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(MELLOW AMBIENT MUSIC)

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Subtitles by explosiveskull

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(WAVE LIGHTLY CRASHING)

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LITTLE BOY: In the land
of sunsets, and flying fish,

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Spouge, and Calypso beats,

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mystery,

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and magic.

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(MELLOW WOODWIND MUSIC)

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True love is tested.

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DRIVER: Welcome home sir, madam.

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(UPBEAT MUSIC)

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♪ Dum ain't nothing in the world ♪

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♪ Like a real real Bajan ♪

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♪ Anywhere we go in the world ♪

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♪ You can tell where we come from ♪

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♪ Dum ain't nothing in the world ♪

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♪ Like a real real Bajan ♪

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♪ Anywhere we go in the world ♪

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♪ You can tell where we come from ♪

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♪ This one for the
children that raise up ♪

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♪ Runnin 'bout barefoot
foot full of nail chucks ♪

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♪ Girls look good with out the makeup ♪

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♪ Cross the road, making
everything brake up ♪

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♪ Peppa sauce for the
food for the flava, ♪

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♪ We's play cricket the ball tape up ♪

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♪ No straight drive, bare
swipes, no square cuts ♪

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♪ At the match, see the
man with the baked nuts ♪

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♪ You can pay your
neighbor for a haircut, ♪

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♪ We hear cocks crow when we wake up ♪

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♪ Strictly 246, no vacation ♪

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♪ Proud to be one ♪

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♪ Because I is a Bajan ♪

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♪ Dum ain't nothing in the world ♪

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♪ Like a real real Bajan ♪

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♪ Anywhere we go in the world ♪

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♪ You can tell where we come from ♪

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♪ Dum ain't nothing in the world ♪

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♪ Like a real real Bajan ♪

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♪ Anywhere we go in the world ♪

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♪ You can tell where we come from ♪

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♪ Dum ain't nothing in the world ♪

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♪ Like a real real Bajan ♪

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♪ Anywhere we go in the world ♪

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♪ You can tell where we come from ♪

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♪ Dum ain't nothing in the world ♪

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♪ Like a real real Bajan ♪

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♪ Anywhere we go in the world ♪

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♪ You can tell where we come from ♪

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♪ Dum ain't nothing ♪

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♪ In the world ♪
♪ Raise up the fun ♪

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♪ Like a real real Bajan ♪
♪ Check up the heart ♪

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♪ Anywhere we go in the world ♪
♪ Raise up the fun ♪

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♪ Check up your heart ♪

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♪ You can tell where we come from ♪

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♪ Dum ain't nothing ♪
♪ Raise up the fun ♪

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♪ In the world ♪

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♪ Check up the heart ♪
♪ Like a real real Bajan ♪

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♪ Raise up the fun ♪
♪ Anywhere we go in the world ♪

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♪ Check up the heart ♪
♪ You can tell ♪

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♪ Where we come from ♪

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(DOORBELL BUZZING)

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(MELLOW LIGHT MUSIC)

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Get up man.

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Here.

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(CHUCKLING)

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(CHUCKLING)

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Fair Hippolyta, our
nuptial hour draws on apace.

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Four happy days bring in another moon.

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But oh, methinks how
slow this old moon wanes.

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She lingers my desires.

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Four days will quickly
steep themselves in night.

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Four nights will quickly
dream away the time.

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Hippolyta, I will wed thee with pomp,

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with triumph, and with reveling.

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Tonight, four day mourning time.

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We jump along the streets
all covered in mud and paint.

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(ANIMALS SCREECHING)

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MAID: Go, go go, go, go.

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(WOMEN HUMMING)

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You do realize there's
no water in that bucket.

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(WOMEN GIGGLING)

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(WOMEN GIGGLING)

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Stand forth Demetrius.

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This man hath my consent
to marry my daughter.

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(PHONE RINGING)

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This man hath bewitched
the bosom of my child,

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turned her obedience which is due to me

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to stubborn harshness.

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Be it so, she will not consent
to marry with Demetrius.

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What say you Hermia?

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Demetrius is a worthy gentleman.

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So is Lysander.

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DEMETRIUS: Relent, sweet Hermia.

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I am, sir, as well derived
as he, as well possessed,

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my love is more than his, my fortunes

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every way as fairly ranked
if not with vantage.

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And which is more than
all these boasts can be,

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I am beloved the beauteous Hermia.

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Why should not I then prosecute my right?

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Lysander, yield thy crazed
title to my certain right.

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You have her father's love, Demetrius.

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Let me have Hermia's.

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Do you marry him?

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Enough.

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I would my father
looked but with my eyes.

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No, rather your eyes must
with his judgment look.

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What is the worst that may befall me

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in the case if I refuse to wed Demetrius?

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You will forsake all rights
to your land and wealth,

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not to mention your father's love.

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Therefore, fair Hermia
question your desires.

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My soul consents not
to give sovereignty.

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Demetrius, I'll avouch it to his head,

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made love to Nedar's daughter
Helena and won her soul.

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And she, sweet lady dotes, devoutly dotes,

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dotes in idolatry upon this
spotted and inconstant man.

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I must confess that
I have heard so much.

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I have some private
schooling for you both.

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Come, Hippolyta.

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What cheer my love?

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Demetrius and Egeus go along.

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And you fair Hermia, take time to pause

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and by the next new moon
either prepare to wed Demetrius

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or to lose your inheritance.

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Demetrius.

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Ay me, for aught that I could ever read,

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could ever hear by tale or history,

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the course of true love
never did run smooth.

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Oh hell, to choose
love by another's eyes.

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Hear me, Hermia.

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I have a widow aunt, a
dowager of great revenue

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and she hath no child.

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And she respects me as her only son.

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There gentle Hermia,

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may I marry thee?

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But what of that?

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Demetrius thinks not so.

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He only knows what all but he do know.

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Love looks not with the
eyes, but with the mind.

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And therefore is winged
Cupid painted blind.

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And when this hail some heat from Hermia.

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God speed, fair Helena.

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Call you me fair?

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That fair again unsay.

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Demetrius loves your fair.

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Oh happy fair.

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Oh teach me how you look

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and with what art you sway the
motion of Demetrius's heart.

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I give him curses, yet he gives me love.

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HELENA: Oh that my prayers
could such affection move.

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The more I hate, the more he follows me.

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The more I love, the more he hateth me.

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His folly, Helena, is no fault of mine.

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None but your beauty,
would that fault were mine.

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Take comfort, he no
more shall see my face.

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Lysander and myself will fly this place.

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Helen, to you our minds we will unfold.

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Tonight, from the revelry I'll fly.

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And in the wood, a
league without a town.

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We two will meet and turn away our eyes.

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To seek new friends
and stranger companies.

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Tonight?

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Tonight.

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Tonight.

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MAN: Hermia!

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Farewell sweet playfellow,
pray thou for us.

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And good luck grant thee thy Demetrius.

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Helen, adieu.

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As you on him, Demetrius dote on you.

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(MELLOW MUSIC)

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(MEN YELLING)

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(CHEERFUL MUSIC)

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(MEN CHATTERING)

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WOMEN: Morning.

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He dotes on me.

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Nice young man.

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(CHEERFUL MUSIC)

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$15,000!

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♪ Figaro, Figaro, Figaro ♪

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(LIVELY CHEERFUL MUSIC)

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Boy, talent contest come here.

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What?

183
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Grand prize, $15,000.

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HOOK: That's so sweet!

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And a trip for two to England.

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HOOK: We can do that!

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We can do it.

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All right, let me come and
sit down talk about it,

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all right?

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I know what I want to do.

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(FRIENDS CHATTERING)

192
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Well, Romeo and Juliet.

193
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Nah, Arabian Nights.

194
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No, no, no, no, no,
Ti-Jean and His Brothers.

195
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FRIENDS: No!

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We shall perform a play
never before seen in Barbados

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or the world.

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It shall be called King Jaja and Becca.

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The Untold Love story of
King Jaja and Young Becca.

200
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FRIENDS: Oh!

201
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The tragic untold story of King Jaja.

202
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Quincy, say what the play treats on,

203
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then read the name of the
actors, and so grow to a point.

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What she say?

205
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She said to hurry up and
say what the play about,

206
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and who playing what.

207
00:14:38,494 --> 00:14:41,017
What can't she ever
speak normal English?

208
00:14:41,019 --> 00:14:43,217
Now a lot of people
don't know this, right?

209
00:14:43,219 --> 00:14:46,686
But Barbados was once the
home to a Nigerian prince

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named King Jaja.

211
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He was a slave and he
worked the way up the ranks

212
00:14:50,720 --> 00:14:52,293
to become one of the richest,

213
00:14:52,295 --> 00:14:56,043
most powerful businessmen in Nigeria.

214
00:14:56,045 --> 00:14:58,889
So you know the Brits had a
serious problem with that.

215
00:14:58,891 --> 00:15:00,974
They arrest him and bring all kind

216
00:15:00,976 --> 00:15:02,881
of false charges against him.

217
00:15:02,883 --> 00:15:05,490
And eventually kick he out to Africa.

218
00:15:05,492 --> 00:15:08,340
But he came to Barbados and it's there

219
00:15:08,342 --> 00:15:11,590
that he met a young sexy girl named Becca.

220
00:15:11,592 --> 00:15:14,140
But there's a folk song 'bout it, man.

221
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You should know it.

222
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♪ 1892, a king from Africa ♪

223
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♪ His name was King Jaja ♪

224
00:15:29,345 --> 00:15:34,345
♪ Came to Barbados and fell in love ♪

225
00:15:35,270 --> 00:15:40,270
♪ With a Bajan girl named Becca ♪

226
00:15:42,522 --> 00:15:44,295
♪ King Jaja won't left Becca alone ♪

227
00:15:44,297 --> 00:15:46,246
♪ King Jaja won't left Becca alone ♪

228
00:15:46,248 --> 00:15:48,121
♪ King Jaja won't left Becca alone ♪

229
00:15:48,123 --> 00:15:50,121
♪ What Becca got is what she own ♪

230
00:15:50,123 --> 00:15:51,847
♪ King Jaja won't left Becca alone ♪

231
00:15:51,849 --> 00:15:53,371
That's it, back up.

232
00:15:53,373 --> 00:15:55,623
He fall in love with Becca.

233
00:15:56,923 --> 00:16:01,525
But Becca and Jaja have a love
affair that was forbidden.

234
00:16:01,527 --> 00:16:03,772
So in fear they run away.

235
00:16:03,774 --> 00:16:07,295
All you keep hearing
is that Jaja gets sick

236
00:16:07,297 --> 00:16:10,516
and he died on his way back to Nigeria

237
00:16:10,518 --> 00:16:13,846
and Becca was never seen again.

238
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Nobody knows what happened.

239
00:16:15,393 --> 00:16:19,097
But I feel that they would rather die

240
00:16:19,099 --> 00:16:21,525
than to let go of true love.

241
00:16:21,527 --> 00:16:23,586
It got to be an important story,

242
00:16:23,588 --> 00:16:25,697
otherwise would they
write a song about it?

243
00:16:25,699 --> 00:16:28,552
Now, we can do a play about it.

244
00:16:28,554 --> 00:16:29,484
Yeah, man.

245
00:16:29,486 --> 00:16:30,317
Yeah.

246
00:16:30,319 --> 00:16:32,508
Just like Romeo and Juliet.

247
00:16:32,510 --> 00:16:34,109
Bottom.

248
00:16:34,111 --> 00:16:34,944
Ready.

249
00:16:36,036 --> 00:16:40,084
You name the part what
I'm for and proceed.

250
00:16:40,086 --> 00:16:44,559
You Bottom have been cast
as the lover King Jaja.

251
00:16:44,561 --> 00:16:46,209
A king?

252
00:16:46,211 --> 00:16:47,960
I am to play a man?

253
00:16:47,962 --> 00:16:49,882
(LAUGHING)

254
00:16:49,884 --> 00:16:51,784
Well, that will ask for some tears

255
00:16:51,786 --> 00:16:53,510
in the true performing of it.

256
00:16:53,512 --> 00:16:57,734
If I am to do it, let the
audience look to their eyes.

257
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I will move storms.

258
00:16:59,662 --> 00:17:01,184
FRIENDS: Hmm.

259
00:17:01,186 --> 00:17:04,353
Ah, but he was also a brave soldier.

260
00:17:06,012 --> 00:17:09,810
(IMITATING GUNSHOTS)

261
00:17:09,812 --> 00:17:10,645
Idiots.

262
00:17:13,794 --> 00:17:15,544
You will play Becca.

263
00:17:15,546 --> 00:17:17,342
(LAUGHING)

264
00:17:17,344 --> 00:17:18,756
You can't make me play a woman.

265
00:17:18,758 --> 00:17:20,715
Look, I'm growing a beard.

266
00:17:20,717 --> 00:17:22,975
Well, wear a mask.

267
00:17:22,977 --> 00:17:24,811
And try to make your voice
as high as it can go.

268
00:17:24,813 --> 00:17:26,189
I will play Becca's father.

269
00:17:26,191 --> 00:17:28,941
Sinker, you are the steel donkey.

270
00:17:33,544 --> 00:17:34,377
Hee haw.

271
00:17:36,524 --> 00:17:38,066
You got your lines written down?

272
00:17:38,068 --> 00:17:41,531
Because I think I'll
start learning for early.

273
00:17:41,533 --> 00:17:43,905
Man, look, you can
improvise the whole part.

274
00:17:43,907 --> 00:17:46,198
It's nothing but neigh.

275
00:17:46,200 --> 00:17:48,294
Let me do the steel donkey too.

276
00:17:48,296 --> 00:17:53,296
I will neigh that I will do any
man's heart good to hear me.

277
00:17:54,976 --> 00:17:55,809
Bottom.

278
00:17:58,267 --> 00:17:59,100
Neigh.

279
00:18:02,192 --> 00:18:03,951
Oh, shoot.

280
00:18:03,953 --> 00:18:04,786
Bottom.

281
00:18:07,728 --> 00:18:10,652
You can play no part but the king.

282
00:18:10,654 --> 00:18:14,516
For Jaja is a sweet
faced man, a proper man,

283
00:18:14,518 --> 00:18:17,092
as one shall see in a summer's day.

284
00:18:17,094 --> 00:18:20,177
A most lovely and gentleman like man.

285
00:18:22,257 --> 00:18:25,856
You the only one who can play King Jaja.

286
00:18:25,858 --> 00:18:28,356
Well, I will undertake it.

287
00:18:28,358 --> 00:18:29,679
Yeah, all right.

288
00:18:29,681 --> 00:18:30,514
Come.

289
00:18:35,610 --> 00:18:39,033
Meet me in the forest outside the village

290
00:18:39,035 --> 00:18:41,657
beneath the bearded fig tree.

291
00:18:41,659 --> 00:18:43,983
That's the best place to rehearse.

292
00:18:43,985 --> 00:18:46,364
These people too malicious.

293
00:18:46,366 --> 00:18:47,283
Am I right?

294
00:18:51,343 --> 00:18:54,676
(LIVELY CHEERFUL MUSIC)

295
00:18:56,191 --> 00:18:58,538
♪ King Jaja of Opobo ♪

296
00:18:58,540 --> 00:19:00,983
♪ Sailing down to the shore ♪

297
00:19:00,985 --> 00:19:03,190
♪ King Jaja of Opobo ♪

298
00:19:03,192 --> 00:19:08,192
♪ Sailing down to the shore ♪

299
00:19:08,424 --> 00:19:13,049
♪ Down by the wharf
when Jaja stepped off ♪

300
00:19:13,051 --> 00:19:18,051
♪ Many Bajans came out and
you could hear them shout ♪

301
00:19:21,848 --> 00:19:23,999
♪ King Jaja of Opobo ♪

302
00:19:24,001 --> 00:19:26,674
♪ Sailing down to the shore ♪

303
00:19:26,676 --> 00:19:28,874
♪ King Jaja of Opobo ♪

304
00:19:28,876 --> 00:19:34,024
♪ Sailing down to the shore, oh ♪

305
00:19:34,026 --> 00:19:38,750
♪ And Becca tell he I don't come free ♪

306
00:19:38,752 --> 00:19:43,752
♪ If you want to have your
dream, make me your queen ♪

307
00:19:47,552 --> 00:19:49,447
♪ King Jaja of Opobo ♪

308
00:19:49,449 --> 00:19:52,526
For ere Demetrius
looked on Hermia's eyne.

309
00:19:52,528 --> 00:19:56,195
And hailed down oaths
that he was only mine.

310
00:19:58,046 --> 00:20:00,296
(LAUGHING)

311
00:20:01,778 --> 00:20:02,644
Come on!

312
00:20:02,646 --> 00:20:05,701
I will go tell him of the lovers troth.

313
00:20:05,703 --> 00:20:08,926
Then will he up straight
and pursue them both.

314
00:20:08,928 --> 00:20:11,801
By this means seek I to enrich my pain

315
00:20:11,803 --> 00:20:15,220
to have his sight thither and back again.

316
00:20:16,104 --> 00:20:18,854
(MYSTICAL MUSIC)

317
00:20:49,036 --> 00:20:52,369
(LIVELY MYSTICAL MUSIC)

318
00:21:29,412 --> 00:21:31,579
(HISSING)

319
00:21:32,451 --> 00:21:35,034
(BIRD CROWING)

320
00:21:38,101 --> 00:21:41,601
(UPBEAT PERCUSSION MUSIC)

321
00:22:10,002 --> 00:22:13,610
You are that shrewd and knavish sprite

322
00:22:13,612 --> 00:22:15,511
called Robin Goodfellow.

323
00:22:15,513 --> 00:22:17,435
I am that merry wanderer of the night.

324
00:22:17,437 --> 00:22:19,536
I jest with Oberon and make him smile.

325
00:22:19,538 --> 00:22:23,486
And I serve the fairy
queen to dew her orbs

326
00:22:23,488 --> 00:22:24,610
upon the green.

327
00:22:24,612 --> 00:22:27,359
The king doth keep
his revels here tonight.

328
00:22:27,361 --> 00:22:29,936
Take heed the queen come
not within his sight.

329
00:22:29,938 --> 00:22:32,002
For Oberon is passing fell and wrath

330
00:22:32,004 --> 00:22:35,463
because that she as her
attendant hath that lovely boy,

331
00:22:35,465 --> 00:22:37,828
stolen from a mortal king.

332
00:22:37,830 --> 00:22:41,136
She never had so sweet a changeling.

333
00:22:41,138 --> 00:22:44,677
Oberon, and here is my mistress.

334
00:22:44,679 --> 00:22:46,679
Would that he were gone.

335
00:22:48,059 --> 00:22:51,059
(SUSPENSEFUL MUSIC)

336
00:23:02,351 --> 00:23:05,768
(MELLOW WHIMSICAL MUSIC)

337
00:23:17,125 --> 00:23:19,458
(WHISTLING)

338
00:23:43,296 --> 00:23:45,796
(TENSE MUSIC)

339
00:23:54,528 --> 00:23:57,695
Ill met by moonlight, proud Titania.

340
00:23:59,823 --> 00:24:01,240
Jealous Oberon.

341
00:24:03,030 --> 00:24:06,280
Fairies skip hence I have
forsworn his bed and company.

342
00:24:06,282 --> 00:24:08,276
Tarry, rash wanton.

343
00:24:08,278 --> 00:24:09,577
Am not I thy lord?

344
00:24:09,579 --> 00:24:11,746
Then I must be thy lady.

345
00:24:13,230 --> 00:24:16,802
Why should Titania cross her Oberon?

346
00:24:16,804 --> 00:24:19,576
I do but beg of thee a
little changeling boy

347
00:24:19,578 --> 00:24:20,577
to be my henchman.

348
00:24:20,579 --> 00:24:22,152
Your heart at rest the fairy land

349
00:24:22,154 --> 00:24:24,378
buys not the child of me.

350
00:24:24,380 --> 00:24:26,504
His mother had oft worshiped the same moon

351
00:24:26,506 --> 00:24:28,874
and in the spiced Indian air by night,

352
00:24:28,876 --> 00:24:31,480
full often hath she gossiped by my side

353
00:24:31,482 --> 00:24:34,456
and sat with me on blessed yellow sands

354
00:24:34,458 --> 00:24:37,906
marking the embarked traders on the flood.

355
00:24:37,908 --> 00:24:38,741
But she,

356
00:24:40,802 --> 00:24:43,635
being mortal, of that boy did die.

357
00:24:46,660 --> 00:24:49,608
And for her sake, do I rear up her boy

358
00:24:49,610 --> 00:24:53,193
and for her sake, I
will not part with him.

359
00:24:57,311 --> 00:24:58,894
Well, go thy way.

360
00:25:00,686 --> 00:25:03,458
Thou shalt not from this grove

361
00:25:03,460 --> 00:25:06,710
till I torment thee for this injustice.

362
00:25:08,508 --> 00:25:09,806
Fairies away.

363
00:25:09,808 --> 00:25:13,308
We shall chide downright if I longer stay.

364
00:25:24,109 --> 00:25:25,526
My gentle Puck.

365
00:25:26,718 --> 00:25:27,718
Come hither.

366
00:25:34,719 --> 00:25:36,136
Fetch the flower.

367
00:25:37,594 --> 00:25:41,342
The juice of it on sleeping eyelids laid

368
00:25:41,344 --> 00:25:44,343
will make man or woman madly dote

369
00:25:44,345 --> 00:25:46,836
upon the next live creature it sees.

370
00:25:46,838 --> 00:25:51,505
I'll put a girdle round
about the Earth in 40 minutes.

371
00:25:57,536 --> 00:26:02,536
♪ Yeah, yeah ♪

372
00:26:04,669 --> 00:26:09,669
♪ I am, I am, I am, I am ♪

373
00:26:10,944 --> 00:26:14,117
♪ I cross the oceans and
I like the mountains ♪

374
00:26:14,119 --> 00:26:18,128
♪ And I fly the winds on high,
I am the bright blue sky ♪

375
00:26:18,130 --> 00:26:21,803
♪ I swim the seven seas,
I am the morning breeze ♪

376
00:26:21,805 --> 00:26:23,751
♪ Whispering to the trees ♪

377
00:26:23,753 --> 00:26:27,670
♪ I am she, I am she, I am she ♪

378
00:26:30,756 --> 00:26:34,089
(MELLOW MYSTICAL MUSIC)

379
00:26:42,621 --> 00:26:45,704
Sing me now asleep and let me rest.

380
00:26:49,961 --> 00:26:53,294
(MELLOW WOODWIND MUSIC)

381
00:27:10,787 --> 00:27:15,787
♪ Get to work ♪

382
00:27:17,290 --> 00:27:18,164
♪ Yeah, yeah ♪

383
00:27:18,166 --> 00:27:20,599
♪ Time slipping away now ♪

384
00:27:20,601 --> 00:27:22,479
♪ And I ain't get enough drinks to drink ♪

385
00:27:22,481 --> 00:27:25,325
♪ I ain't get enough gal
to wine, gal to wine ♪

386
00:27:25,327 --> 00:27:27,835
♪ Sleep in me mind is played out ♪

387
00:27:27,837 --> 00:27:29,891
♪ I on the road and not in me bed ♪

388
00:27:29,893 --> 00:27:33,371
♪ I gone sleep enough
when I dead, dead, dead ♪

389
00:27:33,373 --> 00:27:37,271
♪ I am the CEO of the jamming company ♪

390
00:27:37,273 --> 00:27:40,746
♪ All the people you see
working work for me ♪

391
00:27:40,748 --> 00:27:44,497
♪ I am the CEO of the jamming company ♪

392
00:27:44,499 --> 00:27:48,413
♪ If you on the job start
working right away ♪

393
00:27:48,415 --> 00:27:50,439
♪ I'm fine, bam, bam, bam, bam, bam ♪

394
00:27:50,441 --> 00:27:52,141
♪ Let me jam, jam, jam, jam, jam ♪

395
00:27:52,143 --> 00:27:53,864
♪ Fine, bam, bam, bam, bam, bam ♪

396
00:27:53,866 --> 00:27:55,863
♪ Let me jam, jam, jam, jam, jam ♪

397
00:27:55,865 --> 00:27:57,759
♪ Fine, bam, bam, bam, bam, bam ♪

398
00:27:57,761 --> 00:27:59,614
♪ Let me jam, jam, jam, jam, jam ♪

399
00:27:59,616 --> 00:28:01,488
♪ I'm fine, bam, bam, bam, bam, bam ♪

400
00:28:01,490 --> 00:28:03,221
♪ Let me jam, jam, jam, jam, jam ♪

401
00:28:03,223 --> 00:28:06,793
♪ Till the break of day ♪

402
00:28:06,795 --> 00:28:10,542
♪ Till the break of day,
till the break of day ♪

403
00:28:10,544 --> 00:28:14,242
♪ Till the break of day ♪

404
00:28:14,244 --> 00:28:18,499
♪ Till the break of day,
till the break of day ♪

405
00:28:18,501 --> 00:28:21,402
♪ Every man to a woman,
pair up, pair up, ♪

406
00:28:21,404 --> 00:28:22,352
♪ Pair up, pair up ♪

407
00:28:22,354 --> 00:28:25,202
♪ Every man to a woman pair up, pair up ♪

408
00:28:25,204 --> 00:28:26,102
♪ Pair up, pair up ♪

409
00:28:26,104 --> 00:28:30,952
♪ Every man to a woman pair up, pair up ♪

410
00:28:30,954 --> 00:28:34,121
(TENSE AMBIENT MUSIC)

411
00:29:04,430 --> 00:29:07,597
What thou seest when thou dost wake,

412
00:29:09,556 --> 00:29:11,973
do it for thy true love take.

413
00:29:13,752 --> 00:29:16,335
Love and languish for his sake.

414
00:29:29,722 --> 00:29:32,853
The next thing then she waking looks upon,

415
00:29:32,855 --> 00:29:35,855
be it on lion, bear or wolf or bull,

416
00:29:37,005 --> 00:29:39,246
on meddling monkey or on busy ape,

417
00:29:39,248 --> 00:29:43,278
she shall pursue it with the soul of love.

418
00:29:43,280 --> 00:29:46,328
And ere I take this charm off her sight,

419
00:29:46,330 --> 00:29:49,428
as I can do with another herb.

420
00:29:49,430 --> 00:29:52,763
I'll make her render up her child to me.

421
00:30:02,082 --> 00:30:05,254
I love thee not
therefore, pursue me not.

422
00:30:05,256 --> 00:30:07,309
And even for that, I
do love you the more.

423
00:30:07,311 --> 00:30:09,580
Where is Lysander and fair Hermia?

424
00:30:09,582 --> 00:30:13,230
Thou toldest me they were
stolen unto this wood.

425
00:30:13,232 --> 00:30:17,712
Oh hence get thee gone
and follow me no more.

426
00:30:17,714 --> 00:30:19,318
Do I entice you?

427
00:30:19,320 --> 00:30:20,742
Do I speak you fair?

428
00:30:20,744 --> 00:30:23,445
Or rather do I not in
plainest truth tell you,

429
00:30:23,447 --> 00:30:26,030
I do not nor I cannot love you?

430
00:30:26,997 --> 00:30:30,395
You draw me you hard hearted adamant.

431
00:30:30,397 --> 00:30:32,696
I'll run from thee and
hide me in the brakes

432
00:30:32,698 --> 00:30:35,695
and leave thee to the
mercy of wild beasts.

433
00:30:35,697 --> 00:30:37,994
I'll follow thee and
make a heaven of hell,

434
00:30:37,996 --> 00:30:40,996
to die upon the hand I love so well.

435
00:30:48,365 --> 00:30:51,532
(TENSE AMBIENT MUSIC)

436
00:31:03,177 --> 00:31:06,400
Puck, a sweet and graceful lady

437
00:31:06,402 --> 00:31:09,550
is in love with a disdainful youth.

438
00:31:09,552 --> 00:31:10,885
Anoint his eyes.

439
00:31:12,226 --> 00:31:16,809
But do it so the next thing
he espies, may be the lady.

440
00:31:20,678 --> 00:31:24,651
Do it with some care so that he may prove

441
00:31:24,653 --> 00:31:27,986
more fond on her than she upon her love.

442
00:31:29,453 --> 00:31:33,596
And look thou ere fore
the first cock crow.

443
00:31:33,598 --> 00:31:34,486
Fear not my Lord.

444
00:31:34,488 --> 00:31:36,488
Thy servant shall do so.

445
00:31:43,638 --> 00:31:46,638
Wake when some vile thing is near.

446
00:31:47,752 --> 00:31:49,400
♪ You got to pull them horse man ♪

447
00:31:49,402 --> 00:31:50,300
♪ Pull them horse man ♪

448
00:31:50,302 --> 00:31:51,671
♪ Pull them horse man ♪

449
00:31:51,673 --> 00:31:52,701
♪ Pull them horse man ♪

450
00:31:52,703 --> 00:31:54,149
♪ Pull them ♪

451
00:31:54,151 --> 00:31:55,251
(SCATTING)

452
00:31:55,253 --> 00:31:56,526
♪ Pull them horse man ♪

453
00:31:56,528 --> 00:31:57,359
♪ Pull them horse man ♪

454
00:31:57,361 --> 00:31:58,851
♪ Pull them horse man ♪

455
00:31:58,853 --> 00:31:59,768
♪ Pull them horse man ♪

456
00:31:59,770 --> 00:32:00,601
♪ Pull them horse man ♪

457
00:32:00,603 --> 00:32:02,375
BOTTOM: Neigh!

458
00:32:02,377 --> 00:32:04,377
MEN: Shut up, Bottom.

459
00:32:07,292 --> 00:32:09,674
Fair love you faint with
wandering in the wood.

460
00:32:09,676 --> 00:32:13,074
And to speak truth I have forgot our way.

461
00:32:13,076 --> 00:32:16,305
We'll rest us, Hermia,
if you think it good.

462
00:32:16,307 --> 00:32:19,390
And tarry for the comfort of the day.

463
00:32:20,282 --> 00:32:22,551
Be it so, Lysander.

464
00:32:22,553 --> 00:32:24,429
Find you out a bed.

465
00:32:24,431 --> 00:32:27,681
For I upon this tree will rest my head.

466
00:32:29,158 --> 00:32:32,581
LYSANDER: One turf shall
serve as pillow for us both.

467
00:32:32,583 --> 00:32:34,680
Nay, good Lysander.

468
00:32:34,682 --> 00:32:39,682
For my sake my dear lie further
off yet, do not lie so near.

469
00:32:40,411 --> 00:32:43,334
Two bosoms interchained with an oath,

470
00:32:43,336 --> 00:32:46,710
so then two bosoms and a single troth.

471
00:32:46,712 --> 00:32:51,321
And by your side no bed room
me deny for lying so Hermia,

472
00:32:51,323 --> 00:32:52,406
I do not lie.

473
00:32:54,105 --> 00:32:57,188
Lysander, you riddle very prettily.

474
00:32:58,911 --> 00:33:02,244
But gentle friend, for love and courtesy

475
00:33:03,386 --> 00:33:06,866
lie further off in human modesty.

476
00:33:06,868 --> 00:33:08,674
Such separation may well be said

477
00:33:08,676 --> 00:33:12,072
becomes a virtuous bachelor and a maid.

478
00:33:12,074 --> 00:33:16,157
So far, be distant, and
good night, sweet friend.

479
00:33:19,018 --> 00:33:22,595
Thy love never alter
till thy sweet life end.

480
00:33:22,597 --> 00:33:24,022
Amen.

481
00:33:24,024 --> 00:33:26,607
Amen to that fair prayer say I.

482
00:33:28,224 --> 00:33:30,974
Then end life when I end loyalty.

483
00:33:38,999 --> 00:33:42,166
(TENSE AMBIENT MUSIC)

484
00:33:51,229 --> 00:33:55,896
This is he my master said
despised the love lorn maid.

485
00:33:58,630 --> 00:34:00,252
And here the maiden,

486
00:34:00,254 --> 00:34:03,921
sleeping sound on the
dank and dirty ground.

487
00:34:06,200 --> 00:34:07,200
Pretty soul.

488
00:34:08,055 --> 00:34:13,055
She durst not lie near this
lack love, this kill courtesy.

489
00:34:13,305 --> 00:34:15,638
Churl, upon thy eyes I throw

490
00:34:18,381 --> 00:34:21,214
all the power this charm doth owe.

491
00:34:22,080 --> 00:34:25,728
When thou wakest let love
forbid sleep his seat

492
00:34:25,730 --> 00:34:26,897
on thy eyelid.

493
00:34:27,978 --> 00:34:31,811
Awake when I am gone for
I must now to Oberon.

494
00:34:34,403 --> 00:34:35,596
QUINCY: Listen to what I'm saying.

495
00:34:35,598 --> 00:34:37,378
- Everybody can...
- No, you are playing Becca.

496
00:34:37,380 --> 00:34:39,401
(FRIENDS ARGUING)

497
00:34:39,403 --> 00:34:41,105
QUINCY: I know, but
you're gonna play the part.

498
00:34:41,107 --> 00:34:43,607
SINKER: I can't play Becca.

499
00:34:45,283 --> 00:34:48,533
(FOREST ANIMAL CAWING)

500
00:35:08,867 --> 00:35:11,339
(FRIENDS ARGUING)

501
00:35:11,341 --> 00:35:12,932
Now according to what it say,

502
00:35:12,934 --> 00:35:16,434
King Jaja and Becca used to speak through,

503
00:35:19,529 --> 00:35:22,612
through a hole in the galvanize, huh?

504
00:35:23,702 --> 00:35:24,903
What?

505
00:35:24,905 --> 00:35:27,155
But this ain't dangerous?

506
00:35:29,348 --> 00:35:32,251
Man, you gotta think
health and safety, Quincy.

507
00:35:32,253 --> 00:35:33,629
You can't be serious, man.

508
00:35:33,631 --> 00:35:36,757
I know, let Sinker
also play the galvanize.

509
00:35:36,759 --> 00:35:37,806
- Me?
- Oh, yes.

510
00:35:37,808 --> 00:35:40,003
Let him hold his finger thus

511
00:35:40,005 --> 00:35:42,304
and then King Jaja and Becca

512
00:35:42,306 --> 00:35:46,902
can be spoke to each
other through that crack.

513
00:35:46,904 --> 00:35:50,154
All right, all right,
well that settles it, okay.

514
00:35:50,156 --> 00:35:52,186
That settles it, let's start.

515
00:35:52,188 --> 00:35:55,938
Now King Jaja, you will
say your lines first.

516
00:35:57,107 --> 00:35:59,208
And then afterwards, you
will hide behind the bush.

517
00:35:59,210 --> 00:36:01,401
In fact, I want everyone behind the bush

518
00:36:01,403 --> 00:36:03,570
when they're not on stage.

519
00:36:04,807 --> 00:36:05,890
Dear Becca,

520
00:36:06,793 --> 00:36:10,876
I want to bask in the
ambulance of your radiance.

521
00:36:13,377 --> 00:36:15,925
The ambience of your radiance.

522
00:36:15,927 --> 00:36:18,192
Ambience of your radiance.

523
00:36:18,194 --> 00:36:19,825
QUINCY: Yes.

524
00:36:19,827 --> 00:36:21,972
But what's that?

525
00:36:21,974 --> 00:36:22,807
A voice?

526
00:36:23,900 --> 00:36:26,400
Wait here, I'll be right back.

527
00:36:33,048 --> 00:36:35,381
Go behind the bush, right.

528
00:36:37,101 --> 00:36:38,550
Am I supposed to speak now?

529
00:36:38,552 --> 00:36:41,275
Yes, yes, you're supposed to show

530
00:36:41,277 --> 00:36:43,426
that you understand that King Jaja

531
00:36:43,428 --> 00:36:44,951
heard a noise and is going to check on it

532
00:36:44,953 --> 00:36:47,251
but he'll be back soon.

533
00:36:47,253 --> 00:36:49,001
Most handsome Jaja.

534
00:36:49,003 --> 00:36:50,253
No, as Becca.

535
00:36:53,069 --> 00:36:54,262
Most handsome Jaja.

536
00:36:54,264 --> 00:36:55,662
(LAUGHS)

537
00:36:55,664 --> 00:36:56,497
Sorry.

538
00:36:58,614 --> 00:37:01,562
I will meet you at
the constipation statue.

539
00:37:01,564 --> 00:37:04,638
My love for you grows by every second.

540
00:37:04,640 --> 00:37:06,473
Emancipation statue.

541
00:37:07,439 --> 00:37:10,862
All right, Sinker you missed your cue.

542
00:37:10,864 --> 00:37:14,063
You're supposed to enter and say neigh

543
00:37:14,065 --> 00:37:15,425
when you hear the word second.

544
00:37:15,427 --> 00:37:17,677
SINKER: Oh sorry, neigh.

545
00:37:18,602 --> 00:37:19,724
Louder, Sinker.

546
00:37:19,726 --> 00:37:20,559
Neigh!

547
00:37:24,326 --> 00:37:25,159
Neigh!

548
00:37:27,602 --> 00:37:28,519
Neigh, baa.

549
00:37:31,395 --> 00:37:33,228
Like this Sinker, baa!

550
00:37:35,999 --> 00:37:38,332
LINE: Call the boys back!

551
00:37:39,834 --> 00:37:42,667
This is a joke just to scare me.

552
00:37:43,524 --> 00:37:47,147
I will walk upon down
here and I will sing...

553
00:37:47,149 --> 00:37:50,566
that they shall hear that I'm not afraid.

554
00:37:52,316 --> 00:37:54,797
♪ I was once engaged to a lady ♪

555
00:37:54,799 --> 00:37:57,223
♪ Her love was all for me ♪

556
00:37:57,225 --> 00:37:59,097
♪ No matter the distance she did live ♪

557
00:37:59,099 --> 00:38:02,023
♪ It was not trouble for me ♪

558
00:38:02,025 --> 00:38:04,200
♪ But alas that girl she didn't love me ♪

559
00:38:04,202 --> 00:38:06,697
♪ And sent me away from she ♪

560
00:38:06,699 --> 00:38:09,023
♪ And the only thing that bring me back ♪

561
00:38:09,025 --> 00:38:12,948
♪ Was a cup of that coco tea ♪

562
00:38:12,950 --> 00:38:17,523
♪ The coco tea is a poison for me ♪

563
00:38:17,525 --> 00:38:22,098
♪ Every time I drink it,
I don't know where I be ♪

564
00:38:22,100 --> 00:38:25,600
What angel wakes me from my flowery bed?

565
00:38:27,798 --> 00:38:29,822
♪ 'Cause she got my head upside down ♪

566
00:38:29,824 --> 00:38:33,747
♪ With a cup of that coco tea ♪

567
00:38:33,749 --> 00:38:37,082
I pray thee gentle mortal, sing again.

568
00:38:39,674 --> 00:38:42,072
My ear is much enamored of thy note.

569
00:38:42,074 --> 00:38:43,771
Sing again and dance.

570
00:38:43,773 --> 00:38:45,497
BOTTOM: Baa!

571
00:38:45,499 --> 00:38:48,916
So is mine eye enthralled to thy shape.

572
00:38:55,819 --> 00:39:00,819
♪ Coco tea is a poison for me ♪

573
00:39:01,564 --> 00:39:06,149
♪ Every time I drink it,
I don't know where I be ♪

574
00:39:06,151 --> 00:39:10,850
♪ If you want to find me,
you got to look for me ♪

575
00:39:10,852 --> 00:39:13,298
♪ 'Cause she got my head upsided down ♪

576
00:39:13,300 --> 00:39:16,576
♪ With a cup of the coco tea ♪

577
00:39:16,578 --> 00:39:19,975
Thy fair virtue's force
perforce doth move me

578
00:39:19,977 --> 00:39:22,810
on the first view to say to swear.

579
00:39:27,303 --> 00:39:28,303
I love thee.

580
00:39:30,728 --> 00:39:35,252
Methinks mistress, you should
have little reason for that.

581
00:39:35,254 --> 00:39:38,153
And yet to say the truth reason and love

582
00:39:38,155 --> 00:39:41,550
keep little company together nowadays.

583
00:39:41,552 --> 00:39:44,969
Thou art as wise as thou art beautiful.

584
00:39:46,703 --> 00:39:48,721
Not so neither.

585
00:39:48,723 --> 00:39:51,229
But if I had wit enough
to get out of this wood,

586
00:39:51,231 --> 00:39:53,951
I have enough to serve mine own turn.

587
00:39:53,953 --> 00:39:56,353
Out of this wood do not desire to go.

588
00:39:56,355 --> 00:39:59,022
I am a spirit of no common rate.

589
00:40:01,280 --> 00:40:03,530
Peaseblossom, Peaseblossom.

590
00:40:05,404 --> 00:40:06,237
Hail.

591
00:40:07,379 --> 00:40:09,459
TITANIA: Mustardseed.

592
00:40:09,461 --> 00:40:10,294
Hail.

593
00:40:12,554 --> 00:40:15,477
Your name I beseech you sir?

594
00:40:15,479 --> 00:40:16,646
Mustardseed.

595
00:40:17,555 --> 00:40:19,527
I promise you.

596
00:40:19,529 --> 00:40:23,753
Your kindred hath made
my eyes water ere now.

597
00:40:23,755 --> 00:40:28,672
I desire you of more acquaintance,
good Master Mustardseed.

598
00:40:30,255 --> 00:40:32,255
Bring him to my power.

599
00:40:36,655 --> 00:40:41,228
♪ Am I dreaming ♪

600
00:40:41,230 --> 00:40:46,029
♪ Sweet dreaming ♪

601
00:40:46,031 --> 00:40:50,879
♪ Am I dreaming ♪

602
00:40:50,881 --> 00:40:55,881
♪ Maybe I'm dreaming ♪

603
00:40:56,255 --> 00:41:01,280
♪ I dream of tears that flood the Earth ♪

604
00:41:01,282 --> 00:41:05,924
♪ Fear and prepare us for rebirth ♪

605
00:41:05,926 --> 00:41:10,926
♪ We have a purpose to fulfill ♪

606
00:41:11,633 --> 00:41:14,999
♪ According to a higher will ♪

607
00:41:15,001 --> 00:41:16,855
And I thought I had to much to drink.

608
00:41:16,857 --> 00:41:21,024
Are we going to witness
a real live donkey show?

609
00:41:22,759 --> 00:41:27,681
♪ Must be dreaming ♪

610
00:41:27,683 --> 00:41:32,509
♪ Am I dreaming ♪

611
00:41:32,511 --> 00:41:35,594
♪ Maybe I'm dreaming ♪

612
00:41:36,883 --> 00:41:37,883
Demetrius!

613
00:41:39,259 --> 00:41:40,092
Demetrius!

614
00:41:49,755 --> 00:41:54,028
Oh, I am out of breath in this fond chase.

615
00:41:54,030 --> 00:41:58,078
The more my prayer,
the lesser is my grace.

616
00:41:58,080 --> 00:42:01,596
We cannot fight for love as men may do.

617
00:42:01,598 --> 00:42:05,265
We should be wooed and
were not made to woo.

618
00:42:10,231 --> 00:42:11,064
Lysander?

619
00:42:12,081 --> 00:42:12,914
Lysander?

620
00:42:14,248 --> 00:42:17,415
Lysander, if you live good sir, awake.

621
00:42:22,121 --> 00:42:25,371
(ROMANTIC JAZZY MUSIC)

622
00:42:32,496 --> 00:42:34,570
Lysander, where is Demetrius?

623
00:42:34,572 --> 00:42:36,545
LYSANDER: Oh, how fit
a word is that vile name

624
00:42:36,547 --> 00:42:37,865
to perish on my sword.

625
00:42:37,867 --> 00:42:41,796
Do not say so, Lysander, say not so.

626
00:42:41,798 --> 00:42:44,015
What though he love your Hermia?

627
00:42:44,017 --> 00:42:45,740
Lord what though?

628
00:42:45,742 --> 00:42:48,422
Yet Hermia still loves
you, then be content.

629
00:42:48,424 --> 00:42:49,971
Content with Hermia?

630
00:42:49,973 --> 00:42:50,806
No.

631
00:42:51,924 --> 00:42:55,114
I do repent the tedious
minutes I with her have spent.

632
00:42:55,116 --> 00:42:57,616
Not Hermia, but Helena I love.

633
00:42:58,824 --> 00:43:00,971
Who will not change a raven for a dove?

634
00:43:00,973 --> 00:43:03,620
Wherefore was I to
this keen mockery born?

635
00:43:03,622 --> 00:43:05,290
Good troth, you do me wrong.

636
00:43:05,292 --> 00:43:08,946
Good sooth you do in such
disdainful manner me to woo.

637
00:43:08,948 --> 00:43:11,772
But fare you well,
perforce I must confess,

638
00:43:11,774 --> 00:43:14,122
I thought you lord of
more true gentleness.

639
00:43:14,124 --> 00:43:14,957
Helena!

640
00:43:15,975 --> 00:43:16,808
Helena!

641
00:43:18,190 --> 00:43:20,771
(SUSPENSEFUL MUSIC)

642
00:43:20,773 --> 00:43:22,046
Help me, Lysander!

643
00:43:22,048 --> 00:43:24,576
Help me, do thy best to
pluck this crawling serpent

644
00:43:24,578 --> 00:43:25,828
from my breast.

645
00:43:28,626 --> 00:43:29,459
Lysander?

646
00:43:32,910 --> 00:43:34,660
Alack, where are you?

647
00:43:37,185 --> 00:43:38,018
Hermia!

648
00:43:40,111 --> 00:43:42,694
(LIVELY MUSIC)

649
00:43:48,682 --> 00:43:49,599
Lysander?

650
00:43:53,836 --> 00:43:55,503
LYSANDER: Helena?

651
00:43:59,161 --> 00:44:00,161
Demetrius!

652
00:44:02,656 --> 00:44:03,489
Demetrius?

653
00:44:08,186 --> 00:44:09,019
Titania.

654
00:44:24,256 --> 00:44:27,478
Wonder if Titania be awake.

655
00:44:27,480 --> 00:44:30,980
Then what it was next that came in her eye

656
00:44:34,036 --> 00:44:37,334
which she must dote on in extremity?

657
00:44:37,336 --> 00:44:40,669
My mistress with a monster is in love.

658
00:44:55,537 --> 00:44:58,787
This falls out better
than I could devise.

659
00:44:58,789 --> 00:45:01,836
But hast thou latched the
youths eyes with the love juice,

660
00:45:01,838 --> 00:45:03,011
as I did bid thee do?

661
00:45:03,013 --> 00:45:06,680
I took him sleeping,
that is finished too.

662
00:45:08,085 --> 00:45:12,253
Stick close, this is the self same one.

663
00:45:12,255 --> 00:45:16,136
PUCK: This is the woman
but not this the man.

664
00:45:16,138 --> 00:45:16,978
Dog!

665
00:45:16,980 --> 00:45:18,311
Out cur!

666
00:45:18,313 --> 00:45:21,537
Thou drivest me past the
bounds of maiden's patience.

667
00:45:21,539 --> 00:45:23,235
Hast thou slain him then?

668
00:45:23,237 --> 00:45:26,404
I am not guilty of Lysander's blood.

669
00:45:31,914 --> 00:45:35,747
There is no following
her in this fierce vein.

670
00:46:01,915 --> 00:46:03,748
What hast thou done?

671
00:46:05,310 --> 00:46:08,339
Thou hast mistaken quite
and laid the love juice

672
00:46:08,341 --> 00:46:10,508
on some true love's sight.

673
00:46:11,467 --> 00:46:14,014
About the wood, go swifter than the wind

674
00:46:14,016 --> 00:46:16,413
and fairest Helena look thou find.

675
00:46:16,415 --> 00:46:19,915
By some illusion, see thou bring her here.

676
00:46:34,942 --> 00:46:39,025
Flower of this red dye,
hit with Cupid's archery.

677
00:46:41,265 --> 00:46:43,966
Sink in the apple of his eye.

678
00:46:43,968 --> 00:46:46,635
When his true love he doth espy,

679
00:46:48,192 --> 00:46:52,525
let her shine as gloriously
as the Venus of the sky.

680
00:47:02,443 --> 00:47:03,276
Helena.

681
00:47:04,392 --> 00:47:07,866
Why should you think that
I should woo in scorn?

682
00:47:07,868 --> 00:47:10,618
Look when I vow, I weep, I swoon,

683
00:47:12,093 --> 00:47:12,924
I am torn.

684
00:47:12,926 --> 00:47:14,866
HELENA: These vows are Hermia's.

685
00:47:14,868 --> 00:47:16,166
Will you give her o'er?

686
00:47:16,168 --> 00:47:18,091
LYSANDER: I had no
judgment when to her I swore.

687
00:47:18,093 --> 00:47:21,516
Nor none in my mind
now you give her o'er.

688
00:47:21,518 --> 00:47:24,317
(PHONE RINGING)

689
00:47:24,319 --> 00:47:25,152
Demetrius?

690
00:47:40,640 --> 00:47:41,473
Demetrius.

691
00:47:42,419 --> 00:47:47,002
LYSANDER: Demetrius loves
her, and he loves not you.

692
00:47:48,766 --> 00:47:50,517
Oh, Helena.

693
00:47:50,519 --> 00:47:53,769
(ROMANTIC JAZZY MUSIC)

694
00:47:55,716 --> 00:47:56,966
Goddess, nymph,

695
00:47:59,189 --> 00:48:00,522
perfect, divine.

696
00:48:02,589 --> 00:48:06,064
Oh, to what my love to what
shall I compare thine eyne?

697
00:48:06,066 --> 00:48:08,239
Crystal is muddy.

698
00:48:08,241 --> 00:48:10,389
Oh how ripe in show thy lips,

699
00:48:10,391 --> 00:48:13,431
those kissing cherries tempting grow.

700
00:48:13,433 --> 00:48:15,664
Oh spite, oh hell.

701
00:48:15,666 --> 00:48:18,188
I see you all are bent to set
against me for your merriment.

702
00:48:18,190 --> 00:48:21,091
You are unkind, Demetrius, be not so.

703
00:48:21,093 --> 00:48:23,340
For you love Hermia, this you know I know.

704
00:48:23,342 --> 00:48:26,591
Lysander, keep thy Hermia I will none.

705
00:48:26,593 --> 00:48:28,679
Helen, it is not so.

706
00:48:28,681 --> 00:48:31,011
Disparage not the
faith thou dost not know.

707
00:48:31,013 --> 00:48:31,930
Lysander.

708
00:48:33,393 --> 00:48:36,091
Why unkindly didst thou leave me so?

709
00:48:36,093 --> 00:48:38,916
Why should he stay whom
love does press to go?

710
00:48:38,918 --> 00:48:41,391
What love could press
Lysander from my side?

711
00:48:41,393 --> 00:48:45,666
Lysander's love that
would not let him bide.

712
00:48:45,668 --> 00:48:48,142
Fair Helena, who more engilds the night

713
00:48:48,144 --> 00:48:52,365
than all yon fiery oes and eyes of light.

714
00:48:52,367 --> 00:48:55,191
You speak not as you
think, it cannot be.

715
00:48:55,193 --> 00:48:58,276
Lo, she is one of this confederacy.

716
00:48:59,744 --> 00:49:01,886
Have you not set Lysander as in scorn

717
00:49:01,888 --> 00:49:04,292
to follow me and praise my eyes and face?

718
00:49:04,294 --> 00:49:06,410
And made your other love, Demetrius,

719
00:49:06,412 --> 00:49:09,366
who even but did now
spurn me with his foot

720
00:49:09,368 --> 00:49:12,201
to call me goddess, nymph, divine,

721
00:49:13,669 --> 00:49:15,836
rare, precious, celestial?

722
00:49:18,412 --> 00:49:22,236
I understand not what you mean by this.

723
00:49:22,238 --> 00:49:26,285
If you have any pity, grace or manners,

724
00:49:26,287 --> 00:49:29,493
you would not make me such an argument.

725
00:49:29,495 --> 00:49:32,318
But fare ye well, 'tis partly my own fault

726
00:49:32,320 --> 00:49:35,418
which death or absence soon shall remedy.

727
00:49:35,420 --> 00:49:38,493
Stay, gentle Helena, hear my excuse.

728
00:49:38,495 --> 00:49:42,543
Lord what fools these mortals be, cha.

729
00:49:42,545 --> 00:49:46,311
My love, my life, my soul, fair Helena.

730
00:49:46,313 --> 00:49:47,718
Oh excellent.

731
00:49:47,720 --> 00:49:49,168
Sweet, do not scorn her so.

732
00:49:49,170 --> 00:49:52,794
Helen, I love thee, by my life I do.

733
00:49:52,796 --> 00:49:55,393
I say I love thee more than he can do.

734
00:49:55,395 --> 00:49:57,595
If thou say so withdraw
and prove it too.

735
00:49:57,597 --> 00:49:59,810
Lysander, whereto tends all this?

736
00:49:59,812 --> 00:50:01,054
Away you land shark.

737
00:50:01,056 --> 00:50:03,654
No, no, he'll seem to break loose.

738
00:50:03,656 --> 00:50:05,573
Vile thing let loose.

739
00:50:10,029 --> 00:50:12,279
(GRUNTING)

740
00:50:13,434 --> 00:50:15,684
(GROANING)

741
00:50:17,203 --> 00:50:18,036
Oh me.

742
00:50:22,258 --> 00:50:23,675
You house hopper.

743
00:50:24,609 --> 00:50:26,705
You fartblossom.

744
00:50:26,707 --> 00:50:28,406
You thief of love!

745
00:50:28,408 --> 00:50:29,801
What have you come by night

746
00:50:29,803 --> 00:50:31,933
and stolen my love's heart from him?

747
00:50:31,935 --> 00:50:32,857
What?

748
00:50:32,859 --> 00:50:35,932
Will you tear impatient
answers from my gentle tongue?

749
00:50:35,934 --> 00:50:38,107
You yard fowl, you idiot you!

750
00:50:38,109 --> 00:50:39,832
Yard fowl?

751
00:50:39,834 --> 00:50:41,891
Have you grown so high in his esteem

752
00:50:41,893 --> 00:50:44,941
because I am so dwarfish and so low?

753
00:50:44,943 --> 00:50:48,365
How low am I thou painted maypole?

754
00:50:48,367 --> 00:50:49,741
Speak!

755
00:50:49,743 --> 00:50:50,826
How low am I?

756
00:50:52,818 --> 00:50:55,441
I am not yet so low but that my nails

757
00:50:55,443 --> 00:50:57,610
can reach unto thine eyes.

758
00:51:02,333 --> 00:51:04,666
(SHRIEKING)

759
00:51:05,543 --> 00:51:08,376
DEMETRIUS AND LYSANDER: Helena!

760
00:51:15,771 --> 00:51:18,021
(GROANING)

761
00:51:22,570 --> 00:51:26,138
Good Hermia, do not
be so bitter with me.

762
00:51:26,140 --> 00:51:28,807
I evermore did love you, Hermia.

763
00:51:30,291 --> 00:51:32,314
Demetrius followed you.

764
00:51:32,316 --> 00:51:34,816
For love, I followed him.

765
00:51:34,818 --> 00:51:39,115
But he hath chid me hence and
threatened me, to strike me,

766
00:51:39,117 --> 00:51:41,534
spurn me nay, to kill me too.

767
00:51:42,418 --> 00:51:44,085
Why get thee gone.

768
00:51:45,067 --> 00:51:47,141
Who is it that hinders you?

769
00:51:47,143 --> 00:51:49,241
A foolish heart that
I leave here behind.

770
00:51:49,243 --> 00:51:50,490
What, with Lysander?

771
00:51:50,492 --> 00:51:51,909
With Demetrius.

772
00:52:10,919 --> 00:52:13,267
You, mistress all this
coil is long of you.

773
00:52:13,269 --> 00:52:14,602
Nay go not back.

774
00:52:16,068 --> 00:52:17,467
I will not trust you aye,

775
00:52:17,469 --> 00:52:20,719
nor longer stay in your cursed company.

776
00:52:25,435 --> 00:52:27,428
Get you gone, you dwarf!

777
00:52:27,430 --> 00:52:30,409
Oh when she's angry
she is keen and shrewd.

778
00:52:30,411 --> 00:52:32,784
She was a vixen when she went to school.

779
00:52:32,786 --> 00:52:35,258
And though she be but
little, she is fierce.

780
00:52:35,260 --> 00:52:37,734
Little again, nothing
but low and little.

781
00:52:37,736 --> 00:52:39,319
Let me come to her.

782
00:52:43,412 --> 00:52:46,495
I am amazed and know not what to say.

783
00:52:58,762 --> 00:53:00,345
- Helena!
- Helena!

784
00:53:05,114 --> 00:53:07,086
This is thy negligence.

785
00:53:07,088 --> 00:53:09,012
Still thou mistakest.

786
00:53:09,014 --> 00:53:11,611
Or else committest thy
knaveries willfully?

787
00:53:11,613 --> 00:53:15,786
Believe me, King of Shadows, I mistook.

788
00:53:15,788 --> 00:53:18,121
Robin, overcast the night,

789
00:53:19,502 --> 00:53:22,638
and lead these testy rivals so astray

790
00:53:22,640 --> 00:53:25,723
as one come not within another's way.

791
00:53:29,814 --> 00:53:33,812
Crush this flower into Lysander's eye,

792
00:53:33,814 --> 00:53:37,136
whose liquor hath this virtuous property,

793
00:53:37,138 --> 00:53:40,888
to take from thence all
error with his might,

794
00:53:42,840 --> 00:53:46,590
and make his eyeballs
roll with wonted sight.

795
00:53:55,614 --> 00:53:59,738
Here will I rest me
till the break of day.

796
00:53:59,740 --> 00:54:03,407
Heavens shield Lysander
if they mean a fray.

797
00:54:09,065 --> 00:54:11,013
♪ If you're ready to Foreday ♪

798
00:54:11,015 --> 00:54:16,015
♪ We must been oi, oh we
must been oi, Foreday ♪

799
00:54:16,207 --> 00:54:21,336
♪ You bet, we going to play ♪

800
00:54:21,338 --> 00:54:22,734
♪ Foreday Morning Jam ♪

801
00:54:22,736 --> 00:54:24,834
♪ It's the Foreday Morning Jam ♪

802
00:54:24,836 --> 00:54:26,685
♪ It's Foreday morning fun ♪

803
00:54:26,687 --> 00:54:28,286
♪ Foreday Morning Jam ♪

804
00:54:28,288 --> 00:54:29,485
♪ Boom, here we go ♪

805
00:54:29,487 --> 00:54:31,125
♪ Choose a bumper to ride
or stand on the side ♪

806
00:54:31,127 --> 00:54:33,023
♪ You're blocking the action ♪

807
00:54:33,025 --> 00:54:34,873
♪ Find an action to do
and follow it through ♪

808
00:54:34,875 --> 00:54:36,797
♪ Get bodies in motion ♪

809
00:54:36,799 --> 00:54:41,248
And sleep that sometimes
shuts up sorrow's eyes,

810
00:54:41,250 --> 00:54:44,374
steal me awhile from mine own company.

811
00:54:44,376 --> 00:54:47,126
♪ Foreday, today ♪

812
00:54:48,374 --> 00:54:51,874
(FOREST ANIMALS TWEETING)

813
00:54:59,316 --> 00:55:01,733
On the ground, sleep sound.

814
00:55:02,785 --> 00:55:06,452
I'll apply to your eye
gentle lover, remedy.

815
00:55:11,091 --> 00:55:14,508
When thou wakest thou takest true delight

816
00:55:15,835 --> 00:55:18,362
in thy former lady's eye.

817
00:55:18,364 --> 00:55:21,864
Jack shall have Jill, nought shall go ill.

818
00:55:23,741 --> 00:55:26,574
The man shall have his mare again,

819
00:55:28,219 --> 00:55:30,052
and all shall be well.

820
00:55:45,111 --> 00:55:46,535
And now I have the boy,

821
00:55:46,537 --> 00:55:50,436
I will undo this hateful
imperfection of her eyes.

822
00:55:50,438 --> 00:55:54,636
And gentle Puck take
this transformed scalp

823
00:55:54,638 --> 00:55:57,260
from off the head of this homespun swain,

824
00:55:57,262 --> 00:56:00,494
that he awaking when the other do,

825
00:56:00,496 --> 00:56:04,163
may think no more of
this night's accidents,

826
00:56:06,496 --> 00:56:09,663
but as the fierce vexation of a dream.

827
00:56:12,552 --> 00:56:15,135
(MELLOW MUSIC)

828
00:56:59,602 --> 00:57:03,042
How came these things to pass?

829
00:57:03,044 --> 00:57:04,461
Silence awhile.

830
00:57:05,827 --> 00:57:07,910
Robin, take off his head.

831
00:57:10,527 --> 00:57:12,194
Titania, music call.

832
00:57:19,985 --> 00:57:23,485
(LIVELY PERCUSSION MUSIC)

833
00:57:30,960 --> 00:57:35,579
Now when thou wakest with
thine own fool's eyes peep.

834
00:57:35,581 --> 00:57:39,081
(LIVELY PERCUSSION MUSIC)

835
00:57:51,603 --> 00:57:56,603
(ROOSTER CROWING)
(BIRDS CHIRPING)

836
00:58:20,134 --> 00:58:21,134
Thank you.

837
00:58:30,510 --> 00:58:33,767
(CLEARS THROAT)

838
00:58:33,769 --> 00:58:35,183
Good morrow, friends.

839
00:58:35,185 --> 00:58:37,185
I pray you all stand up.

840
00:58:41,443 --> 00:58:43,166
Pardon, sir.

841
00:58:43,168 --> 00:58:44,391
I know you two are rival enemies.

842
00:58:44,393 --> 00:58:46,841
How comes this gentle concord in the world

843
00:58:46,843 --> 00:58:48,315
that hatred is so far from jealousy

844
00:58:48,317 --> 00:58:50,569
to sleep by hate, and fear no enmity?

845
00:58:50,571 --> 00:58:53,071
Sir, I shall reply amazedly.

846
00:58:54,222 --> 00:58:57,066
Half sleep, half waking but as yet I swear

847
00:58:57,068 --> 00:58:59,985
I cannot truly say how I came here.

848
00:59:01,999 --> 00:59:03,999
But as I think so it is,

849
00:59:05,224 --> 00:59:07,391
I came with Hermia hither.

850
00:59:08,674 --> 00:59:09,545
Our intent was to...

851
00:59:09,547 --> 00:59:10,523
Enough!

852
00:59:10,525 --> 00:59:13,097
Dear Egeus, I know not by what power

853
00:59:13,099 --> 00:59:15,573
but by some power it is.

854
00:59:15,575 --> 00:59:18,658
My love to Hermia melted as the snow.

855
00:59:20,775 --> 00:59:23,372
And all my love is only Helena's.

856
00:59:23,374 --> 00:59:26,049
Fair lovers you are fortunately met.

857
00:59:26,051 --> 00:59:28,291
Of this discourse we shall hear more anon.

858
00:59:28,293 --> 00:59:30,687
Egeus, I will overbear your will,

859
00:59:30,689 --> 00:59:33,161
for in the chapel by and by with us,

860
00:59:33,163 --> 00:59:36,207
these couples shall eternally be knit.

861
00:59:36,209 --> 00:59:37,542
Come, Hippolyta.

862
00:59:48,884 --> 00:59:52,263
'Tis strange, my Theseus,
that these lovers speak of.

863
00:59:52,265 --> 00:59:54,223
More strange than true.

864
00:59:54,225 --> 00:59:57,288
Lovers and madmen have
such seething brains,

865
00:59:57,290 --> 00:59:59,309
such shaping fantasies as apprehend

866
00:59:59,311 --> 01:00:02,561
more than cool reason ever comprehends.

867
01:00:15,041 --> 01:00:18,958
When my cue comes, call
me and I will answer.

868
01:00:19,800 --> 01:00:20,633
Quincy?

869
01:00:21,468 --> 01:00:23,023
Hook?

870
01:00:23,025 --> 01:00:24,108
Line, Sinker?

871
01:00:28,117 --> 01:00:28,950
My God.

872
01:00:30,725 --> 01:00:33,392
Stolen hence and left me asleep.

873
01:00:37,384 --> 01:00:39,884
I have had a most rare vision.

874
01:00:40,868 --> 01:00:43,007
I have had a dream past the wit of man

875
01:00:43,009 --> 01:00:45,092
to say what dream it was.

876
01:00:46,368 --> 01:00:47,701
Methought I was,

877
01:00:49,045 --> 01:00:50,545
methought I had...

878
01:00:54,744 --> 01:00:57,291
But man is but a patched
fool if he will offer to say

879
01:00:57,293 --> 01:00:59,043
what methought I had.

880
01:01:11,888 --> 01:01:15,680
I will get Peter Quince to
write a ballad of this dream.

881
01:01:15,682 --> 01:01:18,730
It shall be called Bottom's Dream,

882
01:01:18,732 --> 01:01:20,899
because it hath no bottom!

883
01:01:23,592 --> 01:01:26,175
(UPBEAT MUSIC)

884
01:01:29,816 --> 01:01:32,649
(PEOPLE CHEERING)

885
01:01:34,141 --> 01:01:36,228
♪ I'm coming home ♪

886
01:01:36,230 --> 01:01:38,655
♪ Back home to you ♪

887
01:01:38,657 --> 01:01:39,990
♪ And I know now for sure ♪

888
01:01:39,992 --> 01:01:42,866
♪ That my wandering days are through ♪

889
01:01:42,868 --> 01:01:47,415
♪ I look around most every place ♪

890
01:01:47,417 --> 01:01:52,417
♪ But all that I ever
see is your lovely face ♪

891
01:01:53,142 --> 01:01:57,241
♪ When I came back darling
say you'll marry me ♪

892
01:01:57,243 --> 01:02:01,542
♪ I wanna spend my life with you ♪

893
01:02:01,544 --> 01:02:06,544
♪ A little band of gold
for everyone to see ♪

894
01:02:14,193 --> 01:02:16,090
Has she come home yet?

895
01:02:16,092 --> 01:02:17,841
Nobody ain't hear from her.

896
01:02:17,843 --> 01:02:20,740
I think she get kidnapped.

897
01:02:20,742 --> 01:02:22,614
We can't do the play without her, right?

898
01:02:22,616 --> 01:02:25,366
Nope, that would be impossible.

899
01:02:26,869 --> 01:02:28,237
There's nobody in Barbados

900
01:02:28,239 --> 01:02:31,156
that can play King Jaja but Bottom.

901
01:02:34,572 --> 01:02:35,739
Poor Bottom.

902
01:02:36,919 --> 01:02:40,419
And she always wanted to go to London too.

903
01:02:42,995 --> 01:02:45,050
Where are these lads?

904
01:02:45,052 --> 01:02:46,686
Where are these hearts?

905
01:02:46,688 --> 01:02:47,938
ALL: Bottom!

906
01:02:50,048 --> 01:02:53,668
I have something quite
amazing to tell you all.

907
01:02:53,670 --> 01:02:55,192
What happened?

908
01:02:55,194 --> 01:02:56,317
Later.

909
01:02:56,319 --> 01:02:59,481
Right now, we have to
get ready for our play.

910
01:02:59,483 --> 01:03:00,393
(CHEERING)

911
01:03:00,395 --> 01:03:03,893
Dear actors, eat no onions nor garlic.

912
01:03:03,895 --> 01:03:06,668
For we are to utter sweet breath

913
01:03:06,670 --> 01:03:10,912
and I do not doubt but to hear
them say it is a sweet story.

914
01:03:10,914 --> 01:03:12,742
(CHEERING)

915
01:03:12,744 --> 01:03:15,194
ALL: Hey, hey, hey, hey, hey!

916
01:03:15,196 --> 01:03:16,545
Wait, wait, wait.

917
01:03:16,547 --> 01:03:17,617
What she say?

918
01:03:17,619 --> 01:03:18,450
QUINCY: Man.

919
01:03:18,452 --> 01:03:21,119
ALL: Hey, hey, hey, hey, hey!

920
01:03:22,071 --> 01:03:25,488
(FOREIGN LANGUAGE MUSIC)

921
01:03:56,497 --> 01:03:59,747
(AUDIENCE APPLAUDING)

922
01:04:03,990 --> 01:04:07,407
(TENSE ORCHESTRAL MUSIC)

923
01:04:16,047 --> 01:04:17,796
Say, what abridgement
have you for this evening?

924
01:04:17,798 --> 01:04:19,322
What masque, what music?

925
01:04:19,324 --> 01:04:22,397
Is there no play to ease the
anguish of a torturing hour?

926
01:04:22,399 --> 01:04:25,597
Here is a list of the acts
that have been prepared.

927
01:04:25,599 --> 01:04:28,416
Amazing Grace sung by
an Anglican church choir.

928
01:04:28,418 --> 01:04:30,547
No, I want none of that.

929
01:04:30,549 --> 01:04:34,397
Romeo and Juliet, that's an old device.

930
01:04:34,399 --> 01:04:38,422
The Untold Love Story of
King Jaja and Young Becca.

931
01:04:38,424 --> 01:04:42,252
A very tragical mirth,
I shall hear that play.

932
01:04:42,254 --> 01:04:44,338
No sir, it is not for you.

933
01:04:44,340 --> 01:04:46,900
I have heard it over and it is nothing.

934
01:04:46,902 --> 01:04:47,777
Who are the actors?

935
01:04:47,779 --> 01:04:49,076
Some poor fisherman from the village

936
01:04:49,078 --> 01:04:51,550
and none of them have
any acting experience.

937
01:04:51,552 --> 01:04:53,228
I know they've worn out
their out-of-shape brains

938
01:04:53,230 --> 01:04:55,230
to put on this play for your wedding.

939
01:04:55,232 --> 01:04:56,652
I shall hear that play.

940
01:04:56,654 --> 01:05:00,071
(TENSE ORCHESTRAL MUSIC)

941
01:05:07,304 --> 01:05:08,199
(LAUGHING)

942
01:05:08,201 --> 01:05:12,034
FRIENDS: Hey, hey,
hey, hey, hey, hey, hey!

943
01:05:16,200 --> 01:05:19,367
(AUDIENCE APPLAUDING)

944
01:05:27,275 --> 01:05:29,725
Ladies and gentlemen, our play is called

945
01:05:29,727 --> 01:05:34,724
The Untold Love Story of King
Jaja and the Young Becca.

946
01:05:34,726 --> 01:05:36,515
It is something I made up in my head

947
01:05:36,517 --> 01:05:39,615
based on a story that
my grandmother told me

948
01:05:39,617 --> 01:05:41,964
when I was growing up.

949
01:05:41,966 --> 01:05:44,915
To tell you the truth,
it could be my uncle

950
01:05:44,917 --> 01:05:46,065
now that I think of it.

951
01:05:46,067 --> 01:05:47,858
This speech is like a tangled chain.

952
01:05:47,860 --> 01:05:49,933
This man in the steel suit portrays

953
01:05:49,935 --> 01:05:52,338
a horrible piece of galvanize

954
01:05:52,340 --> 01:05:55,146
that comes between the lovers.

955
01:05:55,148 --> 01:05:59,148
The lovers are happy to
whisper through a crack.

956
01:06:00,850 --> 01:06:02,517
My name is Sinker.

957
01:06:04,016 --> 01:06:05,599
King Jaja and Becca

958
01:06:08,398 --> 01:06:11,481
speak sweet nothings through my hole.

959
01:06:14,599 --> 01:06:16,189
- Crack.
- Crack.

960
01:06:16,191 --> 01:06:20,421
It's the smartest
partition I ever heard speak.

961
01:06:20,423 --> 01:06:22,423
Oh, grim looked night.

962
01:06:23,276 --> 01:06:26,098
Oh night with hue so black.

963
01:06:26,100 --> 01:06:29,350
Oh night oh night, alack, alack, alack.

964
01:06:30,950 --> 01:06:33,950
I fear my Becca's promise is forgot.

965
01:06:36,075 --> 01:06:39,125
Thanks courteous galvanize.

966
01:06:39,127 --> 01:06:40,117
What is this?

967
01:06:40,119 --> 01:06:41,233
What's the eye?

968
01:06:41,235 --> 01:06:43,138
No Becca I see.

969
01:06:43,140 --> 01:06:46,390
Cursed thy steel for thus deceiving me.

970
01:06:47,440 --> 01:06:51,089
The galvanize methinks being
sensible should curse again.

971
01:06:51,091 --> 01:06:54,313
No, in truth, sir, he should not.

972
01:06:54,315 --> 01:06:56,741
Deceiving me is Becca's cue.

973
01:06:56,743 --> 01:07:01,114
She is to enter now and I am
to spy through the galvanize.

974
01:07:01,116 --> 01:07:02,390
You shall see.

975
01:07:02,392 --> 01:07:03,933
It will fall pat as I told you.

976
01:07:03,935 --> 01:07:06,182
(QUINCY CLEARS THROAT)

977
01:07:06,184 --> 01:07:07,684
Thus deceiving me.

978
01:07:09,009 --> 01:07:09,842
Hook.

979
01:07:13,634 --> 01:07:16,375
(AUDIENCE LAUGHING)

980
01:07:16,377 --> 01:07:21,207
Galvanize, you know I've
been waiting on my beloved Jaja

981
01:07:21,209 --> 01:07:24,233
and you couldn't tell me he was here?

982
01:07:24,235 --> 01:07:25,568
I see a voice.

983
01:07:26,785 --> 01:07:29,202
I will now to the hole to spy

984
01:07:30,968 --> 01:07:33,807
and I can hear my Becca's face.

985
01:07:33,809 --> 01:07:34,730
Becca?

986
01:07:34,732 --> 01:07:37,502
Jaja, baby, is that you, my love?

987
01:07:37,504 --> 01:07:38,421
Oh, look.

988
01:07:41,375 --> 01:07:45,875
Kiss me through this hole,
this hole of the galvanize.

989
01:07:52,487 --> 01:07:57,385
Wilt thou to the constipation
statue meet me straightaway?

990
01:07:57,387 --> 01:07:59,460
Emancipation statue, emancipation.

991
01:07:59,462 --> 01:08:04,462
Wilt thou to the emancipation
statue meet me straightaway?

992
01:08:05,412 --> 01:08:06,985
I will have to catch two zedars

993
01:08:06,987 --> 01:08:10,286
and walk across Bridgetown
but I will come.

994
01:08:10,288 --> 01:08:13,288
(AUDIENCE LAUGHING)

995
01:08:15,182 --> 01:08:17,610
This is the silliest
stuff I've ever heard.

996
01:08:17,612 --> 01:08:19,061
The best in this kind are but shadows

997
01:08:19,063 --> 01:08:22,062
and the worst are no worse
if imagination mends it.

998
01:08:22,064 --> 01:08:26,261
The moonlight that King
Jaja and Becca meet under.

999
01:08:26,263 --> 01:08:31,096
And the evil steel donkey that
foils their romantic plans.

1000
01:08:33,414 --> 01:08:34,965
I am wary of this moon.

1001
01:08:34,967 --> 01:08:36,717
What he would change?

1002
01:08:38,215 --> 01:08:43,014
The moonshine will now play
the Bussa Emancipation Statue.

1003
01:08:43,016 --> 01:08:44,683
Well done, statue.

1004
01:08:47,780 --> 01:08:50,336
Under which the lovers meet.

1005
01:08:50,338 --> 01:08:52,961
(CHUCKLING)

1006
01:08:52,963 --> 01:08:56,130
THESEUS: Silence, here comes Becca.

1007
01:08:57,440 --> 01:08:59,326
Is this the constipation statue?

1008
01:08:59,328 --> 01:09:00,420
Emancipation!

1009
01:09:00,422 --> 01:09:02,380
(LAUGHING)

1010
01:09:02,382 --> 01:09:04,382
Where is my King Jaja?

1011
01:09:07,054 --> 01:09:09,551
Where is my King Jaja?

1012
01:09:09,553 --> 01:09:10,800
Sinker.

1013
01:09:10,802 --> 01:09:11,635
Neigh.

1014
01:09:12,502 --> 01:09:13,335
Neigh!

1015
01:09:14,334 --> 01:09:16,083
Well roared steel donkey.

1016
01:09:16,085 --> 01:09:17,339
Well run Becca.

1017
01:09:17,341 --> 01:09:21,030
As Becca ran away from the steel donkey,

1018
01:09:21,032 --> 01:09:24,957
she dropped her scarf which
was stained with the blood

1019
01:09:24,959 --> 01:09:27,881
from the steel donkey's mouth.

1020
01:09:27,883 --> 01:09:28,716
Bottom.

1021
01:09:33,935 --> 01:09:35,685
But stay, oh spite.

1022
01:09:37,109 --> 01:09:39,132
But mark poor knight.

1023
01:09:39,134 --> 01:09:41,384
What dreadful dole is here.

1024
01:09:42,260 --> 01:09:43,760
Eyes, can you see?

1025
01:09:45,033 --> 01:09:46,607
How can it be?

1026
01:09:46,609 --> 01:09:48,609
Oh dainty duck, oh dear.

1027
01:09:49,802 --> 01:09:51,302
O fates come come,

1028
01:09:53,565 --> 01:09:56,113
cut thread and thrum.

1029
01:09:56,115 --> 01:09:58,948
Quail, conclude, crush, and quell.

1030
01:10:00,481 --> 01:10:01,961
This passion and the
death of a dear friend

1031
01:10:01,963 --> 01:10:05,046
would go near to make a man look sad.

1032
01:10:06,587 --> 01:10:08,587
My soul is in the sky.

1033
01:10:09,512 --> 01:10:11,345
Tongue lose thy light.

1034
01:10:12,913 --> 01:10:13,746
Moon,

1035
01:10:17,887 --> 01:10:20,010
take thy flight.

1036
01:10:20,012 --> 01:10:21,095
For now, die.

1037
01:10:21,988 --> 01:10:23,571
Die, die, die, die.

1038
01:10:27,919 --> 01:10:28,752
Die.

1039
01:10:34,745 --> 01:10:37,120
(AUDIENCE APPLAUDING)

1040
01:10:37,122 --> 01:10:38,455
Hey, hey, hey!

1041
01:10:42,345 --> 01:10:43,762
Asleep my love?

1042
01:10:45,971 --> 01:10:47,471
What dead my dove?

1043
01:10:48,996 --> 01:10:50,746
Oh Jaja arise, speak.

1044
01:10:53,121 --> 01:10:54,317
Quite dumb?

1045
01:10:54,319 --> 01:10:55,152
Dead?

1046
01:10:56,096 --> 01:10:56,929
Dead?

1047
01:10:58,021 --> 01:11:00,242
A tomb must cover thy eyes.

1048
01:11:00,244 --> 01:11:03,077
Oh sisters three come, come to me.

1049
01:11:05,221 --> 01:11:06,721
Come trusty sword.

1050
01:11:17,396 --> 01:11:21,093
(AUDIENCE APPLAUDING)

1051
01:11:21,095 --> 01:11:25,012
Fine tragedy, very notably discharged.

1052
01:11:25,014 --> 01:11:27,597
(UPBEAT MUSIC)

1053
01:11:41,822 --> 01:11:42,655
We won!

1054
01:11:43,715 --> 01:11:46,174
ALL: Hey, hey, hey, hey, hey!

1055
01:11:46,176 --> 01:11:48,147
♪ King Jaja of Opobo ♪

1056
01:11:48,149 --> 01:11:50,605
♪ Sailing down to the shore ♪

1057
01:11:50,607 --> 01:11:52,829
♪ King Jaja of Opobo ♪

1058
01:11:52,831 --> 01:11:56,498
♪ Sailing down to the shore ♪

1059
01:12:01,832 --> 01:12:04,915
(LIGHT MELLOW MUSIC)

1060
01:12:13,131 --> 01:12:16,680
The iron tongue of
midnight hath told 12.

1061
01:12:16,682 --> 01:12:19,849
Lovers to bed, 'tis almost fairy time.

1062
01:12:27,332 --> 01:12:30,332
(PEOPLE CHATTERING)

1063
01:13:02,416 --> 01:13:05,499
(LIGHT MELLOW MUSIC)

1064
01:13:14,623 --> 01:13:17,372
This palpable gross
play hath well beguiled

1065
01:13:17,374 --> 01:13:20,146
the heavy gait of night.

1066
01:13:20,148 --> 01:13:21,981
Sweet friends, to bed.

1067
01:13:29,024 --> 01:13:33,691
Now the hungry lion roars and
the wolf behowls the moon.

1068
01:13:37,450 --> 01:13:42,000
And we fairies that do run
from the presence of the sun

1069
01:13:42,002 --> 01:13:43,252
now are frolic.

1070
01:13:46,151 --> 01:13:49,234
(LIGHT MELLOW MUSIC)

1071
01:14:11,696 --> 01:14:15,050
Through the house give glimmering light.

1072
01:14:15,052 --> 01:14:17,725
By the dead and drowsy fire,

1073
01:14:17,727 --> 01:14:22,644
every elf and fairy sprite hop
as light as bird from brier.

1074
01:14:23,697 --> 01:14:26,573
Hand in hand with fairy grace

1075
01:14:26,575 --> 01:14:29,408
will we sing and bless this place.

1076
01:14:30,978 --> 01:14:33,728
(ANIMALS CAWING)

1077
01:14:44,580 --> 01:14:47,228
LITTLE BOY: Now until the break of day,

1078
01:14:47,230 --> 01:14:50,602
through this house each fairy stray.

1079
01:14:50,604 --> 01:14:55,604
To the best bride bed will we,
which by us shall blessed be.

1080
01:14:57,366 --> 01:15:01,616
And the issue there create
ever shall be fortunate.

1081
01:15:02,868 --> 01:15:07,368
So shall all the couples
three ever true in loving be.

1082
01:15:08,418 --> 01:15:10,918
And the blots of nature's hand

1083
01:15:12,291 --> 01:15:14,874
shall not in their issue stand.

1084
01:15:15,841 --> 01:15:19,841
(ANIMALS SCREECHING AND CAWING)

1085
01:15:36,941 --> 01:15:39,285
If we shadows have offended,

1086
01:15:39,287 --> 01:15:42,682
think but this and all is mended.

1087
01:15:42,684 --> 01:15:44,257
That you have but slumbered here

1088
01:15:44,259 --> 01:15:46,842
while these visions did appear.

1089
01:15:48,034 --> 01:15:50,451
And this weak and idle theme,

1090
01:15:53,070 --> 01:15:55,487
no more yielding but a dream.

1091
01:15:59,161 --> 01:16:02,244
(LIGHT MELLOW MUSIC)

1092
01:16:33,845 --> 01:16:37,019
LITTLE BOY: And this
weak and idle theme,

1093
01:16:37,021 --> 01:16:39,438
no more yielding but a dream.

1094
01:17:03,088 --> 01:17:06,171
(LIGHT MELLOW MUSIC)

1095
01:17:51,711 --> 01:17:56,711
Subtitles by explosiveskull

1096
01:18:08,226 --> 01:18:11,726
(LIVELY PERCUSSION MUSIC)

1097
01:19:28,996 --> 01:19:31,579
(UPBEAT MUSIC)

1098
01:19:43,979 --> 01:19:46,069
♪ Dum, ain't nothing in the world ♪

1099
01:19:46,071 --> 01:19:47,504
♪ Like a real real Bajan ♪

1100
01:19:47,506 --> 01:19:50,103
♪ Anywhere we go in the world ♪

1101
01:19:50,105 --> 01:19:51,504
♪ You can tell where we come from ♪

1102
01:19:51,506 --> 01:19:54,078
♪ Dum ain't nothing in the world, ♪

1103
01:19:54,080 --> 01:19:55,479
♪ Like a real real Bajan ♪

1104
01:19:55,481 --> 01:19:58,004
♪ Anywhere we go in the world ♪

1105
01:19:58,006 --> 01:20:00,354
♪ You can tell where we come from ♪

1106
01:20:00,356 --> 01:20:01,533
♪ This one for the children dat raise up ♪

1107
01:20:01,535 --> 01:20:03,852
♪ Running bout barefoot
foot full of nail jacks ♪

1108
01:20:03,854 --> 01:20:05,529
♪ Girls look good with out the makeup ♪

1109
01:20:05,531 --> 01:20:07,779
♪ Cross the road making
everything brake up ♪

1110
01:20:07,781 --> 01:20:09,778
♪ Peppa sauce pon the food for the flava ♪

1111
01:20:09,780 --> 01:20:11,847
♪ We's play cricket
with the ball tape up ♪

1112
01:20:11,849 --> 01:20:13,869
♪ No straight drive bare
swipes no square cuts ♪

1113
01:20:13,871 --> 01:20:15,969
♪ At the match see the
man with the baked nuts ♪

1114
01:20:15,971 --> 01:20:17,893
♪ Your can pay your
neighbor for a haircut ♪

1115
01:20:17,895 --> 01:20:19,819
♪ We does hear cocks
crow when we wake up ♪

1116
01:20:19,821 --> 01:20:21,669
♪ Strictly 246, no vacation ♪

1117
01:20:21,671 --> 01:20:24,288
♪ Proud to be one because I's a Bajan ♪

1118
01:20:24,290 --> 01:20:26,017
♪ Dum ain't nothing in the world ♪

1119
01:20:26,019 --> 01:20:27,844
♪ Like a real real Bajan ♪

1120
01:20:27,846 --> 01:20:29,969
♪ Anywhere we go in the world ♪

1121
01:20:29,971 --> 01:20:31,693
♪ You can tell where we come from ♪

1122
01:20:31,695 --> 01:20:33,944
♪ Dum ain't nothing in the world ♪

1123
01:20:33,946 --> 01:20:35,469
♪ Like a real real Bajan ♪

1124
01:20:35,471 --> 01:20:38,042
♪ Anywhere we go in the world ♪

1125
01:20:38,044 --> 01:20:39,887
♪ You can tell where we come from ♪

1126
01:20:39,889 --> 01:20:41,769
♪ This one for all who's
let the club last ♪

1127
01:20:41,771 --> 01:20:43,920
♪ Then does go wait to catch bus ♪

1128
01:20:43,922 --> 01:20:46,045
♪ For the people who know
every Christmas morning ♪

1129
01:20:46,047 --> 01:20:47,853
♪ Dum eating ham cutters for breakfast ♪

1130
01:20:47,855 --> 01:20:50,048
♪ For the girls in short
skirts with nuff nuff class ♪

1131
01:20:50,050 --> 01:20:51,923
♪ When dum pass making
all the men just cause ♪

1132
01:20:51,925 --> 01:20:53,523
♪ For the people who's
wait pun the bread, man ♪

1133
01:20:53,525 --> 01:20:55,793
♪ Sunday's to buy
turnovers and jam puffs ♪

1134
01:20:55,795 --> 01:20:58,324
♪ For the ole rum shop, men,
with guts plus glasses o'rum ♪

1135
01:20:58,326 --> 01:20:59,899
♪ Making dominoes shuffle up ♪

1136
01:20:59,901 --> 01:21:01,699
♪ Bring another one 'bout day so horns ♪

1137
01:21:01,701 --> 01:21:03,824
♪ Giving way quick and
I feel we's get enough ♪

1138
01:21:03,826 --> 01:21:05,871
♪ Dum ain't nothing in the world ♪

1139
01:21:05,873 --> 01:21:07,399
♪ Like a real real Bajan ♪

1140
01:21:07,401 --> 01:21:09,874
♪ Anywhere we go in the world ♪

1141
01:21:09,876 --> 01:21:11,500
♪ You can tell where we come from ♪

1142
01:21:11,502 --> 01:21:13,924
♪ Dum ain't nothing in the world ♪

1143
01:21:13,926 --> 01:21:15,424
♪ Like a real real Bajan ♪

1144
01:21:15,426 --> 01:21:17,899
♪ Anywhere we go in the world ♪

1145
01:21:17,901 --> 01:21:20,048
♪ You can tell where we come from ♪

1146
01:21:20,050 --> 01:21:21,927
♪ Raise up your foot, jack up your hand ♪

1147
01:21:21,929 --> 01:21:23,835
♪ If you know you's a real real Bajan ♪

1148
01:21:23,837 --> 01:21:25,637
♪ Raise up your foot, jack up your hand ♪

1149
01:21:25,639 --> 01:21:27,734
♪ If you know you's a real real Bajan ♪

1150
01:21:27,736 --> 01:21:29,661
♪ Raise up your foot, jack up your hand ♪

1151
01:21:29,663 --> 01:21:31,694
♪ If you know you's a real real Bajan ♪

1152
01:21:31,696 --> 01:21:35,711
♪ Raise up your foot, jack up your hand ♪

1153
01:21:35,713 --> 01:21:37,857
♪ Dum ain't nothing in the world ♪

1154
01:21:37,859 --> 01:21:39,463
♪ Like a real real Bajan ♪

1155
01:21:39,465 --> 01:21:41,861
♪ Anywhere we go in the world ♪

1156
01:21:41,863 --> 01:21:43,563
♪ You can tell where we come from ♪

1157
01:21:43,565 --> 01:21:45,911
♪ Dum ain't nothing in the world ♪

1158
01:21:45,913 --> 01:21:47,388
♪ Like a real real Bajan ♪

1159
01:21:47,390 --> 01:21:49,860
♪ Anywhere we go in the world ♪

1160
01:21:49,862 --> 01:21:51,663
♪ You can tell where we come from ♪

1161
01:21:51,665 --> 01:21:53,838
♪ Dum ain't nothing in the world ♪

1162
01:21:53,840 --> 01:21:55,212
♪ Like a real real Bajan ♪

1163
01:21:55,214 --> 01:21:57,888
♪ Anywhere we go in the world ♪

1164
01:21:57,890 --> 01:21:59,362
♪ You can tell where we come from ♪

1165
01:21:59,364 --> 01:22:01,938
♪ Dum ain't nothing in the world ♪

1166
01:22:01,940 --> 01:22:03,284
♪ Like a real real Bajan ♪

1167
01:22:03,286 --> 01:22:05,937
♪ Anywhere we go in the world ♪

1168
01:22:05,939 --> 01:22:07,362
♪ You can tell where we come from ♪

1169
01:22:07,364 --> 01:22:09,816
♪ Dum ain't nothing ♪
♪ Raise up your foot ♪

1170
01:22:09,818 --> 01:22:10,649
♪ Jack up your hand ♪
♪ In the world ♪

1171
01:22:10,651 --> 01:22:11,790
♪ Jack up your hand ♪
♪ Like a real real Bajan ♪

1172
01:22:11,792 --> 01:22:13,977
♪ Raise up the foot ♪
♪ Anywhere we go in the world ♪

1173
01:22:13,979 --> 01:22:14,816
♪ Jack up your hand ♪
♪ You can tell ♪

1174
01:22:14,818 --> 01:22:15,649
♪ Where we come from ♪

1175
01:22:15,651 --> 01:22:17,152
♪ Dum ain't nothing ♪
♪ Raise up your foot ♪

1176
01:22:17,154 --> 01:22:17,985
♪ In the world ♪

1177
01:22:17,987 --> 01:22:19,622
♪ Like a real real Bajan ♪
♪ Jack up your hand ♪

1178
01:22:19,624 --> 01:22:21,558
♪ Anywhere we go ♪
♪ Raise up your foot ♪

1179
01:22:21,560 --> 01:22:22,473
♪ In the world ♪
♪ Jack up your hand ♪

1180
01:22:22,475 --> 01:22:26,642
♪ You can tell where we come from ♪