1 00:00:04,326 --> 00:00:08,426 ^_~ my instagram >> im_0boy 2 00:00:02,950 --> 00:00:06,760 >>> THIS IS GOING TO BE LIKE NOTHING YOU'VE EVER SEEN IN 15 3 00:00:06,760 --> 00:00:11,930 YEARS OF "AGT. HERE WE GO 4 00:00:11,930 --> 00:00:19,300 >> THE FIRST NIGHT OF LIVE >> YOU'RE AMAZING! 5 00:00:19,300 --> 00:00:20,470 >> SO FULL OF LIFE I LOVE IT. 6 00:00:20,470 --> 00:00:23,680 >> IT'S BIGGER AND BETTER THAN ANYTHING I'VE EVER SEEN ON THIS 7 00:00:23,680 --> 00:00:32,250 SHOW >> WHOO! 8 00:00:32,250 --> 00:00:36,120 >> THE LEVEL OF TALENT IS HIGHER THAN IT'S EVER BEEN. 9 00:00:36,120 --> 00:00:46,330 ♪♪ 10 00:00:51,200 --> 00:00:52,600 >> I THINK YOU HAVE A GOOD CHANCE OF WINNING THE WHOLE 11 00:00:52,600 --> 00:00:57,740 SEASON >> Announcer: LIVE FROM 12 00:00:57,740 --> 00:01:02,280 UNIVERSAL STUDIOS, HOLLYWOOD, IT'S "AMERICA'S GOT TALENT!" 13 00:01:02,280 --> 00:01:13,930 [ CHEERS AND APPLAUSE HERE'S YOUR HOST, TERRY CREWS. 14 00:01:13,930 --> 00:01:23,770 [ CHEERS AND APPLAUSE 15 00:01:26,500 --> 00:01:29,110 >> Terry: THIS STAGE RIGHT HERE IS WHERE THE WORLD'S NEXT BIG 16 00:01:29,110 --> 00:01:32,810 STAR WILL BE MADE BY YOU THIS IS YOUR SHOW AND THE WHOLE 17 00:01:32,810 --> 00:01:36,450 NATION IS WITH US. CHECK IT OUT, WE'VE GOT PEOPLE 18 00:01:36,450 --> 00:01:42,690 GLUED TO THEIR TVs ALL OVER THE COUNTRY. 19 00:01:42,690 --> 00:01:46,290 LOOK AT THE FAMILY ON THE COUCH, I SEE YOU, THE LITTLE BOY IN THE 20 00:01:46,290 --> 00:01:47,430 GREEN SHIRT. YES. 21 00:01:47,430 --> 00:01:51,460 AND THE MOM IN THE RED SITTING ON THE COUCH, I SEE YOU. 22 00:01:51,460 --> 00:01:56,530 WOW. IT'S GREAT TO SEE YOU ALL. 23 00:01:56,530 --> 00:02:04,580 IT'S THE SECOND QUARTERFINAL COMING TO YOU FROM UNIVERSAL 24 00:02:04,580 --> 00:02:05,810 STUDIOS, HOLLYWOOD, AND ONCE AGAIN OUR ACTS ARE GONNA BE OUT 25 00:02:05,810 --> 00:02:08,110 AND ABOUT ALL OVER THE PARK AND THE WORLD FAMOUS STUDIO LOT. 26 00:02:08,110 --> 00:02:16,320 AND TONIGHT WE'VE GOT CONTESTANTS PERFORMING ALL THE 27 00:02:16,320 --> 00:02:18,520 WAY FROM INDIA AND RIGHT DOWN HERE IN FRONT, 28 00:02:18,520 --> 00:02:24,160 FOUR PEOPLE WHO WILL BE ADVISING, CRITICIZING, AND QUITE 29 00:02:24,160 --> 00:02:25,630 POSSIBLY ARGUING LET'S HEAR IT FOR THE "AGT" 30 00:02:25,630 --> 00:02:31,570 JUDGES HOWIE MANDEL 31 00:02:31,570 --> 00:02:43,080 HEIDI KLUM SOFIA VERGARA, 32 00:02:43,080 --> 00:02:46,720 AND SPECIAL GUEST JUDGE, EMMY WINNER, KENAN THOMPSON 33 00:02:46,720 --> 00:02:55,360 [ CHEERS AND APPLAUSE NOW, KENAN, LOOK, YOU'VE DONE, 34 00:02:55,360 --> 00:02:58,400 LIKE, 1,000 LIVE SHOWS WHAT DO THE ACTS HAVE TO DO TO 35 00:02:58,400 --> 00:03:01,800 MAKE IT TONIGHT, TO REALLY PUT THEM OVER THE TOP? 36 00:03:01,800 --> 00:03:05,040 >> WELL, FIRST OF ALL, THANK YOU ALL FOR HAVING ME HERE 37 00:03:05,040 --> 00:03:09,370 THIS IS INCREDIBLE LOOK AT THE AMOUNT OF LOVE, YOU 38 00:03:09,370 --> 00:03:10,780 GUYS GOT PEOPLE TUNING IN ACROSS AMERICA. 39 00:03:10,780 --> 00:03:18,980 THIS IS ABSOLUTELY AMAZING THE ONLY THING I CAN SAY IS JUST 40 00:03:18,980 --> 00:03:20,690 SEIZE THE MOMENT YOU KNOW 41 00:03:20,690 --> 00:03:26,420 IF YOU HAVE NERVES, TURN THEM INTO SUPERPOWERS, GO OUT AND 42 00:03:26,420 --> 00:03:28,330 TAKE IT. THIS IS YOUR MOMENT. 43 00:03:28,330 --> 00:03:33,900 THAT'S RIGHT I CAN NEVER FIGURE OUT HOW TO DO 44 00:03:33,900 --> 00:03:35,670 THAT. >> I LOVE IT 45 00:03:35,670 --> 00:03:36,400 MAN. THANK YOU SO MUCH, KENAN 46 00:03:36,400 --> 00:03:40,340 LET'S DO IT. 11 ACTS ARE COMING UP. 47 00:03:40,340 --> 00:03:41,410 YOU'VE GOT TO PICK JUST FIVE TO GO THROUGH 48 00:03:41,410 --> 00:03:44,010 IT'S ALL DOWN TO HOW YOU VOTE TONIGHT. 49 00:03:44,010 --> 00:03:48,180 FOR OUR FIRST ACT, WE'RE HEADING OUTSIDE TO NEW YORK ‐‐ WELL, A 50 00:03:48,180 --> 00:03:50,780 NEW YORK STREET SCENE HERE AT UNIVERSAL. 51 00:03:50,780 --> 00:03:53,920 THIS FIRST ACT HAS GOT IT ALL GOING ON 52 00:03:53,920 --> 00:03:56,520 HE'S A SINGER, A SONGWRITER, A PRODUCER 53 00:03:56,520 --> 00:04:04,360 AND HE'S ONLY 14 HERE'S KELVIN DUKES. 54 00:04:04,360 --> 00:04:06,300 [ CHEERS AND APPLAUSE ♪♪ 55 00:04:06,300 --> 00:04:10,700 >> HERE WE GO! I CAN'T BELIEVE WE'RE AT 56 00:04:10,700 --> 00:04:13,840 UNIVERSAL STUDIOS. I FEEL LIKE A MOVIE STAR 57 00:04:13,840 --> 00:04:17,010 I LOVE THE MOVIES. >> I KNOW, SON, I KNOW. 58 00:04:17,010 --> 00:04:20,750 >> I'VE ALWAYS DREAMED OF BECOMING A STAR, AND BECAUSE OF 59 00:04:20,750 --> 00:04:23,010 "AGT," IT'S LIKE ALL MY DREAMS ARE COMING TRUE. 60 00:04:23,010 --> 00:04:32,560 >> AS THE COMPETITION HEATS UP, ONE MAN BATTLES FOR SURVIVAL 61 00:04:32,560 --> 00:04:35,860 INTRODUCING KELVIN DUKES, SINGER, AND THE BRAVEST 62 00:04:35,860 --> 00:04:50,940 ADVENTURER OF ALL TIME HE'S REACHING FOR THE STARS. 63 00:04:50,940 --> 00:05:02,290 ♪♪ FEARLESS IN HIS PURSUIT TO THEGE 64 00:05:02,290 --> 00:05:07,560 TO THE SEMIFINALS. WITH A MISSION TO WIN "AMERICA'S 65 00:05:07,560 --> 00:05:16,270 GOT TALENT." WILL HE BE ABLE TO OUTRUN THE 66 00:05:16,270 --> 00:05:19,300 COMPETITION? HE WILL STOP AT NOTHING. 67 00:05:19,300 --> 00:05:22,040 >> KELVIN? KELVIN 68 00:05:22,040 --> 00:05:24,480 IT'S TIME FOR YOUR LIVE AUDITION 69 00:05:24,480 --> 00:05:25,680 PUT YOUR CLOTHES ON. WHAT ARE YOU DOING 70 00:05:25,680 --> 00:05:35,420 [ CHEERS AND APPLAUSE ♪♪ 71 00:05:35,420 --> 00:05:41,260 ♪ SOMETIMES I GO OUT BY MYSELF AND LOOK ACROSS THE WATER ♪ 72 00:05:41,260 --> 00:05:57,340 ♪ AND I THINK OF ALL THE THINGS WHAT YOU'RE DOING AND IN MY HEAD 73 00:05:57,340 --> 00:06:00,540 A PAINT A PICTURE ♪ ♪ I THINK OF YOUR HAIR AND THE 74 00:06:00,540 --> 00:06:06,850 WAY YOU DRESS ♪ ♪ WHY DON'T YOU COME ON OVER ♪ 75 00:06:06,850 --> 00:06:17,760 ♪ WHY DON'T YOU COME ON OVER ♪ ♪ VALERIE ♪ 76 00:06:17,760 --> 00:06:22,530 ♪ VALERIE ♪ ♪ VALERIE ♪ 77 00:06:22,530 --> 00:06:34,410 ♪ VALERIE ♪ ♪ I COULD GO TO JAIL PUT YOUR 78 00:06:34,410 --> 00:06:41,450 HOUSE FOR SALE ♪ ♪ HOPE YOU FIND THE RIGHT MAN 79 00:06:41,450 --> 00:06:54,800 WHO WILL FIX IT FOR YOU ♪ ♪ I MISS YOUR HAIR AND THE WAY 80 00:06:54,800 --> 00:06:59,100 YOU LIKE TO DRESS ♪ ♪ WHY DON'T YOU COME ON OVER 81 00:06:59,100 --> 00:07:01,670 WITHOUT MAKING A FOOL OUT OF ME ♪ 82 00:07:01,670 --> 00:07:04,510 ♪ WHY DON'T YOU COME ON OVER VALERIE ♪ 83 00:07:04,510 --> 00:07:15,090 ♪♪ >> WHOO! 84 00:07:15,090 --> 00:07:22,430 ♪♪ ♪ WHY DON'T YOU COME ON OVER 85 00:07:22,430 --> 00:07:29,700 VALERIE ♪ ♪ VALERIE ♪ 86 00:07:29,700 --> 00:07:38,680 ♪ VALERIE ♪ ♪ VALERIE ♪ 87 00:07:38,680 --> 00:07:45,380 ♪ WHY DON'T YOU COME ON OVER VALERIE ♪ 88 00:07:45,380 --> 00:07:49,220 ♪♪ [ CHEERS AND APPLAUSE 89 00:07:49,220 --> 00:07:54,860 >> THANK YOU >> Terry: KELVIN DUKES 90 00:07:54,860 --> 00:07:55,890 SO WHAT DID THE JUDGES MAKE OF THAT 91 00:07:55,890 --> 00:07:57,060 WE'LL GET HIM BACK INSIDE AND FIND OUT IN JUST A COUPLE OF 92 00:07:57,060 --> 00:07:57,960 MINUTES. WE ARE OFF AND RUNNING 93 00:07:57,960 --> 00:08:07,870 STAY RIGHT THERE [ CHEERS AND APPLAUSE 94 00:08:07,870 --> 00:08:09,140 ♪♪ >>> COMING UP ‐‐ 95 00:08:09,140 --> 00:08:13,340 >> THAT WAS AMAZING. >> IT WAS EXCITING 96 00:08:13,340 --> 00:08:16,850 I COULDN'T TAKE MY EYES OFF OF YOU. 97 00:08:16,850 --> 00:08:23,750 >> YOU'RE COMPLETELY NUTS. >> I LOVED IT. 98 00:08:23,750 --> 00:08:31,270 I'VE NEVER SEEN ANYTHING LIKE THIS 99 00:08:31,270 --> 00:08:31,940 >> IT WAS INCREDIBLE ♪ 100 00:08:35,910 --> 00:08:39,500 [ CHEERS AND APPLAUSE >> Terry: BEFORE THE BREAK, WE 101 00:08:39,500 --> 00:08:42,110 SAW KELVIN DUKES GET HIS SHOT AT THE SEMIFINALS 102 00:08:42,110 --> 00:08:49,480 LET'S FIND OUT IF THE JUDGES THINK HE'S DONE ENOUGH 103 00:08:49,480 --> 00:08:50,880 ALL RIGHT. HOWIE? 104 00:08:50,880 --> 00:08:55,150 >> WELL, KELVIN, I CAN'T WIPE THE SMILE OFF MY FACE. 105 00:08:55,150 --> 00:08:58,620 THE ONLY THING THAT MAKES ME NOT SMILE IS ONLY FIVE PEOPLE CAN GO 106 00:08:58,620 --> 00:09:01,590 THROUGH TONIGHT, AND THAT'S UP TO AMERICA 107 00:09:01,590 --> 00:09:05,430 REGARDLESS, YOU SEEM TO BE A REALLY GOOD ACTOR, SINGER, 108 00:09:05,430 --> 00:09:07,100 DANCER YOU HAVE A REALLY GOOD CAREER 109 00:09:07,100 --> 00:09:11,170 AHEAD OF YOU, YOUNG MAN. >> THANK YOU SO MUCH. 110 00:09:11,170 --> 00:09:13,200 >> YOU'RE WELCOME. >> Terry: HEIDI? 111 00:09:13,200 --> 00:09:16,610 >> KELVIN, YOU ARE PROBABLY ONE OF MY FAVORITES THIS SEASON. 112 00:09:16,610 --> 00:09:18,740 I THINK YOU'RE ABSOLUTELY ADORABLE 113 00:09:18,740 --> 00:09:23,550 I LOVE YOUR ENERGY, AND I FEEL LIKE THIS PERFORMANCE REALLY 114 00:09:23,550 --> 00:09:28,990 SHOWCASED YOUR ENERGY AND AMAZING VOICE. 115 00:09:28,990 --> 00:09:30,450 WELL DONE. >> THANK YOU. 116 00:09:30,450 --> 00:09:33,590 >> Terry: SOFIA? >> WHAT A WAY TO OPEN THE SHOW 117 00:09:33,590 --> 00:09:37,260 YOU'RE AMAZING, EVEN THOUGH YOU WERE WEARING GLASSES, I COULD 118 00:09:37,260 --> 00:09:41,770 SEE YOUR EYES, LIKE, BRIGHT. IT'S AMAZING, YOU'RE LIKE A 119 00:09:41,770 --> 00:09:46,170 PERFORMER, A BORN PERFORMER. YOU'RE SUPER AMAZING TO WATCH. 120 00:09:46,170 --> 00:09:47,840 AND YOU SHOULD BE ALWAYS ON A STAGE. 121 00:09:47,840 --> 00:09:50,010 >> THANK YOU THANK YOU SO MUCH. 122 00:09:50,010 --> 00:09:51,280 THANK YOU. >> Terry: KENAN? 123 00:09:51,280 --> 00:09:54,550 >> I MEAN, I CONCUR WITH EVERYBODY UP HERE. 124 00:09:54,550 --> 00:09:57,650 THAT WAS THREE IN A ROW, EVERYBODY TELLING YOU THAT 125 00:09:57,650 --> 00:10:13,600 YOU'RE WONDERFUL YOU HAVE AN INFECTIOUS SMILE AND 126 00:10:13,600 --> 00:10:14,230 EN ENERGY 127 00:10:14,230 --> 00:10:17,700 I APPRECIATE IT A LOT. >> THANK YOU. 128 00:10:17,700 --> 00:10:21,570 >> Terry: KELVIN, WHO ARE YOU MOST INSPIRED BY 129 00:10:21,570 --> 00:10:27,510 >> BY SOME OF THE MUSICAL PEOPLE THAT WERE AROUND WHEN I WAS 130 00:10:27,510 --> 00:10:30,210 COMING UP. KENAN, YOU, TOO. 131 00:10:30,210 --> 00:10:33,720 >> THANK YOU, APPRECIATE IT. >> I WAS MOST INSPIRED BY 132 00:10:33,720 --> 00:10:38,820 MICHAEL JACKSON, BEYONCE, A LOT OF PEOPLE. 133 00:10:38,820 --> 00:10:42,090 >> Terry: AND KENAN THOMPSON. >> THAT'S GOOD FOR ME. 134 00:10:42,090 --> 00:10:45,460 >> Terry: FIRST OF ALL, GOOD LUCK TONIGHT, KELVIN 135 00:10:45,460 --> 00:10:49,630 YOU ARE THE MAN. AND VOTING STARTS NOW. 136 00:10:49,630 --> 00:10:58,540 THERE'S A BUNCH OF WAYS TO VOTE. GO ONLINE AT NBC.COM OR THE 137 00:10:58,540 --> 00:11:02,650 OFFICIAL "AMERICA'S GOT TALENT" APP. 138 00:11:02,650 --> 00:11:07,250 VOTING IS NOW OPEN, AND WILL BE OPEN UNTIL 7:00 A. M. TOMORROW. 139 00:11:07,250 --> 00:11:09,220 LET'S KEEP IT GOING. IMAGINE YOU'RE PART OF A HIP‐HOP 140 00:11:09,220 --> 00:11:10,290 DANCE CREW, THEN LOCKDOWN MAKES EVERYBODY STAY HOME. 141 00:11:10,290 --> 00:11:11,220 WHAT DO YOU? YOU DO WHAT THESE GUYS DID 142 00:11:11,220 --> 00:11:18,700 HERE'S THE SHAPE [ CHEERS AND APPLAUSE 143 00:11:18,700 --> 00:11:21,830 >> THE SHAPE IS A CREW OF 18 DANCERS. 144 00:11:21,830 --> 00:11:27,000 >> WE ALL MET IN HIGH SCHOOL WE HANG OUT 24/7. 145 00:11:27,000 --> 00:11:29,010 >> DANCING IS MORE THAN JUST DANCING. 146 00:11:29,010 --> 00:11:32,780 IT'S GETTING TO HANG OUT WITH YOUR BEST FRIENDS. 147 00:11:32,780 --> 00:11:36,580 >> WHEN SCHOOL SHUT DOWN, WE DIDN'T GET TO SEE OR DANCE WITH 148 00:11:36,580 --> 00:11:41,250 EACH OTHER ANYMORE. >> IT HIT ALL OF US HARD 149 00:11:41,250 --> 00:11:44,820 WE DIDN'T GET PROM OR ANY OF OUR SENIOR ACTIVITIES. 150 00:11:44,820 --> 00:11:49,660 JUST A VIRTUAL GRADUATION, YOUR FACE FOR FIVE SECONDS, AND THAT 151 00:11:49,660 --> 00:11:51,930 WAS IT. >> ONCE WE SAW THE "AGT" 152 00:11:51,930 --> 00:11:57,770 AUDITIONS ONLINE, WE KNEW WE HAD TO BE PART OF IT 153 00:11:57,770 --> 00:12:01,670 >> WE HAD TO PRACTICE AT THE PARK BECAUSE WE AIN'T GOT NO 154 00:12:01,670 --> 00:12:05,440 STUDIO WE SAW A COP CAR DRIVE UP, AND 155 00:12:05,440 --> 00:12:09,680 NOW WE HAVE TO MOVE AGAIN. >> WE KNEW THIS WAS OUR CHANCE 156 00:12:09,680 --> 00:12:13,650 TO KEEP OUR DREAM ALIVE, SO WE WORKED OUR BUTTS OFF. 157 00:12:13,650 --> 00:12:17,550 >> NOW, COMING TO THE LIVE SHOWS, IT BROUGHT NEW LIFE TO 158 00:12:17,550 --> 00:12:22,360 US. >> WE HAD A DRIVE‐THROUGH AT OUR 159 00:12:22,360 --> 00:12:27,400 HOUSE TO CELEBRATE. >> GOING TO VEGAS WOULD BE 160 00:12:27,400 --> 00:12:29,030 INSANE WE HAVE ONE MORE SHOT AT THIS. 161 00:12:29,030 --> 00:12:33,070 WE NEED TO SHOW AMERICA AND THE JUDGES THAT WE CAN WIN THIS. 162 00:12:33,070 --> 00:12:36,540 [ CHEERS AND APPLAUSE 163 00:12:37,680 --> 00:12:47,720 ♪ ♪ WE'RE BRINGING IT WE'RE 164 00:12:47,720 --> 00:12:49,590 BRINGING IT WE'RE BRINGING IT BACK ♪ 165 00:12:49,590 --> 00:12:55,290 ♪ FIREBALL ♪ 166 00:12:56,360 --> 00:13:09,770 ♪ ♪ FIREBALL ♪ 167 00:13:09,770 --> 00:13:19,680 ♪ STICKS AND STONES MAY BREAK M BONES BUT I DON'T CARE WHAT THAT 168 00:13:19,680 --> 00:13:25,420 SAY ♪ ♪ I GIVE HER A BAT ON THE BOOTY 169 00:13:25,420 --> 00:13:34,430 AND SAID WALK THIS WAY ♪ ♪ IF YOU THINK I'M RUNNING OUT 170 00:13:34,430 --> 00:13:42,770 NEVER AM I'M ON FIRE ♪ ♪ I'M ON FIRE ♪ 171 00:13:42,770 --> 00:13:50,210 ♪ I'M ON FIRE ♪ ♪ 172 00:13:50,210 --> 00:13:56,750 ♪ HEY BABY WON'T YOU LOOK MY WA I CAN BE YOUR NEW ADDITION ♪ 173 00:13:56,750 --> 00:14:05,760 ♪ HEY BABY WHAT YOU GOT TO SAY OH ALL YOU'RE GIVING ME IS 174 00:14:05,760 --> 00:14:12,000 FRICTION ♪ ♪ THIS HAPPENS ALL THE TIME I 175 00:14:12,000 --> 00:14:19,180 FOUND OUT THAT EVERYBODY IT STARTED WITH A WHISPER ♪ 176 00:14:19,180 --> 00:14:31,790 ♪ AND NOW I'M KISSING HER ♪ ♪ MAMA'S ALWAYS WHEN EVERYBODY 177 00:14:31,790 --> 00:14:38,060 STOPS ♪ ♪ 178 00:14:38,060 --> 00:14:42,970 [ CHEERS AND APPLAUSE >> Terry: OH 179 00:14:42,970 --> 00:14:49,640 THAT WAS IN DOWNTOWN L. A., BUT THE GUYS ARE RIGHT BACK HERE AND 180 00:14:49,640 --> 00:14:54,280 READY TO FACE THE JUDGES LET'S GET TO IT. 181 00:14:54,280 --> 00:14:55,980 HEIDI? >> I MEAN, THAT WAS A MASTER 182 00:14:55,980 --> 00:15:00,180 CLASS OF PRECISION AND TIMING. SPOT‐ON. 183 00:15:00,180 --> 00:15:04,960 ALSO, CONGRATULATIONS TO ALL OF YOU FOR YOUR GRADUATION. 184 00:15:04,960 --> 00:15:06,360 >> THANK YOU >> THAT'S AMAZING. 185 00:15:06,360 --> 00:15:08,160 >> THANK YOU. >> I REALLY LOVED IT 186 00:15:08,160 --> 00:15:16,270 AND I THINK CHARLIE CHAPLIN WOULD HAVE BEEN PROUD OF YOU 187 00:15:16,270 --> 00:15:16,870 GUYS. >> Terry: SOFIA? 188 00:15:16,870 --> 00:15:20,240 >> I THINK THE LOCATION YOU PICKED WAS UNBELIEVABLE. 189 00:15:20,240 --> 00:15:25,710 YOU GOT ME FROM THE BEGINNING WITH THAT SONG THAT I LOVED. 190 00:15:25,710 --> 00:15:28,150 FROM THE MOMENT YOU STARTED DANCING, I LOVED IT. 191 00:15:28,150 --> 00:15:32,080 I THINK YOU HAD TO GO THROUGH A ROUGH TIME TO BE ABLE TO PREPARE 192 00:15:32,080 --> 00:15:34,490 THIS SO I HAVE TO GIVE IT TO YOU. 193 00:15:34,490 --> 00:15:38,360 THIS WAS SPECTACULAR, AND IT MEANS YOU GUYS WORKED HARD. 194 00:15:38,360 --> 00:15:41,230 >> THANK YOU SO MUCH >> Terry: KENAN, WHAT DO YOU 195 00:15:41,230 --> 00:15:44,160 THINK? >> I MEAN, I JUST GOT TO SAY, 196 00:15:44,160 --> 00:15:45,730 MAN, AMERICA HAS GOT SOME TALENT 197 00:15:45,730 --> 00:15:49,400 THAT WAS AMAZING THAT WAS REALLY AMAZING. 198 00:15:49,400 --> 00:15:50,970 THANK YOU VERY MUCH. YEAH 199 00:15:50,970 --> 00:15:54,340 IT WAS A LOT OF PRECISION. JUST WHEN I THOUGHT IT WOULD BE 200 00:15:54,340 --> 00:15:58,780 ENOUGH, YOU GUYS DID FIVE MORE MINUTES OF ROUTINES. 201 00:15:58,780 --> 00:16:01,950 IT'S GOT TO BE AN AMAZING AMOUNT OF MOVES TO REMEMBER 202 00:16:01,950 --> 00:16:05,550 IT SHOWED A LOT OF FOCUS AND DEDICATION, SHOUT‐OUT TO 203 00:16:05,550 --> 00:16:07,990 EVERYBODY WATCHING ON ZOOM AT HOME OVER THERE. 204 00:16:07,990 --> 00:16:14,460 YOU GUYS DID A WONDERFUL JOB I THINK I WANT TO SPOT YOU YOUR 205 00:16:14,460 --> 00:16:15,960 DRY CLEANING. >> Terry: HOWIE? 206 00:16:15,960 --> 00:16:19,560 >> REALLY QUICKLY, I WAS AT A DIFFERENT SHOW, I DIDN'T THINK 207 00:16:19,560 --> 00:16:24,130 YOU HAD PRECISION. I DON'T THINK YOU ROSE TO THE 208 00:16:24,130 --> 00:16:27,440 LEVEL. GOOD LUCK, IT'S NOT UP TO ME, 209 00:16:27,440 --> 00:16:30,940 IT'S UP TO AMERICA. >> Terry: I GOT A QUESTION 210 00:16:30,940 --> 00:16:33,980 GUYS, WHERE DID THE NAME THE SHAPE COME FROM? 211 00:16:33,980 --> 00:16:37,650 >> THE SHAPE IS AN INTERESTING NAME, IT ALL STARTED DURING 212 00:16:37,650 --> 00:16:40,720 QUARANTINE A BUNCH OF BUDDIES, BROTHERS, 213 00:16:40,720 --> 00:16:45,090 PEOPLE, THAT JUST LOVE TO DANCE. AND IMAGINE BEING TAKEN AWAY, 214 00:16:45,090 --> 00:16:49,590 EVERYTHING TAKEN AWAY FROM YOU AND THE SHAPE HAS SO MANY 215 00:16:49,590 --> 00:16:55,600 DIFFERENT MEANINGS TO US, IT'S A BOND, THOSE ARE MY 216 00:16:55,600 --> 00:16:57,500 BROTHERS, AND THAT'S WHAT THE SHAPE MEANS. 217 00:16:57,500 --> 00:17:02,670 >> Terry: THAT'S HOT I'LL TAKE THAT 218 00:17:02,670 --> 00:17:07,840 GOOD LUCK TONIGHT. XFINITY CUSTOMERS, YOU CAN SAY 219 00:17:07,840 --> 00:17:10,410 "VOTE AGT" ON YOUR XFINITY VOICE REMOTE 220 00:17:10,410 --> 00:17:11,580 YOU CAN VOTE UP TO TEN TIMES FOR EACH ACT WITH EACH VOTING 221 00:17:11,580 --> 00:17:13,020 METHOD THIS IS FOR THE SEMIFINALS, 222 00:17:13,020 --> 00:17:17,190 PEOPLE SO GET BUSY. 223 00:17:17,190 --> 00:17:21,360 AFTER THE BREAK, A SINGER WHO'S ALREADY SEEN SOME TOUGH 224 00:17:21,360 --> 00:17:24,490 CHALLENGES IN HIS LIFE FACES HIS BIGGEST TEST YET ‐‐ "AGT" LIVE 225 00:17:24,490 --> 00:17:27,100 AND A 9‐YEAR‐OLD DOG TRAINER GETS HER SHOT. 226 00:17:27,100 --> 00:17:31,370 BUT WILL HER DOGS STEP IT UP WE'LL BE RIGHT BACK. 227 00:17:31,370 --> 00:17:38,180 [ CHEERS AND APPLAUSE ♪♪ 228 00:17:51,540 --> 00:17:55,510 [ CHEERS AND APPLAUSE >> Terry: LET ME TELL YOU, 229 00:17:55,510 --> 00:17:58,610 COMPETING ON "AGT" IS HARD BUT THIS SINGER HAS ALREADY 230 00:17:58,610 --> 00:18:01,750 FACED SOME PRETTY TOUGH CHALLENGES IN HIS LIFE 231 00:18:01,750 --> 00:18:03,850 AND HE IS DETERMINED TO STICK TO HIS DREAM. 232 00:18:03,850 --> 00:18:10,930 HE'S KAMERON ROSS. ♪♪ 233 00:18:10,930 --> 00:18:12,890 >> GROWING UP, I HAD A REALLY BIG FAMILY 234 00:18:12,890 --> 00:18:19,970 VERY CLOSE MY BIGGEST INSPIRATION WAS MY 235 00:18:19,970 --> 00:18:21,870 MOM. SHE ALWAYS TAUGHT ME TO BE A 236 00:18:21,870 --> 00:18:26,310 GOOD PERSON, YOU KNOW, TO STAY TRUE TO MYSELF 237 00:18:26,310 --> 00:18:33,150 BUT IN MY EARLY 20s, COMING OUT TO MY FAMILY THAT I WAS GAY WAS 238 00:18:33,150 --> 00:18:42,460 A SCARY MOMENT MY MOM'S REACTION WASN'T THE 239 00:18:42,460 --> 00:18:43,830 BEST SHE DIDN'T ACCEPT IT 240 00:18:43,830 --> 00:18:46,460 AND I REMEMBER TELLING HER, THIS IS WHO I AM. 241 00:18:46,460 --> 00:18:56,470 LIKE, I CAN'T CHANGE THIS. ♪♪ 242 00:18:56,470 --> 00:19:01,780 SO WE DIDN'T TALK ANYMORE. I HAD A ROUGH FEW YEARS FIGURING 243 00:19:01,780 --> 00:19:05,150 OUT WHO I WAS. IT WAS A HARD TIME NOT BEING 244 00:19:05,150 --> 00:19:08,920 ABLE TO TALK TO HER. THEN MY MOM GOT SICK 245 00:19:08,920 --> 00:19:13,820 SHE GOT DIAGNOSED WITH CANCER. IT WAS A HARD TIME FOR ALL THE 246 00:19:13,820 --> 00:19:17,760 FAMILY, BUT IT DIDN'T REALLY MATTER, ANYTHING THAT HAPPENED 247 00:19:17,760 --> 00:19:20,800 IN MY PAST BECAUSE THAT TIME YOU HAVE WITH 248 00:19:20,800 --> 00:19:24,500 AN INDIVIDUAL IS LIMITED AND WE JUST FELT BLESSED TO BE 249 00:19:24,500 --> 00:19:29,070 LIVING ANOTHER DAY TOGETHER. HEY, MOM. 250 00:19:29,070 --> 00:19:31,340 >> HOW ARE YOU >> I'M GOOD. 251 00:19:31,340 --> 00:19:33,010 >> YOU LOOK HAPPY. >> YEAH. 252 00:19:33,010 --> 00:19:39,110 I JUST WISH YOU COULD BE HERE. >> ME, TOO 253 00:19:39,110 --> 00:19:41,750 >> OH. YOU'RE MY BIGGEST SUPPORT 254 00:19:41,750 --> 00:19:43,150 SYSTEM. >> SHE'S IN REMISSION NOW. 255 00:19:43,150 --> 00:19:47,860 AND IT TAUGHT ME LIFE IS TOO SHORT NOT TO LOVE YOURSELF 256 00:19:47,860 --> 00:19:50,020 AND GO FOR YOUR DREAMS. >> I LOVE YOU, SON 257 00:19:50,020 --> 00:20:00,000 YOU GO GET THEM. [ CHEERS AND APPLAUSE 258 00:20:00,000 --> 00:20:12,180 ♪♪ ♪ YOU'VE GIVEN ME A MILLION 259 00:20:12,180 --> 00:20:16,980 REASONS TO LET YOU GO YOU'VE GIVEN ME A MILLION REASONS TO 260 00:20:16,980 --> 00:20:21,060 QUIT THE SHOW ♪ ♪ GIVEN ME A MILLION REASONS 261 00:20:21,060 --> 00:20:23,790 GIVEN ME A MILLION REASONS ABOUT A MILLION REASONS ♪ 262 00:20:23,790 --> 00:20:32,930 ♪ IF I HAD A HIGHWAY I WOULD RU FOR THE HILLS IF YOU COULD FIND 263 00:20:32,930 --> 00:20:38,540 A DRIVEWAY I WOULD FOREVER BE STILL ♪ 264 00:20:38,540 --> 00:20:47,220 ♪ I BOW DOWN TO PRAY I TRY TO MAKE THE WORDS BE BETTER ♪ 265 00:20:47,220 --> 00:20:53,490 ♪ LORD SHOW ME THE WAY TO CUT THROUGH ALL THE WORN OUT 266 00:20:53,490 --> 00:21:00,090 LEATHER ♪ ♪ I'VE GOT A HUNDRED MILLION 267 00:21:00,090 --> 00:21:05,670 REASONS TO WALK AWAY ♪ ♪ MAYBE I JUST NEED ONE GOOD ON 268 00:21:05,670 --> 00:21:08,540 TO STAY ♪ ♪♪ 269 00:21:08,540 --> 00:21:19,710 ♪ BABY I NEED IT, PLEADING EVER HEARTBREAK MAKES IT HARD TO KEEP 270 00:21:19,710 --> 00:21:23,420 IT ♪ ♪ MAYBE I JUST NEED ONE GOOD ON 271 00:21:23,420 --> 00:21:31,560 GOOD ONE GOOD ONE ♪ ♪ I BOW DOWN TO PRAY I TRY TO 272 00:21:31,560 --> 00:21:37,060 MAKE THE WORDS SEEM BETTER ♪ ♪ I'VE GOT A HUNDRED MILLION 273 00:21:37,060 --> 00:21:48,940 REASONS TO WALK AWAY ♪ ♪ MAYBE I JUST NEED ONE GOOD ON 274 00:21:48,940 --> 00:21:54,950 GOOD ONE MAYBE I JUST NEED ONE GOOD ONE TO STAY ♪ 275 00:21:54,950 --> 00:22:01,960 ♪♪ [ CHEERS AND APPLAUSE 276 00:22:01,960 --> 00:22:10,570 >> Terry: KAMERON ROSS SOFIA? 277 00:22:10,570 --> 00:22:16,940 >> I LOVE YOU. I LOVED YOU FROM THE FIRST TIME 278 00:22:16,940 --> 00:22:21,880 I SAW YOU. YOU'RE SO HANDSOME, AND WHEN YOU 279 00:22:21,880 --> 00:22:26,810 PERFORM, IT SHOWS HOW MUCH THIS MEANS TO YOU, AND YOUR STORY IS 280 00:22:26,810 --> 00:22:31,720 AMAZING. I DID LOVE YOUR FIRST 281 00:22:31,720 --> 00:22:35,160 PERFORMANCE, BUT I THINK AMERICA WILL LOVE YOU. 282 00:22:35,160 --> 00:22:39,790 >> THANK YOU SO MUCH. >> Terry: KENAN? 283 00:22:39,790 --> 00:22:45,700 >> I DID LOVE YOUR STORY, AND YOU LOOK VERY FREE, COMFORTABLE, 284 00:22:45,700 --> 00:22:51,310 AND HAPPY ON STAGE I FEEL LIKE YOU CAN ADD A COWBOY 285 00:22:51,310 --> 00:22:54,340 HAT, BUT OVERALL, I THINK IT WAS PRETTY KAY. 286 00:22:54,340 --> 00:22:56,240 >> THANK YOU. >> Terry: HOWIE? 287 00:22:56,240 --> 00:23:00,980 >> I LOVED THAT WHAT WAS MISSING FOR YOU WAS A HAT. 288 00:23:00,980 --> 00:23:04,720 >> YEAH. >> A HAT WOULD HAVE DONE IT. 289 00:23:04,720 --> 00:23:09,360 I DON'T DISAGREE WITH SOFIA, THE SONG CHOICE WASN'T MY FAVORITE 290 00:23:09,360 --> 00:23:12,930 THE WAY WE'RE LIVING IN THIS WORLD, EVERYBODY HAS TO BE 291 00:23:12,930 --> 00:23:15,800 ACCEPTED AND YOU'RE SUCH A PILLAR OF 292 00:23:15,800 --> 00:23:17,300 ACCEPTANCE AND I THINK AMERICA IS GOING TO 293 00:23:17,300 --> 00:23:20,530 LOVE YOU I DIDN'T LOVE THAT SONG. 294 00:23:20,530 --> 00:23:21,940 >> THANK YOU >> Terry: HEIDI? 295 00:23:21,940 --> 00:23:24,370 >> I REALLY WANTED IT TO BE GOOD 296 00:23:24,370 --> 00:23:28,480 BECAUSE I REALLY LIKE YOU. AND LIKE EVERYONE SAID ALREADY, 297 00:23:28,480 --> 00:23:31,180 TOO, I LOVED WHAT YOU DID BEFORE 298 00:23:31,180 --> 00:23:35,080 THIS WAS NOT MY MOST FAVORITE RENDITION OF THE SONG. 299 00:23:35,080 --> 00:23:38,990 MAYBE YOU WERE EXTRA NERVOUS TODAY, BUT IT WAS NOT MY 300 00:23:38,990 --> 00:23:41,960 FAVORITE. >> HE NEEDED A HAT. 301 00:23:41,960 --> 00:23:44,090 >> Terry: GOOD LUCK TONIGHT, KAMERON. 302 00:23:44,090 --> 00:23:50,730 >> THANK YOU SO MUCH >> Terry: IF YOU WANT TO VOT 303 00:23:50,730 --> 00:23:52,000 FOR KAMERON, YOU CAN VOTE ONLINE AT NBC.COM OR USE THE OFFICIAL 304 00:23:52,000 --> 00:23:53,900 "AMERICA'S GOT TALENT" APP IN A COUPLE OF MINUTES, TWO 305 00:23:53,900 --> 00:23:55,970 SENSATIONAL DANCERS WILL BE PERFORMING ALL THE WAY FROM 306 00:23:55,970 --> 00:24:00,640 INDIA. AND LATER, MY GOLDEN BUZZER, 307 00:24:00,640 --> 00:24:02,780 VOICES OF OUR CITY, GET THEIR SHOT AT CHANGING THEIR LIVES 308 00:24:02,780 --> 00:24:05,180 FOREVER. I CANNOT WAIT. 309 00:24:05,180 --> 00:24:05,700 STAY RIGHT THERE [ CHEERS AND APPLAUSE 310 00:24:05,700 --> 00:24:06,330 ♪♪ ♪♪ 311 00:24:17,730 --> 00:24:25,980 [ CHEERS AND APPLAUSE >> Terry: OKAY, THIS NEXT ACT IS 312 00:24:25,980 --> 00:24:28,480 CALLED BAD SALSA BUT THAT DOESN'T MEAN WHAT YOU 313 00:24:28,480 --> 00:24:41,950 THINK IT MEANS THESE TWO DANCERS ARE PERFORMING 314 00:24:41,950 --> 00:24:45,090 ALL THE WAY OVER IN INDIA, TO KEEP THEIR "AGT" DREAM ALIVE 315 00:24:45,090 --> 00:24:45,800 HERE'S MORE ON BAD SALSA [ CHEERS AND APPLAUSE 316 00:24:49,990 --> 00:24:55,200 ♪♪ >> I GREW UP IN A VILLAGE NEAR 317 00:24:55,200 --> 00:25:01,540 BANGLADESH MY FATHER IS A FARMER, AND EARNS 318 00:25:01,540 --> 00:25:13,450 AROUND A DOLLAR A DAY. WHICH DOES NOT LEAVE A LOT FOR 319 00:25:13,450 --> 00:25:21,160 FOOD WE ESCAPED BY WATCHING MOVIES. 320 00:25:21,160 --> 00:25:24,260 I WANTED TO FOLLOW ONE ACTRESS' FOOTSTEPS. 321 00:25:24,260 --> 00:25:27,200 I STARTED DANCING, BUT I NEVER DREAMED IT COULD BE POSSIBLE FOR 322 00:25:27,200 --> 00:25:39,880 ME NOW OUR DREAMS BEGUN TO COME 323 00:25:39,880 --> 00:25:42,680 TRUE. >> WE FEEL SO BLESSED AND LUCKY 324 00:25:42,680 --> 00:25:45,820 TO BE ABLE TO PERFORM ON SUCH A BIG STAGE. 325 00:25:45,820 --> 00:25:49,950 >> OUR TEACHER HAS BEEN THE PRIME MOTIVATION FOR US AND NOW 326 00:25:49,950 --> 00:25:54,890 WE FEEL LIKE OUR FORTUNE HAS CHANGED. 327 00:25:54,890 --> 00:25:56,590 ♪♪ >> WOW. 328 00:25:56,590 --> 00:26:01,560 >> IT WAS FAST, ENTERTAINING, AMAZING. 329 00:26:01,560 --> 00:26:05,340 >> WE NOT ONLY WANT TO WIN THE SHOW, WE WANT TO WIN THE HEARTS 330 00:26:05,340 --> 00:26:10,740 OF THE JUDGES. SO TONIGHT, WE'RE BRINGING 331 00:26:10,740 --> 00:26:16,480 BOLLYWOOD TO THE "AMERICA'S GOT TALENT" STAGE WITH THE PERFECT 332 00:26:16,480 --> 00:26:21,450 TWIST OF SALSA IT'S NOW OR NEVER FOR US 333 00:26:21,450 --> 00:26:35,400 [ CHEERS AND APPLAUSE ♪♪ 334 00:26:35,400 --> 00:26:46,940 ♪♪ 335 00:26:52,120 --> 00:27:05,300 ♪♪ 336 00:27:08,600 --> 00:27:23,310 ♪♪ 337 00:27:24,810 --> 00:27:37,530 ♪♪ 338 00:27:41,100 --> 00:27:52,240 ♪♪ 339 00:27:53,980 --> 00:28:04,620 ♪♪ 340 00:28:07,060 --> 00:28:19,100 ♪♪ [ CHEERS AND APPLAUSE 341 00:28:19,100 --> 00:28:25,810 >> Terry: BAD SALSA! ALL THE WAY FROM INDIA 342 00:28:25,810 --> 00:28:33,980 HI, GUYS OH, MY GOODNESS. 343 00:28:33,980 --> 00:28:36,250 >> HELLO >> Terry: HEIDI, CAN YOU BELIEVE 344 00:28:36,250 --> 00:28:37,820 THAT >> YOU GUYS ARE SO GOOD. 345 00:28:37,820 --> 00:28:40,520 I WANT TO SAY YOU'RE THE BEST THAT WE'VE EVER HAD. 346 00:28:40,520 --> 00:28:46,630 TO THE POINT WHERE IT'S LIKE, IS THIS A DANCE ACT OR A DANGER 347 00:28:46,630 --> 00:28:49,530 ACT? IT'S INSANE WHAT YOU GUYS DO 348 00:28:49,530 --> 00:28:56,970 SO FAST. IT SHOULD BE BADASS SALSA. 349 00:28:56,970 --> 00:28:59,940 IT WAS AMAZING. >> Terry: KENAN? 350 00:28:59,940 --> 00:29:06,150 >> MY MIND IS BLOWN. YOU WERE SO INCREDIBLE 351 00:29:06,150 --> 00:29:08,520 YOU WERE GOING SO FAST, THE TECHNOLOGY COULDN'T KEEP UP WITH 352 00:29:08,520 --> 00:29:10,320 YOU. IT WAS AMAZING 353 00:29:10,320 --> 00:29:14,720 I SAW A LITTLE STUMBLE AT THE END, BUT IT WAS INCREDIBLE 354 00:29:14,720 --> 00:29:17,260 I GOT TO BE HONEST. >> WHAT? 355 00:29:17,260 --> 00:29:23,430 WHAT DO YOU KNOW ABOUT STUMBLES? >> I DON'T KNOW ANYTHING. 356 00:29:23,430 --> 00:29:26,340 >> Terry: SOFIA? >> IT WAS SPECTACULAR. 357 00:29:26,340 --> 00:29:29,340 BEFORE I DIE, I NEED SOMEBODY TO SPIN ME LIKE THAT. 358 00:29:29,340 --> 00:29:36,380 IT LOOKED AMAZING, SO MUCH FUN AND ALL THAT YOU'VE OVERCOME TO 359 00:29:36,380 --> 00:29:39,620 BE HERE. I LOVE YOUR OUTFIT, EVERYTHING, 360 00:29:39,620 --> 00:29:43,150 I DON'T CARE WHAT HE SAID. >> THANK YOU 361 00:29:43,150 --> 00:29:45,620 >> Terry: HOWIE, WHAT DO YOU THINK? 362 00:29:45,620 --> 00:29:48,620 >> YOU SCHOOLED US FIRST OF ALL, PEOPLE, THAT'S 363 00:29:48,620 --> 00:29:50,390 PRECISION IN DANCE NOT LIKE THE OTHER ONE 364 00:29:50,390 --> 00:29:55,260 NUMBER ONE, YOU SHOWED US PRECISION, DANGER, YOUR COUNTRY, 365 00:29:55,260 --> 00:29:57,070 YOUR LIFE. IT'S THE FIRST STANDING OVATION 366 00:29:57,070 --> 00:30:01,540 OF THE NIGHT YOU'RE THE BEST OF THE NIGHT 367 00:30:01,540 --> 00:30:02,610 AMERICA, THIS HAS TO BE ONE OF THE FIVE 368 00:30:02,610 --> 00:30:06,640 >> HAS TO BE. >> I LOVE YOU. 369 00:30:06,640 --> 00:30:12,050 >> I AGREE WITH THAT. >> Terry: BAD SALSA, YOU GOT 370 00:30:12,050 --> 00:30:17,520 BETTER AFTER THE AUDITION. HOW DID YOU DO IT. 371 00:30:17,520 --> 00:30:18,680 >> WE'RE REHEARSING WITH OUR GU GURU, PRACTICING EIGHT TO TEN 372 00:30:18,680 --> 00:30:21,810 HOURS A DAY, TRYING TO GET TO THE HEARTS OF OUR AUDIENCE AND 373 00:30:21,810 --> 00:30:23,080 JUDGES AND EVERYONE WATCHING US. >> Terry: THANK YOU, THANK YOU, 374 00:30:23,080 --> 00:30:24,460 THANK YOU FOR YOUR TALENT. GOOD LUCK TONIGHT. 375 00:30:29,420 --> 00:30:31,410 IF YOU WANT TO SEE MORE BAD SALSA IN THE SEMIFINALS, YOU 376 00:30:31,410 --> 00:30:31,950 KNOW WHAT TO DO. 377 00:30:32,960 --> 00:30:34,490 YOU CAN VOTE UP TO TEN TIMES FOR 378 00:30:34,490 --> 00:30:36,410 EACH ACT WITH EACH VOTING METHOD 379 00:30:36,410 --> 00:30:39,250 COMING UP, WE GOT A TRULY AMAZING COMEDIAN 380 00:30:39,250 --> 00:30:40,060 AND CHECK THIS, IT WILL BE ONLY THE SECOND TIME HE'S EVER 381 00:30:40,060 --> 00:30:44,160 PERFORMED IN FRONT OF AN AUDIENCE 382 00:30:44,160 --> 00:30:47,670 NOW THAT IS A LOT OF PRESSURE. HE'S UP AFTER THE BREAK. 383 00:30:47,670 --> 00:30:48,390 [ CHEERS AND APPLAUSE ♪♪ 384 00:30:54,510 --> 00:31:03,180 [ CHEERS AND APPLAUSE >> Terry: BEFORE THIS NEXT ACT 385 00:31:03,180 --> 00:31:04,450 WALKED ONSTAGE AT THE AUDITIONS, HE'D NEVER PERFORMED IN FRONT OF 386 00:31:04,450 --> 00:31:06,250 AN AUDIENCE BEFORE AND HE NAILED IT 387 00:31:06,250 --> 00:31:09,390 NOW HE'S GOT A BIGGER CHALLENGE ‐‐ YOU GUYS. 388 00:31:09,390 --> 00:31:27,040 HE IS VINCENT MARCUS ♪ PATTY PATTY CAKE BAKER'S MAN ♪ 389 00:31:27,040 --> 00:31:33,750 >> MAYBE SNOOP DOGG. >> YO, VINCE, THIS IS BIG SNOOP. 390 00:31:33,750 --> 00:31:40,720 >> HOW DID YOU GET MY NUMBER >> GET SOME SHADES, CUZ. 391 00:31:40,720 --> 00:31:44,190 >> OKAY. >> TELL HEIDI I SAID WHAT'S UP. 392 00:31:44,190 --> 00:31:52,100 >> WHAT'S UP, IT'S PITBULL, HOW YOU IFFEELING? 393 00:31:52,100 --> 00:31:55,830 >> WHAT'S UP >> ARE YOU TRYING TO STEAL MY 394 00:31:55,830 --> 00:32:01,840 IDENTITY >> NO, I JUST BORROWED IT FOR 395 00:32:01,840 --> 00:32:09,250 THE STAGE. >> YO, VINCENT 396 00:32:09,250 --> 00:32:12,320 >> EMINEM? >> I GOT A FREESTYLE COMING ON. 397 00:32:12,320 --> 00:32:15,690 >> OKAY. >> JUST KEEP RHYMING 398 00:32:15,690 --> 00:32:19,630 THIS IS YOUR MOMENT. IT'S PERFECT TIMING. 399 00:32:19,630 --> 00:32:22,690 >> SO WHAT'S THE DREAM >> WHAT WAS THAT 400 00:32:22,690 --> 00:32:28,570 >> YOU TRYING TO GO WORLDWIDE? >> WIDE? 401 00:32:28,570 --> 00:32:33,540 >> IT'S WORLDWIDE, DAWG. >> GO OUT THERE AND KILL IT, 402 00:32:33,540 --> 00:32:34,940 MARCUS. >> REACH FOR THE STARS. 403 00:32:34,940 --> 00:32:38,910 >> GET UP THERE AND TAKE IT. >> I THINK I'M READY NOW 404 00:32:38,910 --> 00:32:42,780 PEACE. [ CHEERS AND APPLAUSE 405 00:32:42,780 --> 00:32:56,160 ♪♪ ♪ WE ON AGT TAKING IT BACK TO 406 00:32:56,160 --> 00:33:04,040 THE ABCs AND 123s THIS OLD MAN HE CAME ROLLING HOME ♪ 407 00:33:04,040 --> 00:33:10,740 ♪ THIS IS AGT ♪ ♪ HEAD SHOULDER KNEES AND TOES 408 00:33:10,740 --> 00:33:15,180 TOES TOES ♪ ♪ HEAD SHOULDER KNEES AND TOES ♪ 409 00:33:15,180 --> 00:33:24,960 ♪ WE'RE DOING HEAD SHOULDER KNEES AND TOES ♪ 410 00:33:24,960 --> 00:33:28,330 ♪♪ ♪ I DIDN'T KNOW GOING ALL THE 411 00:33:28,330 --> 00:33:34,800 WAY ♪ ♪ ALL THE WAY TO THE TREETOPS ♪ 412 00:33:34,800 --> 00:33:38,840 ♪♪ ♪ ROCK A BYE BABY ON THE 413 00:33:38,840 --> 00:33:43,110 TREETOPS ♪ ♪ WHEN THE BOUGH BREAKS IT WILL 414 00:33:43,110 --> 00:33:47,280 FALL ♪ ♪♪ 415 00:33:47,280 --> 00:33:53,520 ♪ SO YOU KNOW MY COUSIN JACK ME A GIRL NAMED JILL WENT UP THE 416 00:33:53,520 --> 00:34:00,460 HILL JUST LOOKING FOR A THRILL ♪ ♪ FETCH A PAIL OF WATER JACK 417 00:34:00,460 --> 00:34:05,530 FELL DOWN AND BROKE HIS CROWN, AND JILL CAME TUMBLING AFTER ♪ 418 00:34:05,530 --> 00:34:11,740 ♪ AGT, MAY I HAVE YOUR ATTENTIO PLEASE ♪ 419 00:34:11,740 --> 00:34:17,840 ♪ PUT YOUR RIGHT FOOT IN AND SHAKE IT ALL ABOUT ♪ 420 00:34:17,840 --> 00:34:25,720 ♪ FIVE LITTLE MONKEYS JUMPING O THE BED ONE FELL OFF AND BUMPED 421 00:34:25,720 --> 00:34:32,460 HIS HEAD ♪ ♪ I ONCE HAD A DOG AND BINGO WA 422 00:34:32,460 --> 00:34:43,970 HIS NAME‐O ♪ ♪ POCKET FULL OF POESIES ♪ 423 00:34:43,970 --> 00:34:48,470 >> THANK YOU >> Terry: VINCENT MARCUS 424 00:34:48,470 --> 00:34:53,250 NOW, KENAN, YOU ARE THE MASTER OF IMPRESSIONS 425 00:34:53,250 --> 00:34:55,550 >> YES, YOU ARE. >> Terry: WHAT DID YOU THINK 426 00:34:55,550 --> 00:34:59,750 >> I DON'T KNOW IF I'M A MASTER. I THOUGHT THAT WAS AMAZING 427 00:34:59,750 --> 00:35:05,190 I THINK EMINEM IS DEFINITELY YOUR STRONGEST ONE 428 00:35:05,190 --> 00:35:12,100 I LIKE THE WAY YOU CONTINUE TO USE IT, IT'S NOT OVERDONE. 429 00:35:12,100 --> 00:35:17,200 YOUR 50 IS GREAT, AND YOU STEPPED IT UP FROM THE AUDITION 430 00:35:17,200 --> 00:35:18,640 I SAW. GREAT WORK. 431 00:35:18,640 --> 00:35:22,810 >> Terry: HEIDI? >> YOU DEFINITELY HAVE THE 432 00:35:22,810 --> 00:35:30,650 RHYTHM AND THE GROOVE, AND FROM THE VOICES, FOR ME, IT'S JUST 433 00:35:30,650 --> 00:35:35,550 SNOOP DOGG AND EMINEM. THE ONES IN BETWEEN, I DON'T 434 00:35:35,550 --> 00:35:39,890 KNOW IF THEY WERE THAT SPOT‐ON >> Terry: SOFIA? 435 00:35:39,890 --> 00:35:44,160 >> I LOVED IT, I LIKED IT. AND I HAVE TO GIVE IT TO YOU, 436 00:35:44,160 --> 00:35:48,630 THIS IS YOUR SECOND TIME YOU'VE PERFORMED WITH AN AUDIENCE 437 00:35:48,630 --> 00:35:50,840 YOU'RE ON INSTAGRAM, SOCIAL MEDIA. 438 00:35:50,840 --> 00:35:53,640 THIS PERFORMANCE WAS SO MUCH BETTER THAN THE FIRST ONE. 439 00:35:53,640 --> 00:35:55,040 I LOVE IT. >> THANK YOU 440 00:35:55,040 --> 00:35:58,510 >> Terry: HOWIE? >> YOU KNOW WHAT, I DON'T 441 00:35:58,510 --> 00:36:00,310 NECESSARILY AGREE WITH MY COHORTS HERE 442 00:36:00,310 --> 00:36:03,750 I THINK THE FIRST ONE WAS BETTER FOR ME BECAUSE THE PRESENTATION 443 00:36:03,750 --> 00:36:06,280 WAS, YOU KIND OF TOLD US WHO YOU WERE DOING 444 00:36:06,280 --> 00:36:08,690 AND WITHOUT IT, SHE'S RIGHT. I WAS A LITTLE LOST. 445 00:36:08,690 --> 00:36:09,090 BUT THAT DOESN'T MEAN ULTIMATELY THEY GOT TO CHOOSE FIVE. 446 00:36:11,960 --> 00:36:14,760 IT'S UP TO THEM. I DIDN'T LIKE IT AS MUCH AS YOUR 447 00:36:14,760 --> 00:36:18,230 LAST ONE, BUT I THINK YOU'RE AN AMAZING TALENT. 448 00:36:18,230 --> 00:36:20,700 >> THANK YOU >> Terry: THIS IS YOUR SECOND 449 00:36:20,700 --> 00:36:26,370 TIME PERFORMING IN FRONT OF AN AUDIENCE, COULD YOU GET USED TO 450 00:36:26,370 --> 00:36:27,570 THIS >> DEFINITELY. 451 00:36:27,570 --> 00:36:32,640 I THINK I WAS MADE FOR THIS. >> Terry: THANK YOU SO MUCH. 452 00:36:32,640 --> 00:36:36,620 GOOD LUCK TONIGHT, VINCENT OKAY, WHAT DID YOU THINK 453 00:36:36,620 --> 00:36:39,850 YOU WANT TO VOTE FOR VINCENT GET BUSY 454 00:36:39,850 --> 00:36:43,520 YOU CAN ALSO VOTE USING YOUR XFINITY VOICE REMOTE 455 00:36:43,520 --> 00:36:45,060 IN A COUPLE OF MINUTES, IT'S OUR 9‐YEAR‐OLD DOG TRAINER 456 00:36:45,060 --> 00:36:46,630 SHE LOOKS READY. WE'LL FIND OUT IF THE DOGS ARE 457 00:36:46,630 --> 00:36:47,180 TOO, WHEN WE COME BACK ♪♪ 458 00:37:01,240 --> 00:37:02,540 [ CHEERS AND APPLAUSE >> Terry: OUR ACTS ARE ALL OVER 459 00:37:02,540 --> 00:37:06,710 SOCIAL MEDIA WITH PICS, THOUGHTS, TWEETS, COMMENTS 460 00:37:06,710 --> 00:37:10,920 AND YOU CAN CATCH UP WITH ALL OF THEM AND THE JUDGES. 461 00:37:10,920 --> 00:37:17,060 FOLLOW THEM ON TWITTER, INSTAGRAM, OR FACEBOOK, @AGT 462 00:37:17,060 --> 00:37:18,620 CHECK OUT WHAT YOU'RE NOT SEEING ON TV. 463 00:37:18,620 --> 00:37:19,690 UP NOW IS A DOG TRAINER WHO USED TO BE AFRAID OF DOGS 464 00:37:19,690 --> 00:37:23,300 GO FIGURE. BUT SHE OVERCAME THAT AND NOW 465 00:37:23,300 --> 00:37:25,900 SHE AND HER DOGS ARE HERE ON "AGT." 466 00:37:25,900 --> 00:37:29,630 OH, AND SHE'S ONLY 9 YEARS OLD HERE'S ALEXIS BROWNLEY AND THE 467 00:37:29,630 --> 00:37:33,910 PUPPY PALS [ CHEERS AND APPLAUSE 468 00:37:33,910 --> 00:37:36,310 >> ARE YOU EXCITED >> YEAH. 469 00:37:36,310 --> 00:37:40,010 I'M SUPER EXCITED, BUT ALSO KIND OF NERVOUS. 470 00:37:40,010 --> 00:37:48,190 >> YOU'RE GOING TO BE AMAZING. >> GOOD LUCK, ALEXIS. 471 00:37:48,190 --> 00:37:52,620 >> BYE >> ARE YOU GUYS READY? 472 00:37:52,620 --> 00:37:54,230 >> OF COURSE. >> WE WERE BORN READY. 473 00:37:54,230 --> 00:38:00,470 >> I WAS JUST CATCHING UP ON BYM BEAUTY SLEEP. 474 00:38:00,470 --> 00:38:04,640 >> DO YOU KNOW HOW MUCH LIGHTS, CAMERA, AND ACTION THERE WILL 475 00:38:04,640 --> 00:38:06,440 BE AND THERE WILL BE MILLIONS OF 476 00:38:06,440 --> 00:38:10,210 PEOPLE WATCHING. IT'S LIVE, LIKE, LIVE‐LIVE. 477 00:38:10,210 --> 00:38:14,280 >> SPEAKING OF LIVE, I THINK SOMETHING DIED IN MY DINNER. 478 00:38:14,280 --> 00:38:16,650 >> HAVE YOU BEEN PRACTICING THE SCRIPT 479 00:38:16,650 --> 00:38:18,520 >> I'M SO GLAD YOU BROUGHT THAT UP 480 00:38:18,520 --> 00:38:24,220 IN SCENE TWO, MY LINE IS ‐‐ [ BARK ] 481 00:38:24,220 --> 00:38:27,330 WHICH IS REALLY OUT OF CHARACTER FOR ME 482 00:38:27,330 --> 00:38:31,860 IT SHOULD BE, WOOF, WOOF >> YOU'RE SUCH A DIVA. 483 00:38:31,860 --> 00:38:35,170 ♪ I THINK I SHOULD BE SINGING M LINES ♪ 484 00:38:35,170 --> 00:38:39,800 >> IS THIS ORGANIC I CANNOT EAT THIS. 485 00:38:39,800 --> 00:38:43,310 >> IF WE WIN THIS, WE'LL WIN $1 MILLION. 486 00:38:43,310 --> 00:38:46,480 >> I'VE BEEN MEANING TO TALK TO YOU ABOUT MY CONTRACT. 487 00:38:46,480 --> 00:38:50,480 >> YOU EACH WILL GET $100. SO DON'T WASTE IT. 488 00:38:50,480 --> 00:38:53,390 >> WHAT WILL YOU DO WITH THE REST OF THE MONEY? 489 00:38:53,390 --> 00:38:57,960 >> I WANT TO GET A CUTE BIRD >> I LOVE BIRDS. 490 00:38:57,960 --> 00:39:02,460 >> AND I'M GOING TO GET 18 CATS. AND ALSO A SHARK FOR THE POOL. 491 00:39:02,460 --> 00:39:08,930 >> DON'T JUDGE ME! >> ALEXIS, WE'RE READY FOR YOU 492 00:39:08,930 --> 00:39:11,100 ON SET >> ONE SEC 493 00:39:11,100 --> 00:39:11,900 LET'S DO THIS. [ CHEERS AND APPLAUSE 494 00:39:11,900 --> 00:39:16,470 ♪♪ 495 00:39:19,010 --> 00:39:34,230 ♪♪ 496 00:39:35,990 --> 00:39:49,810 ♪♪ 497 00:39:53,140 --> 00:40:04,290 ♪♪ 498 00:40:05,590 --> 00:40:17,570 ♪♪ 499 00:40:18,700 --> 00:40:29,350 ♪♪ 500 00:40:31,050 --> 00:40:43,460 ♪♪ 501 00:40:46,330 --> 00:40:56,640 ♪♪ 502 00:40:57,910 --> 00:41:11,820 ♪♪ 503 00:41:12,920 --> 00:41:30,010 ♪♪ 504 00:41:31,440 --> 00:41:51,560 ♪♪ 505 00:41:53,430 --> 00:42:09,910 ♪♪ [ CHEERS AND APPLAUSE 506 00:42:09,910 --> 00:42:13,050 >> Terry: I LOVE THAT. WE'LL ROUND UP THE DOGS AND GET 507 00:42:13,050 --> 00:42:17,190 ALEXIS BACK HERE FOR THE JUDGES' COMMENTS IN A COUPLE OF MINUTES. 508 00:42:17,190 --> 00:42:20,460 AND LATER, A SENSATIONAL SINGER, DANCER, AND TOTAL ROCKER WILL BE 509 00:42:20,460 --> 00:42:24,060 HITTING THE STAGE. PLUS, A DAREDEVIL TAKES ON THE 510 00:42:24,060 --> 00:42:25,140 MOST DANGEROUS ACT HE'S EVER PERFORMED. 511 00:42:25,140 --> 00:42:25,600 THAT'S ALL COMING UP, AFTER THIS BREAK. 512 00:42:39,880 --> 00:42:47,120 ♪♪ [ CHEERS AND APPLAUSE 513 00:42:47,120 --> 00:42:55,530 >> Terry: WELCOME BACK ALEXIS, YOU WERE ON A STAGE OVER 514 00:42:55,530 --> 00:43:00,370 HERE AT UNIVERSAL STUDIOS. LET'S CHECK OUT WHAT THE JUDGES 515 00:43:00,370 --> 00:43:01,330 THOUGHT. HEIDI? 516 00:43:01,330 --> 00:43:07,510 >> THAT WAS SO SWEET I THINK I GOT A CAVITY FROM IT 517 00:43:07,510 --> 00:43:13,280 NO, YOU ARE ADORABLE, YOUR DOGS ARE ADORABLE 518 00:43:13,280 --> 00:43:17,820 DO YOU THINK YOU CAN HELP TRAIN MY WOLFHOUND 519 00:43:17,820 --> 00:43:21,220 >> THANK YOU, BUT I DON'T THINK I CAN TRAIN WOLVES. 520 00:43:21,220 --> 00:43:25,620 >> YOU ARE AMAZING >> Terry: SOFIA? 521 00:43:25,620 --> 00:43:29,230 >> YOU'RE AMAZING. I THINK YOU'RE INSPIRING FOR 522 00:43:29,230 --> 00:43:35,300 KIDS BECAUSE YOU'RE 9 YEARS OLD, AND YOU CAN DO THESE SO 523 00:43:35,300 --> 00:43:36,300 PROFESSIONAL IT'S NOT EASY. 524 00:43:36,300 --> 00:43:41,210 YOU'RE SPENDING HOURS, YOU MAKE IT LOOK SO EASY AND FUN, BUT I 525 00:43:41,210 --> 00:43:43,410 KNOW YOU WORK SO HARD. YOU'RE AMAZING 526 00:43:43,410 --> 00:43:46,580 YOU'RE INSPIRING. >> THANK YOU SO MUCH. 527 00:43:46,580 --> 00:43:49,850 >> Terry: KENAN? >> YOU'RE SO PRECIOUS AND 528 00:43:49,850 --> 00:43:52,150 ADORABLE YOU'RE SO GOOD WITH YOUR DOGS. 529 00:43:52,150 --> 00:43:54,850 YOU LOOK LIKE YOU'RE HAVING SO MUCH FUN UP THERE. 530 00:43:54,850 --> 00:43:58,960 LOOKS LIKE A FUN‐LOVING HOUSEHOLD. 531 00:43:58,960 --> 00:44:02,290 THAT WAS AN AMAZING PERFORMANCE. THANK YOU FOR SHARING. 532 00:44:02,290 --> 00:44:03,490 >> THANK YOU. >> Terry: HOWIE? 533 00:44:03,490 --> 00:44:12,100 >> YOU REMIND ME OF DAKOTA FANNING, AND DREW BARRYMORE. 534 00:44:12,100 --> 00:44:17,410 BUT THIS IS SO MUCH BETTER THAN PIGS, FOR ME 535 00:44:17,410 --> 00:44:20,580 I ENJOYED IT, AND I ‐‐ LAST WEEK WAS PIGS 536 00:44:20,580 --> 00:44:25,650 I LIKED THIS BETTER. I THINK THEY SHOULD BE MOVING 537 00:44:25,650 --> 00:44:29,720 ON AMERICA, PLEASE VOTE 538 00:44:29,720 --> 00:44:37,760 ONLY FIVE GOING THROUGH. >> Terry: YOU AUDITIONED ONLINE, 539 00:44:37,760 --> 00:44:38,660 CORRECT? >> YES. 540 00:44:38,660 --> 00:44:41,130 >> Terry: WHAT IS IT LIKE BEING ON "AGT" 541 00:44:41,130 --> 00:44:45,300 >> IT'S EXCITING >> BETTER THAN THE BACKYARD? 542 00:44:45,300 --> 00:44:49,510 >> HE SAID GOOD. >> Terry: WELL, GOOD LUCK 543 00:44:49,510 --> 00:44:52,540 TONIGHT, ALEXIS. IF YOU WANT TO SEE ALEXI AND HER 544 00:44:52,540 --> 00:44:57,480 PUPPY PALS IN THE SEMIFINALS, VOTE 545 00:44:57,480 --> 00:44:58,720 TO VOTE ONLINE, GO TO NBC.COM. THEY CAN ONLY GO THROUGH IF YOU 546 00:44:58,720 --> 00:45:02,350 VOTE MOVING RIGHT ALONG, A LOT OF 547 00:45:02,350 --> 00:45:05,990 PERFORMERS HAVE AN ALTERNATE PERSONALITY INSIDE THEM, JUST 548 00:45:05,990 --> 00:45:13,430 WAITING FOR ITS MOMENT TO SHINE. WELL, THIS GUY HAS COME CHARGING 549 00:45:13,430 --> 00:45:14,430 OUT AT TOP SPEED AND IS TAKING THE WORLD BY STORM 550 00:45:14,430 --> 00:45:23,170 HE'S BONAVEGA. [ CHEERS AND APPLAUSE 551 00:45:23,170 --> 00:45:31,180 ♪♪ >> GROWING UP, I ALWAYS HAD THIS 552 00:45:31,180 --> 00:45:34,350 STRONG FEELING THERE THERE WERE TWO SIDES TO ME. 553 00:45:34,350 --> 00:45:37,760 THERE WAS BRANDON, A REGULAR GUY WHO WOULD GET A 9:00 TO 5:00 JOB 554 00:45:39,920 --> 00:45:43,390 AND NOT MAKE TOO MUCH NOISE. AND THEN THERE WAS BONAVEGA. 555 00:45:43,390 --> 00:45:48,400 BONAVEGA IS THIS ROCK AND ROLL CRAZY PERSON DEEP INSIDE ME, 556 00:45:48,400 --> 00:45:52,500 SCREAMING TO GET OUT BUT GROWING UP IN A RESTRICTIVE 557 00:45:52,500 --> 00:45:57,510 HOUSEHOLD IN OHIO, I HAD TO KEEP HIM HIDDEN AWAY. 558 00:45:57,510 --> 00:46:02,110 WHEN I STEPPED OUT ONSTAGE FOR "AGT," I WAS NOT SURE WHAT WOULD 559 00:46:02,110 --> 00:46:04,550 HAPPEN BONAVEGA IS A COLLECTION OF ALL 560 00:46:04,550 --> 00:46:07,620 THE THINGS I WAS TAUGHT TO HATE AND FEAR AS A CHILD. 561 00:46:07,620 --> 00:46:10,790 >> I JUST LOVE EVERYTHING ABOUT YOU. 562 00:46:10,790 --> 00:46:15,760 >> BRANDON AND BONAVEGA SPENT 25 YEARS BATTLING EACH OTHER. 563 00:46:15,760 --> 00:46:19,260 BUT NOW, I FEEL LIKE I CAN FULLY EMBRACE BONAVEGA, AND FINALLY BE 564 00:46:19,260 --> 00:46:38,250 MYSELF [ SHOT FIRED ] 565 00:46:38,250 --> 00:46:39,950 ♪♪ >> NOW THAT I'M ABOUT TO PERFORM 566 00:46:39,950 --> 00:46:48,190 ON THE LIVE SHOWS, I'VE COMPLETE COMPLETELY LET BONAVEGA TAKE THE 567 00:46:48,190 --> 00:46:49,060 WHEEL. THIS IS WHAT BONAVEGA WAS BORN 568 00:46:49,060 --> 00:46:54,400 TO DO. [ CHEERS AND APPLAUSE 569 00:46:54,400 --> 00:47:11,620 ♪♪ ♪ YEAH I'M GOING TO THELOSE CONT 570 00:47:11,620 --> 00:47:18,620 AND YOU DON'T HAVE TO DO TOO MUCH ♪♪ 571 00:47:18,620 --> 00:47:22,860 ♪ YOU CAN TURN ME ON WITH JUST TOUCH BABY ♪ 572 00:47:22,860 --> 00:47:28,930 ♪ NO ONE AROUND TO JUDGE ME I CAN'T SEE CLEARLY WHEN YOU'RE 573 00:47:28,930 --> 00:47:34,140 GONE ♪ ♪ AND I SAID OOH I'M BLINDED BY 574 00:47:34,140 --> 00:47:39,240 THE LIGHT ♪ ♪ DID I FEEL YOUR TOUCH ♪ 575 00:47:39,240 --> 00:47:53,930 ♪♪ [ CHEERS AND APPLAUSE 576 00:47:53,930 --> 00:48:01,530 ♪♪ 577 00:48:02,470 --> 00:48:22,820 ♪♪ ♪ MY MIND IS SO DAMN FILTHY 578 00:48:22,820 --> 00:48:26,990 YOU'RE TURNING ME ON I LIKE THE WAY YOU HAUNT ME ♪ 579 00:48:26,990 --> 00:48:34,730 ♪ MY MIND IS GONNA TAUNT ME BAB COME ON ♪ 580 00:48:34,730 --> 00:48:41,510 ♪ YOU'RE TURNING ME ON I LIKE I WHEN YOU HAUNT ME MY MIND IS 581 00:48:41,510 --> 00:48:45,640 GONNA TAUNT ME BABY COME ON BABY COME ON ♪ 582 00:48:45,640 --> 00:49:01,130 ♪♪ [ CHEERS AND APPLAUSE 583 00:49:01,130 --> 00:49:08,930 >> Terry: BONAVEGA HEIDI, DO YOU FEEL GUILTY? 584 00:49:08,930 --> 00:49:14,670 >> DO I FEEL GUILTY? FOR LOOKING? 585 00:49:14,670 --> 00:49:21,180 NO, I THINK IT'S SO COOL, YOU KIND OF LIKE REMIND ME OF DAVID 586 00:49:21,180 --> 00:49:24,620 FROM VAN HALEN ANYWAY, I THINK THAT YOU'RE LIKE 587 00:49:24,620 --> 00:49:28,090 A ROCK GOD I THINK YOU'RE SO COOL, SO 588 00:49:28,090 --> 00:49:30,250 UNIQUE AND I FEEL LIKE YOU'VE BEEN 589 00:49:30,250 --> 00:49:32,960 EXERCISING A LOT SINCE THE LAST TIME WE SAW YOU. 590 00:49:32,960 --> 00:49:36,590 BUT WHY THE SOMBER OUTFIT TO BEGIN WITH 591 00:49:36,590 --> 00:49:39,560 YOU SHOULD HAVE BEEN WEARING THIS, AND THEN GOT RID OF SOME 592 00:49:39,560 --> 00:49:41,370 MORE. >> IT LOOKS LIKE YOU'RE MATCHING 593 00:49:41,370 --> 00:49:42,470 ME I LOVE IT. 594 00:49:42,470 --> 00:49:46,100 >> I GOT THE MEMO. >> Terry: SOFIA? 595 00:49:46,100 --> 00:49:51,910 >> I LIKE THE J. LO OUTFIT YOU WORE LAST TIME, IT WAS BETTER 596 00:49:51,910 --> 00:49:54,280 FOR YOUR BODY TYPE IT WAS ENTERTAINING TO WATCH 597 00:49:54,280 --> 00:49:56,150 YOU. I THINK YOU HAVE AN AMAZING 598 00:49:56,150 --> 00:50:01,250 PRESENCE AND AN AMAZING ENERGY BUT I LOVED THAT OUTFIT, THE 599 00:50:01,250 --> 00:50:02,250 OTHER ONE. >> THANK YOU. 600 00:50:02,250 --> 00:50:04,460 >> MORE SKIN. >> YEAH. 601 00:50:04,460 --> 00:50:07,430 >> Terry: KENAN, YOU WANT MORE SKIN 602 00:50:07,430 --> 00:50:13,530 >> THEY LIKE TO SEE THE SKIN I GOT TO GIVE YOU CREDIT FOR 603 00:50:13,530 --> 00:50:21,310 WALKING THE FINE LINE OF CRAZY YOU'RE BOLD AND CONFIDENT, IT'S 604 00:50:21,310 --> 00:50:23,640 INFECTIOUS I ENJOYED THE PERFORMANCE, I 605 00:50:23,640 --> 00:50:28,010 DON'T KNOW IF I WOULD HAVE GONE DOWN TO SING THAT SONG, BUT WHEN 606 00:50:28,010 --> 00:50:32,280 YOU GOT INTO THE ROCK AND ROLL OF IT, THAT'S WHEN YOUR VOICE 607 00:50:32,280 --> 00:50:35,550 TALENT WAS SHINING THE FACT THAT YOU HAVE THIS 608 00:50:35,550 --> 00:50:38,220 ABILITY TO CREATE THIS CHARACTER IS REALLY COOL 609 00:50:38,220 --> 00:50:41,060 I REALLY HOPE THERE'S SOME KIND OF SPOT OUT THERE FOR YOU. 610 00:50:41,060 --> 00:50:43,560 AND I HOPE AMERICA VOTES FOR YOU. 611 00:50:43,560 --> 00:50:45,130 I GUESS WE'LL SEE. >> THANK YOU 612 00:50:45,130 --> 00:50:47,370 >> Terry: WHAT DID YOU THINK, HOWIE? 613 00:50:47,370 --> 00:50:51,570 >> HERE'S WHAT YOU ARE YOU KNOW, I PERSONALLY LOVE YOU. 614 00:50:51,570 --> 00:50:56,610 AND I DON'T KNOW WHETHER YOU'RE A GREAT ROCK STAR, SINGER, 615 00:50:56,610 --> 00:51:01,710 COMEDIAN, YOU'RE JUST CONFUSING. BUT YOU'RE THE KING OF 616 00:51:01,710 --> 00:51:07,020 CONFUSION. WHO DOESN'T LIKE TO BE CONFUSED. 617 00:51:07,020 --> 00:51:15,160 I'M MAZEAMAZED THAT YOU CAN SAY DRESSING SUBDUED. 618 00:51:15,160 --> 00:51:17,090 >> THANK YOU. >> Terry: BONAVEGA, I'M A CHILD 619 00:51:17,090 --> 00:51:20,100 OF THE '80s. AFTER THIS 2020, CAN YOU BRING 620 00:51:20,100 --> 00:51:25,240 THE '80s BACK? >> IF I HAVE ANYTHING TO DO WITH 621 00:51:25,240 --> 00:51:27,470 IT, I WILL. >> Terry: LET'S DO IT. 622 00:51:27,470 --> 00:51:28,610 GOOD LUCK TONIGHT, BONAVEGA. LISTEN, THIS IS THE KIND OF 623 00:51:28,610 --> 00:51:31,040 TALENT YOU CAN'T IGNORE. A SPOT IN THE SEMIFINALS IS AT 624 00:51:31,040 --> 00:51:35,750 STAKE. VOTING IS ALREADY OPEN AND IT'LL 625 00:51:35,750 --> 00:51:38,380 STAY OPEN UNTIL 7:00 A. M. EASTERN TOMORROW 626 00:51:38,380 --> 00:51:43,550 YOU ALSO CAN VOTE ONLINE AT NBC.COM AND YOU CAN VOTE USING 627 00:51:43,550 --> 00:51:55,970 THE "AMERICA'S GOT TALENT" APP COMING UP, TWO BROTHERS WHO SET 628 00:51:55,970 --> 00:51:57,900 THE BAR REAL HIGH DURING THE AUDITION 629 00:51:57,900 --> 00:51:58,250 CAN THEY RAISE THEIR GAME NOW? WE'LAL 630 00:51:58,250 --> 00:51:59,770 ♪♪ [ CHEERS AND APPLAUSE 631 00:52:12,620 --> 00:52:16,950 >> Terry: WELCOME TO KRUSTYLAND. WE'RE HERE TO WATCH TWO BROTHERS 632 00:52:16,950 --> 00:52:22,790 WHO ARE SUPERSTARS WITH THE DIABLO 633 00:52:22,790 --> 00:52:28,530 THEIR PASSION WOWED PEOPLE FROM ACROSS AMERICA, AND HAS BROUGHT 634 00:52:28,530 --> 00:52:33,640 THEM CLOSER TOGETHER, TOO. HERE ARE THE SPYROS BROS. 635 00:52:33,640 --> 00:52:39,910 >> FROM THE MOMENT I WAS BORN, WE'VE ALWAYS BEEN BEST FRIENDS 636 00:52:39,910 --> 00:52:42,750 MARCO IS AN INTROVERT, HE'S SHY AND AWKWARD. 637 00:52:42,750 --> 00:52:44,980 GROWING UP, PEOPLE MADE FUN OF HIM. 638 00:52:44,980 --> 00:52:47,890 HE WAS BULLIED A LOT HE FELT LIKE IT WAS THE END OF 639 00:52:47,890 --> 00:52:51,320 THE WORLD FOR HIM. >> WHEN MARCO FIRST DISCOVERED 640 00:52:51,320 --> 00:52:56,490 THE DIABLO, THAT'S THE FIRST TIME I'VE SEEN HIM REALLY HAPPY. 641 00:52:56,490 --> 00:53:00,970 WE WOULD COME HOME FROM SCHOOL, HE WOULD LOCK HIMSELF IN THE 642 00:53:00,970 --> 00:53:06,940 ROOM JUST PRACTICING DIABLO. TAKE OUT ALL HIS ANGER, 643 00:53:06,940 --> 00:53:10,910 FRUSTRATION, EMOTION IT WAS SAVING HIM FROM ALL THE 644 00:53:10,910 --> 00:53:12,910 BULLYING WHEN I SEE MARCO PERFORMING, 645 00:53:12,910 --> 00:53:22,520 HE'S A TOTALLY DIFFERENT PERSON. HE'S OUTGOING, CONFIDENT 646 00:53:22,520 --> 00:53:25,390 IT'S LIKE IT'S MAGIC WHEN HE'S HOLDING THE DIABLO, 647 00:53:25,390 --> 00:53:31,300 HE'S THE BEST IN THE WORLD AND THE BEST PART ABOUT IT, IT 648 00:53:31,300 --> 00:53:35,700 STRENGTHENED OUR BOND. WE ARE THERE FOR EACH OTHER, WE 649 00:53:35,700 --> 00:53:38,600 GOT EACH OTHER'S BACK. WHEN WE PERFORM TOGETHER, WE 650 00:53:38,600 --> 00:53:43,010 FEEL THIS INSANE CONNECTION. I MOVE, HE MOVES, WE BOTH MOVE 651 00:53:43,010 --> 00:53:44,710 TOGETHER IT'S BECAUSE OF THE HARD WORK 652 00:53:44,710 --> 00:53:46,640 WE'VE DONE AND WE'RE FAMILY 653 00:53:46,640 --> 00:53:51,950 JUST CONSTANTLY THINKING ABOUT THE NEXT PERFORMANCE, AND HOW TO 654 00:53:51,950 --> 00:53:57,560 STAND OUT. WE NEED TO STAND OUT, AND 655 00:53:57,560 --> 00:54:00,790 WINNING "AMERICA'S GOT TALENT" HAS ALWAYS BEEN MARCO'S DREAM. 656 00:54:00,790 --> 00:54:04,330 AND I WANT TO FULFILL THAT DREAM WITH HIM 657 00:54:04,330 --> 00:54:08,800 [ CHEERS AND APPLAUSE 658 00:54:10,400 --> 00:54:31,860 ♪♪ 659 00:54:32,890 --> 00:54:51,280 ♪♪ 660 00:54:52,210 --> 00:55:10,360 ♪♪ 661 00:55:11,230 --> 00:55:29,050 ♪♪ 662 00:55:29,980 --> 00:55:50,000 ♪♪ 663 00:55:51,200 --> 00:56:08,690 ♪♪ 664 00:56:10,150 --> 00:56:19,060 [ CHEERS AND APPLAUSE >> Terry: GREAT JOB, GUYS! 665 00:56:19,060 --> 00:56:21,870 LISTEN, WAS THAT ENOUGH TO GET THEM INTO THE SEMIFINALS 666 00:56:21,870 --> 00:56:26,500 WE'LL CHECK IN WITH THE JUDGES RIGHT AFTER THIS BREAK 667 00:56:26,500 --> 00:56:27,340 ♪♪ [ CHEERS AND APPLAUSE 668 00:56:27,340 --> 00:56:34,780 >>> COMING UP ‐‐ >> AND YOU REALLY COULD BLOSSOM 669 00:56:34,780 --> 00:56:37,310 IN FRONT OF OUR EYES. >> IT WAS AN INCREDIBLE 670 00:56:37,310 --> 00:56:41,520 PERFORMANCE. ♪♪ 671 00:56:41,520 --> 00:56:41,880 >> FOR YOU, THAT YOU MADE SOMETHING HAPPEN 672 00:56:41,880 --> 00:56:42,260 ♪♪ [ CHEERS AND APPLAUSE 673 00:57:00,670 --> 00:57:03,770 >> Terry: BEFORE THE BREAK, WE SAW THE SPYROS BROS DOING ‐‐ 674 00:57:03,770 --> 00:57:07,410 I CAN'T EVEN DESCRIBE WHAT THEY WERE DOING, IT WAS SO AMAZING. 675 00:57:07,410 --> 00:57:13,150 LET'S GET TO THE JUDGES. NOW, KENAN, YOU WEREN'T THERE. 676 00:57:13,150 --> 00:57:17,550 >> WHAT HAPPENED I JUST RAN TO MY CAR REALLY 677 00:57:17,550 --> 00:57:20,460 QUICK. AND I CAME BACK, Y'ALL DID A 678 00:57:20,460 --> 00:57:22,130 WHOLE THING. >> Terry: WHAT DID YOU THINK OF 679 00:57:22,130 --> 00:57:25,760 WHAT YOU SAW >> SERIOUSLY, FROM WHAT I JUST 680 00:57:25,760 --> 00:57:29,270 SAW, THAT WAS AMAZING. I CAN SEE HOW HONED IN YOU GET 681 00:57:29,270 --> 00:57:31,940 WHEN YOU ARE WORKING WITH THIS INSTRUMENT THAT YOU LOVE SO 682 00:57:31,940 --> 00:57:34,100 MUCH AND THE FACT THAT YOU GUYS GET 683 00:57:34,100 --> 00:57:37,340 TO DO IT TOGETHER AND YOU'RE BROTHERS, IT'S AMAZING 684 00:57:37,340 --> 00:57:41,350 PERSONALLY, I THINK I WOULD STICK TO JUST THE ACROBATIC 685 00:57:41,350 --> 00:57:44,620 TRICKS OF IT ALL, AND MAYBE LESS CHOREOGRAPHY 686 00:57:44,620 --> 00:57:48,890 I THINK YOU GUYS ARE DOING SUCH AMAZING THINGS WITH YOUR TOOLS, 687 00:57:48,890 --> 00:57:53,090 YOU CAN JUST FOCUS ON THAT BECAUSE THAT WAS AMAZING. 688 00:57:53,090 --> 00:57:55,130 >> I APPRECIATE THAT, THANK YOU VERY MUCH. 689 00:57:55,130 --> 00:57:57,530 >> Terry: SOFIA? >> I THINK THE JOY AND 690 00:57:57,530 --> 00:58:01,770 ENTHUSIASM THAT YOU GUYS BRING TO THE SHOW IS SPECIAL 691 00:58:01,770 --> 00:58:09,140 I HAD NEVER SEEN A DIABLO IN MY LIFE UNTIL I MET YOU GUYS. 692 00:58:09,140 --> 00:58:11,480 I FEEL LIKE SOMETHING BAD IS GOING TO HAPPEN, I'M EXCITED, 693 00:58:11,480 --> 00:58:13,980 I'M HAPPY. I LIKE WHEN YOU GUYS PUT A 694 00:58:13,980 --> 00:58:16,750 LITTLE BIT OF MUSIC AND CHOREOGRAPHY 695 00:58:16,750 --> 00:58:22,290 I LOVE YOUR ACT AND YOUR OUTFITS. 696 00:58:22,290 --> 00:58:26,690 >> THANK YOU VERY MUCH. >> Terry: HHEIDI, YOU'RE ALL 697 00:58:26,690 --> 00:58:30,560 COVERED UP OVER THERE. >> IT'S INCREDIBLE WHAT YOU DO 698 00:58:30,560 --> 00:58:34,470 I DIDN'T LOVE YOU GUYS USING THE SPACE RIGHT IN FRONT OF US, I 699 00:58:34,470 --> 00:58:42,110 WAS LIKE THIS THE ENTIRE TIME. IT'S NOT LIKE A YO‐YO, IT'S NOT 700 00:58:42,110 --> 00:58:44,410 ATTACHED IT'S SO FAST COMING AT US. 701 00:58:44,410 --> 00:58:46,780 IT'S QUITE INCREDIBLE. >> THANK YOU SO MUCH. 702 00:58:46,780 --> 00:58:50,150 >> Terry: HOWIE? >> YOU KNOW, AGAIN, WE TALKED 703 00:58:50,150 --> 00:58:52,720 ABOUT THIS AT THE BEGINNING, YOU ARE PRECISION. 704 00:58:52,720 --> 00:58:58,790 AND YOU ARE ONE OF THE FIVE ACTS, I THINK, THAT DESERVE TO 705 00:58:58,790 --> 00:59:01,390 GO ON. YOU MAKE JUDGING LOOK SO 706 00:59:01,390 --> 00:59:06,630 DANGEROUS. AND YOU'RE SHARING AN OUTFIT 707 00:59:06,630 --> 00:59:10,430 WITH BONAVEGA. WE'RE ALL TOGETHER IN THIS 708 00:59:10,430 --> 00:59:13,840 I LOVE YOU. >> THANK YOU SO MUCH. 709 00:59:13,840 --> 00:59:19,540 >> Terry: THE SPYROS BROS. IT'S NOT A YO‐YO, BUT IS IT A 710 00:59:19,540 --> 00:59:28,850 YO‐YO? IT'S A GIANT YO‐YO, CORRECT? 711 00:59:28,850 --> 00:59:36,030 >> IT'S A GIANT YO‐YO THAT FLIES, AND IT WAS INVENTED BY A 712 00:59:36,030 --> 00:59:38,930 FILIPINO, JUST LIKE US >> Terry: THAT'S AMAZING 713 00:59:38,930 --> 00:59:42,270 GOOD LUCK TONIGHT. OKAY, THIS IS YOUR CHANCE TO PUT 714 00:59:42,270 --> 00:59:46,340 THE SPYROS BROS INTO THE SEMIFINALS. 715 00:59:46,340 --> 00:59:47,370 ALL YOU GOT TO DO IS VOTE FOR THEM 716 00:59:47,370 --> 00:59:49,970 YOU CAN GET ONLINE, YOU CAN USE THE APP, AND YOU CAN VOTE UP TO 717 00:59:49,970 --> 00:59:52,080 TEN TIMES FOR EACH ACT WITH ALL OF THE VOTING METHODS. 718 00:59:52,080 --> 01:00:03,050 LOOK AT THESE SMILES YOU CAN MAKE THEM EVEN BIGGER. 719 01:00:03,050 --> 01:00:08,430 TOMORROW NIGHT, YOUR VOTES WILL PUT FIVE ACTS INTO THE 720 01:00:08,430 --> 01:00:11,700 SEMIFINALS BUT THAT MEANS SIX ACTS WILL BE 721 01:00:11,700 --> 01:00:15,230 GOING HOME WE'VE ALSO GOT TWO OF "AGT'S" 722 01:00:15,230 --> 01:00:19,340 BIGGEST STARS JOINING US ‐ THE SENSATIONAL 2017 CHAMPION 723 01:00:19,340 --> 01:00:26,110 DARCI LYNNE WILL BE HERE AND JABBAWOCKEEZ 724 01:00:26,110 --> 01:00:27,680 THAT ALL STARTS AT 8:00, 7:00 P. M. CENTRAL TOMORROW 725 01:00:27,680 --> 01:00:28,950 BACK TO TONIGHT, AND RIGHT NOW, HERE'S A 14‐YEAR‐OLD SINGER WHO 726 01:00:28,950 --> 01:00:31,850 HAS COME A LONG WAY TO MAKE HER DREAM COME TRUE. 727 01:00:31,850 --> 01:00:38,090 SHE'S DANELIYA TULESHOVA [ CHEERS AND APPLAUSE 728 01:00:38,090 --> 01:00:45,630 >> LIVE HAS BEEN SO DIFFEREN AFTER MY AUDITION. 729 01:00:45,630 --> 01:00:51,400 WE'VE BEEN IN FULL LOCKDOWN LIKE THE REST OF THE WORLD. 730 01:00:51,400 --> 01:00:55,010 AND I HAD MY 14th BIRTHDAY, VERY BORING 731 01:00:55,010 --> 01:00:58,540 AND A LOT OF TIME TO GET READY FOR THE LIVE SHOWS 732 01:00:58,540 --> 01:01:05,080 I PRACTICED NONSTOP, I WANT TO MAKE IT ALL THE WAY. 733 01:01:05,080 --> 01:01:11,320 AT MY FIRST AUDITION, I WAS SO EXCITED TO PERFORM, ESPECIALLY 734 01:01:11,320 --> 01:01:15,490 IN FRONT OF SIMON COWELL BEING THERE FELT LIKE I WAS 735 01:01:15,490 --> 01:01:18,060 FLYING NOW I MADE IT TO THE LIVE SHOWS. 736 01:01:18,060 --> 01:01:21,870 IT'S MIND‐BLOWING. EVER SINCE I CAN REMEMBER, I 737 01:01:21,870 --> 01:01:35,410 WANTED TO BE A SINGER LIKE ARIANA GRANDE, BILLIE EILISH, 738 01:01:35,410 --> 01:01:38,320 AND SHAWN MENDES AND IT FEELS LIKE THAT DREAM IS 739 01:01:38,320 --> 01:01:42,020 FINALLY COMING TRUE. IT'S ONE OF THE BIGGEST MOMENTS 740 01:01:42,020 --> 01:01:43,750 IN MY LIFE AND MY DREAMS ARE SO CLOSE 741 01:01:43,750 --> 01:01:51,360 AND I'M NOT READY FOR THIS JOURNEY TO END 742 01:01:51,360 --> 01:01:55,670 ♪♪ [ CHEERS AND APPLAUSE 743 01:01:55,670 --> 01:02:23,660 ♪♪ ♪ UNTIL THE FINAL SHOW ♪ 744 01:02:23,660 --> 01:02:45,580 ♪♪ ♪ GIRL STOP YOUR CRYING ♪ 745 01:02:45,580 --> 01:02:58,860 ♪ WE GOT TO GET AWAY FROM HERE WE GOT TO GET AWAY FROM HERE ♪ 746 01:02:58,860 --> 01:03:09,640 ♪ WE SHOULD OPEN UP ♪ ♪♪ 747 01:03:09,640 --> 01:03:23,520 ♪ GIRL STOP YOUR CRYING ♪ ♪ WE GOT TO GET AWAY FROM HERE ♪ 748 01:03:23,520 --> 01:03:37,470 ♪ WE GOT TO GET AWAY ♪ ♪♪ 749 01:03:37,470 --> 01:03:46,880 ♪ OOH OOH ♪ ♪ WE GOT TO WE GOT TO WE GOT TO 750 01:03:46,880 --> 01:03:54,420 GET AWAY ♪ ♪ OH OH ♪ 751 01:03:54,420 --> 01:04:06,000 ♪ GIRL STOP YOUR CRYING ♪ ♪ WELCOME TO THE FINAL SHOW I 752 01:04:06,000 --> 01:04:11,870 HOPE YOU LET ME OPEN CLOSE ♪ ♪♪ 753 01:04:11,870 --> 01:04:19,810 [ CHEERS AND APPLAUSE >> THANK YOU SO MUCH 754 01:04:19,810 --> 01:04:25,080 >> Terry: DANELIYA TULESHOVA WOW. 755 01:04:25,080 --> 01:04:31,450 THE JUDGES ARE STANDING. HOWIE? 756 01:04:31,450 --> 01:04:36,230 >> OH, MY GOSH YOU ARE SO BEYOND YOUR YEARS 757 01:04:36,230 --> 01:04:39,930 YOU ARE IN SUCH CONTROL. YOU ARE JUST AN AMAZING ‐‐ 758 01:04:39,930 --> 01:04:42,870 YOU'RE ALREADY A STAR. YOU'RE ALREADY, I CAN SEE THAT 759 01:04:42,870 --> 01:04:46,940 YOU HAVE AN AMAZING FUTURE I HOPE AND IF I'M RIGHT YOU 760 01:04:46,940 --> 01:04:50,170 STILL HAVE A FUTURE ON THIS SHOW 761 01:04:50,170 --> 01:04:55,250 I THINK THEY'LL VOTE YOU IN. EVERYBODY AT THE PANEL STOOD, 762 01:04:55,250 --> 01:05:00,480 AND EVERYBODY AT HOME WOULD HAVE IF THEY HAD PANTS ON. 763 01:05:00,480 --> 01:05:04,220 >> Terry: HEIDI? >> SO MUCH MATURITY AND GRACE AT 764 01:05:04,220 --> 01:05:06,660 ONLY 14 YEARS OLD. IT WAS ABSOLUTELY INCREDIBLE 765 01:05:06,660 --> 01:05:10,460 IT WAS FLAWLESS. YOU REALLY BROUGHT YOUR "A"‐GAME 766 01:05:10,460 --> 01:05:12,160 TODAY. WELL DONE. 767 01:05:12,160 --> 01:05:14,900 >> THANK YOU >> Terry: SOFIA? 768 01:05:14,900 --> 01:05:17,730 >> DEFINITELY THIS NIGHT IS OWNED BY THE KIDS. 769 01:05:17,730 --> 01:05:20,600 IT'S BEEN AMAZING. YOU'RE MY FAVORITE PERFORMANCE 770 01:05:20,600 --> 01:05:25,410 OF THE NIGHT I THINK EVERYTHING ABOUT YOU IS 771 01:05:25,410 --> 01:05:28,650 PERFECT. I THINK THE WORLD IS YOURS 772 01:05:28,650 --> 01:05:32,880 >> THANK YOU SO MUCH >> Terry: KENAN? 773 01:05:32,880 --> 01:05:37,650 >> I JUST ‐‐ I WAS BLOWN AWAY. I COULDN'T BELIEVE THAT GIANT 774 01:05:37,650 --> 01:05:41,060 VOICE WAS COMING OUT OF A 14‐YEAR‐OLD LIKE THAT. 775 01:05:41,060 --> 01:05:46,830 YOU HAVE SUCH DEPTH IN YOUR SOUL, I CAN'T THANK YOU ENOUGH 776 01:05:46,830 --> 01:05:52,740 FOR SHARING THAT WITH ME THANK YOU VERY MUCH FOR THAT 777 01:05:52,740 --> 01:05:54,540 >> THANK YOU >> Terry: DANELIYA, YOUR TALENT 778 01:05:54,540 --> 01:06:00,740 IS SO AMAZING. WHO INSPIRES YOU TO SING 779 01:06:00,740 --> 01:06:05,980 >> I THINK MY PARENTS, BECAUSE I LOVE THEM SO MUCH. 780 01:06:05,980 --> 01:06:08,690 AND THEY INSPIRE ME THE MOST I LOVE THEM. 781 01:06:08,690 --> 01:06:13,420 >> Terry: THEY HAVE TO BE PROUD OF YOU TONIGHT 782 01:06:13,420 --> 01:06:14,460 FOR REAL GOOD LUCK TONIGHT, DANELIYA. 783 01:06:14,460 --> 01:06:18,630 COME ON, YOU'VE SEEN SOME GREAT ACTS TONIGHT, AND NOW YOU GET TO 784 01:06:18,630 --> 01:06:23,830 DECIDE WHO'S GOING INTO THE SEMIFINALS 785 01:06:23,830 --> 01:06:25,100 AND REMEMBER, XFINITY CUSTOMERS, YOU CAN VOTE USING YOUR XFINITY 786 01:06:25,100 --> 01:06:29,040 VOICE REMOTE OKAY 787 01:06:29,040 --> 01:06:34,980 AFTER THE BREAK IT'S GONNA GET SCARY. 788 01:06:34,980 --> 01:06:40,220 IF THIS ACT GOES WRONG, WELL, ONE OF THE MOST DANGEROUS ACTS 789 01:06:40,220 --> 01:06:44,090 WE'VE EVER SEEN IS NOT GOING TO END WELL 790 01:06:44,090 --> 01:06:44,590 CAN THIS DAREDEVIL PULL IT ♪♪ 791 01:06:54,460 --> 01:06:57,900 >>> AUDITIONS FOR THE NEXT SEASON OF "AMERICA'S GOT TALENT" 792 01:06:57,900 --> 01:07:01,040 JUST OPENED. >> YOU BLEW THE ROOF OFF. 793 01:07:01,040 --> 01:07:07,140 >> SIGN UP OR SUBMIT A VIDEO AT AGTAUDITIONS.COM. 794 01:07:07,140 --> 01:07:11,180 >> THE BEST I'VE EVER SEEN >> FOR YOUR CHANCE TO BE ON THE 795 01:07:11,180 --> 01:07:13,420 "AGT" STAGE. >> IT WAS UNBELIEVABLE. 796 01:07:13,420 --> 01:07:16,490 >> YOU COULD BE THE NEXT WINNER. >> I THINK WE'VE DISCOVERED A 797 01:07:16,490 --> 01:07:18,890 FUTURE STAR HERE ♪♪ 798 01:07:18,890 --> 01:07:26,060 [ CHEERS AND APPLAUSE >> Terry: WELCOME BACK TO 799 01:07:26,060 --> 01:07:29,570 UNIVERSAL STUDIOS HOLLYWOOD. WE'VE COME OUTSIDE TO THE ICONIC 800 01:07:29,570 --> 01:07:35,610 FALLS LAKE, WHICH WAS USED IN PIRATES OF THE CARIBBEAN, 801 01:07:35,610 --> 01:07:40,840 JURASSIC PARK 3, AND INDIANA JONES AND THE CRYSTAL SKULL. 802 01:07:40,840 --> 01:07:45,320 TONIGHT, IT'S THE SETTING OF A TRULY DANGEROUS ACT. 803 01:07:45,320 --> 01:07:48,850 THIS GUY SAYS HE DEALS WITH SCARY THINGS AND THE UNKNOWN 804 01:07:48,850 --> 01:07:52,160 AND HE'S NOT LYING HE'S JONATHAN GOODWIN. 805 01:07:52,160 --> 01:07:58,360 >> SINCE I WAS A KID, I WAS FASCINATED BY DANGER 806 01:07:58,360 --> 01:08:01,770 MY ENTIRE LIFE, I'VE BEEN SEARCHING THE WORLD, SCOURING 807 01:08:01,770 --> 01:08:08,140 THE DARKEST, DEEPEST PLACES. COLLECTING THE WORLD'S MOST 808 01:08:08,140 --> 01:08:11,010 DANGEROUS STUNTS I'VE COLLECTED THOUSANDS AND I 809 01:08:11,010 --> 01:08:16,780 PUT THEM ALL IN A BOOK THIS BOOK IS THE COLLECTION OF 810 01:08:16,780 --> 01:08:23,190 THE SCARIEST STUNTS IN HISTORY THERE ARE THINGS IN THERE THAT 811 01:08:23,190 --> 01:08:30,190 MAKE ME AFRAID IT'S A REAL TREASURE TROVE TO 812 01:08:30,190 --> 01:08:35,370 CREATE STUNTS THAT ARE SCARIER AND MORE DANGEROUS 813 01:08:35,370 --> 01:08:41,270 NOW, I'M BRINGING ALL OF THAT HISTORY, A LIFETIME'S WORK, TO 814 01:08:41,270 --> 01:08:42,910 "AMERICA'S GOT TALENT. WHAT YOU'RE GOING TO SEE TONIGHT 815 01:08:42,910 --> 01:08:47,640 IS ONE OF THE MOST TERRIFYING STUNTS IN MY BOOK. 816 01:08:47,640 --> 01:08:51,750 IT'S CALLED TRIAL BE FIRE. I'VE NEVER DONE IT BEFORE. 817 01:08:51,750 --> 01:08:54,080 I CAN'T PRACTICE THIS, BECAUSE EVERY TIME I DO IT, IT COULD BE 818 01:08:54,080 --> 01:08:57,520 FATAL. MY LIFE IS ABSOLUTELY ON THE 819 01:08:57,520 --> 01:09:01,390 LINE AND IT COULD GO VERY BADLY 820 01:09:01,390 --> 01:09:06,600 WRONG. LIKE THAT. 821 01:09:06,600 --> 01:09:16,440 ♪♪ [ CHEERS AND APPLAUSE 822 01:09:16,440 --> 01:09:19,540 >> GOOD EVENING, JUDGES. TONIGHT I HAVE SOMETHING VERY 823 01:09:19,540 --> 01:09:25,120 SPECIAL PLANNED FOR YOU. IN ALL THE STUNTS IN MY BOOK, 824 01:09:25,120 --> 01:09:28,320 THIS IS THE ONE MY MOM DIDN'T WANT ME TO TRY 825 01:09:28,320 --> 01:09:29,050 HEIDI, WILL YOU COME AND JOIN ME 826 01:09:29,050 --> 01:09:32,820 >> YES >> THANK YOU SO MUCH 827 01:09:32,820 --> 01:09:35,130 WALK THIS WAY. >> YES 828 01:09:35,130 --> 01:09:37,660 >> BE CAREFUL! BE CAREFUL 829 01:09:37,660 --> 01:09:40,160 >> THROUGH HERE, BE VERY CAREFUL. 830 01:09:40,160 --> 01:09:43,270 I HAVE A COUPLE OF THINGS I WOULD LOVE YOU TO TAKE A LOOK 831 01:09:43,270 --> 01:09:44,800 AT THE FIRST IS A SAFETY PIN. 832 01:09:44,800 --> 01:09:48,570 CHECK IT OUT I ALSO HAVE THIS PADLOCK 833 01:09:48,570 --> 01:09:52,680 CHECK THAT OUT FOR ME. MAKE SURE IT'S GOOD. 834 01:09:52,680 --> 01:09:56,550 NOW, YOU WILL NOTICE ON THE GROUND, THERE IS A METAL TRAY 835 01:09:56,550 --> 01:10:00,120 THAT IS FULL OF POWDER THAT IS ACTUALLY A FUSE. 836 01:10:00,120 --> 01:10:05,920 WHEN WE LIGHT IT, IT WILL TAKE ROUGHLY 20 SECONDS TO BURN ALL 837 01:10:05,920 --> 01:10:08,890 THE WAY AROUND TO THIS CONTRAPTION. 838 01:10:08,890 --> 01:10:13,030 IT MAY LOOK LIKE SOMETHING IN HOWIE'S BEDROOM. 839 01:10:13,030 --> 01:10:14,800 SORRY, HOWIE. >> IT'S OKAY. 840 01:10:14,800 --> 01:10:20,740 >> IT'S A RESTRAINT, I'M GOING TO ATTEMPT AN ESCAPE STUNT 841 01:10:20,740 --> 01:10:23,910 BE CAREFUL AS YOU STEP HERE. IF YOU WANT TO STAND THERE, THAT 842 01:10:23,910 --> 01:10:29,180 WOULD BE GREAT THERE ARE HANDCUFFS ATTACHED TO 843 01:10:29,180 --> 01:10:30,510 THIS ONE ON EACH SIDE 844 01:10:30,510 --> 01:10:34,180 THESE ARE POLICE REGULATION HANDCUFFS, AND THEY RATCHET 845 01:10:34,180 --> 01:10:36,550 AROUND LIKE THAT AND LOCK. GIVE THAT A TUG. 846 01:10:36,550 --> 01:10:39,520 THAT IS SECURE, YEAH >> YES. 847 01:10:39,520 --> 01:10:42,360 >> WHEN I'M HANDCUFFED, I CAN'T REACH THIS BOX 848 01:10:42,360 --> 01:10:51,670 THIS BOX RESTRAINS MY HEAD, AND IT'S LOCKED WITH THE PADLOCK 849 01:10:51,670 --> 01:10:54,900 WHEN IT'S WHEN MY HEAD IS LOCKED IN THE 850 01:10:54,900 --> 01:11:01,040 BOX, I CAN'T REACH THE RED HANDLE 851 01:11:01,040 --> 01:11:11,320 TO SURVIVE, I NEED TO REACH THE RED HANDLE 852 01:11:11,320 --> 01:11:15,230 GIVE THE LOCK TO TOENY I'M GOING TO USE THE SAFETY PIN 853 01:11:15,230 --> 01:11:20,700 TO ESCAPE. I'M GOING TO BE DOUSED IN FUEL 854 01:11:20,700 --> 01:11:27,800 AND I HAVE THE TIME IT TAKES FOR FUSE TO BURN TO ESCAPE 855 01:11:27,800 --> 01:11:30,140 SOUND GOOD >> NO. 856 01:11:30,140 --> 01:11:35,980 >> YOU CAN GO BACK AND SIT DOWN. DON'T TRIP ON THE FUSE 857 01:11:35,980 --> 01:11:39,780 >> GOOD LUCK. >> THANK YOU 858 01:11:39,780 --> 01:11:44,650 >> THAT WAS SCARY. I'M GLAD I GET TO GO OVER TO MY 859 01:11:44,650 --> 01:11:48,490 SEAT AGAIN SO SCARY, IT SMELLS LIKE OIL 860 01:11:48,490 --> 01:11:50,990 NOT OIL, BUT GAS. >> FUEL. 861 01:11:50,990 --> 01:11:55,570 ♪♪ >> AND I DON'T KNOW WHAT HE DID 862 01:11:55,570 --> 01:11:57,700 WITH THE PIN, BUT I CAN'T SEE THE PIN. 863 01:11:57,700 --> 01:12:01,270 >> THE PIN WOULD BE IN HIS HAND. THAT'S HOW HE'S GOING TO TRY TO 864 01:12:01,270 --> 01:12:08,910 UNLOCK THE HANDCUFFS >> WHAT IS THAT? 865 01:12:08,910 --> 01:12:11,710 A LITTLE MAKEUP? >> MAYBE A THING FOR NOT TO 866 01:12:11,710 --> 01:12:22,490 BURN, IF SOMETHING HAPPENS ♪♪ 867 01:12:22,490 --> 01:12:28,830 ♪♪ >> WHATEVER HE'S SQUIRTING ON 868 01:12:28,830 --> 01:12:31,370 HIM, IT'S COMING OVER THIS WAY. >> THEY'RE TOTALLY DOUSING HIM 869 01:12:31,370 --> 01:12:39,640 IN FUEL. >> DO WE HAVE A MEDIC HERE 870 01:12:39,640 --> 01:12:53,190 >> YEAH. ♪♪ 871 01:12:53,190 --> 01:12:55,260 >> JUDGES, ARE YOU READY >> YES. 872 01:12:55,260 --> 01:13:02,570 >> ARE YOU READY >> MOM, I'M GOING TO BE FINE 873 01:13:02,570 --> 01:13:05,000 LOCK THE BOX. >> OH, GOD 874 01:13:05,000 --> 01:13:10,640 >> OH, NO. >> I KNOW, LOOK. 875 01:13:10,640 --> 01:13:13,310 >> HE CAN'T EVEN SEE THE LOCKS HE'S PICKING 876 01:13:13,310 --> 01:13:21,420 >> I NO E. >> AND THAT WAS A PADLOCK, 877 01:13:21,420 --> 01:13:24,990 HEIDI? >> YES 878 01:13:24,990 --> 01:13:34,930 >> I DON'T WANT TO SEE THIS. >> LIGHT THE FUSE IN 3, 2, 1 879 01:13:34,930 --> 01:13:35,260 NOW! ♪♪ 880 01:13:35,260 --> 01:13:41,440 >> OH, NO. >> OH, IT'S FAST 881 01:13:41,440 --> 01:13:43,640 DID HE SAY 20 SECONDS? >> YEAH. 882 01:13:43,640 --> 01:13:45,510 COME ON. >> WHERE IS THAT GOING 883 01:13:45,510 --> 01:13:48,540 >> OH, NO, THAT'S GOING TOO FAST 884 01:13:48,540 --> 01:13:54,280 THAT WILL BE FASTER THAN 20 SECONDS. 885 01:13:54,280 --> 01:14:01,020 ♪♪ I DON'T THINK IT'S ‐‐ 886 01:14:01,020 --> 01:14:05,530 >> I DON'T KNOW. >> THIS DOESN'T LOOK ‐‐ 887 01:14:05,530 --> 01:14:10,000 >> UH‐OH >> I DON'T KNOW. 888 01:14:10,000 --> 01:14:13,240 >> HE'S TOTALLY SURROUNDED NOW >> NOW WHAT? 889 01:14:13,240 --> 01:14:15,640 >> CALL SOMEBODY >> OH! 890 01:14:15,640 --> 01:14:17,510 HE'S ON FIRE >> OH! 891 01:14:17,510 --> 01:14:19,940 >> NO, NO, NO. >> SOMEBODY MOVE IN. 892 01:14:19,940 --> 01:14:27,220 >> THAT'S SCARY. >> WHY IS EVERYBODY JUST 893 01:14:27,220 --> 01:14:54,380 STANDING ‐‐ OH, HE'S OUT HE'S ‐‐ SOMEBODY PUT IT OUT. 894 01:14:54,380 --> 01:15:09,090 OH [ CHEERS AND APPLAUSE 895 01:15:09,090 --> 01:15:12,090 >> Terry: ARE YOU OKAY ARE YOU OKAY 896 01:15:12,090 --> 01:15:18,900 ALL RIGHT. WE WILL FIND OUT IF JONATHAN HAD 897 01:15:18,900 --> 01:15:21,970 THE JUDGES ON THE EDGES OF THEIR SEAT IN A FEW MINUTES. 898 01:15:21,970 --> 01:15:22,570 WE'LL BE RIGHT BACK. ♪♪ 899 01:15:22,570 --> 01:15:23,110 [ CHEERS AND APPLAUSE >>> COMING UP ‐‐ 900 01:15:23,110 --> 01:15:24,810 >> WITH THE MONEY WE'VE RAISED, WE'VE HELPED TAKE PEOPLE OFF THE 901 01:15:24,810 --> 01:15:26,210 ♪♪ [ CHEERS AND APPLAUSE 902 01:15:48,970 --> 01:15:51,570 >> Terry: WELL, I'VE JUST ABOUT RECOVERED FROM WATCHING 903 01:15:51,570 --> 01:15:55,200 JONATHAN GOODWIN AND I MEAN THAT IN A GOOD WAY. 904 01:15:55,200 --> 01:16:01,410 BUT LET'S SEE WHAT THE JUDGES MADE OF THAT INSANE PERFORMANCE. 905 01:16:01,410 --> 01:16:07,380 NOW, KENAN, YOU WEREN'T THERE. >> MAN, WHY DO Y'ALL KEEP DOING 906 01:16:07,380 --> 01:16:13,120 THINGS ‐‐ I TOLD YOU I HAD TO RUN TO MY CAR REAL QUICK 907 01:16:13,120 --> 01:16:17,490 >> THE SHOW MUST GO ON. >> YOU'RE INSANE, MAN. 908 01:16:17,490 --> 01:16:20,230 THAT WAS CRAZY. >> THANK YOU. 909 01:16:20,230 --> 01:16:24,230 >> I THOUGHT THE IDEA WAS FOR YOU TO GET OUT OF THE WAY OF THE 910 01:16:24,230 --> 01:16:25,900 FIRE BUT YOU WANTED THE FIRE ON YOU 911 01:16:25,900 --> 01:16:28,100 YOU'RE PUSHING IT TO THE LIMIT, BUDDY. 912 01:16:28,100 --> 01:16:30,310 THAT WAS AMAZING GOOD JOB. 913 01:16:30,310 --> 01:16:31,010 >> THANK YOU. >> Terry: HEIDI? 914 01:16:31,010 --> 01:16:36,610 YOU WERE UP CLOSE. >> I MEAN, HOW CAN YOU SAY 915 01:16:36,610 --> 01:16:41,180 ANYTHING NEGATIVE TO A MAN THAT PUTS HIMSELF ON FIRE TO 916 01:16:41,180 --> 01:16:43,090 ENTERTAIN US YOU ARE FULLY INSANE 917 01:16:43,090 --> 01:16:47,060 BY THE WAY, KIDS, ANYONE AT HOME, DO NOT TRY THIS AT HOME. 918 01:16:47,060 --> 01:16:50,460 DO NOT TRY TO COPY THIS. BUT YOU'RE INSANE, AND I KIND OF 919 01:16:50,460 --> 01:16:53,900 LOVED IT IT WAS A SLOW BURN. 920 01:16:53,900 --> 01:16:56,570 >> THANK YOU. >> Terry: SOFIA? 921 01:16:56,570 --> 01:17:03,070 >> I AM SO GRATEFUL THAT I AM NOT YOUR MOTHER. 922 01:17:03,070 --> 01:17:07,180 IT'S INSANITY. I LOVE YOUR PRESENCE, AND I 923 01:17:07,180 --> 01:17:11,980 LOVED THE SUSPENSE THAT YOU ALSO CREATE WHEN YOU'RE DOING YOUR 924 01:17:11,980 --> 01:17:14,680 SHOW I LOVE IT. 925 01:17:14,680 --> 01:17:18,720 I HOPE PEOPLE VOTE FOR YOU I REALLY ENJOY EVERYTHING YOU'VE 926 01:17:18,720 --> 01:17:19,360 DONE. >> THANK YOU. 927 01:17:19,360 --> 01:17:23,030 >> Terry: HOWIE? >> JONATHAN, WELL DONE 928 01:17:23,030 --> 01:17:25,290 SEE WHAT I DID THERE, WITH THE FIRE 929 01:17:25,290 --> 01:17:27,730 >> YEAH. >> NO, IT'S AMAZING. 930 01:17:27,730 --> 01:17:31,030 I THOUGHT YOU WERE IN TROUBLE. I COLLECT A BOOK OF THE SAFEST 931 01:17:31,030 --> 01:17:34,270 THINGS IN THE WORLD. AND I ADMIRE WHAT YOU DID. 932 01:17:34,270 --> 01:17:37,470 IT WAS AMAZING, I'M GLAD YOU'RE ALIVE. 933 01:17:37,470 --> 01:17:41,180 GOOD LUCK, BUDDY. >> THANK YOU, HOWIE. 934 01:17:41,180 --> 01:17:44,650 >> Terry: JONATHAN, YOU MENTIONED YOUR MOM IN THE ACT. 935 01:17:44,650 --> 01:17:48,250 BUT WHAT DOES YOUR FAMILY THINK ABOUT WHAT YOU DO, MAN 936 01:17:48,250 --> 01:17:51,250 >> THEY'RE PROUD OF ME THEY'VE GROWN UP WITH IT 937 01:17:51,250 --> 01:17:55,190 THEY KNOW ALL THE THINGS I'M PLANNING, POTENTIALLY. 938 01:17:55,190 --> 01:17:57,860 AND I'M JUST WARMING UP. I HAVE SOME MORE TO GIVE YOU 939 01:17:57,860 --> 01:17:59,230 GUYS. >> Terry: I CAN'T BELIEVE YOU 940 01:17:59,230 --> 01:18:05,870 CAN PUSH THAT FARTHER, MAN THAT WAS INSANE. 941 01:18:05,870 --> 01:18:06,700 THANK YOU. GOOD LUCK TONIGHT, JONATHAN. 942 01:18:06,700 --> 01:18:07,970 THERE'S ONLY ONE WAY JONATHAN IS GOING INTO THE SEMIFINALS AND 943 01:18:07,970 --> 01:18:10,470 THAT'S IF HE GETS ENOUGH VOTES FROM YOU 944 01:18:10,470 --> 01:18:14,640 IF YOU WANT TO USE THE OFFICIAL "AGT" APP, DOWNLOAD IT ON THE 945 01:18:14,640 --> 01:18:20,420 APP STORE OR GOOGLE PLAY WHOEVER GOES ON TO WIN THIS 946 01:18:20,420 --> 01:18:25,090 SEASON OF "AGT" WILL WIN $1 MILLION AND THEY'LL BE 947 01:18:25,090 --> 01:18:30,390 HEADLINING AN AMAZING SHOW IN THE LIVE ENTERTAINMENT CAPITAL 948 01:18:30,390 --> 01:18:31,330 OF THE WORLD IT WILL BE AT THE LUXOR 949 01:18:31,330 --> 01:18:35,500 LAS VEGAS, AND IT WILL BE AWESOME. 950 01:18:35,500 --> 01:18:38,130 OKAY, HERE'S OUR LAST ACT OF THIS QUARTERFINAL. 951 01:18:38,130 --> 01:18:42,810 AND IT'S MY GOLDEN BUZZER. THEIR STORY, THEIR TALENT, AND 952 01:18:42,810 --> 01:18:45,470 THEIR DESIRE TO CHANGE THEIR LIVES STRUCK ME RIGHT TO THE 953 01:18:45,470 --> 01:18:50,610 CORE OF MY HEART FROM SAN DIEGO, HERE'S THE 954 01:18:50,610 --> 01:18:56,390 VOICES OF OUR CITY CHOIR [ CHEERS AND APPLAUSE 955 01:18:56,390 --> 01:19:00,790 >> WE'VE BEEN ON AN INCREDIBLE JOURNEY TOGETHER AS A GROUP. 956 01:19:00,790 --> 01:19:05,430 WE HAVE A COUPLE OF HUNDRED PEOPLE IN THE CHOIR, BUT EACH 957 01:19:05,430 --> 01:19:07,930 HAS THEIR OWN UNIQUE STORY TO TELL. 958 01:19:07,930 --> 01:19:12,900 >> I'M MARK. I WOULD ALWAYS BE ONE PAYCHECK 959 01:19:12,900 --> 01:19:17,310 AWAY FROM THE STREET THEN I SUFFERED A STROKE 960 01:19:17,310 --> 01:19:20,110 I COULDN'T WORK, AND I ENDED UP HOMELESS 961 01:19:20,110 --> 01:19:23,350 THIS IS THE FIRST PLACE THAT I ACTUALLY CAME TO 962 01:19:23,350 --> 01:19:25,920 THERE WAS TENTS AND EVERYTHING EVERYWHERE 963 01:19:25,920 --> 01:19:29,350 I SLEPT HERE THIS WASN'T WHAT I HAD EVER 964 01:19:29,350 --> 01:19:30,090 IMAGINED WOULD EVER HAPPEN TO ME 965 01:19:30,090 --> 01:19:36,290 BUT HERE I WAS LATER ON, I WOULD SLEEP AT THIS 966 01:19:36,290 --> 01:19:38,890 PARKING LOT HERE THIS WAS MY SLEEPING AREA. 967 01:19:38,890 --> 01:19:44,200 MY HEAD WAS AGAINST THE WALL THIS WAS THE SAFEST PLACE FOR 968 01:19:44,200 --> 01:19:48,840 ME, BECAUSE THE STREET IS A REALLY DANGEROUS PLACE 969 01:19:48,840 --> 01:19:56,710 PEOPLE FIGHTING, I CATCHED AWATC COUPLE OF GUYS GET STABBED OVER 970 01:19:56,710 --> 01:19:59,350 A FIFTH OF VODKA THIS WAS THE MOST DIFFICULT TIME 971 01:19:59,350 --> 01:20:03,120 OF MY LIFE THEN I FOUND THE CHOIR 972 01:20:03,120 --> 01:20:08,720 IT GAVE ME HOPE THAT THERE IS A WAY TO GET OUT OF HOMELESSNESS 973 01:20:08,720 --> 01:20:13,530 I'M AN EXAMPLE OF HOW DREAMS CAN HAPPILY COME TRUE. 974 01:20:13,530 --> 01:20:15,870 I FINALLY GOT HELP WHEN I GOT MY OWN APARTMENT, I 975 01:20:15,870 --> 01:20:21,400 WEPT FOR DAYS. >> WE HOPE PEOPLE LOOK AT THE 976 01:20:21,400 --> 01:20:24,340 CHOIR AND IDENTIFY WITH SOMEBODY, THAT COULD BE ME IN 977 01:20:24,340 --> 01:20:27,710 THIS SITUATION WE'RE ALL SO GRATEFUL TO 978 01:20:27,710 --> 01:20:29,580 "AMERICA'S GOT TALENT," AND NOW WE'RE AT THE LIVE SHOWS. 979 01:20:29,580 --> 01:20:36,620 AND THIS IS OUR MOMENT [ CHEERS AND APPLAUSE 980 01:20:36,620 --> 01:20:49,100 ♪♪ ♪ WHEN THE NIGHT HAS COME AND 981 01:20:49,100 --> 01:21:00,540 THE LAND IS DARK ♪ ♪ AND THE MOON IS THE ONLY LIGH 982 01:21:00,540 --> 01:21:07,620 WE'LL SEE ♪ ♪ NO I WON'T BE AFRAID ♪ 983 01:21:07,620 --> 01:21:16,890 ♪ NO I WON'T BE AFRAID ♪ ♪ JUST AS LONG AS YOU STAND 984 01:21:16,890 --> 01:21:27,340 STAND BY ME ♪ ♪ DARLING DARLING STAND ♪ 985 01:21:27,340 --> 01:21:42,950 ♪ BY ME STAND BY ME ♪ ♪ OOH STAND BY ME ♪ 986 01:21:42,950 --> 01:21:52,630 ♪ OOH IF THE SKY THAT WE LOOK UPON SHOULD TUMBLE AND FALL ♪ 987 01:21:52,630 --> 01:22:02,940 ♪ OR THE MOUNTAINS MAY CRUMBLE INTO THE SEA ♪ 988 01:22:02,940 --> 01:22:15,020 ♪ I WON'T CRY I WON'T CRY NO I WON'T SHED A TEAR ♪ 989 01:22:15,020 --> 01:22:19,820 ♪ JUST AS LONG AS YOU STAND STAND BY ME ♪ 990 01:22:19,820 --> 01:22:32,100 ♪ SO DARLING DARLING STAND ♪ ♪ BY ME STAND BY ME ♪ 991 01:22:32,100 --> 01:22:38,770 ♪ OH WON'T YOU STAND BY ME ♪ ♪ STAND BY ME ♪ 992 01:22:38,770 --> 01:22:44,110 ♪ STAND BY ME ♪ ♪ STAND BY ME ♪ 993 01:22:44,110 --> 01:22:47,650 ♪ STAND BY ME ♪ ♪♪ 994 01:22:47,650 --> 01:23:09,940 [ CHEERS AND APPLAUSE >> Terry: VOICES OF OUR CITY 995 01:23:09,940 --> 01:23:19,010 CHOIR! KENAN? 996 01:23:19,010 --> 01:23:25,220 >> I MEAN, THAT WAS INCREDIBLE I DON'T KNOW IF YOU GET A KICK 997 01:23:25,220 --> 01:23:26,690 OUT OF MAKING PEOPLE CRY THEIR EYES OUT 998 01:23:26,690 --> 01:23:31,890 BUT THAT'S WHAT YOU GUYS DO EVERY TIME YOU HIT THE STAGE 999 01:23:31,890 --> 01:23:34,560 I SEE EVERYBODY ON THE SCREEN, THEY'RE ALWAYS SO MOVED. 1000 01:23:34,560 --> 01:23:35,860 THAT WAS AMAZING THANK YOU. 1001 01:23:35,860 --> 01:23:38,070 >> THANK YOU, KENAN. THANK YOU. 1002 01:23:38,070 --> 01:23:40,740 >> Terry: HEIDI? >> YEAH, YOU'VE DONE IT AGAIN. 1003 01:23:40,740 --> 01:23:44,810 IT WAS A VERY SPECIAL MOMENT, IT WAS VERY MOVING. 1004 01:23:44,810 --> 01:23:47,280 ACTUALLY, YOU REMEMBERED THE SONG FROM LAST TIME. 1005 01:23:47,280 --> 01:23:51,110 >> THAT'S RIGHT. MY DAUGHTER IS A BIG FAN. 1006 01:23:51,110 --> 01:23:55,850 >> I MET HER BACKSTAGE, SHE'S AMAZING, GEORGIA 1007 01:23:55,850 --> 01:23:58,690 SHE'S LIKE, YOU WERE IN THAT CHOIR. 1008 01:23:58,690 --> 01:24:03,630 >> SHE'S STILL SINGING THE SONG. >> PEOPLE HAVE TO VOTE FOR YOU 1009 01:24:03,630 --> 01:24:04,790 GUYS VOTE, AMERICA. 1010 01:24:04,790 --> 01:24:07,560 >> THANK YOU. >> Terry: SOFIA? 1011 01:24:07,560 --> 01:24:10,070 >> I WISH YOU LUCK TONIGHT I HOPE THE PEOPLE VOTE FOR YOU 1012 01:24:10,070 --> 01:24:12,370 I LOVE WHAT YOU HAVE DONE WITH THIS CHOIR 1013 01:24:12,370 --> 01:24:15,400 IT'S UNBELIEVABLE. IT BRINGS HOPE, IT BRINGS LOVE, 1014 01:24:15,400 --> 01:24:20,640 SO MUCH, THAT WE NEED RIGHT NOW. IT MAKES YOU HAVE CHILLS EVERY 1015 01:24:20,640 --> 01:24:23,080 TIME YOU GUYS SING I REALLY WISH YOU LUCK. 1016 01:24:23,080 --> 01:24:25,180 >> THANK YOU SO MUCH >> Terry: HOWIE? 1017 01:24:25,180 --> 01:24:29,080 >> YOU KNOW, NOW MORE THAN EVER, WE KEEP SAYING WE'RE ALL IN THIS 1018 01:24:29,080 --> 01:24:30,790 TOGETHER I FEEL WE'RE ALL IN THIS 1019 01:24:30,790 --> 01:24:33,620 TOGETHER, AND EVERYBODY NEEDS TO STAND BY YOU 1020 01:24:33,620 --> 01:24:36,460 BEST OF LUCK I LOVED IT 1021 01:24:36,460 --> 01:24:39,800 >> THANK YOU THANK YOU, AMERICA. 1022 01:24:39,800 --> 01:24:47,300 >> Terry: VOICES OF OUR CITY CHOIR, YOU GUYS ARE AMAZING. 1023 01:24:47,300 --> 01:24:48,970 GOOD LUCK TONIGHT, EVERYBODY THEY'VE DONE THEIR PART, NOW YOU 1024 01:24:48,970 --> 01:24:49,910 DO YOURS THEY NEED YOUR VOTES 1025 01:24:49,910 --> 01:24:51,070 YOU CAN VOTE UP TO TEN TIMES FOR EACH ACT WITH EACH VOTING 1026 01:24:51,070 --> 01:24:52,610 METHOD AND VOTING WILL STAY OPEN UNTIL 1027 01:24:52,610 --> 01:25:00,880 7:00 A. M. EASTERN TOMORROW PICK FIVE ACTS GO THROUGH. 1028 01:25:00,880 --> 01:25:04,380 I'M TERRY CREWS. GOOD NIGHT, AMERICA.