1 00:02:11,677 --> 00:02:12,878 I am an actor who will give 2 00:02:12,911 --> 00:02:15,848 voice to the hole at the center of this film. 3 00:02:19,018 --> 00:02:21,487 Because every film is, in part, 4 00:02:21,520 --> 00:02:22,689 an autobiography. 5 00:02:25,390 --> 00:02:27,426 Because every image has a frame. 6 00:02:29,328 --> 00:02:32,432 And every frame excludes a world beyond its edges. 7 00:02:34,635 --> 00:02:35,368 And yet, 8 00:02:35,401 --> 00:02:37,470 when we understand something, 9 00:02:37,772 --> 00:02:39,439 we still say, 10 00:02:39,472 --> 00:02:40,607 "I see". 11 00:02:57,526 --> 00:02:58,804 - Okay. - Alright, still rolling. 12 00:02:58,828 --> 00:03:01,363 Moving into the experiment phase. 13 00:03:03,900 --> 00:03:05,735 - Alright, rolling cameras. - Rolling. 14 00:03:05,768 --> 00:03:07,638 Alright, let's roll sound. Roll camera. 15 00:03:08,504 --> 00:03:09,673 What's your role? 16 00:03:09,706 --> 00:03:11,842 I want to get this out of the frame. 17 00:03:21,451 --> 00:03:23,520 Rolling, rolling. 18 00:03:23,554 --> 00:03:24,554 Alright, and action. 19 00:03:25,156 --> 00:03:26,124 Okay, hi everyone! 20 00:03:26,157 --> 00:03:28,059 Thank you for coming to participate 21 00:03:28,092 --> 00:03:29,560 in our research study. 22 00:03:32,530 --> 00:03:33,565 - Hi. - Hi. 23 00:03:33,766 --> 00:03:35,600 We're a neuroscience research company, 24 00:03:35,634 --> 00:03:37,837 and we're interested primarily in how people 25 00:03:37,870 --> 00:03:39,738 respond to media content. 26 00:03:40,505 --> 00:03:41,240 Okay, 27 00:03:41,273 --> 00:03:43,375 I'm going to get you set up 28 00:03:43,409 --> 00:03:44,911 with these instruments. 29 00:03:45,846 --> 00:03:47,513 We have a bunch of different instruments 30 00:03:47,546 --> 00:03:50,050 that we use to measure those responses. 31 00:03:50,083 --> 00:03:51,651 As you watch the content, 32 00:03:51,685 --> 00:03:52,719 there are sensors... 33 00:03:52,752 --> 00:03:55,455 so whether it's exciting or amusing... 34 00:03:55,488 --> 00:03:56,657 any of that response, 35 00:03:56,691 --> 00:03:58,860 we'll be able to pick up with these sensors. 36 00:04:01,963 --> 00:04:05,166 On the side... same here. 37 00:04:05,199 --> 00:04:07,669 You continue pushing them back. 38 00:04:07,703 --> 00:04:09,470 - Are they sitting okay? - Yeah, yeah. 39 00:04:09,503 --> 00:04:10,581 - How does the headset... - Perfect. 40 00:04:10,605 --> 00:04:11,505 - Perfect? - Yeah, yeah. 41 00:04:11,539 --> 00:04:12,641 Headset feels good? 42 00:04:12,674 --> 00:04:13,308 Feels great. 43 00:04:13,342 --> 00:04:14,375 Ah wonderful, 44 00:04:14,408 --> 00:04:16,645 and if you can just face me briefly. 45 00:04:17,914 --> 00:04:19,048 Is that comfortable? 46 00:04:19,716 --> 00:04:20,984 Okay, great. 47 00:04:25,755 --> 00:04:28,925 So, we're going to do some calibration exercises. 48 00:04:29,524 --> 00:04:31,795 If you can, just, close your eyes. 49 00:04:33,998 --> 00:04:35,699 Open your eyes. 50 00:04:36,599 --> 00:04:38,168 Close your eyes. 51 00:04:38,669 --> 00:04:40,170 Open your eyes. 52 00:04:41,071 --> 00:04:42,506 Close your eyes. 53 00:04:42,807 --> 00:04:44,541 Keep them closed. 54 00:04:44,809 --> 00:04:46,443 Keep them closed. 55 00:04:46,778 --> 00:04:48,013 Relax. 56 00:04:48,780 --> 00:04:50,514 Keep them closed. 57 00:04:51,615 --> 00:04:53,084 Open your eyes. 58 00:05:16,575 --> 00:05:17,575 Here we go. 59 00:05:20,148 --> 00:05:21,358 Oh, okay, do you want me to stop here? 60 00:05:21,382 --> 00:05:24,152 Maybe like stop right here, and say, "Hey, like, welcome,". 61 00:05:24,185 --> 00:05:25,696 Oh, you wanna do the welcome there, okay. 62 00:05:25,720 --> 00:05:27,255 Can you actually step further back? 63 00:05:27,288 --> 00:05:29,123 So like, basically, there's not as much sun. 64 00:05:29,157 --> 00:05:29,925 Okay, that's good, like... 65 00:05:29,959 --> 00:05:32,560 How's about... Okay, you tell me. 66 00:05:32,593 --> 00:05:34,562 Yeah, so maybe, like come up, like, right here, 67 00:05:34,595 --> 00:05:35,941 - It'll open right here, right? - Yep. 68 00:05:35,965 --> 00:05:37,833 Okay, great. Like, if it opens right here 69 00:05:37,866 --> 00:05:38,944 'cause you're in the shadow, 70 00:05:38,968 --> 00:05:40,078 and we can just keep the exposure 71 00:05:40,102 --> 00:05:41,103 the same right here? 72 00:05:41,136 --> 00:05:41,838 Sure. 73 00:05:41,871 --> 00:05:43,740 And then you go, and then turn. 74 00:05:43,773 --> 00:05:45,517 You do the eye scan, and we follow you from there. 75 00:05:45,541 --> 00:05:46,541 You got it. 76 00:05:51,281 --> 00:05:52,849 Come on in. 77 00:06:01,624 --> 00:06:04,161 Thank you. You have been identified. 78 00:06:21,114 --> 00:06:23,816 Welcome to Axon Headquarters and Manufacturing. 79 00:06:23,850 --> 00:06:25,627 Today we're going to take a look at some of our amazing. 80 00:06:25,651 --> 00:06:26,786 Axon and Taser products. 81 00:06:26,819 --> 00:06:28,899 And we're going to take a quick tour of our building. 82 00:06:30,758 --> 00:06:31,758 Hi. 83 00:06:53,849 --> 00:06:56,952 This is the IT area for the entire company. 84 00:06:56,986 --> 00:06:58,888 More conference rooms. 85 00:06:59,188 --> 00:07:01,057 Over here, we've got the accounting side 86 00:07:01,090 --> 00:07:02,334 and the financial side for the office. 87 00:07:02,358 --> 00:07:03,192 So each 88 00:07:03,225 --> 00:07:05,796 area has its own designated department. 89 00:07:06,163 --> 00:07:08,174 As you can see here, we're on one of our first catwalks. 90 00:07:08,198 --> 00:07:10,934 We try to do this, like Star Wars, like Star Trek. 91 00:07:10,967 --> 00:07:13,036 Give this a real high-tech feel. 92 00:07:13,070 --> 00:07:14,671 If you look around here, 93 00:07:14,704 --> 00:07:15,939 there are no secrets here. 94 00:07:15,972 --> 00:07:18,342 I mean, look at, the entire C Suite is open. 95 00:07:18,376 --> 00:07:20,912 I can look right down on what the C Suite's doing. 96 00:07:21,212 --> 00:07:22,847 You know what's going on. 97 00:07:22,880 --> 00:07:24,182 And so transparency 98 00:07:24,215 --> 00:07:26,717 is really good for another thing called candor. 99 00:07:26,918 --> 00:07:29,586 We expect candor here at this building with positive intent. 100 00:07:29,788 --> 00:07:31,757 And when you know what's going on, 101 00:07:31,790 --> 00:07:34,927 It just feels really good when you get that candor 'cause 102 00:07:34,960 --> 00:07:36,395 you do assume the positive intent, 103 00:07:36,428 --> 00:07:37,963 and it makes the company better. 104 00:07:42,335 --> 00:07:44,137 We work our way up to the third floor. 105 00:07:44,671 --> 00:07:46,806 And before we do that, I want to flash over here. 106 00:07:46,840 --> 00:07:48,341 There's a Black Box. 107 00:07:48,374 --> 00:07:49,976 That's what we call it. 108 00:07:50,276 --> 00:07:52,045 And the Black Box is a colloquial term 109 00:07:52,078 --> 00:07:54,081 for R&D, the Research and Development. 110 00:07:54,115 --> 00:07:56,750 They are in a Black Box, because we don't want them 111 00:07:57,084 --> 00:07:59,286 showing their wares, or what they're working on. 112 00:07:59,687 --> 00:08:01,422 So we want them to stay kind of hidden. 113 00:08:01,455 --> 00:08:03,691 At the same time, they're looking at us 114 00:08:03,724 --> 00:08:05,760 and with, sort of like a car with a tinted window, 115 00:08:05,794 --> 00:08:07,696 they can see us, but really can't see... 116 00:08:07,729 --> 00:08:08,897 them too well. 117 00:08:09,331 --> 00:08:10,765 That really gives that 118 00:08:11,900 --> 00:08:13,111 feel of they're working on something really unique, 119 00:08:13,135 --> 00:08:14,002 powerful, and 120 00:08:14,035 --> 00:08:16,771 not to be showed to the public just yet. 121 00:08:16,972 --> 00:08:18,174 That's the Black Box. 122 00:08:18,207 --> 00:08:20,109 And everybody says they work in a "black box", 123 00:08:20,143 --> 00:08:21,711 but we put them in a real Black Box. 124 00:08:21,744 --> 00:08:23,112 And that's pretty cool, I think. 125 00:09:01,453 --> 00:09:03,122 1874. 126 00:09:03,756 --> 00:09:04,790 The world prepares for 127 00:09:04,823 --> 00:09:07,027 the astronomical event of the century: 128 00:09:07,827 --> 00:09:09,029 The Transit of Venus. 129 00:09:10,797 --> 00:09:12,232 A few times every century, 130 00:09:12,766 --> 00:09:15,769 the orbit of Venus crosses the face of the Sun. 131 00:09:16,203 --> 00:09:19,507 By measuring the time it takes for Venus to make this journey, 132 00:09:19,540 --> 00:09:21,742 astronomers can establish the distance 133 00:09:21,776 --> 00:09:23,177 the planet has traveled. 134 00:09:24,579 --> 00:09:28,182 By comparing transit times from different vantage points, 135 00:09:28,216 --> 00:09:30,152 the distance between the Earth and the Sun 136 00:09:30,185 --> 00:09:32,254 can be calculated through triangulation. 137 00:09:34,823 --> 00:09:37,259 This process is called the solar parallax, 138 00:09:37,559 --> 00:09:39,895 and these calculations are still foundational 139 00:09:39,928 --> 00:09:42,031 for both astronomical maps of the universe 140 00:09:42,065 --> 00:09:43,967 and navigational maps here on Earth. 141 00:09:47,403 --> 00:09:49,339 Any measurement is only as accurate 142 00:09:49,372 --> 00:09:50,974 as the measuring instrument. 143 00:09:52,408 --> 00:09:54,311 Prior to 1874, 144 00:09:54,578 --> 00:09:55,879 astronomers had to rely 145 00:09:55,913 --> 00:09:59,083 on highly trained specialists for their observations. 146 00:10:00,851 --> 00:10:03,354 These specialists activated a timekeeping device 147 00:10:03,387 --> 00:10:05,055 once the Transit began 148 00:10:05,089 --> 00:10:07,192 and stopped the device to mark its end. 149 00:10:08,927 --> 00:10:11,496 But every observer had different reflexes, 150 00:10:11,529 --> 00:10:13,398 resulting in different times, 151 00:10:13,832 --> 00:10:15,500 and thus different calculations. 152 00:10:18,004 --> 00:10:19,538 Another obstacle stood in the way 153 00:10:19,572 --> 00:10:21,240 of accurate observation. 154 00:10:22,541 --> 00:10:25,177 As Venus approached the border of the Sun, 155 00:10:25,211 --> 00:10:27,380 the planet appeared to liquify, 156 00:10:27,413 --> 00:10:29,415 a phenomenon caused by distortions 157 00:10:29,449 --> 00:10:31,018 in the planet's atmosphere 158 00:10:31,051 --> 00:10:33,120 as well as the lens of the telescope. 159 00:10:34,988 --> 00:10:37,024 Astronomers called this phenomenon 160 00:10:37,257 --> 00:10:38,892 the Black Drop effect. 161 00:10:41,629 --> 00:10:44,499 The act of observation obscures the observation. 162 00:10:45,967 --> 00:10:48,503 Where the world meets the image of the world, 163 00:10:48,536 --> 00:10:50,104 the image falls apart. 164 00:10:52,173 --> 00:10:53,409 To scientists, 165 00:10:53,442 --> 00:10:55,577 the Transit provided a unique opportunity 166 00:10:55,611 --> 00:10:58,080 for technology to overcome the limitations 167 00:10:58,113 --> 00:10:59,982 of the imperfect human observer. 168 00:11:02,284 --> 00:11:05,020 But not everyone was convinced of their success. 169 00:11:06,356 --> 00:11:08,425 The philosopher Henri Bergson, 170 00:11:08,458 --> 00:11:09,959 writing on the Transit, 171 00:11:09,993 --> 00:11:12,362 said that any attempt to record a true measurement 172 00:11:12,395 --> 00:11:13,830 was doomed to failure. 173 00:11:14,964 --> 00:11:17,401 Venus, as it appeared to the scientist, 174 00:11:17,435 --> 00:11:19,837 did not reflect the true nature of Venus, 175 00:11:20,071 --> 00:11:22,873 but merely the limitations of human observation. 176 00:11:25,142 --> 00:11:26,344 He writes: 177 00:11:26,377 --> 00:11:28,045 There is no form, 178 00:11:28,079 --> 00:11:31,083 since form is immobile and reality is movement. 179 00:11:31,550 --> 00:11:34,553 What is real is the continual change of form: 180 00:11:35,387 --> 00:11:38,090 Form is only a snapshot view of transition. 181 00:11:59,980 --> 00:12:01,315 We'll talk at the break... 182 00:12:01,348 --> 00:12:02,983 - Thank you so much. - You got it. 183 00:12:04,017 --> 00:12:05,887 - Alright, good morning. - Good morning, sir. 184 00:12:07,288 --> 00:12:09,100 Look at all these... I see a lot of familiar faces. 185 00:12:09,124 --> 00:12:10,124 It's exciting. 186 00:12:11,192 --> 00:12:12,632 Especially this little guy over here. 187 00:12:13,729 --> 00:12:15,997 Um, I'm Sergeant Robert Corso. 188 00:12:16,197 --> 00:12:18,200 I do the body camera training, um... 189 00:12:19,101 --> 00:12:21,003 Before we get going today, it's, uh... 190 00:12:21,036 --> 00:12:23,372 a special day. We've got, obviously, a couple cameras 191 00:12:23,673 --> 00:12:26,008 besides the body-worn cameras in the room. 192 00:12:26,041 --> 00:12:28,210 So we're gonna go over three different things 193 00:12:28,244 --> 00:12:30,347 when we talk about the body-worn cameras today. 194 00:12:30,681 --> 00:12:31,281 The first block 195 00:12:31,314 --> 00:12:32,149 is going to be about 196 00:12:32,182 --> 00:12:34,117 the actual operation of the camera. 197 00:12:34,151 --> 00:12:35,318 How this thing functions, 198 00:12:35,352 --> 00:12:37,220 how it works, how you'll use it. 199 00:12:37,688 --> 00:12:38,622 The next thing we're going to go over 200 00:12:38,655 --> 00:12:40,056 is going to be about the website. 201 00:12:40,557 --> 00:12:41,602 How you're going to access it, 202 00:12:41,626 --> 00:12:43,261 how you're going to search for videos, 203 00:12:43,294 --> 00:12:45,163 find videos, play back videos, 204 00:12:45,196 --> 00:12:46,297 things like that. 205 00:12:46,698 --> 00:12:48,132 And the last part of the day 206 00:12:48,433 --> 00:12:49,633 we're gonna talk about policy. 207 00:12:50,168 --> 00:12:51,168 And that's it. 208 00:12:51,302 --> 00:12:52,170 At the end, 209 00:12:52,203 --> 00:12:53,405 You'll get your camera. 210 00:12:53,439 --> 00:12:54,439 You'll get your phone. 211 00:12:55,274 --> 00:12:56,284 You'll learn how to pair them together. 212 00:12:56,308 --> 00:12:57,342 You take a test video. 213 00:12:57,376 --> 00:12:58,410 We'll all do it together. 214 00:12:58,610 --> 00:12:59,712 Learn how to upload it. 215 00:12:59,746 --> 00:13:00,946 And if you haven't already, 216 00:13:00,979 --> 00:13:03,282 we'll even get you registered for the website. 217 00:13:03,315 --> 00:13:04,383 And you'll be good to go. 218 00:13:05,518 --> 00:13:07,278 Alright, any questions before we get started? 219 00:13:46,062 --> 00:13:47,807 We're about to go into our production facility 220 00:13:47,831 --> 00:13:49,766 on the third floor of Axon. 221 00:13:49,800 --> 00:13:51,367 And right now, before we go in there, 222 00:13:51,400 --> 00:13:52,478 you're actually in the viewing room, 223 00:13:52,502 --> 00:13:53,714 because sometimes we don't want people 224 00:13:53,738 --> 00:13:54,782 to get full access to that. 225 00:13:54,806 --> 00:13:56,406 So, now, 226 00:13:56,440 --> 00:13:58,585 what I can do is show you the viewing room aspect of it 227 00:13:58,609 --> 00:14:00,077 in terms of turning it on and off. 228 00:14:22,334 --> 00:14:23,369 This 229 00:14:23,402 --> 00:14:27,172 is where all the activity really is taking place. 230 00:14:27,206 --> 00:14:29,376 It's the nuts and bolts of our company right here. 231 00:14:29,409 --> 00:14:31,144 We actually hand-make 232 00:14:31,177 --> 00:14:32,646 our Axon body cameras 233 00:14:32,680 --> 00:14:34,180 and also our Taser weapons 234 00:14:34,214 --> 00:14:36,082 and some of the accessories that go with it. 235 00:14:36,116 --> 00:14:37,818 So everything is made here 236 00:14:38,318 --> 00:14:38,518 that you wear on the body. 237 00:14:38,753 --> 00:14:40,387 So, 238 00:14:40,420 --> 00:14:43,090 We're going to take a look first at our Axon body cameras, 239 00:14:43,291 --> 00:14:44,793 and we'll, uh, take a gander here. 240 00:15:03,145 --> 00:15:05,248 This is where we make the Axon Body Two. 241 00:15:05,281 --> 00:15:06,549 Now what's different about this 242 00:15:06,583 --> 00:15:08,217 is that the lens is incorporated 243 00:15:08,251 --> 00:15:09,753 in the actual controller aspect of it, 244 00:15:10,253 --> 00:15:11,722 meaning that I can wear this now 245 00:15:11,755 --> 00:15:13,523 and record from my chest 246 00:15:13,556 --> 00:15:14,758 using a magnet mount 247 00:15:14,792 --> 00:15:15,859 anywhere on my body. 248 00:15:16,961 --> 00:15:19,001 Truly a body camera where you mount it to your body. 249 00:15:19,496 --> 00:15:20,799 So here, 250 00:15:21,498 --> 00:15:22,843 we make sure that the camera itself 251 00:15:22,867 --> 00:15:24,501 is focusing properly. 252 00:15:24,769 --> 00:15:26,337 This is where we do a lens check. 253 00:15:26,637 --> 00:15:28,205 Processing quality assurance 254 00:15:28,238 --> 00:15:29,441 along the way. 255 00:15:29,742 --> 00:15:31,576 We need to make sure that they contrast, 256 00:15:31,610 --> 00:15:32,510 see in the dark, 257 00:15:32,544 --> 00:15:33,879 and mimic the human eye. 258 00:15:34,312 --> 00:15:36,581 This is a very unique camera lens 259 00:15:36,615 --> 00:15:38,918 in that, we don't want to not mimic the eye, 260 00:15:38,951 --> 00:15:41,587 because we don't want to be able to see in the dark. 261 00:15:41,922 --> 00:15:43,456 Humans can't see in the dark. 262 00:15:43,489 --> 00:15:44,701 So if we had an incident in which, 263 00:15:44,725 --> 00:15:46,459 somebody drew what looked like a firearm 264 00:15:46,492 --> 00:15:47,492 down a hallway, 265 00:15:47,660 --> 00:15:48,871 we don't want the infrared to show 266 00:15:48,895 --> 00:15:50,831 that it wasn't a gun or it was a gun. 267 00:15:50,864 --> 00:15:52,574 Because the officer doesn't see in infrared. 268 00:15:52,598 --> 00:15:53,634 That can jade a jury. 269 00:15:53,667 --> 00:15:56,136 We want it to mimic what the human eye can see. 270 00:15:56,436 --> 00:15:58,171 If you go beyond that, 271 00:15:58,205 --> 00:15:59,482 now you're gonna see things that 272 00:15:59,506 --> 00:16:00,875 maybe a jury would say, 273 00:16:00,908 --> 00:16:03,276 "Well, the video saw that this was a squirt gun, 274 00:16:03,310 --> 00:16:04,310 not a real gun". 275 00:16:04,478 --> 00:16:06,314 But the officer can't see that. 276 00:16:06,347 --> 00:16:07,467 You want to see what he saw. 277 00:16:07,548 --> 00:16:08,851 So, 278 00:16:08,884 --> 00:16:11,185 we saw some camera companies in the very early stages 279 00:16:11,219 --> 00:16:12,831 that were competing with us using infrared. 280 00:16:12,855 --> 00:16:13,354 Big mistake. 281 00:16:13,388 --> 00:16:14,322 They don't do that, 282 00:16:14,355 --> 00:16:16,624 because you can't go into court like that. 283 00:16:16,658 --> 00:16:18,160 It doesn't mimic the human eye. 284 00:16:18,862 --> 00:16:20,030 There... 285 00:16:20,063 --> 00:16:22,631 There are things you want to see just like the officer sees 286 00:16:22,665 --> 00:16:23,843 from the officer's perspective. 287 00:16:23,867 --> 00:16:25,501 When it comes to court cases, 288 00:16:25,534 --> 00:16:27,871 what the officer's perspective is key. 289 00:16:28,270 --> 00:16:29,572 And that's always been the case. 290 00:16:29,606 --> 00:16:30,616 So you don't want to give them 291 00:16:30,640 --> 00:16:32,275 something beyond their perspective. 292 00:16:48,559 --> 00:16:49,627 These photos, 293 00:16:49,828 --> 00:16:50,896 from a collection titled. 294 00:16:50,929 --> 00:16:52,931 Photographic Atlas of the Sun, 295 00:16:53,833 --> 00:16:55,868 do not credit any human photographer. 296 00:16:57,469 --> 00:16:59,906 The Sun itself is credited with their creation. 297 00:17:02,641 --> 00:17:04,977 The man who assembled these authorless images 298 00:17:05,011 --> 00:17:07,346 was the astronomer Jules Janssen. 299 00:17:08,548 --> 00:17:10,283 In 1871, 300 00:17:10,316 --> 00:17:12,618 with the world preparing for the Transit of Venus, 301 00:17:12,853 --> 00:17:14,855 Jules Janssen unveiled a new invention 302 00:17:14,888 --> 00:17:16,824 that he hoped would address the issues facing 303 00:17:16,857 --> 00:17:19,226 accurate measurement of the solar parallax. 304 00:17:21,696 --> 00:17:23,330 Janssen called his invention 305 00:17:23,363 --> 00:17:24,899 the photographic revolver. 306 00:17:26,467 --> 00:17:27,936 The design of Janssen's revolver 307 00:17:27,969 --> 00:17:30,338 was partly inspired by the Gatling Gun, 308 00:17:30,605 --> 00:17:33,441 a semi-automatic machine gun that was first introduced 309 00:17:33,475 --> 00:17:35,878 on the battlefields of the American Civil War. 310 00:17:37,046 --> 00:17:38,580 The gun's inventor, 311 00:17:38,613 --> 00:17:39,815 Dr. Samuel Gatling, 312 00:17:41,118 --> 00:17:43,552 dreamt his gun would drastically reduce the bloodshed of war. 313 00:17:45,554 --> 00:17:47,924 By replacing human soldiers with automatic machines, 314 00:17:47,958 --> 00:17:49,059 he thought, 315 00:17:49,092 --> 00:17:51,527 fewer soldiers would be needed to fight. 316 00:17:54,464 --> 00:17:57,567 Janssen's revolver applied automation to observation. 317 00:17:59,369 --> 00:18:02,572 The operator loads the camera with a circular plate of film. 318 00:18:03,373 --> 00:18:04,474 When activated, 319 00:18:04,508 --> 00:18:06,845 the plate is exposed at regular intervals. 320 00:18:09,982 --> 00:18:13,018 The human operator is removed from the act of observation. 321 00:18:18,792 --> 00:18:19,869 There are no original plates 322 00:18:19,893 --> 00:18:23,062 of the 1874 transit left in existence. 323 00:18:24,530 --> 00:18:26,331 This sequence, made by Janssen 324 00:18:26,365 --> 00:18:28,667 using a miniature model of Venus and the Sun, 325 00:18:29,069 --> 00:18:30,805 was filmed over 20 years before 326 00:18:30,838 --> 00:18:32,372 the Lumiere Brothers would release 327 00:18:32,405 --> 00:18:34,074 their own version of the movie camera. 328 00:18:36,476 --> 00:18:39,713 Many consider this sequence to be the first movie ever made. 329 00:18:47,055 --> 00:18:48,622 By the time of the transit 330 00:18:48,990 --> 00:18:50,926 62 parties from ten countries 331 00:18:50,959 --> 00:18:53,328 had set out with their own competing instruments, 332 00:18:53,628 --> 00:18:55,430 each vying to become the first country 333 00:18:55,463 --> 00:18:57,499 to calculate the solar parallax. 334 00:18:58,734 --> 00:19:01,904 It was the largest scientific expedition of modern times. 335 00:19:04,874 --> 00:19:06,475 But every single trip, 336 00:19:06,509 --> 00:19:07,811 including Janssen's, 337 00:19:07,845 --> 00:19:09,612 was an absolute failure. 338 00:19:11,514 --> 00:19:14,751 Each instrument had produced its own incompatible data. 339 00:19:15,819 --> 00:19:18,823 Every nation had come up with their own solar parallax. 340 00:19:22,459 --> 00:19:24,128 Astronomers were disappointed. 341 00:19:24,963 --> 00:19:26,264 The military was not. 342 00:19:29,068 --> 00:19:32,037 Techniques of long range targeting pioneered by Janssen 343 00:19:32,071 --> 00:19:33,873 were quickly adapted for the development 344 00:19:33,906 --> 00:19:35,607 of new ballistic technology. 345 00:19:37,009 --> 00:19:38,143 Janssen writes: 346 00:19:39,377 --> 00:19:41,057 "New infantry and especially artillery weapons 347 00:19:41,081 --> 00:19:42,681 can reach the enemy in places 348 00:19:42,716 --> 00:19:44,718 where he is sometimes barely visible." 349 00:19:46,853 --> 00:19:48,554 A cartridge of film is loaded. 350 00:19:49,521 --> 00:19:50,689 The shutter is triggered. 351 00:19:51,590 --> 00:19:52,792 The flash fires. 352 00:19:53,928 --> 00:19:55,129 The camera shoots. 353 00:19:56,130 --> 00:19:57,664 An image is captured. 354 00:19:59,734 --> 00:20:01,668 A common language endures. 355 00:21:16,884 --> 00:21:18,324 Trying to see if I can find somebody. 356 00:21:29,031 --> 00:21:32,034 This is our program we call Eyeview. 357 00:21:32,234 --> 00:21:34,203 It's very similar to Google Earth, 358 00:21:34,236 --> 00:21:36,105 only it's live with Tivo. 359 00:21:36,905 --> 00:21:37,873 Anywhere within it, 360 00:21:37,906 --> 00:21:40,109 the images are updated every second. 361 00:21:40,776 --> 00:21:42,012 We record 362 00:21:42,245 --> 00:21:44,714 large areas of troubled cities 363 00:21:45,048 --> 00:21:47,616 that allows us to go back in time 364 00:21:47,649 --> 00:21:49,886 and we provide an unbiased witness 365 00:21:50,253 --> 00:21:52,756 as to what actually happened on the ground 366 00:21:52,789 --> 00:21:54,191 at those locations. 367 00:21:54,959 --> 00:21:57,660 We take twelve cameras at once. 368 00:21:57,694 --> 00:22:00,563 Our objective is to make it look like one seamless image, 369 00:22:00,597 --> 00:22:02,199 so you can't see the cameras. 370 00:22:02,833 --> 00:22:06,071 But, you know, it's a hard process to do. 371 00:22:13,745 --> 00:22:14,980 Here you can see 372 00:22:15,013 --> 00:22:17,050 we can actually follow this bus. 373 00:22:17,083 --> 00:22:18,851 So here we can go forward in time. 374 00:22:19,218 --> 00:22:21,054 Here we can go backwards in time. 375 00:22:22,255 --> 00:22:24,123 And you can see that the analysts, 376 00:22:24,623 --> 00:22:26,025 they can go to the scene of a crime 377 00:22:26,059 --> 00:22:27,927 and follow these vehicles 378 00:22:28,127 --> 00:22:29,763 from the crime scenes. 379 00:22:30,764 --> 00:22:33,033 This is what a person looks like right here. 380 00:22:34,134 --> 00:22:36,870 That little dot there crossing the sidewalk 381 00:22:37,637 --> 00:22:38,772 is a person. 382 00:22:40,407 --> 00:22:42,576 And we can't tell who they are, 383 00:22:42,777 --> 00:22:43,978 what color they are, 384 00:22:45,180 --> 00:22:46,223 the only reason we know they're not a bush, 385 00:22:46,247 --> 00:22:47,982 is they're walking along the sidewalk. 386 00:22:49,150 --> 00:22:50,261 The only reason we know they're not a dog 387 00:22:50,285 --> 00:22:51,885 is they tend to get into a car and drive. 388 00:24:12,374 --> 00:24:13,375 Alright, 389 00:24:14,609 --> 00:24:16,329 so let's talk about operation of the camera. 390 00:24:17,046 --> 00:24:18,566 How this thing works, how it functions. 391 00:24:19,415 --> 00:24:20,149 How you're going to physically use it, 392 00:24:20,183 --> 00:24:21,984 activate it, deactivate it. 393 00:24:23,452 --> 00:24:24,453 When mounting the camera 394 00:24:24,487 --> 00:24:25,888 to your body, 395 00:24:27,190 --> 00:24:29,692 it's important to just be guided by some general rules, okay? 396 00:24:30,427 --> 00:24:32,229 Maximize the camera coverage. 397 00:24:32,496 --> 00:24:33,496 In other words, 398 00:24:34,398 --> 00:24:36,433 wherever you're mounting this thing to your body, 399 00:24:37,834 --> 00:24:39,036 the overall goal 400 00:24:39,770 --> 00:24:41,139 is to be capturing 401 00:24:41,172 --> 00:24:42,974 whatever you would normally see, 402 00:24:43,541 --> 00:24:44,976 sitting or standing, 403 00:24:45,476 --> 00:24:46,678 facing forward. 404 00:24:47,412 --> 00:24:48,412 Right? 405 00:24:48,712 --> 00:24:49,547 Whatever you would normally see, 406 00:24:49,581 --> 00:24:51,416 sitting or standing, facing forward. 407 00:24:51,916 --> 00:24:54,286 That's the goal to be captured with your camera. 408 00:24:55,287 --> 00:24:56,331 The purpose of this program... 409 00:24:56,355 --> 00:24:58,290 The purpose of the body camera program 410 00:24:59,024 --> 00:25:00,960 is to record our interactions with the public 411 00:25:01,527 --> 00:25:03,128 when it needs to be, right? 412 00:25:03,395 --> 00:25:04,995 How 'bout this, I'll give you an example. 413 00:25:05,999 --> 00:25:08,168 Maybe you're in a room of the house, 414 00:25:08,201 --> 00:25:10,370 and you've found some evidence. It's under the sofa. 415 00:25:11,037 --> 00:25:12,037 Right? 416 00:25:12,572 --> 00:25:13,974 Where is this camera looking? 417 00:25:15,575 --> 00:25:16,978 It's not looking under the sofa. 418 00:25:17,578 --> 00:25:18,578 It's looking at... 419 00:25:18,913 --> 00:25:19,913 the wall. 420 00:25:20,548 --> 00:25:21,849 Keep that in mind. 421 00:25:21,882 --> 00:25:24,051 You want to document and record 422 00:25:24,418 --> 00:25:26,988 the fact that you have now found and are recovering 423 00:25:27,321 --> 00:25:28,389 that evidence. 424 00:25:29,658 --> 00:25:31,538 And this is one of your best friends to do that. 425 00:25:32,094 --> 00:25:33,161 But if it doesn't see it, 426 00:25:34,129 --> 00:25:35,197 it's not helping you. 427 00:25:36,298 --> 00:25:37,332 Just remember, 428 00:25:37,366 --> 00:25:38,433 your camera, 429 00:25:39,568 --> 00:25:40,837 your mount, 430 00:25:41,304 --> 00:25:42,772 or your hand 431 00:25:43,306 --> 00:25:44,907 and never anywhere else. 432 00:25:46,209 --> 00:25:48,278 The only time this should ever leave your physical 433 00:25:49,078 --> 00:25:50,113 contact 434 00:25:51,914 --> 00:25:53,183 is when it goes on the dock, 435 00:25:53,584 --> 00:25:56,053 or on your charger at home, if you take it home. 436 00:25:57,488 --> 00:25:59,890 Right, this is... what is this called? 437 00:25:59,923 --> 00:26:01,683 What is this physical... what is this called? 438 00:26:03,394 --> 00:26:04,596 Body camera. 439 00:26:04,629 --> 00:26:06,531 Right? It's in the title. 440 00:26:06,564 --> 00:26:07,832 It should be on your body, 441 00:26:07,866 --> 00:26:08,867 touching your body 442 00:26:08,900 --> 00:26:09,934 at all times. 443 00:26:30,657 --> 00:26:33,060 The body camera operator both uses 444 00:26:33,093 --> 00:26:34,461 and is part of the camera. 445 00:26:37,931 --> 00:26:38,965 Most of the time, 446 00:26:38,999 --> 00:26:41,336 the camera operator's body isn't seen. 447 00:26:44,339 --> 00:26:45,640 The camera moves, 448 00:26:45,673 --> 00:26:47,542 but we rarely see who moves it. 449 00:26:48,910 --> 00:26:50,311 I like these ones down here. 450 00:26:51,346 --> 00:26:52,915 When the operator speaks, 451 00:26:53,115 --> 00:26:55,217 it narrates the image like a voiceover. 452 00:27:01,957 --> 00:27:04,093 The Axon Body camera's recommended placement 453 00:27:04,126 --> 00:27:05,428 is centered on the chest. 454 00:27:08,998 --> 00:27:12,068 It does not capture the direct field of view of the operator, 455 00:27:12,102 --> 00:27:13,570 but from a slight parallax. 456 00:27:16,306 --> 00:27:18,676 The operator is not seeing for themselves, 457 00:27:18,709 --> 00:27:20,444 but as an extension of the state. 458 00:27:23,948 --> 00:27:24,548 The wide angle of the lens 459 00:27:24,582 --> 00:27:25,851 is meant to capture 460 00:27:25,883 --> 00:27:28,486 as much of the surrounding environment as possible. 461 00:27:30,222 --> 00:27:32,591 But the wide angle also exaggerates motion. 462 00:27:34,259 --> 00:27:36,094 Subjects appear closer than they are, 463 00:27:36,595 --> 00:27:38,230 their movements more severe. 464 00:27:53,147 --> 00:27:53,480 Time, 465 00:27:53,514 --> 00:27:54,849 date, 466 00:27:54,883 --> 00:27:57,684 and file name are imprinted in the upper right corner. 467 00:27:59,553 --> 00:28:01,422 An Axon logo brands the video. 468 00:28:05,026 --> 00:28:08,029 Axon is the literal frame through which an event is seen. 469 00:28:11,433 --> 00:28:12,676 These elements are used to prove 470 00:28:12,700 --> 00:28:15,136 that the image was captured at a certain place, 471 00:28:15,470 --> 00:28:16,505 at a certain time, 472 00:28:17,640 --> 00:28:19,400 and according to a set of standard protocols. 473 00:28:22,611 --> 00:28:24,313 These protocols allow the image 474 00:28:24,346 --> 00:28:26,549 to be admitted into court as evidence. 475 00:28:32,255 --> 00:28:33,590 A neutral witness, 476 00:28:33,623 --> 00:28:36,693 free from the imperfections and bias of human memory. 477 00:28:40,431 --> 00:28:42,300 But a blind spot is exploited. 478 00:28:42,333 --> 00:28:43,601 Just cut back. 479 00:28:44,035 --> 00:28:45,269 The frame of the body camera 480 00:28:45,303 --> 00:28:47,238 erases the officer from its view. 481 00:28:50,608 --> 00:28:53,278 A viewer is placed in the body of the officer, 482 00:28:53,512 --> 00:28:55,080 watching what happened to them, 483 00:28:55,280 --> 00:28:56,548 and not what they did. 484 00:29:00,686 --> 00:29:03,355 The courts view this image as an objective witness, 485 00:29:03,823 --> 00:29:04,925 but the camera is designed 486 00:29:04,959 --> 00:29:07,460 to limit what can be seen by this witness. 487 00:29:12,632 --> 00:29:15,635 There's always a body behind the body camera. 488 00:30:35,188 --> 00:30:37,190 Again, you'll see all our core values here. 489 00:30:37,591 --> 00:30:38,591 Win right. 490 00:30:39,159 --> 00:30:40,159 Own it. 491 00:30:41,295 --> 00:30:42,330 Be obsessed. 492 00:30:42,898 --> 00:30:44,800 Big one for us on the passion side. 493 00:30:45,767 --> 00:30:46,835 Aiming far. 494 00:30:46,868 --> 00:30:47,635 We're not gonna shoot for the moon. 495 00:30:47,668 --> 00:30:49,303 We're gonna shoot for Pluto here. 496 00:30:51,272 --> 00:30:52,307 If you own it, 497 00:30:52,341 --> 00:30:53,451 you don't want to be singular. 498 00:30:53,475 --> 00:30:54,811 You also want to join forces. 499 00:30:54,844 --> 00:30:56,813 So it's kind of a diametrically opposed, 500 00:30:56,846 --> 00:30:59,314 but not diametrically opposed situation. 501 00:30:59,348 --> 00:31:02,384 And the last one is expect candor with positive intent. 502 00:31:02,718 --> 00:31:04,621 We speak pretty frank here at Taser. 503 00:31:10,894 --> 00:31:11,862 We're going to take a look 504 00:31:11,895 --> 00:31:14,898 at the X2 line, for our Taser smart weapons. 505 00:31:15,398 --> 00:31:17,802 A smart weapon is an electronic controlled device. 506 00:31:18,268 --> 00:31:19,747 It's a device that's gonna use electricity 507 00:31:19,771 --> 00:31:21,338 to incapacitate a violent 508 00:31:21,372 --> 00:31:22,706 or dangerous person. 509 00:31:22,740 --> 00:31:24,341 We make that weapon here, 510 00:31:24,675 --> 00:31:26,710 and it's really important to understand that 511 00:31:26,945 --> 00:31:30,281 quality is really important on this side of the line because 512 00:31:30,315 --> 00:31:31,851 an officer's life may depend on it, 513 00:31:32,250 --> 00:31:34,452 and conversely, a suspect's life may depend on it 514 00:31:34,486 --> 00:31:35,720 working properly because 515 00:31:35,754 --> 00:31:36,889 if it doesn't work, 516 00:31:38,024 --> 00:31:39,700 an officer may have to go to a higher level of force, 517 00:31:39,724 --> 00:31:41,260 and that's not good for the suspect, 518 00:31:41,527 --> 00:31:43,687 and certainly, that's not what the officer wants to do. 519 00:31:43,864 --> 00:31:45,464 So let's take a look at how they're made. 520 00:31:54,474 --> 00:31:55,474 - Hi! - Hello. 521 00:31:57,751 --> 00:31:59,287 Oh, just filming right now. 522 00:32:02,249 --> 00:32:04,052 A final scan is done here. 523 00:32:04,085 --> 00:32:06,354 It's been used many times, put under stress. 524 00:32:06,921 --> 00:32:08,323 It goes in here for final kitting. 525 00:32:08,624 --> 00:32:10,358 And off this goes, in a box, 526 00:32:11,126 --> 00:32:13,261 and goes off to a law enforcement agency. 527 00:32:13,928 --> 00:32:15,288 Hopefully, it saves someone's life. 528 00:32:17,768 --> 00:32:19,503 Just being aimed at a suspect 529 00:32:19,536 --> 00:32:21,103 is our number one use of force. 530 00:32:21,871 --> 00:32:23,306 It makes you think: 531 00:32:23,339 --> 00:32:25,174 "I'm on the business end of whatever that is, 532 00:32:25,207 --> 00:32:26,443 and if it's a taser weapon, 533 00:32:26,476 --> 00:32:28,945 I really don't want to be shocked by that device." 534 00:32:29,414 --> 00:32:31,214 So to me, it give that standoff, 535 00:32:31,248 --> 00:32:32,816 and you give good verbal commands. 536 00:32:33,283 --> 00:32:34,885 "I'm gonna use a taser on you. 537 00:32:34,918 --> 00:32:35,995 Put your hands down. Put your hands down." 538 00:32:36,019 --> 00:32:37,339 And all the sudden, they see that. 539 00:32:37,888 --> 00:32:39,222 That's a great visual cue 540 00:32:39,256 --> 00:32:41,560 that something bad is about... is going to happen to you. 541 00:32:45,930 --> 00:32:48,600 Oh, by far and away, the cameras have the same effect. 542 00:32:48,634 --> 00:32:50,378 Look at the effect it's having on me right now. 543 00:32:50,402 --> 00:32:51,470 I dressed up. 544 00:32:51,503 --> 00:32:52,472 I'm more professional. 545 00:32:52,505 --> 00:32:54,239 I'm not cursing right now. Why? 546 00:32:54,441 --> 00:32:56,401 I'm being professional. I know I'm being recorded. 547 00:32:56,576 --> 00:32:59,579 Your cameraman is being very professional too. Why? 548 00:32:59,612 --> 00:33:00,946 He's recording me. 549 00:33:00,979 --> 00:33:02,582 We both have jobs to do. 550 00:33:02,615 --> 00:33:04,050 The officer has a job to do. 551 00:33:04,284 --> 00:33:05,653 He wants the professional... 552 00:33:05,686 --> 00:33:07,053 So at the end of the day, 553 00:33:07,488 --> 00:33:09,557 the cameras are changing behaviors 554 00:33:09,590 --> 00:33:11,358 just like the weapons, when they're aimed, 555 00:33:11,958 --> 00:33:14,194 can change behavior in a very positive manner. 556 00:33:42,058 --> 00:33:44,327 No photos of the 1874 transit 557 00:33:44,360 --> 00:33:45,629 are left in existence. 558 00:33:47,230 --> 00:33:48,264 But this strange portrait 559 00:33:48,297 --> 00:33:50,434 of a smoking Jules Janssen survives. 560 00:33:54,506 --> 00:33:57,509 The portrait was taken by Étienne Jules Marey, 561 00:33:57,542 --> 00:34:00,545 a French scientist and pioneer of early photography. 562 00:34:02,212 --> 00:34:03,448 Marey invented a new camera 563 00:34:03,481 --> 00:34:06,217 that improved and miniaturized Janssen's design. 564 00:34:08,454 --> 00:34:09,655 He called his invention 565 00:34:09,688 --> 00:34:11,457 the photographic rifle. 566 00:34:14,192 --> 00:34:16,362 It was the first portable movie camera. 567 00:34:20,166 --> 00:34:21,133 With his rifle, 568 00:34:21,167 --> 00:34:23,369 Marey turned his gaze from the stars 569 00:34:23,403 --> 00:34:24,604 to life on Earth. 570 00:34:29,744 --> 00:34:30,845 In the studio, 571 00:34:30,878 --> 00:34:33,180 Marey performed a series of experiments 572 00:34:33,213 --> 00:34:35,081 that studied the mechanics of motion. 573 00:34:40,422 --> 00:34:41,490 To Marey, 574 00:34:41,523 --> 00:34:43,659 these cameras were not just a better eye, 575 00:34:43,692 --> 00:34:45,694 but an entirely new sensory organ, 576 00:34:46,160 --> 00:34:49,163 capable of revealing the invisible patterns of the world. 577 00:34:50,766 --> 00:34:52,034 He writes: 578 00:34:52,067 --> 00:34:53,436 "Not only are these instruments 579 00:34:53,470 --> 00:34:55,605 sometimes destined to replace the observer, 580 00:34:55,638 --> 00:34:57,306 but they also have their own domain 581 00:34:57,339 --> 00:34:59,007 where nothing can replace them. 582 00:34:59,374 --> 00:35:01,009 When the eye ceases to see, 583 00:35:01,578 --> 00:35:02,712 the ear to hear, 584 00:35:03,546 --> 00:35:04,682 the touch to feel, 585 00:35:06,049 --> 00:35:08,351 or indeed when our senses give deceptive appearances, 586 00:35:09,219 --> 00:35:11,020 these instruments are like new senses 587 00:35:11,054 --> 00:35:12,556 of astonishing precision." 588 00:35:16,828 --> 00:35:19,063 Our senses may lie to us, 589 00:35:19,096 --> 00:35:20,331 machines cannot. 590 00:35:23,067 --> 00:35:26,036 Marey went beyond simply photographing motion. 591 00:35:26,805 --> 00:35:28,508 When motion was captured, 592 00:35:28,541 --> 00:35:31,009 it was automatically converted into data. 593 00:35:33,446 --> 00:35:34,647 Seeing and interpretation 594 00:35:34,680 --> 00:35:36,449 were combined in the same device. 595 00:35:40,152 --> 00:35:41,555 Before these machines, 596 00:35:42,956 --> 00:35:45,425 the world becomes a resource for the extraction of data. 597 00:35:48,729 --> 00:35:49,729 They see. 598 00:35:50,497 --> 00:35:51,565 They measure. 599 00:35:52,299 --> 00:35:53,501 They compute. 600 00:35:55,537 --> 00:35:56,704 As a scientist, 601 00:35:56,738 --> 00:36:00,073 Marey hoped to uncover the natural order of the world. 602 00:36:01,843 --> 00:36:03,646 But his methods actively concealed 603 00:36:03,679 --> 00:36:06,047 the unnatural conditions of this process. 604 00:36:08,551 --> 00:36:11,185 These instruments do not reproduce the world, 605 00:36:11,687 --> 00:36:13,321 they produce new worlds. 606 00:36:19,796 --> 00:36:21,565 His subjects were not in nature, 607 00:36:22,164 --> 00:36:24,434 but in the controlled setting of the studio. 608 00:36:25,635 --> 00:36:28,639 What would these images be without this theatrical set? 609 00:36:30,441 --> 00:36:32,375 Without these specialized instruments? 610 00:36:34,478 --> 00:36:36,146 What do these lines represent 611 00:36:36,179 --> 00:36:38,348 but the restrictions of the subject's movement? 612 00:36:43,354 --> 00:36:45,691 Who gets to frame another as subject? 613 00:36:50,328 --> 00:36:52,164 These motion studies, 614 00:36:52,197 --> 00:36:54,767 taken in Senegal under French colonial rule, 615 00:36:55,167 --> 00:36:56,769 tie Marey's work with another project 616 00:36:56,803 --> 00:36:59,439 of resource extraction and exploitation. 617 00:37:03,443 --> 00:37:04,645 In one sequence, 618 00:37:04,678 --> 00:37:07,615 a group of children walk past Marey's camera. 619 00:37:10,183 --> 00:37:11,652 They pause for a moment, 620 00:37:12,285 --> 00:37:14,220 staring straight into the lens. 621 00:37:18,225 --> 00:37:21,228 Perhaps they stare at the man behind the camera. 622 00:37:38,781 --> 00:37:39,883 Cool. 623 00:37:40,617 --> 00:37:41,885 - Alright, see? - There it is. 624 00:37:41,918 --> 00:37:43,687 Alright, there it is. Alright. 625 00:37:43,720 --> 00:37:45,689 Cool, alright, so let's, uh, 626 00:37:46,490 --> 00:37:47,724 I'll just, um... 627 00:37:47,758 --> 00:37:48,968 I'll just give this to you, I guess, 628 00:37:48,992 --> 00:37:50,432 and then you can bring it over there. 629 00:37:50,460 --> 00:37:51,729 And uh... 630 00:38:29,804 --> 00:38:32,473 Ed is wearing an Axon Body 2 Camera. 631 00:38:32,740 --> 00:38:34,642 He's also wearing a Taser X2. 632 00:38:34,842 --> 00:38:36,911 That X2 has Axon signal technology 633 00:38:36,944 --> 00:38:38,713 that will turn that camera on 634 00:38:39,013 --> 00:38:40,749 as soon as he turns the safety on. 635 00:38:56,532 --> 00:38:58,501 Right now, that subject is convulsing. 636 00:38:58,534 --> 00:39:00,403 He went through a five second discharge 637 00:39:00,436 --> 00:39:01,771 from a Taser X2 638 00:39:01,804 --> 00:39:03,674 that hit all these core muscles here. 639 00:39:03,707 --> 00:39:05,676 He split the belt-line which is key. 640 00:39:05,909 --> 00:39:09,046 This person would have been very disconcerted at a minimum 641 00:39:09,079 --> 00:39:11,882 and he would have been not able to do any controlled movements. 642 00:39:11,915 --> 00:39:13,550 He would have fallen down on the ground. 643 00:39:13,584 --> 00:39:14,518 I didn't get here in time, 644 00:39:14,551 --> 00:39:16,821 so go ahead and engage him one more time. 645 00:39:18,890 --> 00:39:20,658 He has the ability to reengage this 646 00:39:20,692 --> 00:39:22,359 since this person is still plugged in. 647 00:39:22,894 --> 00:39:23,995 On that second application, 648 00:39:24,462 --> 00:39:25,630 he's complied. 649 00:39:25,663 --> 00:39:28,434 We can now say that this person is completely controlled. 650 00:39:28,634 --> 00:39:30,503 I can now remove the probes. 651 00:39:30,703 --> 00:39:32,337 I simply take out the probes, 652 00:39:32,605 --> 00:39:33,782 and you can take a look at what these probes 653 00:39:33,806 --> 00:39:34,806 look like up close. 654 00:39:35,541 --> 00:39:36,909 What we need that probe to do is 655 00:39:36,942 --> 00:39:38,978 either stick to clothing or skin. 656 00:39:39,011 --> 00:39:40,647 We need both of them on there 657 00:39:40,680 --> 00:39:41,848 to complete that circuit. 658 00:39:42,115 --> 00:39:43,593 If you take a look down on the ground, 659 00:39:43,617 --> 00:39:44,617 you'll also see 660 00:39:44,885 --> 00:39:46,853 that it's also displaced or dispersed 661 00:39:47,353 --> 00:39:48,655 multiple pieces of confetti 662 00:39:48,688 --> 00:39:51,425 called anti-felon identification confetti. 663 00:39:51,459 --> 00:39:52,593 It has serialized confetti 664 00:39:52,627 --> 00:39:54,595 that will match back to that specific 665 00:39:54,629 --> 00:39:56,731 cartridge right there that Ed just fired. 666 00:39:57,665 --> 00:39:59,667 We can now upload that camera evidence 667 00:39:59,967 --> 00:40:01,469 up to Evidence.com 668 00:40:01,502 --> 00:40:03,705 to see what exactly happened from his perspective. 669 00:40:04,807 --> 00:40:07,341 Great. Freeze. I'm gonna track out for a second 670 00:40:07,375 --> 00:40:09,377 to give us more tail on the end. 671 00:40:11,680 --> 00:40:16,519 One, two, three, four, five, 672 00:40:16,553 --> 00:40:17,620 - Cut. - Okay. 673 00:40:19,122 --> 00:40:20,790 Okay, so the video you recorded 674 00:40:20,824 --> 00:40:22,391 has been uploaded to Evidence.com. 675 00:40:22,425 --> 00:40:23,769 Now we'll go ahead to our player screen. 676 00:40:23,793 --> 00:40:25,028 And press play. 677 00:40:33,838 --> 00:40:35,573 The camera records an image of an event. 678 00:40:36,707 --> 00:40:39,043 But the image does not speak for itself. 679 00:40:42,914 --> 00:40:44,816 To be considered in a court of law, 680 00:40:45,150 --> 00:40:47,686 any piece of evidence must be both authentic 681 00:40:47,719 --> 00:40:49,054 and relevant to the case. 682 00:40:49,087 --> 00:40:50,755 He's complied. 683 00:40:51,591 --> 00:40:53,358 This person is completely controlled. 684 00:40:53,893 --> 00:40:55,261 When admitting evidence, 685 00:40:55,294 --> 00:40:58,564 any lawyer must establish that these requirements are met. 686 00:41:01,100 --> 00:41:04,104 Axon's software automates much of this process. 687 00:41:05,973 --> 00:41:07,674 When an officer docks their camera 688 00:41:07,708 --> 00:41:08,976 at the end of a shift, 689 00:41:09,176 --> 00:41:10,777 the image is automatically saved 690 00:41:10,811 --> 00:41:12,779 and uploaded to Evidence.com. 691 00:41:13,947 --> 00:41:14,281 Date, 692 00:41:14,314 --> 00:41:15,650 time, 693 00:41:15,683 --> 00:41:18,920 and device number are saved alongside the video file. 694 00:41:20,989 --> 00:41:23,491 The metadata proves that the camera was actually there 695 00:41:23,524 --> 00:41:24,959 at the event in question. 696 00:41:29,131 --> 00:41:30,566 Every time a clip is opened, 697 00:41:30,966 --> 00:41:31,867 shared, 698 00:41:31,901 --> 00:41:33,636 or modified in any way, 699 00:41:34,069 --> 00:41:37,006 the software generates a note alongside the video file 700 00:41:37,039 --> 00:41:38,974 indicating who accessed the video, 701 00:41:39,509 --> 00:41:40,677 when they did, 702 00:41:40,710 --> 00:41:41,978 and what they did with it. 703 00:41:43,947 --> 00:41:45,815 This audit trail is presented in court 704 00:41:45,849 --> 00:41:48,184 as proof that the evidence has not been tampered with. 705 00:41:52,723 --> 00:41:55,126 But the body camera footage serves another purpose, 706 00:41:55,860 --> 00:41:57,728 as a memory aid for the officer. 707 00:42:01,499 --> 00:42:03,000 After a use of force incident, 708 00:42:04,002 --> 00:42:06,071 most police departments in the United States 709 00:42:06,104 --> 00:42:07,839 allow officers to review footage 710 00:42:07,873 --> 00:42:09,574 before making a sworn statement. 711 00:42:13,712 --> 00:42:15,213 An opportunity arises. 712 00:42:17,283 --> 00:42:19,052 After watching the video, 713 00:42:19,085 --> 00:42:20,820 the officer may align their statement 714 00:42:20,853 --> 00:42:22,588 with available video evidence. 715 00:42:25,258 --> 00:42:27,594 These tools do not reproduce an event. 716 00:42:28,095 --> 00:42:29,830 They produce a narrative of events 717 00:42:29,863 --> 00:42:31,565 that can be used to retroactively 718 00:42:31,598 --> 00:42:33,200 justify a use of force. 719 00:42:40,075 --> 00:42:41,743 Oh, it's all Ai. Yeah. 720 00:42:42,110 --> 00:42:43,578 The way this software is gonna learn 721 00:42:43,778 --> 00:42:45,289 and it's gonna go ahead and automate what 722 00:42:45,313 --> 00:42:47,782 takes us, you know, some manual labor today. 723 00:43:47,781 --> 00:43:49,916 Photography has been used by the justice system 724 00:43:49,949 --> 00:43:52,953 since the 1840s to document detained people. 725 00:43:54,622 --> 00:43:56,857 But photographs without a classification system 726 00:43:56,891 --> 00:43:58,726 were useless for police departments. 727 00:44:01,095 --> 00:44:03,097 A young police department administrator, 728 00:44:03,698 --> 00:44:04,966 Alphonse Bertillon, 729 00:44:05,167 --> 00:44:06,968 wrote a letter to the Paris police daily 730 00:44:07,002 --> 00:44:08,336 describing the problem: 731 00:44:09,871 --> 00:44:11,807 "If an individual already condemned 732 00:44:11,840 --> 00:44:14,643 under the name of Pierre claims that his name is Paul 733 00:44:14,676 --> 00:44:16,245 and that it's his first offense, 734 00:44:16,279 --> 00:44:18,281 how can one even suspect a lie? 735 00:44:18,748 --> 00:44:19,949 How can one prove it?" 736 00:44:22,351 --> 00:44:23,886 In 1879, 737 00:44:24,387 --> 00:44:26,656 Bertillon introduced a system where 738 00:44:26,689 --> 00:44:27,825 upon arrest, 739 00:44:27,858 --> 00:44:29,059 a person would be photographed 740 00:44:29,093 --> 00:44:31,662 and subjected to a series of 11 measurements. 741 00:44:33,097 --> 00:44:35,165 These measurements were written onto index cards 742 00:44:35,199 --> 00:44:36,800 alongside their portrait. 743 00:44:38,102 --> 00:44:39,904 Bertillon called his images 744 00:44:39,938 --> 00:44:41,139 "talking portraits". 745 00:44:42,240 --> 00:44:44,342 If the image cannot speak for itself, 746 00:44:44,876 --> 00:44:46,778 Bertillon hoped that the measurements could. 747 00:44:50,748 --> 00:44:52,785 Bertillon wrote a manual that standardized 748 00:44:52,818 --> 00:44:54,820 the methods for taking these measurements. 749 00:44:57,223 --> 00:44:59,658 The diagrams depict a delicate choreography 750 00:44:59,692 --> 00:45:00,993 between police officer, 751 00:45:01,727 --> 00:45:02,828 detained person, 752 00:45:03,163 --> 00:45:04,731 and scientific instrument. 753 00:45:07,868 --> 00:45:09,336 Everyone is well dressed, 754 00:45:09,803 --> 00:45:11,138 fully compliant. 755 00:45:13,441 --> 00:45:14,475 In some, 756 00:45:14,509 --> 00:45:16,644 there is the faint trace of a smile. 757 00:45:21,182 --> 00:45:22,250 In one example, 758 00:45:23,351 --> 00:45:24,919 Bertillon poses as a criminal subject 759 00:45:24,952 --> 00:45:26,254 within his own system. 760 00:45:27,856 --> 00:45:30,926 His image takes up relatively little space on the card. 761 00:45:33,128 --> 00:45:34,696 Within Bertillon's system, 762 00:45:35,130 --> 00:45:37,366 a person's data supersedes their image. 763 00:45:38,800 --> 00:45:41,804 The human body is fractured into an array of features. 764 00:45:42,772 --> 00:45:44,941 Data is extracted and organized. 765 00:45:46,242 --> 00:45:48,278 A new human subject is assembled, 766 00:45:48,745 --> 00:45:50,947 one that's legible as a criminal to the state. 767 00:45:53,417 --> 00:45:54,685 Bertillon writes: 768 00:45:55,487 --> 00:45:56,854 "In a word, 769 00:45:56,887 --> 00:45:58,923 to fix the human personality, 770 00:45:59,323 --> 00:46:01,425 to give each human being an identity, 771 00:46:02,026 --> 00:46:03,695 an individuality, 772 00:46:04,196 --> 00:46:05,196 certain, 773 00:46:05,397 --> 00:46:06,231 durable, 774 00:46:06,264 --> 00:46:07,332 invariable, 775 00:46:07,766 --> 00:46:09,201 always recognizable, 776 00:46:10,001 --> 00:46:12,237 and always capable of being proven." 777 00:46:14,773 --> 00:46:17,710 Police departments worldwide adopted his methods. 778 00:46:18,844 --> 00:46:20,780 Bertillon himself toured the world 779 00:46:20,813 --> 00:46:23,182 giving courses in "ocular education". 780 00:46:24,817 --> 00:46:26,819 On entering one of his classrooms, 781 00:46:27,087 --> 00:46:29,856 it was said that students were met with a large poster 782 00:46:29,890 --> 00:46:32,359 displaying one of Bertillon's favorite sayings: 783 00:46:34,061 --> 00:46:37,431 "The eye only sees in each thing that for which it looks, 784 00:46:37,965 --> 00:46:41,302 and it only looks for that of which it already has an idea." 785 00:46:49,877 --> 00:46:51,046 The camera that we have, 786 00:46:52,348 --> 00:46:53,949 the Axon Body 2, 787 00:46:55,251 --> 00:46:57,251 it's the second generation camera designed by Axon. 788 00:46:58,420 --> 00:46:59,822 Features include: 789 00:46:59,855 --> 00:47:00,855 A lens, 790 00:47:01,123 --> 00:47:02,123 right? 791 00:47:02,791 --> 00:47:04,471 All cameras do. It's how they record video. 792 00:47:04,961 --> 00:47:06,129 This camera, 793 00:47:06,162 --> 00:47:08,398 in particular, records in HD. 794 00:47:09,232 --> 00:47:11,201 142 degree viewing angle. 795 00:47:11,502 --> 00:47:13,403 So if I were to wear this camera up here, 796 00:47:13,436 --> 00:47:14,982 stand right here in the front of the class, 797 00:47:15,006 --> 00:47:17,442 I would definitely see all you guys no problem. 798 00:47:18,009 --> 00:47:19,487 Does a good job at capturing a wide angle 799 00:47:19,511 --> 00:47:21,012 without distorting the video. 800 00:47:22,847 --> 00:47:23,881 Microphone, 801 00:47:24,382 --> 00:47:25,422 it's how it records audio. 802 00:47:26,050 --> 00:47:27,052 Simple enough. 803 00:47:27,919 --> 00:47:29,421 Standby switch at the top. 804 00:47:30,355 --> 00:47:31,355 This is important. 805 00:47:32,391 --> 00:47:34,393 Think of the standby switch like a light switch. 806 00:47:34,893 --> 00:47:35,961 When it's off, 807 00:47:36,328 --> 00:47:37,929 and you don't see that red sticker, 808 00:47:38,531 --> 00:47:39,566 it's off. 809 00:47:40,233 --> 00:47:41,301 All the way off. 810 00:47:42,001 --> 00:47:43,001 When it's on, 811 00:47:43,903 --> 00:47:45,238 and you do see a red sticker, 812 00:47:45,639 --> 00:47:48,207 there are two different operating modes. 813 00:47:48,875 --> 00:47:50,444 Alright, there's standby mode 814 00:47:50,477 --> 00:47:52,046 which you'll be in most of the time, 815 00:47:52,580 --> 00:47:54,048 and then there's recording mode. 816 00:47:55,316 --> 00:47:57,184 When you are in standby mode 817 00:47:57,217 --> 00:48:00,220 you have not activated this camera to take a recording. 818 00:48:00,455 --> 00:48:02,022 Technically, it's always recording, 819 00:48:02,289 --> 00:48:04,159 but only video, no sound. 820 00:48:04,560 --> 00:48:05,827 Now, 821 00:48:06,928 --> 00:48:08,997 the only time it's going to save that information 822 00:48:09,030 --> 00:48:10,566 is if you hit the button 823 00:48:11,066 --> 00:48:14,035 to take a video yourself manually. 824 00:48:14,503 --> 00:48:17,006 Once you activate this to take a recording, 825 00:48:17,039 --> 00:48:19,342 that thirty seconds that it's always been saving 826 00:48:19,375 --> 00:48:20,577 will automatically be added 827 00:48:20,610 --> 00:48:22,479 to the beginning of your video for you. 828 00:48:22,512 --> 00:48:23,946 And I'm going to show you why. 829 00:48:25,047 --> 00:48:27,017 Thirty seconds is a long time. 830 00:48:27,984 --> 00:48:29,554 We're gonna go thirty seconds right now. 831 00:48:29,587 --> 00:48:30,587 You ready? 832 00:48:30,688 --> 00:48:31,922 Everyone be quiet. 833 00:48:53,278 --> 00:48:54,380 Not even halfway there. 834 00:49:10,498 --> 00:49:11,532 Thirty seconds. 835 00:49:13,066 --> 00:49:13,834 That was thirty seconds. 836 00:49:13,868 --> 00:49:15,670 A lot can happen in thirty seconds. 837 00:49:16,170 --> 00:49:16,638 A lot. 838 00:49:16,671 --> 00:49:17,839 And it does. 839 00:49:17,873 --> 00:49:20,374 But think about it this way, once it happens, 840 00:49:21,175 --> 00:49:23,344 having the ability to essentially go back 841 00:49:23,377 --> 00:49:24,713 and grab that information 842 00:49:24,746 --> 00:49:26,915 simply by hitting the button on your camera, 843 00:49:27,617 --> 00:49:29,418 because of something sudden that happened, 844 00:49:29,452 --> 00:49:30,620 that you didn't know. 845 00:49:30,653 --> 00:49:31,963 You know, you didn't know in advance 846 00:49:31,987 --> 00:49:33,556 that a crime was gonna take place 847 00:49:33,589 --> 00:49:34,657 or that somebody was gonna 848 00:49:34,690 --> 00:49:36,024 assault you, 849 00:49:36,057 --> 00:49:36,592 or something like that. 850 00:49:36,626 --> 00:49:37,593 Being able to go back 851 00:49:37,627 --> 00:49:40,464 and essentially grab that last thirty seconds, 852 00:49:41,197 --> 00:49:41,765 that's huge. 853 00:49:41,799 --> 00:49:43,099 That's big for us. 854 00:49:43,132 --> 00:49:44,167 As you can see here. 855 00:49:44,501 --> 00:49:45,501 Huge. 856 00:49:47,370 --> 00:49:48,438 So, 857 00:49:48,472 --> 00:49:50,406 imagine if we did not have that feature. 858 00:49:51,275 --> 00:49:52,142 Imagine if it just, 859 00:49:52,176 --> 00:49:53,277 the video started when 860 00:49:53,310 --> 00:49:55,279 you pressed the button on the camera, right? 861 00:49:56,447 --> 00:49:58,015 Still we would have video. 862 00:49:58,650 --> 00:50:00,485 It wouldn't be nearly as helpful though 863 00:50:00,518 --> 00:50:01,719 as the video we have. 864 00:50:02,319 --> 00:50:04,289 See, see from here, if... 865 00:50:04,657 --> 00:50:06,525 if it started where you press the button, 866 00:50:07,325 --> 00:50:08,594 and it didn't have that buffer. 867 00:50:08,627 --> 00:50:10,629 This is why that buffer is a huge feature for us. 868 00:50:10,663 --> 00:50:11,764 That's huge. 869 00:50:11,797 --> 00:50:13,097 Watch what you would see. 870 00:50:15,735 --> 00:50:18,437 We are 31! Shots fired! Shots fired! 871 00:50:20,674 --> 00:50:22,241 Okay, so we see a suspect. 872 00:50:22,274 --> 00:50:23,677 We see a weapon, right? 873 00:50:24,376 --> 00:50:26,087 We don't get to see him running through the neighborhood. 874 00:50:26,111 --> 00:50:27,491 We don't get to see him carrying the gun. 875 00:50:27,515 --> 00:50:29,058 Definitely don't get to see him turn around 876 00:50:29,082 --> 00:50:30,518 and point it at the police officer. 877 00:50:31,384 --> 00:50:33,286 Not nearly as helpful 878 00:50:33,588 --> 00:50:36,189 as having that thirty second buffer. 879 00:50:36,223 --> 00:50:37,525 Still better than no video. 880 00:50:37,558 --> 00:50:40,127 It definitely adds a layer of evidence to our cases. 881 00:50:40,328 --> 00:50:42,997 But not nearly as helpful as having that thirty second... 882 00:52:19,234 --> 00:52:20,135 I think that's good. Let's see what it looks like 883 00:52:20,169 --> 00:52:21,136 in a take, 884 00:52:21,170 --> 00:52:22,481 and then we can make an adjustment. 885 00:52:22,505 --> 00:52:23,716 And we'll do that actual layers. 886 00:52:23,740 --> 00:52:25,709 So the shot is that, uh, 887 00:52:25,942 --> 00:52:27,511 we'll be very tight on your face 888 00:52:27,545 --> 00:52:28,713 and we'll zoom out 889 00:52:28,746 --> 00:52:29,614 while you're watching the footage. 890 00:52:29,647 --> 00:52:31,816 Just like very neutral, just watching. 891 00:52:32,349 --> 00:52:33,517 And we pan over 892 00:52:33,818 --> 00:52:35,452 and all this stuff is floating 893 00:52:35,486 --> 00:52:36,563 and it's just gonna start flowing around you. 894 00:52:36,587 --> 00:52:37,864 - Okay. Just watching it... - And that's... 895 00:52:37,888 --> 00:52:39,524 You're just watching... 896 00:52:39,825 --> 00:52:41,860 You're just... you don't even see this. 897 00:52:41,893 --> 00:52:43,729 You don't see the entire film crew. 898 00:52:43,762 --> 00:52:45,463 - Okay. - Right here and... 899 00:52:45,497 --> 00:52:46,497 Yeah. 900 00:52:48,634 --> 00:52:50,737 Alright, let's, uh, reset to one. 901 00:52:51,471 --> 00:52:54,474 Let's have the string pullers standing by. 902 00:52:54,507 --> 00:52:56,208 You're good... 903 00:53:00,278 --> 00:53:02,783 The analyst will actually go in and track the car 904 00:53:03,316 --> 00:53:04,718 second by second. 905 00:53:04,985 --> 00:53:06,954 And it's a little bit like a video game 906 00:53:06,987 --> 00:53:07,888 where you 907 00:53:07,921 --> 00:53:09,355 click on the car 908 00:53:09,623 --> 00:53:10,691 as if you're... 909 00:53:10,724 --> 00:53:11,835 I don't want to say shooting at it, 910 00:53:11,859 --> 00:53:13,827 'cause that gives you the wrong indication, 911 00:53:14,561 --> 00:53:16,564 but I think this is just an interesting way 912 00:53:16,598 --> 00:53:17,632 of looking at it. 913 00:53:21,803 --> 00:53:25,607 I think it's more of the "God's Eye View" in essence. 914 00:53:26,240 --> 00:53:28,878 Where you're getting an opportunity to look down on 915 00:53:28,911 --> 00:53:30,713 huge areas of a city. 916 00:53:31,346 --> 00:53:33,549 We can't reach out and touch anybody, 917 00:53:33,749 --> 00:53:35,951 but we can see what occurred 918 00:53:36,384 --> 00:53:37,787 on the city streets. 919 00:53:46,496 --> 00:53:48,799 I believe God sees everything. 920 00:53:49,800 --> 00:53:52,269 And that he not only sees 921 00:53:52,302 --> 00:53:53,738 where you are 922 00:53:53,771 --> 00:53:56,406 but also what you're doing 923 00:53:58,743 --> 00:54:01,746 and we see very very small parts 924 00:54:02,480 --> 00:54:04,415 of what I believe God sees. 925 00:54:11,456 --> 00:54:13,458 Uh... yes. 926 00:54:15,595 --> 00:54:16,595 I can do that. 927 00:54:17,931 --> 00:54:20,399 Well, it's one keystroke for me. 928 00:54:22,969 --> 00:54:24,436 Backwards in time. 929 00:54:45,994 --> 00:54:47,328 1908. 930 00:54:48,395 --> 00:54:49,741 A photograph captures an airborne view 931 00:54:49,765 --> 00:54:51,000 of Kronberg, Germany. 932 00:54:52,935 --> 00:54:55,772 The wings of a pigeon poke in from beyond the frame. 933 00:54:57,640 --> 00:54:59,976 Another photo in the series captures a man, 934 00:55:00,510 --> 00:55:01,911 Dr. Julius Neubronner, 935 00:55:01,944 --> 00:55:03,580 on a roof with his assistant. 936 00:55:05,716 --> 00:55:07,885 Neubronner was the son of a pharmacist. 937 00:55:09,086 --> 00:55:10,196 His father had trained pigeons 938 00:55:10,220 --> 00:55:12,856 to fly prescriptions to distant patients. 939 00:55:14,457 --> 00:55:16,928 The younger Neubronner engineered a different payload: 940 00:55:17,929 --> 00:55:21,331 A lightweight camera containing an automated shutter mechanism. 941 00:55:25,603 --> 00:55:28,808 A released pigeon will always fly straight back to its roost. 942 00:55:30,643 --> 00:55:32,443 Attached to the pigeon's chest, 943 00:55:32,645 --> 00:55:33,688 Neubronner's camera created 944 00:55:33,712 --> 00:55:35,848 a photographic record of their flight. 945 00:55:39,653 --> 00:55:41,353 The pigeon is both part of 946 00:55:41,387 --> 00:55:42,689 and operator of the camera. 947 00:55:45,659 --> 00:55:48,662 The human gaze is outsourced to another living species, 948 00:55:49,529 --> 00:55:52,667 providing unmanned aerial surveillance of the world below. 949 00:55:56,137 --> 00:55:57,905 Neubronner's invention did not escape 950 00:55:57,939 --> 00:55:59,907 the attention of the German military. 951 00:56:01,676 --> 00:56:03,411 Balloons were too slow and obvious 952 00:56:03,444 --> 00:56:04,847 for aerial surveillance. 953 00:56:05,479 --> 00:56:06,949 Early planes were too loud. 954 00:56:08,550 --> 00:56:10,519 Pigeons represented a silent, 955 00:56:10,552 --> 00:56:12,020 nearly invisible means of gaining 956 00:56:12,054 --> 00:56:13,856 valuable information by air. 957 00:56:15,658 --> 00:56:17,359 As Europe marched towards war, 958 00:56:17,694 --> 00:56:19,529 the birds were trained for combat. 959 00:56:22,899 --> 00:56:25,034 But the pigeons did not make good soldiers. 960 00:56:26,570 --> 00:56:28,939 Because pigeons will only fly in straight lines, 961 00:56:29,607 --> 00:56:32,676 the pigeons had to be released deep within enemy territory, 962 00:56:33,043 --> 00:56:34,879 something that was nearly impossible 963 00:56:34,912 --> 00:56:37,615 during the bloody trench warfare of World War One. 964 00:56:40,118 --> 00:56:42,453 These borders present no such obstacle 965 00:56:42,486 --> 00:56:44,022 for today's combat drones. 966 00:56:47,993 --> 00:56:50,630 In Neubronner's diary, we encounter a dream: 967 00:56:52,131 --> 00:56:55,134 "A dream last night where I was flying over Kronberg. 968 00:56:56,202 --> 00:56:57,870 At some point in my journey, 969 00:56:57,904 --> 00:57:00,172 I looked down to see a man on top of a roof. 970 00:57:01,574 --> 00:57:02,876 On closer inspection 971 00:57:03,143 --> 00:57:04,978 I saw that it was not a man, 972 00:57:05,012 --> 00:57:06,513 but one of my pigeons. 973 00:57:07,915 --> 00:57:09,683 A great vertigo overcame me. 974 00:57:10,483 --> 00:57:12,986 I didn't know who was flying and who was standing still. 975 00:57:14,154 --> 00:57:16,724 I realized that we must be orbiting each other, 976 00:57:16,758 --> 00:57:19,060 tethered by the mutual gravity of our gaze. 977 00:57:34,009 --> 00:57:36,512 Alright guys, let's keep it rolling with policy. 978 00:57:38,548 --> 00:57:41,551 So let's talk about the purpose of the body camera program. 979 00:57:41,785 --> 00:57:43,520 There are four main points, 980 00:57:44,120 --> 00:57:45,120 four main points: 981 00:57:45,722 --> 00:57:46,890 Professionalism, 982 00:57:48,024 --> 00:57:49,125 transparency, 983 00:57:49,960 --> 00:57:51,062 evidence collection, 984 00:57:51,829 --> 00:57:52,897 and accountability. 985 00:57:52,930 --> 00:57:53,631 Right? 986 00:57:53,664 --> 00:57:54,498 Correct. 987 00:57:54,532 --> 00:57:56,701 When they talk about professionalism, 988 00:57:57,301 --> 00:57:58,301 what do they mean? 989 00:58:00,604 --> 00:58:01,848 It means the cameras are going to document 990 00:58:01,872 --> 00:58:02,908 all of our actions. 991 00:58:03,108 --> 00:58:04,108 Right? 992 00:58:04,710 --> 00:58:06,912 Actions can be reviewed by a supervisor. 993 00:58:06,945 --> 00:58:08,289 They can be reviewed by Internal... 994 00:58:08,313 --> 00:58:09,480 Listen up, guys. 995 00:58:13,251 --> 00:58:14,654 The point is to ensure that 996 00:58:14,687 --> 00:58:16,756 everyone is acting in a professional manner 997 00:58:17,223 --> 00:58:18,223 as always. 998 00:58:19,892 --> 00:58:20,892 Accountability. 999 00:58:21,661 --> 00:58:22,661 Definitely for us. 1000 00:58:23,129 --> 00:58:24,163 We wear the camera. 1001 00:58:24,664 --> 00:58:26,533 Right? Everything we do is on camera. 1002 00:58:28,068 --> 00:58:30,004 Everyone's actions are caught on camera though, 1003 00:58:30,037 --> 00:58:32,039 so not only is it accountability for us, 1004 00:58:32,940 --> 00:58:34,980 but it's accountability for those that we deal with. 1005 00:58:35,776 --> 00:58:36,776 Right? 1006 00:58:37,378 --> 00:58:38,780 Definitely. Definitely. 1007 00:58:40,015 --> 00:58:41,815 I'm going to show you guys an example of that. 1008 00:58:46,788 --> 00:58:47,788 Is this a shooting? 1009 00:58:48,056 --> 00:58:49,056 Yeah. 1010 00:58:49,224 --> 00:58:50,224 You wanna pause. 1011 00:59:00,836 --> 00:59:01,836 Good to go. 1012 00:59:15,787 --> 00:59:17,321 Alright. 1013 00:59:36,708 --> 00:59:37,708 No. 1014 00:59:42,816 --> 00:59:44,416 He just said drop something on Wilkerson? 1015 00:59:49,789 --> 00:59:51,125 Alright. 1016 00:59:51,158 --> 00:59:53,661 Why don't they show this so the public can see 1017 00:59:53,694 --> 00:59:55,129 what we film can be bull crap. 1018 00:59:59,233 --> 01:00:01,202 Internal... IDs should be watching this. 1019 01:00:01,235 --> 01:00:02,236 We show a lot of things. 1020 01:00:02,269 --> 01:00:03,705 And the ID has watched this. 1021 01:00:03,738 --> 01:00:05,807 - Well I hope they watch... - This individual... 1022 01:00:06,041 --> 01:00:07,075 after his arrest. 1023 01:00:07,275 --> 01:00:08,511 Well first, let's back up. 1024 01:00:08,544 --> 01:00:09,854 What do we have here? We have a foot pursuit, right? 1025 01:00:09,878 --> 01:00:11,113 Mhm. 1026 01:00:11,146 --> 01:00:13,026 And what happens at the end of the foot pursuit? 1027 01:00:14,116 --> 01:00:15,360 - He falls. - Who's watching? What happen... 1028 01:00:15,384 --> 01:00:16,563 What happened to this gentleman at the end of the video? 1029 01:00:16,587 --> 01:00:19,155 Let me tell you what happened to him. 1030 01:00:21,057 --> 01:00:22,792 I didn't like the fact that the way 1031 01:00:22,825 --> 01:00:24,727 he was pulling something out 1032 01:00:24,760 --> 01:00:25,761 from his waistband. 1033 01:00:25,795 --> 01:00:26,955 He knew it was just his phone. 1034 01:00:27,064 --> 01:00:28,732 Yeah. 1035 01:00:28,765 --> 01:00:30,343 - The recording... - Well yeah, you know what... 1036 01:00:30,367 --> 01:00:31,335 You see him reaching all over the place. 1037 01:00:31,368 --> 01:00:32,469 Yeah, that there. 1038 01:00:32,503 --> 01:00:33,203 Even before all that, what happened? 1039 01:00:33,237 --> 01:00:34,171 What happened right here? 1040 01:00:34,204 --> 01:00:36,173 It looked like he needed to head... 1041 01:00:36,206 --> 01:00:37,274 - He fell. - He f... 1042 01:00:37,307 --> 01:00:38,776 Well, we get the sound... 1043 01:00:38,810 --> 01:00:39,810 He's tripping. 1044 01:00:39,978 --> 01:00:40,978 He's falling right now. 1045 01:00:41,880 --> 01:00:42,548 - Oh he's falling. - His legs are giving out. 1046 01:00:42,581 --> 01:00:44,849 His legs are giving out. 1047 01:00:44,883 --> 01:00:46,227 We thought he was gonna bob and wve 1048 01:00:46,251 --> 01:00:47,952 inbetween some parked cars and you know, 1049 01:00:48,186 --> 01:00:49,354 It didn't work out. 1050 01:00:49,387 --> 01:00:50,356 He just got the cell phone out 1051 01:00:50,389 --> 01:00:52,358 so he could manipulate the situation. 1052 01:00:52,825 --> 01:00:54,736 - Right, that's what I... - He's trying to record 1053 01:00:54,760 --> 01:00:56,328 the officer. What's he gonna do? 1054 01:00:56,829 --> 01:00:58,073 But that's something sticky though, 1055 01:00:58,097 --> 01:01:00,166 it look like him reaching for something like... 1056 01:01:02,234 --> 01:01:04,337 - Right. - So he could have a gun... 1057 01:01:04,804 --> 01:01:05,939 I've seen it. 1058 01:01:06,273 --> 01:01:07,340 Right. 1059 01:01:07,874 --> 01:01:08,874 So, 1060 01:01:08,942 --> 01:01:10,143 his legs give out. 1061 01:01:10,177 --> 01:01:11,978 He runs to the back of the pickup truck. 1062 01:01:12,012 --> 01:01:13,079 He falls down. 1063 01:01:13,446 --> 01:01:15,283 And he immediately starts yelling what? 1064 01:01:15,316 --> 01:01:16,817 You hit me! 1065 01:01:16,851 --> 01:01:17,919 They hit me. 1066 01:01:19,820 --> 01:01:21,088 Record. 1067 01:01:21,122 --> 01:01:22,199 You dropped something on Wilkerson. 1068 01:01:22,223 --> 01:01:24,725 Who's he... who's he saying record to? Us? 1069 01:01:24,759 --> 01:01:26,461 His homeboys! 1070 01:01:26,495 --> 01:01:27,362 He say he dropped the drugs 1071 01:01:27,396 --> 01:01:28,396 on Wilkerson. 1072 01:01:30,299 --> 01:01:32,034 He dropped the drugs on Wilkerson. 1073 01:01:32,067 --> 01:01:33,068 So was there... 1074 01:01:34,036 --> 01:01:36,038 was there any unreasonable force used there? 1075 01:01:36,071 --> 01:01:37,248 - Was there really any force. - No! 1076 01:01:37,272 --> 01:01:37,640 - Used there at all? - No. 1077 01:01:37,674 --> 01:01:38,975 No. 1078 01:01:39,008 --> 01:01:42,178 And this video immediately exonerated those officers. 1079 01:01:42,212 --> 01:01:43,446 You know, no wrongdoing. 1080 01:01:43,479 --> 01:01:44,479 It was very apparent. 1081 01:01:45,248 --> 01:01:46,849 Shows what actions each side takes. 1082 01:01:47,317 --> 01:01:48,384 That includes us 1083 01:01:48,985 --> 01:01:49,985 and them. 1084 01:01:50,254 --> 01:01:51,298 Everyone else that we deal with, 1085 01:01:51,322 --> 01:01:53,791 anyone who's not the police wearing the camera, 1086 01:01:53,824 --> 01:01:54,225 shows what actions 1087 01:01:54,258 --> 01:01:55,492 they took. 1088 01:01:55,527 --> 01:01:58,262 And then it shows subsequently what action we took 1089 01:01:58,896 --> 01:01:59,964 in response to it. 1090 01:02:01,065 --> 01:02:02,065 So, 1091 01:02:02,234 --> 01:02:03,935 cameras don't take sides. 1092 01:02:03,969 --> 01:02:04,969 Just remember that. 1093 01:02:05,203 --> 01:02:06,371 They're the all-seeing eye 1094 01:02:06,404 --> 01:02:08,164 and just going to remember whatever they see, 1095 01:02:09,274 --> 01:02:11,594 and they're going to play it back for everyone else to see. 1096 01:03:59,594 --> 01:04:00,594 You hear that sound? 1097 01:04:01,395 --> 01:04:02,665 That's the sound 1098 01:04:02,698 --> 01:04:03,932 of a business. 1099 01:04:03,965 --> 01:04:06,067 That's the sound of success. 1100 01:04:06,434 --> 01:04:08,002 That's the sound of an economy. 1101 01:04:08,303 --> 01:04:09,104 And 1102 01:04:09,137 --> 01:04:11,239 I don't think people quite realize 1103 01:04:11,272 --> 01:04:13,041 the economic engine 1104 01:04:13,074 --> 01:04:14,611 companies like this make 1105 01:04:15,077 --> 01:04:16,613 for the success of a country. 1106 01:04:17,179 --> 01:04:18,682 All these pieces of equipment, 1107 01:04:18,715 --> 01:04:20,626 you're not gonna find this anywhere else in the world. 1108 01:04:20,650 --> 01:04:21,650 This is it. 1109 01:04:21,951 --> 01:04:23,386 No one else makes this, this, 1110 01:04:23,419 --> 01:04:25,054 this, all put together like this. 1111 01:04:25,087 --> 01:04:27,090 You just feel the ticking sound 1112 01:04:27,290 --> 01:04:28,258 of production, 1113 01:04:28,291 --> 01:04:29,326 and that's being taxed. 1114 01:04:29,660 --> 01:04:30,994 That's paying for tanks. 1115 01:04:31,027 --> 01:04:32,105 It's paying for social security. 1116 01:04:32,129 --> 01:04:33,409 It's paying for everything here. 1117 01:04:34,164 --> 01:04:36,466 Even this piece of mylar is taxed. 1118 01:04:37,635 --> 01:04:39,437 The smallest little thing here, 1119 01:04:39,470 --> 01:04:41,339 from the wire to the tools, 1120 01:04:41,372 --> 01:04:43,575 all of this is part of this economic engine here. 1121 01:04:44,008 --> 01:04:44,810 And to see 1122 01:04:44,843 --> 01:04:46,411 a piece of equipment in the airport 1123 01:04:46,444 --> 01:04:48,680 on the officer's belt, from the camera to the weapon, 1124 01:04:49,447 --> 01:04:50,416 you know where it came from. 1125 01:04:50,449 --> 01:04:51,627 You know someone like her made it. 1126 01:04:51,651 --> 01:04:52,284 And that's 1127 01:04:52,652 --> 01:04:54,186 pretty exciting here to me. 1128 01:04:57,189 --> 01:04:58,357 I love this sound. 1129 01:04:58,390 --> 01:04:59,390 Dat. Dat. 1130 01:05:00,058 --> 01:05:01,427 That's an amazing sound to me. 1131 01:05:01,761 --> 01:05:02,761 It really is. 1132 01:07:19,476 --> 01:07:20,579 Okay, and cut. 1133 01:07:21,312 --> 01:07:22,881 Woo! I think that was it. 1134 01:07:22,914 --> 01:07:25,349 - We've done it! - Great job guys. 1135 01:07:25,382 --> 01:07:26,382 Oh my God. 1136 01:07:27,820 --> 01:07:29,789 Uh, okay, are we done with these... 1137 01:07:29,822 --> 01:07:31,657 are we done with the special effects? 1138 01:07:31,691 --> 01:07:33,659 We are done with the special effects. 1139 01:07:48,642 --> 01:07:49,710 We don't want immigration. 1140 01:07:49,743 --> 01:07:52,479 What? We want the... what? Fair in power. 1141 01:07:52,714 --> 01:07:54,190 So when you leave here with your documentary, 1142 01:07:54,214 --> 01:07:55,415 Right? 1143 01:07:55,449 --> 01:07:57,217 Oh no, no, this isn't a documentary. 1144 01:07:57,250 --> 01:07:58,562 Whatever, whatever, whatever it is. 1145 01:07:58,586 --> 01:08:00,320 - This is... - Whatever it is, sir. 1146 01:08:00,688 --> 01:08:02,290 And they're filming without permission? 1147 01:08:02,490 --> 01:08:03,424 I think you outta say, brother, you're on. 1148 01:08:03,458 --> 01:08:04,359 You're hot. 1149 01:08:04,392 --> 01:08:05,804 You gotta say that means, "The light is on. 1150 01:08:05,828 --> 01:08:06,394 We're recording you 1151 01:08:06,427 --> 01:08:07,696 without your permission", 1152 01:08:07,730 --> 01:08:10,331 and if you are going to print it 1153 01:08:10,365 --> 01:08:11,910 without my permission and my signed affadavit, 1154 01:08:11,934 --> 01:08:12,935 I will sue you as I sued 1155 01:08:12,968 --> 01:08:14,346 the University of Baltimore Medical system, 1156 01:08:14,370 --> 01:08:15,370 and shut 'em down. 1157 01:08:15,471 --> 01:08:16,471 That was me. 1158 01:08:16,706 --> 01:08:17,272 I'm just saying. 1159 01:08:17,306 --> 01:08:18,440 As we come in here 1160 01:08:18,474 --> 01:08:20,514 and have the beautiful, beloved community happy talk 1161 01:08:20,644 --> 01:08:21,911 which will we need? 1162 01:08:21,945 --> 01:08:24,446 What we need is the truth about this neighborhood. 1163 01:08:24,681 --> 01:08:26,483 These people take care of this community. 1164 01:08:26,516 --> 01:08:27,828 They want honesty in this community. 1165 01:08:27,852 --> 01:08:29,185 But what they don't want 1166 01:08:29,219 --> 01:08:31,354 is to be pimped again by anybody. 1167 01:08:31,388 --> 01:08:32,388 I doubt it. 1168 01:08:32,455 --> 01:08:33,734 I doubt it. I don't bring pimps. 1169 01:08:33,758 --> 01:08:35,026 I bring solutions. 1170 01:08:35,059 --> 01:08:36,469 - I'm not talking to you! - I'm talking to this man. 1171 01:08:36,493 --> 01:08:37,094 But he's ordered... 1172 01:08:37,128 --> 01:08:38,496 And that's fair. 1173 01:08:38,529 --> 01:08:40,808 And because you're here, that means they're more credible. 1174 01:08:40,832 --> 01:08:41,499 So, 1175 01:08:41,532 --> 01:08:42,400 I'm gonna take a little walk. 1176 01:08:42,433 --> 01:08:43,135 We got a little weed. And I'll be back. 1177 01:08:43,167 --> 01:08:44,002 You're gonna be... 1178 01:08:44,036 --> 01:08:44,703 - I'll come back. - You'll come back? 1179 01:08:44,736 --> 01:08:47,338 - You sure? - I'm coming back. 1180 01:08:47,371 --> 01:08:48,305 - Ion't just walk. - Yeah, but... 1181 01:08:48,339 --> 01:08:48,874 - Alright. - ...talking about. 1182 01:08:48,907 --> 01:08:49,907 Gotcha. 1183 01:08:50,777 --> 01:08:51,787 And you can use whatever you wanna use! 1184 01:08:51,811 --> 01:08:53,579 My mom might like to see me on TV. 1185 01:08:55,414 --> 01:08:56,424 He definitely know what he talking about. 1186 01:08:56,448 --> 01:08:57,559 Yeah, we're definitely gonna be talking about... 1187 01:08:57,583 --> 01:08:58,685 There's no doubt about it. 1188 01:08:58,718 --> 01:09:00,687 Give him both. He's angry passionately. 1189 01:09:00,720 --> 01:09:01,319 He's spitting facts. 1190 01:09:01,353 --> 01:09:02,422 Yeah, he's spitting facts. 1191 01:09:02,455 --> 01:09:03,499 Right? 'Cause some people like... 1192 01:09:03,523 --> 01:09:04,223 the first thing that gentleman said, 1193 01:09:04,257 --> 01:09:06,459 and I'm not knocking him, 1194 01:09:06,492 --> 01:09:08,372 is that he starts looking for color in the room. 1195 01:09:09,863 --> 01:09:12,398 Why isn't the cameraman African American or Black, right? 1196 01:09:12,766 --> 01:09:14,444 I understand that, and you know what's funny, 1197 01:09:14,468 --> 01:09:15,804 I have a bunch of younger cousins 1198 01:09:15,837 --> 01:09:17,438 who are in this industry. 1199 01:09:17,739 --> 01:09:18,773 They're in this industry, 1200 01:09:18,807 --> 01:09:20,507 and one of the things is, my cousin, 1201 01:09:20,541 --> 01:09:21,552 I had a conversation with him. 1202 01:09:21,576 --> 01:09:22,653 I said, "Yo, you need to train me 1203 01:09:22,677 --> 01:09:24,946 about audio and visual, and things of that nature. 1204 01:09:25,412 --> 01:09:26,692 Because I want to know about it." 1205 01:09:27,983 --> 01:09:29,695 The dude that's in front of the camera, that's acting, 1206 01:09:29,719 --> 01:09:30,953 that's not the money maker. 1207 01:09:30,986 --> 01:09:32,988 It's the dude behind the camera Behind the camera. 1208 01:09:33,022 --> 01:09:33,889 So I think that 1209 01:09:33,923 --> 01:09:35,858 what we have to... and I say that to say, 1210 01:09:35,891 --> 01:09:36,692 we gotta come... 1211 01:09:36,726 --> 01:09:37,828 we gotta play the... 1212 01:09:38,929 --> 01:09:39,896 be behind the scenes to get in front of the scenes. 1213 01:09:39,930 --> 01:09:41,430 - Mhm. - I wanna, I wanna... 1214 01:09:41,464 --> 01:09:43,299 I wanna start because 1215 01:09:43,332 --> 01:09:45,401 some people gotta leave real quick. 1216 01:09:45,434 --> 01:09:46,502 Some local feedback. 1217 01:09:46,535 --> 01:09:47,503 That's why I'll be here. 1218 01:09:47,536 --> 01:09:48,939 To get the feedback. 1219 01:09:48,972 --> 01:09:50,942 They're here to document the feedback. 1220 01:09:51,809 --> 01:09:54,511 So, I thank all of y'all for coming. 1221 01:09:55,012 --> 01:09:57,447 I have asked Ross to come 1222 01:09:57,481 --> 01:09:59,784 and give a brief presentation 1223 01:09:59,984 --> 01:10:01,586 to you wonderful men 1224 01:10:01,619 --> 01:10:04,522 that I know that will take this and spread it. 1225 01:10:05,490 --> 01:10:06,024 Okay. 1226 01:10:06,058 --> 01:10:07,960 So, this is Ross McNutt. 1227 01:10:07,993 --> 01:10:09,595 This is... This is his, uh, 1228 01:10:09,628 --> 01:10:11,395 show. Knock em out. 1229 01:10:11,429 --> 01:10:12,598 Thank you Archie. 1230 01:10:15,367 --> 01:10:16,970 I really appreciate you guys coming. 1231 01:10:17,003 --> 01:10:18,671 We come to talk with you, 1232 01:10:20,073 --> 01:10:22,350 and to share with you a little bit about what we're doing. 1233 01:10:22,374 --> 01:10:23,843 The Community Support Program 1234 01:10:23,877 --> 01:10:25,612 is a service that we provide. 1235 01:10:26,080 --> 01:10:28,348 It's built out of a system that we built... 1236 01:10:28,616 --> 01:10:30,818 Actually we used it in Iraq and Afghanistan 1237 01:10:31,417 --> 01:10:33,821 to support the IEDs and the U.S. troops there. 1238 01:10:34,521 --> 01:10:35,990 The outputs of our major... 1239 01:10:36,023 --> 01:10:37,726 of our investigations 1240 01:10:37,759 --> 01:10:39,761 is a briefing that says what happened. 1241 01:10:40,427 --> 01:10:41,596 Who was there? 1242 01:10:41,630 --> 01:10:43,665 Where'd they come from? Where'd they go to? 1243 01:10:44,099 --> 01:10:46,668 And providing that information to law enforcement, 1244 01:10:46,701 --> 01:10:48,603 and also, to public defenders, 1245 01:10:48,637 --> 01:10:49,604 and defense attorneys, 1246 01:10:49,638 --> 01:10:51,574 so that the truth can come out. 1247 01:10:51,607 --> 01:10:53,609 We provide an unbiased witness 1248 01:10:53,876 --> 01:10:55,745 to police activity within the area. 1249 01:10:56,378 --> 01:10:57,488 What I want to do is show you what 1250 01:10:57,512 --> 01:10:59,481 wide-area motion imagery is. 1251 01:10:59,514 --> 01:11:01,383 If you've ever seen Google Earth, 1252 01:11:01,819 --> 01:11:04,087 what we do is a live version of Google Earth. 1253 01:11:05,823 --> 01:11:07,557 So this is your shooter right here. 1254 01:11:09,026 --> 01:11:11,762 And what we often do is look for changes in behavior 1255 01:11:11,795 --> 01:11:13,396 on the ground that would indicate 1256 01:11:13,429 --> 01:11:14,833 that a major event has occurred. 1257 01:11:20,171 --> 01:11:22,941 We're proposing to help use this technologies 1258 01:11:22,974 --> 01:11:24,909 and these systems to help the community. 1259 01:11:24,943 --> 01:11:26,779 How does that help the community when 1260 01:11:26,812 --> 01:11:29,547 it's a constant surveillance of the community? 1261 01:11:29,582 --> 01:11:31,382 Let me... Let me show you how this works. 1262 01:11:31,416 --> 01:11:32,383 And I'll answer that in just... 1263 01:11:32,417 --> 01:11:33,719 I kinda understood how it works 1264 01:11:33,752 --> 01:11:34,830 because there were instances... 1265 01:11:34,854 --> 01:11:35,754 But maybe somebody else doesn't. 1266 01:11:35,788 --> 01:11:38,592 But I... I have a few minutes, 1267 01:11:38,625 --> 01:11:40,694 I-I-I have a right to ask questions 1268 01:11:40,727 --> 01:11:43,029 so let me... allow me to ask questions, mam. 1269 01:11:43,063 --> 01:11:44,865 Because I'm a member of this community. 1270 01:11:44,898 --> 01:11:45,799 - And some of us. - Yes, but... 1271 01:11:45,832 --> 01:11:47,133 are foolishly 1272 01:11:47,167 --> 01:11:49,670 allow folks to tell us what they gonna do for us. 1273 01:11:50,037 --> 01:11:51,706 So, uh, 1274 01:11:52,840 --> 01:11:54,976 there were instances in Baltimore City 1275 01:11:55,009 --> 01:11:57,578 when that same technology was used 1276 01:11:57,612 --> 01:12:00,581 to, pretty much, without the consent 1277 01:12:00,781 --> 01:12:02,017 of the Mayor's office, 1278 01:12:02,050 --> 01:12:03,018 and other folks, 1279 01:12:03,051 --> 01:12:05,486 and they were being in operation for almost 1280 01:12:05,519 --> 01:12:07,455 two... three, four, five months. 1281 01:12:07,488 --> 01:12:08,566 And I think... I believe that's the same operation. 1282 01:12:08,590 --> 01:12:09,825 Yes. 1283 01:12:09,858 --> 01:12:13,796 And so, that operation was paid for by a private individual. 1284 01:12:14,063 --> 01:12:14,931 And I will tell you 1285 01:12:14,964 --> 01:12:17,066 - that we fought very hard. - Mhm. 1286 01:12:17,100 --> 01:12:18,801 And we were told we weren't allowed 1287 01:12:19,002 --> 01:12:20,103 to let people know. 1288 01:12:20,136 --> 01:12:22,138 We're... we've been asked by the community 1289 01:12:22,171 --> 01:12:24,173 to come in and brief the community 1290 01:12:24,641 --> 01:12:25,910 and this will only go forward 1291 01:12:25,943 --> 01:12:28,212 if the community believes that it's acceptable. 1292 01:12:28,245 --> 01:12:30,648 But if, if the information 1293 01:12:30,681 --> 01:12:33,050 that is being provided to the community 1294 01:12:33,651 --> 01:12:35,719 is not the full scope of the information, 1295 01:12:35,753 --> 01:12:38,555 how can the community give full consent? 1296 01:12:38,590 --> 01:12:40,659 And how can the consent be deemed to be accurate 1297 01:12:40,692 --> 01:12:43,494 when all the information is not really 1298 01:12:43,695 --> 01:12:45,496 the whole objective of this 1299 01:12:45,529 --> 01:12:47,032 of that... uh... 1300 01:12:47,564 --> 01:12:48,166 program. 1301 01:12:48,199 --> 01:12:49,234 We are here 1302 01:12:49,267 --> 01:12:50,870 presenting that information. 1303 01:12:50,903 --> 01:12:52,104 That's always been the case. 1304 01:12:52,138 --> 01:12:53,505 But in reality, 1305 01:12:53,538 --> 01:12:54,607 we know that 1306 01:12:54,640 --> 01:12:55,975 this type of information, 1307 01:12:56,008 --> 01:12:57,877 the end result has never been 1308 01:12:57,910 --> 01:12:59,679 what this city would have been 1309 01:12:59,712 --> 01:13:01,047 in the first place. 1310 01:13:01,080 --> 01:13:02,683 We use crime 1311 01:13:03,083 --> 01:13:04,084 as a bait. 1312 01:13:05,018 --> 01:13:06,620 Because we know people are very emotional 1313 01:13:06,887 --> 01:13:09,056 especially when we say we want to solve crime. 1314 01:13:09,890 --> 01:13:13,492 But if the intention is to solve crime, 1315 01:13:13,861 --> 01:13:16,864 why allow a private entity 1316 01:13:17,131 --> 01:13:20,601 to have control of such huge 1317 01:13:20,635 --> 01:13:22,170 type of devices 1318 01:13:22,203 --> 01:13:24,605 when it involves citizens? 1319 01:13:24,639 --> 01:13:26,842 And it's almost like the private entity 1320 01:13:26,875 --> 01:13:28,610 - I think... - is replacing the state 1321 01:13:28,644 --> 01:13:30,212 and doing the work of the state. 1322 01:13:30,245 --> 01:13:32,614 And that to me is unconstitutional. 1323 01:13:32,915 --> 01:13:34,016 But I don't have much time. 1324 01:13:34,049 --> 01:13:35,184 I have another meeting. 1325 01:13:35,217 --> 01:13:37,052 But folks please. Be mindful 1326 01:13:37,086 --> 01:13:39,789 of what you allow folks to come in our community to do. 1327 01:13:40,056 --> 01:13:42,892 Consent is not always given freely. 1328 01:13:42,926 --> 01:13:43,492 Thank you for coming. 1329 01:13:43,525 --> 01:13:44,928 Yes, Archie. 1330 01:13:46,262 --> 01:13:47,773 Archie, do you want to address any of that? 1331 01:13:47,797 --> 01:13:48,865 I'll deal with that. 1332 01:13:48,898 --> 01:13:50,601 - Okay. - Can I address it? 1333 01:13:50,634 --> 01:13:52,103 - Sure! - Can I address it? 1334 01:13:52,803 --> 01:13:55,840 Okay, the reason why I said, it... it... 1335 01:13:55,873 --> 01:13:57,842 it's not that, um, 1336 01:13:58,309 --> 01:13:59,542 it's consent, 1337 01:13:59,944 --> 01:14:01,580 it is, um, 1338 01:14:03,582 --> 01:14:06,918 it is the fact that when we go to the store, 1339 01:14:07,285 --> 01:14:09,087 we are under surveillance. 1340 01:14:09,621 --> 01:14:10,989 When we walk in the bank, 1341 01:14:11,223 --> 01:14:12,891 we are under surveillance. 1342 01:14:13,158 --> 01:14:15,862 When you walk in the Baltimore City Public Schools, 1343 01:14:15,895 --> 01:14:17,562 we are under surveillance. 1344 01:14:17,864 --> 01:14:19,966 When you walk into the hospital, 1345 01:14:19,999 --> 01:14:21,868 you are under surveillance. 1346 01:14:22,235 --> 01:14:25,672 You go down to the inner harbor area. 1347 01:14:25,706 --> 01:14:27,875 - Trust me. - We are under surveillance. 1348 01:14:27,908 --> 01:14:28,776 You are under surveillance. 1349 01:14:28,809 --> 01:14:30,377 - Right. - Mhm. 1350 01:14:30,411 --> 01:14:33,180 Most of the crimes happen on the streets of Baltimore 1351 01:14:33,213 --> 01:14:34,782 in broad daylight. 1352 01:14:35,349 --> 01:14:37,217 During daytime hours 1353 01:14:37,986 --> 01:14:39,654 when the deterrents 1354 01:14:39,921 --> 01:14:42,657 are in the hospitals and in the- 1355 01:14:42,690 --> 01:14:45,126 in the banks, and they still rob. 1356 01:14:46,294 --> 01:14:47,862 Your premise is that 1357 01:14:47,896 --> 01:14:49,598 if I am under surveillance 1358 01:14:49,632 --> 01:14:52,368 then I must open myself to be much more under surveillance, 1359 01:14:52,401 --> 01:14:54,103 I think that's a false premise. 1360 01:14:54,136 --> 01:14:56,038 Because consent... 1361 01:14:56,072 --> 01:14:58,074 This is... This is the difference. 1362 01:14:58,107 --> 01:14:59,141 I was born in Haiti. 1363 01:14:59,675 --> 01:15:00,609 Right? 1364 01:15:00,643 --> 01:15:02,379 This is the difference between this country 1365 01:15:02,412 --> 01:15:03,780 and other countries in the world. 1366 01:15:03,814 --> 01:15:05,094 This is why I love this country. 1367 01:15:05,882 --> 01:15:07,617 It's the fact that 1368 01:15:08,318 --> 01:15:10,120 one has to be consented, 1369 01:15:10,954 --> 01:15:12,856 and that consent has to be understood. 1370 01:15:12,889 --> 01:15:14,792 Why am I giving my consent? 1371 01:15:15,726 --> 01:15:18,029 There's a... We have used a lot of excuses 1372 01:15:18,062 --> 01:15:20,798 to deprive people of their privacy right? 1373 01:15:20,832 --> 01:15:22,266 And their individual right. 1374 01:15:22,834 --> 01:15:26,004 You always come under the false pretense of crime. 1375 01:15:26,038 --> 01:15:28,107 If we want to solve crime in Baltimore City, 1376 01:15:28,140 --> 01:15:29,808 we can easily solve the crime. 1377 01:15:29,842 --> 01:15:33,712 I mean, we could follow the routes of those individuals. 1378 01:15:33,745 --> 01:15:36,415 We know most of the individuals that are operating on the street 1379 01:15:36,448 --> 01:15:38,408 and out there doing the things that they're doing. 1380 01:15:38,751 --> 01:15:41,121 But to tell me that 1381 01:15:41,154 --> 01:15:42,655 in order to solve crime, 1382 01:15:42,689 --> 01:15:44,924 I'm going to give up all my rights 1383 01:15:45,959 --> 01:15:47,293 so that crimes can be solved, 1384 01:15:47,327 --> 01:15:48,428 That's a false premise. 1385 01:15:48,461 --> 01:15:49,497 That's a false hope. 1386 01:15:49,530 --> 01:15:51,866 And that's what you're asking these folks to do. 1387 01:15:51,899 --> 01:15:53,367 Because we know... No! 1388 01:15:53,400 --> 01:15:55,970 Most of us don't even know where these cameras are located. 1389 01:15:56,937 --> 01:15:57,905 That's not true. 1390 01:15:57,938 --> 01:15:59,106 Okay, listen. 1391 01:15:59,140 --> 01:16:00,908 Alright, listen. Let's... let's... 1392 01:16:00,941 --> 01:16:02,110 And-and first of all, 1393 01:16:02,144 --> 01:16:02,878 W-wait, wait, wait. 1394 01:16:02,911 --> 01:16:04,112 You have cameras in here 1395 01:16:04,146 --> 01:16:07,382 that most people did not give their consent to be filmed. 1396 01:16:07,415 --> 01:16:08,283 I understand. 1397 01:16:08,316 --> 01:16:10,819 You see, also that's another violation. 1398 01:16:10,852 --> 01:16:12,888 - You cannot come.. - I know, I know. 1399 01:16:12,921 --> 01:16:13,999 - You cannot come... - everything that you're saying. 1400 01:16:14,023 --> 01:16:15,858 You do not come in the community. 1401 01:16:15,892 --> 01:16:18,027 You cannot come in the community. 1402 01:16:18,060 --> 01:16:19,395 You cannot come in the community 1403 01:16:19,428 --> 01:16:20,663 filming people! 1404 01:16:20,696 --> 01:16:23,900 Because I do not know what's the use and the purpose of this 1405 01:16:23,933 --> 01:16:26,103 - power in government. - Listen, let... listen. 1406 01:16:28,272 --> 01:16:29,740 The truth is. 1407 01:16:29,773 --> 01:16:30,841 - What truth? - Is that... 1408 01:16:30,874 --> 01:16:31,808 - What truth? - The truth is... 1409 01:16:31,842 --> 01:16:33,210 What truth? The truth. 1410 01:16:35,078 --> 01:16:37,715 That's the difference... 1411 01:16:37,749 --> 01:16:38,883 ...come in, combative. 1412 01:16:38,917 --> 01:16:40,118 - Yes! - It's not combative. 1413 01:16:40,151 --> 01:16:41,286 It's not combative! 1414 01:16:41,319 --> 01:16:42,621 No, it's not combative! 1415 01:16:42,655 --> 01:16:44,131 We let you speak. Why don't you let him speak? 1416 01:16:44,155 --> 01:16:45,423 It's not combative! 1417 01:16:45,456 --> 01:16:46,791 I've listened to you talk! 1418 01:16:46,824 --> 01:16:48,326 I've listened to you talk! 1419 01:16:48,359 --> 01:16:50,029 I'm trying to bring out a point! 1420 01:16:52,364 --> 01:16:54,433 ...that what I'm saying is complex! 1421 01:16:54,466 --> 01:16:56,402 It's not complex. It's simple. 1422 01:16:57,036 --> 01:16:59,205 How many murders are there in this town? 1423 01:17:00,272 --> 01:17:02,943 How many murders are in this town? 1424 01:17:03,343 --> 01:17:05,145 And you don't want to answer that! 1425 01:17:05,178 --> 01:17:07,847 If you answer, how many murders 1426 01:17:07,881 --> 01:17:09,282 there are in this city, 1427 01:17:09,316 --> 01:17:11,151 then you oughta be willing. 1428 01:17:11,184 --> 01:17:12,252 Let him, let him, let him. 1429 01:17:12,285 --> 01:17:14,055 Then you oughta be willing 1430 01:17:14,088 --> 01:17:17,225 to apply something that would curve it! 1431 01:17:17,258 --> 01:17:18,793 He's here, he's here. 1432 01:17:18,826 --> 01:17:19,860 No, he's not here! 1433 01:17:19,894 --> 01:17:20,561 He is here! He is here. 1434 01:17:20,596 --> 01:17:21,562 Where am I? 1435 01:17:21,597 --> 01:17:23,164 You see first of all, 1436 01:17:23,197 --> 01:17:25,467 I'm a pastor in this community. 1437 01:17:25,500 --> 01:17:26,435 What are you doing? 1438 01:17:26,468 --> 01:17:27,936 I'm a pastor here! 1439 01:17:27,970 --> 01:17:29,104 What are you doing? 1440 01:17:30,372 --> 01:17:32,441 I'm trying to tell you now... 1441 01:17:32,474 --> 01:17:35,844 - Tell him to come back... - That your boys up there on... 1442 01:18:03,275 --> 01:18:05,777 The aerial perspective looks down at the world. 1443 01:18:07,279 --> 01:18:09,514 Objects and people are rendered as pixels, 1444 01:18:10,181 --> 01:18:12,417 flattened into a two-dimensional plane. 1445 01:18:13,853 --> 01:18:15,221 Through the flattening of space, 1446 01:18:15,488 --> 01:18:17,123 a new dimension emerges. 1447 01:18:18,524 --> 01:18:21,460 The vertical axis becomes a literal projection of power. 1448 01:18:23,229 --> 01:18:24,530 The world is down there, 1449 01:18:25,332 --> 01:18:26,900 the camera up here. 1450 01:18:29,269 --> 01:18:31,538 The viewer is supposed to look down with the camera, 1451 01:18:32,439 --> 01:18:34,274 not to look at the camera itself. 1452 01:18:36,376 --> 01:18:38,479 Where seeing meets the seeing of the world, 1453 01:18:38,980 --> 01:18:40,014 we are blind. 1454 01:18:42,083 --> 01:18:45,086 It is in this blind spot that power sets its agenda. 1455 01:18:49,291 --> 01:18:52,294 This eye does not see into the tall buildings downtown. 1456 01:18:55,564 --> 01:18:58,567 The green trees of suburban areas block our view. 1457 01:19:01,471 --> 01:19:03,440 This eye is made to look for crime 1458 01:19:03,473 --> 01:19:05,375 in historically high-crime areas, 1459 01:19:06,176 --> 01:19:09,479 and so it will see crime in historically high-crime areas. 1460 01:19:12,182 --> 01:19:13,183 This eye sees, 1461 01:19:13,517 --> 01:19:14,885 an arrest is made. 1462 01:19:15,453 --> 01:19:17,421 The eye trains its sights again. 1463 01:19:20,391 --> 01:19:21,626 Sometimes, 1464 01:19:22,960 --> 01:19:24,960 the plane's body pokes in at the edge of the frame. 1465 01:19:28,133 --> 01:19:30,902 Pixels disappear between the seams of the image. 1466 01:19:33,305 --> 01:19:36,308 With them, bodies disappear too. 1467 01:19:38,945 --> 01:19:40,681 We are reminded that someone, 1468 01:19:40,714 --> 01:19:41,914 somewhere, 1469 01:19:41,948 --> 01:19:43,583 is putting this world together. 1470 01:19:55,630 --> 01:19:57,632 An act of seeing is always an act. 1471 01:20:00,635 --> 01:20:02,470 An intervention into the world. 1472 01:20:05,741 --> 01:20:07,175 We do not see the world. 1473 01:20:08,410 --> 01:20:10,011 We see this intervention. 1474 01:20:28,999 --> 01:20:32,002 The frame excludes a world beyond its edges. 1475 01:20:33,603 --> 01:20:35,172 But if we look hard enough, 1476 01:20:35,505 --> 01:20:37,643 there's always an edge that creeps back in. 1477 01:21:22,490 --> 01:21:24,024 Alright, so, 1478 01:21:24,058 --> 01:21:26,194 - this is ready to go. - I'm gonna... 1479 01:21:27,195 --> 01:21:28,764 Red is recording right? 1480 01:21:28,798 --> 01:21:29,297 Yep. 1481 01:21:29,331 --> 01:21:30,465 Alright. 1482 01:21:30,499 --> 01:21:32,400 Do we wanna, just... 1483 01:21:34,737 --> 01:21:35,738 And action! 1484 01:21:36,438 --> 01:21:38,541 This is the Axon Network. 1485 01:21:43,279 --> 01:21:43,780 This 1486 01:21:44,180 --> 01:21:45,281 is the Axon. 1487 01:21:45,314 --> 01:21:46,783 Flex 2 Body Camera. 1488 01:21:52,489 --> 01:21:54,491 Axon Signal Sidearm Holster. 1489 01:21:59,664 --> 01:22:01,299 Axon Fleet 2 1490 01:22:01,332 --> 01:22:03,468 with SPPM on the Taser weapon. 1491 01:22:08,741 --> 01:22:09,808 Axon Air. 1492 01:22:12,845 --> 01:22:14,748 Axon Body 2 Camera. 1493 01:22:16,482 --> 01:22:18,685 When I draw this firearm out of the holster, 1494 01:22:18,718 --> 01:22:20,519 it will activate all the cameras. 1495 01:23:36,902 --> 01:23:39,906 A man poses as a criminal on a Bertillon card. 1496 01:23:41,240 --> 01:23:42,709 He is Francis Galton, 1497 01:23:42,743 --> 01:23:44,645 first cousin to Charles Darwin, 1498 01:23:45,211 --> 01:23:47,114 and a prominent English scientist. 1499 01:23:49,583 --> 01:23:52,185 Using a series of barometric recordings, 1500 01:23:52,519 --> 01:23:53,855 Galton compiled the first 1501 01:23:53,888 --> 01:23:55,622 comprehensive weather map of Europe, 1502 01:23:56,390 --> 01:23:58,592 showing how a series of interconnected data points 1503 01:23:58,626 --> 01:23:59,727 could be used to predict 1504 01:23:59,761 --> 01:24:02,163 the future behavior of complex systems. 1505 01:24:04,900 --> 01:24:07,201 Galton turned this attention from the weather 1506 01:24:07,402 --> 01:24:08,804 to the human subject. 1507 01:24:10,471 --> 01:24:12,240 In 1879, 1508 01:24:12,273 --> 01:24:15,411 Galton first presents his system of composite photography. 1509 01:24:17,312 --> 01:24:20,315 Galton organizes a collection of images by type. 1510 01:24:21,583 --> 01:24:22,583 Criminal. 1511 01:24:23,653 --> 01:24:24,821 Tubercular Patient. 1512 01:24:26,289 --> 01:24:27,323 Family likeness. 1513 01:24:28,558 --> 01:24:29,592 Scientist. 1514 01:24:31,561 --> 01:24:32,561 Jew. 1515 01:24:34,264 --> 01:24:37,268 The images are overlaid onto a single photographic plate, 1516 01:24:37,501 --> 01:24:39,403 forming a composite exposure. 1517 01:24:41,840 --> 01:24:43,441 Darker lines indicate regions 1518 01:24:43,474 --> 01:24:45,342 that align closely to the average. 1519 01:24:47,311 --> 01:24:49,682 Blur measures deviation from the average type. 1520 01:24:52,350 --> 01:24:53,351 The composite, 1521 01:24:53,385 --> 01:24:54,386 Galton believed, 1522 01:24:55,587 --> 01:24:56,555 reflected a greater truth about the subject 1523 01:24:56,588 --> 01:24:58,523 than their individual components. 1524 01:25:01,695 --> 01:25:02,695 Galton writes: 1525 01:25:03,030 --> 01:25:04,698 "All that is common remains, 1526 01:25:05,331 --> 01:25:07,634 all that is individual tends to disappear." 1527 01:25:10,971 --> 01:25:12,572 Like Marey's experiments, 1528 01:25:13,041 --> 01:25:14,809 these images claim to automatically 1529 01:25:14,843 --> 01:25:16,577 perform a mathematical function. 1530 01:25:18,512 --> 01:25:21,515 Galton called his system "pictorial statistics". 1531 01:25:23,785 --> 01:25:25,688 But a crucial innovation is proposed. 1532 01:25:28,090 --> 01:25:30,826 These images don't just represent a subject, 1533 01:25:31,559 --> 01:25:34,562 they predict what a subject in the future may look like. 1534 01:25:37,033 --> 01:25:38,033 "They represent." 1535 01:25:38,501 --> 01:25:39,501 Galton writes, 1536 01:25:39,602 --> 01:25:40,804 "not the criminal, 1537 01:25:40,837 --> 01:25:43,572 but the man who is liable to fall into crime." 1538 01:25:45,742 --> 01:25:46,943 As a scientist, 1539 01:25:48,211 --> 01:25:50,371 Galton hoped to uncover the natural order of the world. 1540 01:25:51,883 --> 01:25:52,884 But his methods actively 1541 01:25:52,917 --> 01:25:55,318 concealed this unnatural process. 1542 01:25:59,724 --> 01:26:01,526 For all the time that Galton spends 1543 01:26:01,559 --> 01:26:03,695 describing his photographic inventions, 1544 01:26:04,062 --> 01:26:07,465 he never describes how he decides what images to include. 1545 01:26:11,904 --> 01:26:14,339 The criminal composite does not reflect the person 1546 01:26:14,373 --> 01:26:16,009 who is liable to fall into crime, 1547 01:26:16,709 --> 01:26:19,478 but merely what Galton thinks a criminal looks like. 1548 01:26:25,986 --> 01:26:27,288 Galton would go on to apply this 1549 01:26:27,320 --> 01:26:30,925 pseudo-scientific reasoning to the new discipline of Eugenics, 1550 01:26:31,391 --> 01:26:34,094 a field which he is often considered the founder. 1551 01:26:39,868 --> 01:26:43,337 No criminal was ever caught using composite portraiture. 1552 01:26:44,139 --> 01:26:47,341 Though the images claim to show what a criminal may look like, 1553 01:26:47,709 --> 01:26:50,412 they are impossible to use for identification. 1554 01:26:52,815 --> 01:26:54,650 Not only are they blurry 1555 01:26:54,684 --> 01:26:57,854 but the people they depict don't actually exist. 1556 01:27:00,858 --> 01:27:01,858 And yet, 1557 01:27:02,893 --> 01:27:04,533 they have already been accused of a crime. 1558 01:27:09,166 --> 01:27:11,668 From what history does the future dream? 1559 01:28:11,867 --> 01:28:12,969 So we're zooming in 1560 01:28:13,002 --> 01:28:15,138 on, um, license plates that are clear enough, 1561 01:28:16,239 --> 01:28:19,242 and then drawing a tight bounding box 1562 01:28:19,275 --> 01:28:20,777 around the license plate 1563 01:28:21,144 --> 01:28:23,212 to show the Ai where it begins. 1564 01:28:24,013 --> 01:28:26,116 And then, if it has 1565 01:28:26,150 --> 01:28:27,685 legible letters in it, 1566 01:28:27,918 --> 01:28:29,019 then we'd add that in, 1567 01:28:29,053 --> 01:28:30,053 and the state. 1568 01:28:30,955 --> 01:28:32,355 And then it just goes on from there. 1569 01:28:39,064 --> 01:28:41,632 An Axon Body camera goes out into the world, 1570 01:28:41,666 --> 01:28:43,034 then records what it sees. 1571 01:28:44,836 --> 01:28:47,005 The image is stored on Axon servers, 1572 01:28:47,305 --> 01:28:49,041 where it gets used as evidence. 1573 01:28:51,210 --> 01:28:52,210 Images, 1574 01:28:52,544 --> 01:28:53,779 and the data they contain, 1575 01:28:54,180 --> 01:28:56,248 are Axon's most valuable product. 1576 01:28:59,318 --> 01:29:02,588 When a police department signs up with Evidence.com, 1577 01:29:02,923 --> 01:29:05,859 they have the option of allowing Axon to use their video 1578 01:29:05,892 --> 01:29:08,729 to train their next generation of software products. 1579 01:29:10,831 --> 01:29:11,932 If they opt in, 1580 01:29:13,301 --> 01:29:15,461 departmental footage is sent back to Axon headquarters, 1581 01:29:15,903 --> 01:29:17,637 where human analysts aid the machine 1582 01:29:17,672 --> 01:29:19,974 in detecting recurring patterns within the footage. 1583 01:29:21,709 --> 01:29:23,878 Recurring patterns may include faces, 1584 01:29:24,178 --> 01:29:25,214 license plates, 1585 01:29:25,714 --> 01:29:26,714 loud noises, 1586 01:29:26,949 --> 01:29:28,117 or sudden movement. 1587 01:29:30,152 --> 01:29:31,519 With enough videos, 1588 01:29:32,921 --> 01:29:35,124 Axon's software can begin to detect patterns on its own. 1589 01:29:36,893 --> 01:29:38,795 Once a recurring pattern is learned, 1590 01:29:39,129 --> 01:29:41,563 actions may be programmed based on that pattern. 1591 01:29:42,732 --> 01:29:45,135 Sample actions include detecting faces, 1592 01:29:45,869 --> 01:29:47,569 transcribing conversations, 1593 01:29:48,104 --> 01:29:49,707 calling reinforcements, 1594 01:29:49,740 --> 01:29:51,042 or looking up a license plate. 1595 01:29:56,781 --> 01:29:58,883 The bureaucratic labor of the police officer 1596 01:29:58,916 --> 01:30:01,253 is outsourced to Axon's automated system. 1597 01:30:04,389 --> 01:30:05,957 These promotional videos, 1598 01:30:06,358 --> 01:30:08,026 taken from Axon's website, 1599 01:30:08,626 --> 01:30:09,728 dramatize a process 1600 01:30:09,761 --> 01:30:11,963 that is typically invisible to the public. 1601 01:30:13,632 --> 01:30:16,269 But these images conceal more than they reveal. 1602 01:30:19,939 --> 01:30:21,674 The Axon Network is a process 1603 01:30:21,707 --> 01:30:23,709 that takes place within secure rooms, 1604 01:30:24,177 --> 01:30:25,611 on private servers, 1605 01:30:26,814 --> 01:30:29,083 enacted by code whose basic functions are kept secret 1606 01:30:29,116 --> 01:30:31,285 by intellectual property contracts. 1607 01:30:35,823 --> 01:30:38,860 It feels like watching a corporation dream out loud. 1608 01:30:42,430 --> 01:30:44,132 A seamless world where every tool 1609 01:30:44,165 --> 01:30:47,235 has met just the right situation for its intended use. 1610 01:30:57,079 --> 01:30:58,881 History converges on the present. 1611 01:31:02,953 --> 01:31:03,953 Weapon. 1612 01:31:05,989 --> 01:31:06,989 Eye. 1613 01:31:09,059 --> 01:31:10,059 Archive. 1614 01:31:13,264 --> 01:31:14,665 Interpretation. 1615 01:31:17,335 --> 01:31:18,335 Automation. 1616 01:31:25,144 --> 01:31:27,312 From what history does the future dream? 1617 01:31:45,398 --> 01:31:46,866 What I say to the conversation is... 1618 01:31:48,168 --> 01:31:50,137 What have you is you have data. 1619 01:31:50,171 --> 01:31:50,771 Right. 1620 01:31:50,804 --> 01:31:51,505 And, and, and... 1621 01:31:51,539 --> 01:31:52,573 It won't work. 1622 01:31:52,606 --> 01:31:54,108 - In my opinion, - It will not work. 1623 01:31:54,141 --> 01:31:55,743 Data can be manipulated. 1624 01:31:55,776 --> 01:31:57,016 It can be adjusted or whatever. 1625 01:31:58,045 --> 01:31:59,113 They commit crime. 1626 01:31:59,146 --> 01:32:00,147 You gotta put your feet... 1627 01:32:00,181 --> 01:32:02,017 Let's get that understood. 1628 01:32:02,050 --> 01:32:04,052 This is not the City, this is not... 1629 01:32:04,085 --> 01:32:05,463 This is not Baltimore Police Department. 1630 01:32:05,487 --> 01:32:06,154 Right? 1631 01:32:06,188 --> 01:32:08,390 This is a whole private entity 1632 01:32:08,423 --> 01:32:10,158 that wants to assist Baltimore. 1633 01:32:10,192 --> 01:32:11,259 That's it. 1634 01:32:11,793 --> 01:32:12,793 They just wanna help. 1635 01:32:13,095 --> 01:32:14,363 They wanna come to assist. 1636 01:32:14,397 --> 01:32:16,432 There's nobody else coming with no solutions. 1637 01:32:16,899 --> 01:32:18,501 There's nobody else coming with no... 1638 01:32:18,534 --> 01:32:20,036 no "let's get together". 1639 01:32:20,069 --> 01:32:21,237 There's nobody coming with... 1640 01:32:21,270 --> 01:32:22,305 ain't nothing! 1641 01:32:22,905 --> 01:32:24,373 Even your City Council don't have it. 1642 01:32:24,942 --> 01:32:25,876 I know. 1643 01:32:25,909 --> 01:32:27,277 We just left there yesterday. 1644 01:32:27,511 --> 01:32:29,213 There's no solutions on the table. 1645 01:32:29,246 --> 01:32:30,447 This is the solutions. 1646 01:32:30,480 --> 01:32:31,949 "Give them more jail time". 1647 01:32:32,249 --> 01:32:34,284 So if you want that, sign up for it then. 1648 01:32:34,318 --> 01:32:36,296 Are you saying the community will be able to use this? 1649 01:32:36,320 --> 01:32:37,320 Yes. 1650 01:32:37,822 --> 01:32:38,556 We can look on the internet and- 1651 01:32:38,590 --> 01:32:39,657 Well, no, the... it... 1652 01:32:39,692 --> 01:32:42,260 we still have lots of privacy policies, 1653 01:32:42,293 --> 01:32:44,229 but, you know, if you have justice, 1654 01:32:44,462 --> 01:32:45,930 because the system works, 1655 01:32:45,964 --> 01:32:46,798 I think 1656 01:32:46,831 --> 01:32:49,501 the crime will come down significantly. 1657 01:32:49,535 --> 01:32:51,837 The tier... the tier Let me stand up! 1658 01:32:52,137 --> 01:32:55,040 Of crime 'cause the person who wants to commit the crime 1659 01:32:55,074 --> 01:32:57,176 will figure out that somebody's- That's right. 1660 01:32:57,209 --> 01:32:58,286 - And that's actually... - That's it! 1661 01:32:58,310 --> 01:33:00,012 That is the biggest objective. 1662 01:33:00,045 --> 01:33:01,281 That's it! 1663 01:33:01,314 --> 01:33:02,949 That's all! 1664 01:33:02,983 --> 01:33:04,884 That right there. See what you just said. 1665 01:33:04,918 --> 01:33:06,119 That's it! 1666 01:33:06,152 --> 01:33:07,187 That's all! 1667 01:33:07,220 --> 01:33:08,822 This is all we asking for 1668 01:33:08,855 --> 01:33:10,023 is a deterent. 1669 01:33:10,056 --> 01:33:11,458 Take two hundred of you 1670 01:33:11,491 --> 01:33:13,327 and go fill sh... 1671 01:33:13,361 --> 01:33:14,428 Two hundred of you 1672 01:33:14,462 --> 01:33:16,497 and go out there and say, look, 1673 01:33:16,530 --> 01:33:17,465 'Cause I tell you 1674 01:33:17,498 --> 01:33:19,934 the moment I got whiff of it 1675 01:33:19,967 --> 01:33:22,536 he'll tell you, I was not only paranoid, 1676 01:33:22,570 --> 01:33:24,438 but I actually said, you know what? 1677 01:33:24,473 --> 01:33:26,475 We're not even ready to cross the street right now. 1678 01:33:27,442 --> 01:33:28,377 You understand? 1679 01:33:28,410 --> 01:33:30,245 Like these kids nowadays, 1680 01:33:30,279 --> 01:33:31,913 only thing you gotta tell 'em, "Hey, 1681 01:33:31,947 --> 01:33:34,082 God's eye... God's eye up there. 1682 01:33:35,017 --> 01:33:36,418 Better wa... Boy, be careful. 1683 01:33:36,452 --> 01:33:39,155 I, uh, beg to differ to a certain degree. 1684 01:33:39,188 --> 01:33:40,356 Let me tell you why. 1685 01:33:40,390 --> 01:33:42,358 And I was saying this, and she said it. 1686 01:33:42,592 --> 01:33:44,570 I've sat with young people, and I've talked with them. 1687 01:33:44,594 --> 01:33:46,529 I've asked a group of kids that was in a room. 1688 01:33:46,562 --> 01:33:47,664 Twenty kids in a room. 1689 01:33:47,698 --> 01:33:50,934 And I said, if you knew the consequences of the law, 1690 01:33:51,168 --> 01:33:52,236 would you break it? 1691 01:33:53,037 --> 01:33:54,038 Ten of them said yes. 1692 01:33:55,439 --> 01:33:57,384 They knew that they could get ten to fifteen years 1693 01:33:57,408 --> 01:33:58,942 to go to prison by selling drugs. 1694 01:33:58,976 --> 01:34:00,411 They said yes. You know why? 1695 01:34:00,445 --> 01:34:02,047 Because they trying to survive. 1696 01:34:02,347 --> 01:34:04,182 These kids don't care about no camera! 1697 01:34:04,215 --> 01:34:04,883 They don't care. 1698 01:34:04,916 --> 01:34:06,251 They know they being watched! 1699 01:34:06,284 --> 01:34:07,452 And it's in their area! 1700 01:34:07,485 --> 01:34:08,920 Those blue light cameras 1701 01:34:08,953 --> 01:34:10,255 are in urban areas. 1702 01:34:10,455 --> 01:34:11,856 Not in Mt. Washington. 1703 01:34:12,090 --> 01:34:13,192 It's not in Federal Hill. 1704 01:34:13,492 --> 01:34:15,027 They're in urban areas! 1705 01:34:15,061 --> 01:34:16,295 Yeah, I agree with that. 1706 01:34:17,530 --> 01:34:19,341 But I also know that one of the major factors in deterents 1707 01:34:19,365 --> 01:34:21,267 is the likelihood of getting caught. 1708 01:34:21,534 --> 01:34:23,102 They don't care about that though, sir! 1709 01:34:23,135 --> 01:34:24,255 It's video cameras... Listen! 1710 01:34:24,438 --> 01:34:25,539 Yo, 1711 01:34:25,572 --> 01:34:27,083 when the riots and all that stuff happened. 1712 01:34:27,107 --> 01:34:28,108 It wasn't him! 1713 01:34:28,141 --> 01:34:30,344 Listen, it don't make... it don't gotta be him! 1714 01:34:30,377 --> 01:34:32,846 If I know I'm being... See? There we go with the deterent. 1715 01:34:33,046 --> 01:34:34,481 If somebody's watching me, 1716 01:34:34,514 --> 01:34:36,049 I don't gotta know who it is. 1717 01:34:36,083 --> 01:34:38,319 I know it's somebody. So it should deter me, right? 1718 01:34:38,553 --> 01:34:39,554 It didn't deter. 1719 01:34:39,587 --> 01:34:41,255 We had 306 brothers going up. 1720 01:34:41,656 --> 01:34:43,958 So it ain't cameras that's gonna deter anything. 1721 01:34:43,991 --> 01:34:46,027 - It's mentality that's gonna... - Right. 1722 01:34:46,060 --> 01:34:48,530 We have to begin to change the mentality! 1723 01:34:48,564 --> 01:34:50,132 But not by being watched! 1724 01:34:50,165 --> 01:34:52,601 No, no, no that's just... that's not... 1725 01:34:52,634 --> 01:34:54,036 That's not just... 1726 01:34:54,069 --> 01:34:55,613 I think where we're getting off track here is 1727 01:34:55,637 --> 01:34:58,140 is that what you're saying is right. 1728 01:34:58,173 --> 01:34:59,575 What he's saying is right. 1729 01:34:59,608 --> 01:35:03,279 What we're... we're mixing apples and oranges here. 1730 01:35:03,313 --> 01:35:04,581 Imma correct myself. 1731 01:35:04,614 --> 01:35:05,248 Okay. 1732 01:35:05,281 --> 01:35:06,416 It's systematic. 1733 01:35:06,449 --> 01:35:07,617 The system has to change 1734 01:35:07,650 --> 01:35:09,228 for people to see growth and progression. 1735 01:35:09,252 --> 01:35:10,353 Exactly. 1736 01:35:10,387 --> 01:35:11,397 - May I say something? - Yes sir. 1737 01:35:11,421 --> 01:35:13,224 - Go ahead. - Listen. 1738 01:35:13,692 --> 01:35:14,625 This is 1739 01:35:14,658 --> 01:35:15,893 step number one. 1740 01:35:16,260 --> 01:35:17,528 And I'm asking you, 1741 01:35:18,028 --> 01:35:19,230 like I've asked everybody. 1742 01:35:19,263 --> 01:35:20,164 Mhm. 1743 01:35:20,197 --> 01:35:23,267 I said, if, if you wanna sell this program, 1744 01:35:23,667 --> 01:35:25,504 turn the camera around. 1745 01:35:27,205 --> 01:35:30,442 The community is not at all interested 1746 01:35:30,743 --> 01:35:32,611 in being surveilled. 1747 01:35:33,211 --> 01:35:34,379 I'm here to tell you. 1748 01:35:35,013 --> 01:35:36,314 You gotta understand. 1749 01:35:36,349 --> 01:35:38,618 Your perspective is different from mine. 1750 01:35:39,185 --> 01:35:40,665 There are different perspectives here. 1751 01:35:41,421 --> 01:35:43,523 We gotta see it from their standpoint. 1752 01:35:44,657 --> 01:35:46,025 But what are you looking at? 1753 01:35:46,058 --> 01:35:47,160 How do you feel? 1754 01:35:49,563 --> 01:35:51,465 But, it... it... hey. 1755 01:35:53,000 --> 01:35:54,034 If you do that, 1756 01:35:54,067 --> 01:35:57,237 then you will make it palatable to the community. 1757 01:35:58,539 --> 01:36:00,207 We're trying our best. 1758 01:36:00,240 --> 01:36:01,240 Thank you, Pastor. 1759 01:36:02,110 --> 01:36:03,144 I really appreciate it. 1760 01:36:04,345 --> 01:36:06,023 I think we probably oughta pull this together. 1761 01:36:06,047 --> 01:36:07,248 Yeah. And uh... 1762 01:36:08,016 --> 01:36:10,285 It was a little different environment this time, 1763 01:36:10,318 --> 01:36:11,318 I might add. 1764 01:36:11,519 --> 01:36:12,287 I don't know 1765 01:36:12,321 --> 01:36:13,189 if, uh, 1766 01:36:13,222 --> 01:36:15,658 some of that was the fact that there was 1767 01:36:15,692 --> 01:36:18,461 cameras and other things, um... 1768 01:36:19,128 --> 01:36:21,197 You know, I don't know how that played in, 1769 01:36:21,230 --> 01:36:22,398 to be honest with ya. 1770 01:36:23,666 --> 01:36:24,668 I appreciate your time. 1771 01:36:24,702 --> 01:36:26,069 I would like to be in touch. 1772 01:36:27,304 --> 01:36:29,406 I think we have a program that can help a lot. 1773 01:36:29,807 --> 01:36:30,807 Alright? 1774 01:36:31,374 --> 01:36:32,609 Pastor, thank you very much. 1775 01:36:33,143 --> 01:36:34,311 Thank you for hosting us. 1776 01:36:35,645 --> 01:36:37,725 And, uh, we'll come back as many times as you'd like. 1777 01:36:47,225 --> 01:36:48,795 Okay, so, I'm just going to go through 1778 01:36:48,828 --> 01:36:50,329 a series of brief questions 1779 01:36:50,362 --> 01:36:52,231 about the content that you just watched. 1780 01:36:53,131 --> 01:36:55,334 You saw many images today. 1781 01:36:55,367 --> 01:36:57,603 What specific images do you remember seeing? 1782 01:36:58,237 --> 01:36:59,677 Were there any that stood out to you? 1783 01:37:01,809 --> 01:37:04,410 Well, uh, yeah, I saw a bunch of images. 1784 01:37:04,444 --> 01:37:06,814 The most interesting ones were 1785 01:37:06,847 --> 01:37:09,082 either helicopter or drone shots? 1786 01:37:17,658 --> 01:37:19,493 Good morning, and thank you for coming. 1787 01:37:19,527 --> 01:37:22,296 I'm here today to announce a pilot program 1788 01:37:22,663 --> 01:37:24,800 for aerial surveillance in Baltimore. 1789 01:37:25,467 --> 01:37:27,202 We would be the first American city 1790 01:37:27,235 --> 01:37:29,137 to use this technology in an attempt 1791 01:37:29,170 --> 01:37:31,106 to solve and deter violent crime. 1792 01:37:31,841 --> 01:37:33,608 Alright guys, if there's nothing else, 1793 01:37:33,642 --> 01:37:34,720 then what we're gonna do now 1794 01:37:34,744 --> 01:37:36,312 is I'm gonna go get ITS. 1795 01:37:36,345 --> 01:37:38,123 They're gonna come in with the camera equipment, 1796 01:37:38,147 --> 01:37:39,282 get it all issued out. 1797 01:37:39,682 --> 01:37:41,317 Henry 392. 1798 01:37:43,586 --> 01:37:44,721 Frank 171. 1799 01:37:47,623 --> 01:37:48,659 Henry 392. 1800 01:37:50,060 --> 01:37:51,628 So, how did these images make you feel? 1801 01:37:52,462 --> 01:37:53,462 Well, 1802 01:37:53,530 --> 01:37:54,530 I'm a filmmaker. 1803 01:37:54,866 --> 01:37:56,099 So... so... 1804 01:37:56,400 --> 01:37:57,802 My eye on watching films 1805 01:37:57,835 --> 01:37:59,212 is a little bit different from people. 1806 01:37:59,236 --> 01:37:59,971 I watch 1807 01:38:00,004 --> 01:38:01,339 everything in the background, 1808 01:38:01,372 --> 01:38:02,674 so I'm always critical. 1809 01:38:03,141 --> 01:38:04,141 So those type of things. 1810 01:38:07,412 --> 01:38:08,479 I've decided to proceed 1811 01:38:08,513 --> 01:38:10,648 with this proposed pilot program because 1812 01:38:10,849 --> 01:38:14,420 it could represent yet another tool in the toolbox 1813 01:38:14,620 --> 01:38:16,856 to solve and deter violent crime in our city. 1814 01:38:18,223 --> 01:38:20,426 So, we're rolling. I'm gonna come over, 1815 01:38:21,393 --> 01:38:22,953 and you're gonna show me how to hold it. 1816 01:38:23,763 --> 01:38:25,800 And you're going to put them in pairing mode 1817 01:38:26,566 --> 01:38:29,502 by holding the function button on the side of the camera. 1818 01:38:29,536 --> 01:38:31,504 The little, tiny button on the side of the camera. 1819 01:38:31,872 --> 01:38:32,873 Hold that down. 1820 01:38:34,041 --> 01:38:36,377 And hold down the record button at the same time. 1821 01:38:37,578 --> 01:38:38,690 Tell me a little bit more about 1822 01:38:38,714 --> 01:38:41,349 how it felt to be filmed in this setting. 1823 01:38:42,751 --> 01:38:44,518 It felt kinda, you know, 1824 01:38:44,552 --> 01:38:46,898 because you talked about, like, what we were going to be doing 1825 01:38:46,922 --> 01:38:49,324 and I was really paying attention to my heart rate, 1826 01:38:49,358 --> 01:38:51,259 and whether my palms were sweating 1827 01:38:51,293 --> 01:38:54,363 so it felt kind of like I was observing myself. 1828 01:38:54,596 --> 01:38:56,632 Make sure you paired with the right camera, 1829 01:38:56,933 --> 01:38:58,433 and point the camera at yourself. 1830 01:38:59,267 --> 01:39:00,336 You should see yourself. 1831 01:39:00,370 --> 01:39:01,781 If you see somebody else, you messed up. 1832 01:39:01,805 --> 01:39:02,840 Yeah. 1833 01:39:02,873 --> 01:39:03,873 Oh, I can see myself! 1834 01:39:04,574 --> 01:39:07,644 So I'm looking forward to hear from our community, 1835 01:39:07,677 --> 01:39:10,246 and to educate them on what this is, 1836 01:39:10,446 --> 01:39:11,681 and what this is not. 1837 01:39:11,949 --> 01:39:13,217 So at this time, 1838 01:39:13,484 --> 01:39:14,551 I'll take a few questions. 1839 01:39:15,552 --> 01:39:16,687 Did these images 1840 01:39:16,721 --> 01:39:18,589 feel connected in any way? 1841 01:39:18,622 --> 01:39:21,291 Or did you feel there was a narrative being formed? 1842 01:40:25,562 --> 01:40:26,831 Say hello to the camera. 1843 01:40:26,864 --> 01:40:27,932 Hello to the camera. 1844 01:40:31,334 --> 01:40:32,334 Hi. 1845 01:40:32,970 --> 01:40:33,970 Alright, let's do this. 1846 01:40:34,704 --> 01:40:35,949 Okay, we'll just do this in one take. 1847 01:40:35,973 --> 01:40:36,984 Do you want me to put it in now? 1848 01:40:37,008 --> 01:40:37,708 Standby mode. 1849 01:40:37,743 --> 01:40:39,643 Uh, double tap to get it to go. 1850 01:40:40,678 --> 01:40:42,598 - You hold it in right? - You hold the button in? 1851 01:40:43,081 --> 01:40:44,321 You'll hear a beep and vibrate. 1852 01:40:44,648 --> 01:40:45,583 - That's what I did. - And then, 1853 01:40:45,616 --> 01:40:46,584 - Like this right? - And then your light... 1854 01:40:46,617 --> 01:40:48,353 You're still recording. 1855 01:40:49,421 --> 01:40:50,421 Alright. 1856 01:40:50,723 --> 01:40:51,656 I just like... 1857 01:40:51,690 --> 01:40:52,759 And just toss it up. 1858 01:41:02,568 --> 01:41:03,804 We want it... 1859 01:41:04,104 --> 01:41:06,974 This is my first day getting my body-worn camera. 1860 01:41:07,007 --> 01:41:08,008 I'm so excited. 1861 01:41:08,041 --> 01:41:09,042 ...and enter information. 1862 01:41:10,309 --> 01:41:13,047 There are three different fields on that playback window 1863 01:41:13,081 --> 01:41:14,749 to enter in information. 1864 01:41:15,116 --> 01:41:16,550 - The first one... - Six. 1865 01:41:16,583 --> 01:41:18,853 22.2017 Testing. 1866 01:41:18,887 --> 01:41:21,321 ...search menu on the website ID. 1867 01:41:22,023 --> 01:41:23,091 This video 1868 01:41:23,124 --> 01:41:24,526 is a training video. 1869 01:41:25,094 --> 01:41:26,661 It is concluding. 1870 01:41:28,130 --> 01:41:29,130 You wanna try it again? 1871 01:41:30,632 --> 01:41:31,432 Or you can just throw... 1872 01:41:31,466 --> 01:41:33,468 Okay, yeah, yeah we can try it again. 1873 01:42:12,145 --> 01:42:13,579 We're filming! 1874 01:42:15,181 --> 01:42:16,258 - Ay, yay, yay. - ...you met Theo before? 1875 01:42:16,282 --> 01:42:17,402 Did you get any shots though? 1876 01:42:18,151 --> 01:42:19,228 Yeah, I was mostly making sure 1877 01:42:19,252 --> 01:42:20,772 the camera was calibrated for the room. 1878 01:42:28,762 --> 01:42:30,064 What camera, would you know? 1879 01:42:30,097 --> 01:42:31,364 The FS5. 1880 01:42:32,699 --> 01:42:33,234 So this is what you, this is your personal one? 1881 01:42:33,267 --> 01:42:34,367 Yep. 1882 01:42:35,069 --> 01:42:36,071 - Doc! - Yessir. 1883 01:42:36,104 --> 01:42:37,973 Getting behind the scenes. 1884 01:42:39,707 --> 01:42:40,909 Okay, we're just setting him up 1885 01:42:40,942 --> 01:42:42,077 with his little, uh... 1886 01:42:42,110 --> 01:42:42,710 I'm recording. 1887 01:42:42,744 --> 01:42:43,945 Check, check, check. 1888 01:42:43,979 --> 01:42:46,614 Alright, so, that's good. But anyway. 1889 01:42:46,882 --> 01:42:48,583 What in episode one 1890 01:42:48,617 --> 01:42:50,518 happened during the episode 1891 01:42:50,552 --> 01:42:52,855 that's gonna make people wanna watch it? 1892 01:42:54,023 --> 01:42:55,690 That's... that's what we need to focus on. 1893 01:42:55,992 --> 01:42:57,459 So if there's nothing in there 1894 01:42:57,727 --> 01:42:59,427 that actually draws the attention 1895 01:42:59,461 --> 01:43:00,998 of the audience we looking for, 1896 01:43:01,231 --> 01:43:02,900 then we need to add or fix something. 1897 01:43:15,747 --> 01:43:16,957 You can't... that's what I'm saying. 1898 01:43:16,981 --> 01:43:18,883 You can't just put a flashback out of nowhere. 1899 01:43:18,917 --> 01:43:20,051 It was just like... 1900 01:43:20,084 --> 01:43:21,161 - But he look like somebody... - Something has to... this. 1901 01:43:21,185 --> 01:43:22,229 This is what I'm saying. This is what I'm saying. 1902 01:43:22,253 --> 01:43:24,522 That's what's going to get people thinking like, 1903 01:43:24,555 --> 01:43:26,557 Hold up, why did they just put that flashbk there? 1904 01:43:26,591 --> 01:43:29,560 Exactly, but in order to have a flashback, 1905 01:43:29,594 --> 01:43:31,063 something has to happen. 1906 01:43:31,096 --> 01:43:33,065 - Oh... - See what I'm saying? Like, 1907 01:43:33,098 --> 01:43:34,066 - We can't just... - But let's... 1908 01:43:34,099 --> 01:43:35,667 Look, look, look 1909 01:43:35,700 --> 01:43:37,103 man, you can't just be talking 1910 01:43:37,670 --> 01:43:39,239 man, you can't just be talking... 1911 01:43:39,272 --> 01:43:41,007 they're not doing a flashback. 1912 01:43:41,274 --> 01:43:42,517 They can put two and two together like that. 1913 01:43:42,541 --> 01:43:43,743 This is what I'm saying. 1914 01:43:43,777 --> 01:43:46,079 In a flashback, let's say, me and John is having a conv... 1915 01:44:03,932 --> 01:44:06,068 something like... 1916 01:44:06,101 --> 01:44:07,936 Y'all just keep walking in the middle. 1917 01:44:07,970 --> 01:44:09,250 The one time I try to get a shot. 1918 01:44:10,504 --> 01:44:11,106 Y'all gotta start doing something. 1919 01:44:11,139 --> 01:44:12,241 Y'all know what to do? 1920 01:44:12,275 --> 01:44:13,795 Follow somebody that's doing something. 1921 01:44:14,710 --> 01:44:15,821 Lens change. We're putting in the, um, 1922 01:44:15,845 --> 01:44:16,855 Follow somebody that's do Hey.omething. 1923 01:44:16,879 --> 01:44:17,879 Right here, on... 1924 01:44:20,615 --> 01:44:20,950 All hands on deck. 1925 01:44:20,984 --> 01:44:21,985 Okay? 1926 01:44:22,018 --> 01:44:23,786 Time is of the essence. 1927 01:44:23,820 --> 01:44:24,721 Time it somebody. 1928 01:44:24,755 --> 01:44:25,956 Go. Go. Go. 1929 01:44:27,791 --> 01:44:29,002 And then I use the little thing, 1930 01:44:29,026 --> 01:44:30,526 Oh my God. 1931 01:44:31,028 --> 01:44:33,563 I'm amazing with this in my hand. 1932 01:44:34,298 --> 01:44:36,001 So, like, amazing. 1933 01:44:36,034 --> 01:44:37,736 Pat came in there with hella drinks. 1934 01:44:37,769 --> 01:44:38,769 Subs. 1935 01:44:39,570 --> 01:44:40,537 Straight up good. Fine... 1936 01:44:40,571 --> 01:44:41,571 Yes! 1937 01:44:43,141 --> 01:44:44,776 That's what I'm talking about! 1938 01:44:44,809 --> 01:44:47,112 It don't take much to make me happy, folks. 1939 01:44:47,145 --> 01:44:48,481 Like, everybody trying! 1940 01:44:48,513 --> 01:44:50,816 You know, it doesn't take that much to make me happy. 1941 01:44:51,117 --> 01:44:52,385 Little things, 1942 01:44:52,418 --> 01:44:54,652 those moments where you guys are coming together. 1943 01:44:54,686 --> 01:44:55,620 That's what I'm talking about. 1944 01:44:55,653 --> 01:44:57,156 Love it. 1945 01:45:02,763 --> 01:45:04,563 - Y'all ready? - Y'all ready? 1946 01:45:04,597 --> 01:45:06,599 Alright, places, places! 1947 01:45:06,632 --> 01:45:07,700 Places, y'all, places! 1948 01:45:07,734 --> 01:45:09,812 - Can I get quiet on the set... - Go back to the script. 1949 01:45:09,836 --> 01:45:11,038 Quiet on the set, okay. 1950 01:45:11,071 --> 01:45:12,706 - So... - That's your breast. 1951 01:45:12,740 --> 01:45:13,207 Alright, quiet on the set! 1952 01:45:13,707 --> 01:45:14,842 Alright, look. 1953 01:45:14,876 --> 01:45:16,754 If you're behind the scenes, I need you out of the shot 1954 01:45:16,778 --> 01:45:17,845 which is back there by 1955 01:45:17,879 --> 01:45:19,757 and if you are actors, I need you in your places. 1956 01:45:19,781 --> 01:45:20,982 Alrighty? 1957 01:45:21,015 --> 01:45:22,682 And try to get it on the first one! 1958 01:45:22,716 --> 01:45:23,952 Top of the pilot. 1959 01:45:24,987 --> 01:45:26,755 Quiet on the set. Quiet on the set. 1960 01:45:27,189 --> 01:45:28,623 Alright, so, 1961 01:45:28,824 --> 01:45:29,792 Cafe. 1962 01:45:29,825 --> 01:45:30,591 Take one. 1963 01:45:30,625 --> 01:45:31,625 Scene Five.