. 615 00:32:09,098 --> 00:32:12,461 SO GLAD YOU CAME. 616 00:32:12,461 --> 00:32:15,364 ME TOO. THIS IS MY FRIEND WILL TIPPIN. 617 00:32:15,364 --> 00:32:16,365 ARVIN SLOANE. 618 00:32:16,365 --> 00:32:17,366 HEY. 619 00:32:17,366 --> 00:32:19,468 HEY. NICE TO MEET YOU. 620 00:32:19,468 --> 00:32:22,511 YEAH, NICE TO MEET YOU, TOO. 621 00:32:22,511 --> 00:32:25,074 SYDNEY, I WANT TO SHOW YOU SOMETHING. 622 00:32:25,074 --> 00:32:27,616 AND, EMILY, THIS IS THE ONLY BUSINESS WE'LL DO THIS EVENING. 623 00:32:32,121 --> 00:32:34,123 CAN I GET YOU ANYTHING TO DRINK? 624 00:32:34,123 --> 00:32:36,255 YES, YES. ANYTHING WOULD BE GREAT. 625 00:32:36,255 --> 00:32:38,057 OKAY, GOOD. COME IN. 626 00:32:38,057 --> 00:32:41,590 I DIDN'T GET A CHANCE TO TELL YOU HOW PROUD I AM 627 00:32:41,590 --> 00:32:44,133 OF THE WORK YOU DID IN TUNISIA. 628 00:32:44,133 --> 00:32:46,135 I WAS JUST DOING MY JOB. 629 00:32:46,135 --> 00:32:50,099 WELL, YOU WILL FIND AS YOU GET OLDER 630 00:32:50,099 --> 00:32:52,271 HOW DIFFICULT IT IS TO FIND PEOPLE 631 00:32:52,271 --> 00:32:54,303 WHO JUST DO THEIR JOB. 632 00:32:54,303 --> 00:32:56,275 A COURIER IS PICKING THIS UP TOMORROW MORNING 633 00:32:56,275 --> 00:32:57,646 FOR ANALYSIS. 634 00:32:57,646 --> 00:32:58,677 TAKING IT WHERE? 635 00:32:58,677 --> 00:33:01,450 ENGLAND. 636 00:33:01,450 --> 00:33:04,453 I JUST WANTED YOU TO SEE IT. 637 00:33:04,453 --> 00:33:08,257 I DIDN'T KNOW IF YOU HAD A CHANCE TO LOOK AT IT, 638 00:33:08,257 --> 00:33:11,120 TO REALLY EXAMINE IT. 639 00:33:11,120 --> 00:33:13,322 NO, I DIDN'T OPEN IT. 640 00:33:13,322 --> 00:33:16,525 SOME OF THE TEXT IS ITALIAN, 641 00:33:16,525 --> 00:33:20,029 BUT MOST OF IT IS IN CODE, 642 00:33:20,029 --> 00:33:22,531 CODE WE HAVEN'T BEEN ABLE TO BREAK. 643 00:33:22,531 --> 00:33:26,675 WHO WAS THIS MAN, SYDNEY? 644 00:33:26,675 --> 00:33:28,777 WHAT DID HE SEE? 645 00:33:28,777 --> 00:33:30,779 WHAT DID RAMBALDI SEE? 646 00:33:30,779 --> 00:33:32,781 THOSE WHO KNOW ABOUT HIM -- 647 00:33:32,781 --> 00:33:36,645 VARIOUS AGENCIES, A FEW IN THE PRIVATE SECTOR -- 648 00:33:36,645 --> 00:33:40,049 THEY'RE SPENDING MILLIONS TO ANSWER THESE QUESTIONS. 649 00:33:40,049 --> 00:33:42,251 MILLIONS. 650 00:33:42,251 --> 00:33:46,255 MEN WOULD DIE FOR THIS BOOK. 651 00:33:46,255 --> 00:33:48,157 MEN HAVE DIED. 652 00:33:50,529 --> 00:33:53,432 YOU KNOW, SYDNEY, THE WORK WE'RE DOING HERE -- 653 00:33:53,432 --> 00:33:55,264 TRYING TO FIGURE OUT WHO RAMBALDI WAS, 654 00:33:55,264 --> 00:33:58,507 WHAT HE WAS WORKING ON -- 655 00:33:58,507 --> 00:34:01,540 IS BECOMING AN OBSESSION FOR ME. 656 00:34:01,540 --> 00:34:04,313 I AM STILL NOT SURE I'M A BELIEVER. 657 00:34:05,544 --> 00:34:07,346 NEITHER WAS I. 658 00:34:09,748 --> 00:34:12,151 NEITHER WAS I. 659 00:34:12,151 --> 00:34:13,552 Emily: WAIT A MINUTE. 660 00:34:13,552 --> 00:34:15,454 YOU WROTE THE ARTICLE ABOUT THE FRUIT PICKER 661 00:34:15,454 --> 00:34:16,785 FROM LA VENTA? 662 00:34:16,785 --> 00:34:19,158 YEAH, YEAH, I DID. 663 00:34:19,158 --> 00:34:21,390 I CAN'T BELIEVE YOU READ THAT. 664 00:34:21,390 --> 00:34:23,632 THIS IS SO FUNNY. I TOLD YOU ABOUT THIS. 665 00:34:23,632 --> 00:34:26,095 THERE WAS A POLL IN THE NEWSPAPER. 666 00:34:26,095 --> 00:34:27,466 I VOTED FOR YOU. 667 00:34:27,466 --> 00:34:29,568 YOU'RE KIDDING ME. I JUST WON THAT. 668 00:34:29,568 --> 00:34:31,600 YOU DID? WELL, YOU DESERVED IT. 669 00:34:31,600 --> 00:34:34,072 THAT STORY MADE ME CRY. 670 00:34:34,072 --> 00:34:36,345 IT JUST STAYED WITH ME. 671 00:34:36,345 --> 00:34:38,076 YEAH, WELL, THAT GUY WAS AMAZING. 672 00:34:38,076 --> 00:34:40,779 THE STORY WAS ABOUT THIS MAN LUIS MAROMA. 673 00:34:40,779 --> 00:34:43,412 HE WAS A FRUIT PICKER FROM MEXICO, AN IMMIGRANT -- 674 00:34:43,412 --> 00:34:46,155 ILLEGAL IMMIGRANT LIVING IN LOS ANGELES -- 675 00:34:46,155 --> 00:34:49,318 AND HE WORKED FOR A MAN WHO WAS... 676 00:34:49,318 --> 00:34:51,220 BASICALLY A SLAVE DRIVER. 677 00:34:51,220 --> 00:34:53,422 NO, HE WAS A SLAVE DRIVER. 678 00:34:53,422 --> 00:34:56,225 THE CONDITIONS THESE POOR PEOPLE LIVED IN. 679 00:34:56,225 --> 00:34:58,527 18 SLEEPING IN EVERY ROOM, ONE BATHROOM, 680 00:34:58,527 --> 00:35:00,299 THEY WERE ALL UNDERNOURISHED, 681 00:35:00,299 --> 00:35:02,100 AND, OF COURSE, IF ANYONE GOT SICK, 682 00:35:02,100 --> 00:35:03,332 THERE WAS NO HEALTH CARE. 683 00:35:03,332 --> 00:35:05,634 ANYWAY, MAROMA WAS ONE OF THESE WORKERS 684 00:35:05,634 --> 00:35:07,806 SMUGGLED IN FROM MEXICO. 685 00:35:07,806 --> 00:35:10,279 THEIR BOSS WAS A MONSTER. 686 00:35:10,279 --> 00:35:11,280 HE WAS THE DEVIL. 687 00:35:11,280 --> 00:35:13,612 HE WAS LITERALLY THE DEVIL. 688 00:35:13,612 --> 00:35:15,614 HOW'S THAT? 689 00:35:15,614 --> 00:35:17,746 WELL, IF YOU SPOKE OUT AGAINST HIM, 690 00:35:17,746 --> 00:35:20,219 IF YOU TRIED TO LEAVE, HE'D HAVE YOU KILLED. 691 00:35:21,490 --> 00:35:23,322 NOW, THE OTHER WORKERS, 692 00:35:23,322 --> 00:35:25,294 THEY DIDN'T KNOW WHAT THEY COULD DO, 693 00:35:25,294 --> 00:35:27,626 BUT LUIS MAROMA COULD READ. 694 00:35:27,626 --> 00:35:29,158 AND HE STARTED TO TEACH THE OTHERS TO READ, 695 00:35:29,158 --> 00:35:31,800 AND HE WOULD FIND ARTICLES IN THE NEWSPAPERS 696 00:35:31,800 --> 00:35:33,662 THAT THEY WERE WRAPPING THE FRUIT IN, 697 00:35:33,662 --> 00:35:35,304 ARTICLES THAT TAUGHT THEM ABOUT THEIR RIGHTS, 698 00:35:35,304 --> 00:35:36,865 ABOUT WHAT WAS RIGHT AND WRONG. 699 00:35:36,865 --> 00:35:40,809 EVENTUALLY, HE LED A REVOLT AGAINST THIS GUY. 700 00:35:43,312 --> 00:35:46,275 [ CLOCK CHIMING ] I'M GOING TO CRY AGAIN JUST TALKING ABOUT IT. 701 00:35:46,275 --> 00:35:48,146 WHAT WAS AMAZING WAS THIS MAN HAD NO FUTURE. 702 00:35:48,146 --> 00:35:50,148 I MEAN, HE WAS CAUGHT IN A HORRIBLE POSITION, 703 00:35:50,148 --> 00:35:52,221 WORKING FOR THE WORST PERSON IN THE WORLD. 704 00:35:52,221 --> 00:35:56,325 BUT HE WAS RESOURCEFUL AND HE WAS SMART, AND -- 705 00:35:56,325 --> 00:35:58,627 AND TODAY HE'S GOING TO COLLEGE. 706 00:35:58,627 --> 00:36:01,790 AND THE MONSTER HE WORKED FOR IS IN PRISON ROTTING 707 00:36:01,790 --> 00:36:03,532 WHERE HE BELONGS. 708 00:36:03,532 --> 00:36:06,635 WOW, THAT'S AN INCREDIBLE STORY. 709 00:36:10,499 --> 00:36:11,370 EMILY? 710 00:36:13,572 --> 00:36:17,376 EMILY, ARE YOU ALL RIGHT? 711 00:36:17,376 --> 00:36:19,608 MM. 712 00:36:19,608 --> 00:36:21,280 I'M FINE. 713 00:36:21,280 --> 00:36:22,951 I'M FINE. 714 00:36:22,951 --> 00:36:25,654 I'M SORRY. 715 00:36:25,654 --> 00:36:29,288 I-I'M STILL ADJUSTING TO THIS NEW MEDICATION. 716 00:36:29,288 --> 00:36:31,390 IT'S NOTHING. 717 00:36:31,390 --> 00:36:32,761 IT'S OKAY. 718 00:36:32,761 --> 00:36:34,723 [ CELLULAR PHONE RINGS ] 719 00:36:34,723 --> 00:36:36,265 EXCUSE ME. SORRY. 720 00:36:38,267 --> 00:36:39,668 HELLO? 721 00:36:39,668 --> 00:36:42,501 HI, IT'S FRANCIE. 722 00:36:42,501 --> 00:36:44,903 FRANCIE. OH. 723 00:36:44,903 --> 00:36:48,477 EXCUSE ME. I HAVE TO TAKE THIS CALL. 724 00:36:48,477 --> 00:36:49,638 I'M SORRY. 725 00:36:49,638 --> 00:36:50,909 HEY, SWEETIE. 726 00:36:59,788 --> 00:37:02,220 OKAY, I'M IN. I'LL SEE YOU AT THE DEAD DROP. 727 00:37:06,625 --> 00:37:07,926 [ BEEPING ] 728 00:37:07,926 --> 00:37:09,898 SO, WILL, 729 00:37:09,898 --> 00:37:12,561 WHAT STORY ARE YOU WORKING ON? 730 00:37:12,561 --> 00:37:15,604 I HAVE A FEW IRONS IN THE FIRE. 731 00:37:15,604 --> 00:37:16,835 REALLY? 732 00:37:16,835 --> 00:37:17,966 WHAT KIND OF IRONS? 733 00:37:19,938 --> 00:37:21,310 [ BEEP ] 734 00:37:25,514 --> 00:37:27,446 JACK, COULD I GET YOU SOME MORE WINE? 735 00:37:27,446 --> 00:37:29,247 PLEASE, LET ME GET IT. YOU STAY THERE. 736 00:37:29,247 --> 00:37:31,450 I'LL GET IT. I KNOW WHERE THE WINE CELLAR IS. 737 00:37:31,450 --> 00:37:34,483 MMM. THIS LAMB'S FANTASTIC. 738 00:37:51,900 --> 00:37:53,041 [ DOOR OPENS ] 739 00:38:02,311 --> 00:38:03,512 THIS? I GOT HIT BY A BASKETBALL. 740 00:38:03,512 --> 00:38:04,683 HOW'S THIS? 741 00:38:04,683 --> 00:38:06,355 JACK, THAT'S A VERY NICE WINE, 742 00:38:06,355 --> 00:38:07,916 BUT I HAVE SOMETHING SPECIAL -- 743 00:38:07,916 --> 00:38:09,558 A '78 LITSVAGE. 744 00:38:09,558 --> 00:38:10,959 I'LL GET IT. 745 00:38:10,959 --> 00:38:12,791 NO, PLEASE, I KNOW WHERE IT IS. 746 00:38:12,791 --> 00:38:14,763 YOU SIT DOWN THIS TIME. PLEASE. 747 00:38:33,582 --> 00:38:35,083 YOU LOOK PALE. 748 00:38:35,083 --> 00:38:39,087 MY FRIEND, SHE'S REALLY HAVING A ROUGH TIME. 749 00:38:39,087 --> 00:38:41,620 I SEE. 750 00:38:41,620 --> 00:38:43,722 IS THERE ANYTHING I CAN DO? 751 00:38:43,722 --> 00:38:46,355 NO, BUT THANKS. 752 00:39:02,611 --> 00:39:05,614 I SHOULD HAVE TOLD YOU LAST NIGHT ABOUT TIPPIN. 753 00:39:05,614 --> 00:39:08,016 HE AND McNEIL TRACED THE USE OF McNEIL'S PROGRAM 754 00:39:08,016 --> 00:39:09,978 TO SOME OF THE ALLIANCE'S SHELL COMPANIES. 755 00:39:09,978 --> 00:39:12,421 BUT I'VE DEALT WITH TIPPIN. 756 00:39:12,421 --> 00:39:15,424 HE WON'T BE A PROBLEM FOR US ANYMORE. 757 00:39:15,424 --> 00:39:17,886 SECURITY SECTION TOLD ME WHAT YOU DID. 758 00:39:17,886 --> 00:39:20,358 YOU HAD ME FOLLOWED BY SECURITY SECTION? 759 00:39:20,358 --> 00:39:22,661 THEY INTERCEPTED A PHONE CALL 760 00:39:22,661 --> 00:39:25,434 THAT TIPPIN MADE TO McNEIL THIS MORNING. 761 00:39:25,434 --> 00:39:28,937 THE TWO HAVE SCHEDULED A MEETING FOR THIS AFTERNOON. 762 00:39:28,937 --> 00:39:31,139 I'M SURE HE'S JUST GOING THERE 763 00:39:31,139 --> 00:39:34,443 TO TELL McNEIL IN PERSON THAT HE'S OFF THE STORY. 764 00:39:34,443 --> 00:39:37,375 I'M NOT CONVINCED OF THAT, SO I SENT SOMEONE. 765 00:39:37,375 --> 00:39:40,108 NOW, IF BY THEIR CONVERSATION IT BECOMES CLEAR 766 00:39:40,108 --> 00:39:42,451 THAT TIPPIN HAS GIVEN UP THIS INVESTIGATION, 767 00:39:42,451 --> 00:39:45,083 THEN, YES, I THINK WE SHOULD LET HIM LIVE. 768 00:39:45,083 --> 00:39:46,955 IF, ON THE OTHER HAND, 769 00:39:46,955 --> 00:39:49,057 YOU HAVEN'T DONE THE JOB THIS TIME... 770 00:39:49,057 --> 00:39:50,419 SORRY. 771 00:39:50,419 --> 00:39:52,461 THEN NO ONE CAN. 772 00:39:52,461 --> 00:39:54,563 AND I'M SURE YOU WILL AGREE 773 00:39:54,563 --> 00:39:57,466 THAT TIPPIN WILL NEED TO BE TAKEN CARE OF. 774 00:40:04,533 --> 00:40:06,074 HEY. 775 00:40:06,074 --> 00:40:07,606 HI. 776 00:40:07,606 --> 00:40:08,937 SO I TALKED TO STOLLER. 777 00:40:08,937 --> 00:40:10,709 HE'S GOING TO CHECK ON THESE COMPANIES. 778 00:40:10,709 --> 00:40:12,711 WHAT HAPPENED TO YOUR FACE? 779 00:40:12,711 --> 00:40:14,182 WE HAVE TO TALK. 780 00:40:14,182 --> 00:40:15,814 WHEN I FIRST CAME HERE 781 00:40:15,814 --> 00:40:17,916 AND I ASKED YOU ABOUT SD-6, 782 00:40:17,916 --> 00:40:21,590 YOU TOLD ME NOT TO PURSUE IT. 783 00:40:21,590 --> 00:40:24,923 YOU SAID IT WAS TOO DANGEROUS. 784 00:40:24,923 --> 00:40:27,055 DAVID, I THINK YOU WERE RIGHT. 785 00:40:27,055 --> 00:40:29,598 SO WHY ARE YOU SAYING THIS TO ME NOW? 786 00:40:29,598 --> 00:40:32,130 DID YOU TALK TO CHRISTOPHE? WHAT DID HE SAY? 787 00:40:32,130 --> 00:40:34,863 NO, I DIDN'T TALK TO CHRISTOPHE. SO WHAT THE HELL'S GOING ON? 788 00:40:34,863 --> 00:40:37,766 I WAS KIDNAPPED YESTERDAY 789 00:40:37,766 --> 00:40:41,970 BY -- I DON'T KNOW WHO THEY WERE, BUT... 790 00:40:41,970 --> 00:40:45,443 I'M ASSUMING THEY WORK FOR SD-6. 791 00:40:45,443 --> 00:40:47,075 DAVID, THEY THREATENED ME. 792 00:40:47,075 --> 00:40:48,847 THEY TOLD ME TO DROP THE STORY. 793 00:40:48,847 --> 00:40:51,019 AND WHAT MAKES YOU THINK IF YOU DO, 794 00:40:51,019 --> 00:40:52,721 THEY'RE NOT GOING TO KILL YOU ANYWAY? 795 00:40:52,721 --> 00:40:54,623 WHAT CHOICE DO I HAVE? 796 00:40:54,623 --> 00:40:56,454 YOU SEE IT THROUGH. 797 00:40:56,454 --> 00:40:57,956 UNDERSTAND THIS -- 798 00:40:57,956 --> 00:41:00,489 THE ONLY WAY YOU CAN TRULY BE SAFE 799 00:41:00,489 --> 00:41:02,130 IS TO PUBLISH THIS STORY. 800 00:41:02,130 --> 00:41:04,963 EXPOSE THEM IN PRINT. 801 00:41:04,963 --> 00:41:06,995 THAT'S YOUR LIFE INSURANCE POLICY. 802 00:41:06,995 --> 00:41:09,738 COME ON, WILL, WE'RE CLOSE. 803 00:41:09,738 --> 00:41:12,941 YOU JUST GIVE IT A WEEK -- A WEEK -- 804 00:41:12,941 --> 00:41:14,973 AND WE'LL HAVE SOMETHING FOR YOU TO WRITE ABOUT. 805 00:41:14,973 --> 00:41:18,006 ONE MORE WEEK, AND THEY CAN'T TOUCH YOU. 806 00:41:30,619 --> 00:41:32,861 I CAN'T. I'M SORRY. 807 00:41:40,268 --> 00:41:42,270 KELLY WENT AWAY BECAUSE OF YOU, 808 00:41:42,270 --> 00:41:44,272 BECAUSE YOU CONVINCED HER THAT YOU WERE 809 00:41:44,272 --> 00:41:46,274 GOING TO HELP ME GET OUT OF HERE. 810 00:41:46,274 --> 00:41:48,677 NOW YOU DON'T HAVE THE CHOICE TO BACK OUT ON ME. 811 00:41:48,677 --> 00:41:53,742 DAVID, I HATE MYSELF FOR LETTING YOU DOWN, OKAY? 812 00:41:53,742 --> 00:41:55,814 BUT RIGHT NOW I'M YOU. 813 00:41:55,814 --> 00:41:57,986 I'M EXACTLY WHERE YOU WERE 814 00:41:57,986 --> 00:42:01,620 BEFORE YOUR WIFE WAS KILLED. 815 00:42:01,620 --> 00:42:04,993 NOW, IF I DO WHAT YOU SUGGEST, 816 00:42:04,993 --> 00:42:08,256 DAVID, THEY'RE GOING TO KILL MY FAMILY, 817 00:42:08,256 --> 00:42:10,128 MY FRIENDS. 818 00:42:10,128 --> 00:42:13,632 IF YOU COULD GO BACK, IF YOU COULD CHANGE IT, 819 00:42:13,632 --> 00:42:17,666 YOU WOULDN'T HESITATE, WOULD YOU? 820 00:42:19,608 --> 00:42:21,539 I'M SORRY. 821 00:42:35,924 --> 00:42:37,656 CALL DRISCOLL. TELL HIM I GOT HIS E-MAIL, 822 00:42:37,656 --> 00:42:38,957 THAT HE'S A SICK MAN, 823 00:42:38,957 --> 00:42:40,258 AND THAT WE HAVE THE RINK FOR TOMORROW NIGHT. 824 00:42:40,258 --> 00:42:41,830 MR. VAUGHN? 825 00:42:41,830 --> 00:42:43,131 YEAH? I'M LATE FOR A MEETING. 826 00:42:43,131 --> 00:42:45,293 YOU'RE GOING TO WANT TO CANCEL THAT MEETING. 827 00:42:45,293 --> 00:42:47,696 I'M OFFICER COHEN WITH SCI-TECH. 828 00:42:47,696 --> 00:42:49,838 WE FIGURED OUT HOW TO READ THE RAMBALDI DOCUMENT. 829 00:42:49,838 --> 00:42:51,239 YEAH? 830 00:42:51,239 --> 00:42:53,001 YEAH. 831 00:43:04,783 --> 00:43:07,816 CANCEL MY MEETING. 832 00:43:13,662 --> 00:43:15,964 I CAME AS FAST AS I COULD. 833 00:43:15,964 --> 00:43:18,126 VAUGHN, WHAT'S UP? 834 00:43:18,126 --> 00:43:20,799 REMEMBER THAT VIAL OF LIQUID COLE WAS AFTER 835 00:43:20,799 --> 00:43:22,170 IN THE SD-6 VAULT? 836 00:43:22,170 --> 00:43:23,672 YEAH, OF COURSE. 837 00:43:23,672 --> 00:43:25,674 WE USED IT ON THE BLANK PAGE 838 00:43:25,674 --> 00:43:27,305 TO GET THE INK TO SHOW UP. 839 00:43:27,305 --> 00:43:28,737 SO IT WORKED? 840 00:43:28,737 --> 00:43:30,979 YEAH. 841 00:43:30,979 --> 00:43:33,111 SO WHAT IS IT? 842 00:43:35,113 --> 00:43:37,315 LOOK, WE'RE NOT SURE. 843 00:43:37,315 --> 00:43:39,748 UH, WE DON'T KNOW WHAT IT MEANS. 844 00:43:39,748 --> 00:43:41,990 THAT'S SORT OF THE PROBLEM. 845 00:43:41,990 --> 00:43:46,194 OKAY, SO YOU'RE ACTING REALLY FREAKY. 846 00:43:46,194 --> 00:43:50,799 I HAVE THE PAGE WITH ME, AND I'D LIKE YOU TO SEE IT. 847 00:43:50,799 --> 00:43:53,231 OKAY.